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Friday, August 5, 2016

August (Where’d That Come From?) 2016 One Week Challenge - post author Don

Submit your script to the one week challenge/excercise/thing…

Welcome to the August (Where’d that come from?) 2016 One Week Challenge:

This is a ‘real world’ One Week Challenge. You’ve received no warning and you have one week to write a script based upon the requirements given.

Topic: Trapped in a Taxi Cab*
Genre: Open
Budget: Low

*Can be a car for hire, e.g., Lyft or Uber or Limo

You have seven days to write a screenplay of up to ten (10) pages. The screenplay must be properly formatted and in PDF format. The scripts are due on Friday, August 12th at 11:59PM EST and must be submitted to:

There will be a Writer’s Choice wherein the participants (and only the participants) will be asked to select the three scripts he or she likes the best.


August 5th at 10:00PM EST – Theme and Genre announced.
August 12th at 11:59PM EST – Scripts are due.
August 26th at 5:00PM EST – Names and writer’s choice revealed.

The Gist:

Up to 10 pages max. Properly formatted & saved as a PDF file. This isn’t a contest. There are no prizes. Free to submit. One entry per person (if you can sneak a second one by me, you are more than welcome to try).

You can revise your script as many times as you wish up until 11:59PM EST on August 12th, however try not to submit until you’re absolutely sure you’re submitting something you’re proud to submit.

This Exercise is limited to members of the Discussion Board. Participants are strongly encouraged to read and comment/review on the scripts submitted.

Do not put your real name on your script. However, please use your real name when submitting your script. (After the challenge closes you can either have your script removed or resubmit with your script with your name on it.

Please put © 2016. This work may not be used for any purpose without the expressed written permission of the author on the bottom of your title page.

Niner by Eric Dickson filmed - post author Don

Niner (132 page thriller in pdf format) by Eric Dickson.

An offbeat cop harbors and blackmails “The Christmas Eve Killer”.

Niner (2014) – a feature length film from Grant Pichla on Vimeo.

Discuss this script on the Discussion Board

Lavender’s Blue – Short Script Review (Available for Production) - post author KP Mackie


Lavender’s Blue

“A young thief finds compassion in the unlikely source of his arresting officer.”

Never underestimate the power of an effective film title. It’s the attention-getter. Titles can be quite literal (for instance Godzilla, The King’s Speech, or My Best Friend’s Wedding.) Or you may need to watch the movie to figure it out the reference: ala Enough Said, Jacob’s Ladder, and The Shawshank Redemption. Depending on who’s in control on movie night, sometimes the title is all an audience member knows going in. But – whichever direction you choose – the title needs to be relevant and stand out!

In Lavender’s Blue, the meaning of the title is subtle – emerging slowly as the drama enfolds. As the script opens, world-weary veteran Inspector Foster and young Sergeant Watts interrogate a sullen teen accused of stealing… of all things, a lavender scented gift pack of toiletries.

After a few grueling rounds of good cop/bad cop – and one rather sneaky maneuver on Foster’s part – they figure out the boy’s name: 17 year old Chris Turner. More digging uncovers the surprising reason for Chris’ theft. Foster and Watts find themselves faced with a decision: throw the book at the unlucky perp. Or take pity on the kid – bringing him (and his stolen loot) on an unexpected side trip…

An award winning tale, Lavender’s Blue is subtly written with multiple layers; perfect for any director looking to produce an emotionally complex drama that’ll stay with their audience long after credits roll.

About the writer: Boasting an MA in Scriptwriting for Film, Theatre, TV & Radio, MJ is an award winning writer, with shorts optioned and produced in countries as diverse as Croatia and Norway. Residing in sunny England, she is currently hard at work developing a series with the BBC Writersroom – as well as working on a number of features (including one low-budget horror and a fantasy adventure script.) Her website is available here: MJ herself can be reached via mjhermanny – AT – gmail!

Pages: 5

Budget: Relatively low. Settings include an interrogation room and a “hospital” type setting. For your four main characters, make sure to get actors with a strong and nuanced emotional range. Because this script deserves to be done properly!

About the reviewer for Lavender’s Blue:California uber reader/reviewer KP Mackie is working hard on her animated feature. KP’s work is available at!





All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Thursday, August 4, 2016

Surrender – by Mark Renshaw – Filmed - post author Don

Surrender (short, drama, 9 pages in pdf format) by Mark Renshaw

An addict struggles with reality while trying to live a normal life, but what little control he has left starts to slip away.

Surrender from Saga Flight on Vimeo.

Mark writes, [Surrender] which started life on Simply Scripts has been produced. [P]osted back in 2014, It has changed considerably since that draft as you can imagine!

Like No More Tomorrows, I ended up self-financing & producing this one myself. It had a lot more visual FX and my resources are limited, therefore it’s been a mega long post-production. As it was, Al [Lougher] the director of So Dark ended up doing most of the FX for me in his spare time, for which I am extremely grateful.

Here’s the link to the full short on Vimeo and YouTube. Please check out and LIKE the official FB page at and check out the official site at:

Discuss this script on the Discussion Board

Tuesday, August 2, 2016

Fault – Short Script for Review (Available for Production!) - post author Hamish

Technology can solve most ills – except when social conditioning plays a part….

Over the past few decades, treatment of mental health has improved leaps and bounds. Today, we’re revolted at how the mentally unwell were whisked away to asylums and had experiments forced on them – like cogs in the pharmaceutical machine.

Of course, problems still exist today. Especially when it comes to children; many of whom suffer from agonizing emotional distress – yet are far too scared to face the truth.

Steven Clark’s Fault tackles this tricky topic with respect. On page 1, we’re introduced to a seemingly typical teenage situation: young Mary Kate is holed up in her room – doing nothing, saying nothing, and refusing everything offered by her father, David. It’s a common condition – for any age.

But what isn’t common is the “cure”. After having her brain scanned thoroughly, Mary Kate’s doctor installs a small chip in her arm. The teen seems deeply nervous, but her mother Abby’s desperate to have the procedure done.

After the implant’s complete, the doctor pulls Abby aside for a word of warning. The chip treatment can sometimes be – let’s say – “too perfect” for its own good. But Abby’s mother is convinced. If anything will save her Mary Kate, this technology is the way.

And technology doesn’t make mistakes – right?

Will the treatment worked as intended? Or will there be a tragic glitch – sending an already troubled family down a darker path? With these answers come profound insights: regarding how society views troubled children. Not to mention, how they view themselves.

A short script that discusses big, unsettling ideas head on, Fault will shine bright with the right actors. Pair candid, raw performances with a skilled director – and the result will be troubling. But faultless, nonetheless.

Pages: 8

Budget: Relatively low. One doctor’s office, one house – that’s it.

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp “AT” If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

About the writer: Based in upstate, NY, Steven Clark is the writer of over 30 short scripts, several of which are under option, in pre-production, or have already been made into films. On A Clear Night, a family Christmas feature aimed at a Hallmark Channel-type audience, is currently in the works. Steven can be reached at Steamroller138 (a) gmail.





All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Monday, August 1, 2016

Hair – Short Script Review (Available for Production!) - post author Zach Zupke

A family man struggling to keep his life from falling apart becomes obsessed with impending baldness.

Have you ever had one of those days? The job is stabbing you in the eyeballs, your child wants to stab you in the eyeballs and your spouse, who is so severely/constantly let down by you, can barely look you in the, um, eyeballs? These types of days have turned into years for salesman Ted Donovan.

But meaningless career and a challenging home life are nothing compared to his REAL problem: male pattern baldness.

James Barron’s “Hair” is a witty romp through a day in a suburban man’s life; a life beginning to fall apart – and fall out.

The story starts with confirmation from his physician – Ted’s hair or, unhair, doctor.

Mr. Donovan, have you been under any undue stress lately?
At work perhaps?

Yeah, a bit. There’s been some cutbacks. And I have
a new boss. And my wife’s pushing me for this
promotion when I’m barely hanging
on as is. Plus my daughter got
suspended recently. And I’ve been
feeling this shortness of breath.
Kind of like I’m hyperventilating.


Is there anything you can prescribe for that?

For which part?

All of it.

I really only specialize with hair.

Oh. Right.

The problems mount at work, where Ted used to be an Amway selling “machine.” But now he’s locked in cold-call hell, unable to engage potential customers for more than greetings followed by dismal dial tones.

His much-younger boss – who happens to be his old boss’s son – doesn’t help matters, reminding Ted of better day’s gone by.

It’s been a little slow this month.

No worries. What’d my old man call you?
The machine. I remember you were a legend.
Still are. I know I can count on
You, Teddy. Or should I say machine?

Ted is fine.

Ted is not fine. In fact, this is a decisive turning point in his life. And he literally meets it head-on in the form of a nearly-fatal accident behind the wheel as he checks his hair in the mirror. Knocked unconscious, he dreams of his boss Neal, who tells him “you must make a statement…. a statement shall set you free.”

This free advice amounts to Ted’s moment of clarity, leading him to do the unthinkable. And so his journey to happiness begins anew, with wife and daughter in tow. And Amway and the old Ted in his rear-view mirror – for good.

Ted’s big adventure is a warm, charming “Office Space” meets “Horrible Bosses” meets Paul Giamatti. It’s an extremely low-budget film requiring just a few locations and handful of actors – one of which may need to be willing to shave a little off his ego to make the film a “growing” success.

Pages: 19

Budget: Just a few locations and a handful of actors. We’re happy to say that’s all you need.

About the reviewer: Zack Zupke is a writer in Los Angeles. Zack was a latch-key kid (insert “awww” here) whose best friend was a 19-inch color television (horrific, he knows). His early education (1st grade on) included watching countless hours of shows like “M*A*S*H,” “Star Trek” and “The Odd Couple” and movies like “The Godfather,” “Rocky” and “Annie Hall.” Flash forward to present day and his short “The Confession” was recently produced by Trident Technical College in Charleston, SC. He’s currently working on a futuristic hitman thriller with a partner and refining a dramedy pilot perfect for the likes of FX. You can reach Zack at zzupke “at” yahoo.

About the Writer: Newly discovered by STS (but already treasured), James can be reached at jbarron021 “AT” gmail





All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

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