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Sunday, March 24, 2019

Original Script Sunday for March 24th - post author Don

Over on the Unproduced Scripts page are 24 original scripts for your reading pleasure.

– Don

Friday, March 22, 2019

Hair by James Barron – Short Script Review (Available for Production!) - post author Zach Zupke

Hair 18 pages in PDF format by James Barron

A family man struggling to keep his life from falling apart becomes obsessed with impending baldness.

Have you ever had one of those days? The job is stabbing you in the eyeballs, your child wants to stab you in the eyeballs and your spouse, who is so severely/constantly let down by you, can barely look you in the, um, eyeballs? These types of days have turned into years for salesman Ted Donovan.

But meaningless career and a challenging home life are nothing compared to his REAL problem: male pattern baldness.

James Barron’s “Hair” is a witty romp through a day in a suburban man’s life; a life beginning to fall apart – and fall out.

The story starts with confirmation from his physician – Ted’s hair or, unhair, doctor.

            DR. GREEN
Mr. Donovan, have you been under
any undue stress lately? At work
perhaps?

            TED
Yeah, a bit. There’s been some
cutbacks. And I have a new boss.
And my wife’s pushing me for this
promotion when I’m barely hanging
on as is. Plus my daughter got
suspended recently. And I’ve been
feeling this shortness of breath.
Kind of like I’m hyperventilating.

            DR. GREEN
Uh-huh…

            TED
Is there anything you can prescribe
for that?

            DR. GREEN
For which part?

            TED
All of it.

            DR. GREEN
I really only specialize with hair.

            TED
Oh. Right.

The problems mount at work, where Ted used to be an Amway selling “machine.” But now he’s locked in cold-call hell, unable to engage potential customers for more than greetings followed by dismal dial tones.

His much-younger boss – who happens to be his old boss’s son – doesn’t help matters, reminding Ted of better day’s gone by.

            TED
It’s been a little slow this month.

            NEAL
No worries. What’d my old man call you?
The machine. I remember you were a legend.
    (quickly)
Still are. I know I can count on
You, Teddy. Or should I say machine?

            TED
Ted is fine.

Ted is not fine. In fact, this is a decisive turning point in his life. And he literally meets it head-on in the form of a nearly-fatal accident behind the wheel as he checks his hair in the mirror. Knocked unconscious, he dreams of his boss Neal, who tells him “you must make a statement…. a statement shall set you free.”

This free advice amounts to Ted’s moment of clarity, leading him to do the unthinkable. And so his journey to happiness begins anew, with wife and daughter in tow. And Amway and the old Ted in his rear-view mirror – for good.

Ted’s big adventure is a warm, charming “Office Space” meets “Horrible Bosses” meets Paul Giamatti. It’s an extremely low-budget film requiring just a few locations and handful of actors – one of which may need to be willing to shave a little off his ego to make the film a “growing” success.

Budget: Just a few locations and a handful of actors. We’re happy to say that’s all you need.

About the writer: James loves to write comedy and action along with the occasional horror short. You can reach him at jbarron021 (a) gmail.

Read Hair (19 pages in pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

About the reviewer: Zack Zupke is a writer in Los Angeles. Zack was a latch-key kid whose best friend was a 19-inch color television. His early education (1st grade on) included watching countless hours of shows like “M*A*S*H,” “Star Trek” and “The Odd Couple” and movies like “The Godfather,” “Rocky” and “Annie Hall.” Flash forward to present day and his short “The Confession” was recently produced by Trident Technical College in Charleston, SC. He’s currently working on a futuristic hitman thriller with a partner and refining a dramedy pilot perfect for the likes of FX. You can reach Zack at zzupke (a) yahoo.

Wednesday, March 20, 2019

Badman by John Staats – Produced - post author Don

Badman (5 page in pdf format ) by John Staats (JEStaats)

The J-Gang has robbed the bank again. Now it’s the Bad men vs. Badman.

(click the image to take you to the full version)

Read the rest at HyperEpics.com


About the writer: As a fly-fishing fanatic and skier living in the Arizona desert, John Staats has plenty of time for writing. After focusing on features and shorts for the screen, John has now ventured into writing for the illustrated page with hopes of eventually writing a full-feature graphic novel. His feature Impasse has also been published as an e-book on Amazon. John can be contacted at jestaats(a)hotmail.

About Hyper Epics: Home of the 3 page sagas, Hyper Epics is a bold anthology series that offers diverse and exciting comic book stories on its website – www.hyperepics.com – and in print form. Each original story is packed with stunning artwork, memorable characters, and captivating stories enhanced with dazzling soundtracks. It is quickly becoming a go-to destination for readers worldwide.

Discuss this script on the Discussion Board

Tuesday, March 19, 2019

Original Script Sunday for March 17th - post author Don

Happy St. Patrick’s Day!

Over on the Unproduced Scripts page are fifteen original scripts for your reading pleasure.

– Don

Friday, March 15, 2019

Second Act screenplay - post author Don

Thanks Phillip for this!

Second Act – August 18, 2017 revised script by Justin Zackham & Elaine Goldsmith Thomas (Zackham/Segal Revision) – hosted by: Daily Script – in pdf format

A big box store worker reinvents her life and her life-story and shows Madison Avenue what street smarts can do.

Information courtesy of imdb.com

Wednesday, March 13, 2019

Terms Of Engagement by David Lambertson – Short Script Review – Available for production - post author LC

Terms of Engagement (10 pages in pdf format) by David Lambertson

Sometimes a break-up is the first step towards an engagement.

Man walks into a bar…

Typically to drown his sorrows over a woman.

David Lambertson’s, Terms Of Engagement opens with just this scenario.

The place is Sullivan’s Bar. Tending bar is Tina.

The date: Valentine’s Day.

The aforementioned Man seeking to drown his sorrows is James, replete with a box of chocolates, a dozen red roses, a red heart-shaped pillow and a sullen expression.

     Head bowed, muttering to himself, he lumbers to the bar.

When the roses are quickly dunked into a pitcher of beer and James slams back a shot of tequila we know Cupid’s arrow must have overshot its target. When James proceeds to bang his head into the pillow over and over we know there’s been trouble in paradise. What kind of trouble you might ask? Well, it seems Amy, James beloved, wanted something special this Valentine’s Day and James failed to deliver.

Hmm, something special… Yes, sometimes we girls speak in code. How fortuitous then that Tina is on hand, not only to offer a friendly ear and a kind word, but to also unravel that code for James.

Tina sets about telling James where he’s gone wrong –

            TINA
The pillow’s bout five bucks. The
roses are bound by a rubber band.
any florist worth their weight
would’ve bound them in a ribbon.
     (points at roses)
Those scream retail.
     (taps the box)
But those are the dead give-away.

James is about to discover that a heart-shaped pillow ‘made in China’ is not at all classy, that drug-store flowers don’t cut it, and that chocolates are a far more complicated purchase than he ever would have guessed.

            TINA
…You got your Godiva chocolates.
For my money, the best… but they aren’t
going to be on the shelf of your local grocery.
After that, you have your Sees Candies.
Not real expensive, but you have to actually
drive to a Sees store to get them. You know,
Make an effort. And then…
     (picks up the box)
You got your Whitman’s Samplers.

     No good, asks James?

     Only if you’re broke or if you’re twelve, says Tina.

And so proceeds James’ education in the art of love and all things special.

With its clever twist in the final act Terms Of Engagement is a delightfully funny RomCom in the style of How To Lose A Guy In Ten Days, and with the comedic insights of What Women Want.

FILMMAKERS: We trust you’ll know what you want especially when it’s right in front of your eyes. Best save the date pronto with the writer of this one though, lest it be booked out.

About the Writer, David Lambertson: I took up writing rather late in life having already been retired before I put pen to paper (okay – finger to computer key) for the first time. My favorite genres to read and write are dramedies and romantic comedies.

In addition to this short, I have written four features; “The Last Statesman” (a 2015 PAGE finalist and a Nicholl’s and BlueCat quarterfinalist), “The Beginning of The End and The End” (a PAGE Semi-Finalist). Taking Stock (a drama) and a new comedy – “Screw You Tube”. Want to learn more? Reach Dave at dlambertson (at) hotmail! And visit his website.

Read Terms of Engagement (10 pages in pdf format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production.

About the reviewer: L. Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She currently works as a freelance web-content editor and lives with her husband (also a screenwriter) in Sydney, Australia.

Monday, March 11, 2019

The Perfect Pair by Mark Moore – Short Script Review – Available for production - post author LC

The Perfect Pair (10 pages in pdf format) by Mark Moore

An improbable pair meet their match.

As the old saying goes: We can’t choose our family… But we can definitely choose who we fall in love with. Or can we? Perhaps it boils down to simple relationship chemistry, that special connection and instant spark, but attraction is definitely in the eye of the beholder and can mean many different things to different people.

What happens if the object of your affection is not of the warm-blooded variety? In Spike Jonz’ movie, Her, Theodore falls in love with Samantha, a computer operating system. In Lars And The Real Girl, the impossibly shy Lars teams up with a lifelike plastic doll named Bianca. In Blade Runner, Rick Deckard has a dalliance with a beautiful droid named Rachael, and in TED, a bromance develops between John and his foulmouthed childhood teddy bear come to life.

In similar fashion Mark Moore’s The Perfect Pair examines the relationship between Kevin, a big lug of a guy in his twenties and his very unconventional relationship with girlfriend, Nicole. Kevin is what we’d call a late bloomer and in true Millennial form he is yet to leave the nest.

The dilemma facing long-suffering parents, Frank and Peggy, is not simply what do you do when your adult kid won’t cut the apron strings, but what do you do when the object of your son’s affection is a sock-puppet named Nicole? They’ve been open-minded and patient up until now, allowing Nicole to share their home, their dinner table, even allowing Nicole to share Kevin’s bed, but they’re at their tipping point – Frank’s taken to hyperventilating over the whole affair and something drastic has to be done.

Frank and Peggy take the ‘tough love’ route issuing Kevin with an ultimatum: Either he finds ‘an actual woman of the human kind’ or he’s out.

So, what’s a guy like Kev to do? Go to an Internet dating site of course, rustle up a good sort with shared interests (in this case sock-puppets) and hope and pray for compatibility.

But, what of fiery red-head, Nicole? She’s not going to go easy. And she’s definitely not the sharing type.

Talk about a bizarre love triangle.

Filmmakers: Do you like the comedy in your RomCom veering into absurd, screwball, and laugh-out-loud whilst maintaining sweet and sentimental on the romantic side?

Reminiscent of Lars And The Real Girl and Something About Mary and with an hilarious montage that’ll have your audience laughing out loud, The Perfect Pair could be your perfect debut.

About the Writer: Mark Moore is an aspiring screenwriter originally from Ireland, currently residing in Upstate New York. He has had multiple shorts produced, including one award winner and currently have another on option. He typically enjoys writing comedy and can be reached at mmrem24 (a) yahoo.com

Read The Perfect Pair (10 pages in pdf format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production.

About the reviewer: L. Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She currently works as a freelance web-content editor and lives with her husband (also a screenwriter) in Sydney, Australia.

Sunday, March 10, 2019

Original Script Sunday for March 10th - post author Don

Over on the Unproduced Scripts page are a bunch of unproduced, original scripts for your reading pleasure.

– Don

Friday, March 8, 2019

Look Beyond by Steve Burton – Produced - post author Don

Look Beyond 15 pages short, drama script in pdf format by Steve Burton

An original glass framed photograph as a gift to a neighbor-friend is severely damaged, followed by a lie about how it happened. Creativity respect is confronted.

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Script of the Day
March 24, 2019

    Something Awful by Marcello Degliuomini

    Two shady cops, a troubled teen, and a missing girl, come to a head on a late night call. 15 pages
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