SimplyScripts.Com Logo

Monday, April 23, 2018

Satnav by Anthony Cawood – Short Script Review (available for production) - post author LC

 

SATNAV by Anthony Cawood

 A woman’s infidelity takes her on an unexpected journey.

Hell Hath No Fury Like A Woman Scorned is how the old adage goes, but the latest research indicates men may in fact be sorer losers when it comes to love and war. Add twenty-first century technology into the mix as the latest weapon of revenge and things can get very dicey indeed.

In Anthony Cawood’s one-page thriller, Satnav, we open on 30-something, Sarah, driving along a deserted patch of road alone and late at night. Sarah’s just punched her location and presumably her destination into a high-tech device some of us like to call a Satnav – otherwise known as a GPS, or navigation assistant.

The question is: will she reach her destination?

She’s just received a text message from her husband, David, and he’s not happy.  Certain revelations regarding Sarah’s extra-curricular behaviour have come to light and it appears she has not been the model of a loving and faithful partner. As the text messages continue to come thick and fast and the Satnav guides Sarah on her journey we wonder will she make it to where she wants to go in one piece?

It’s no easy task to build suspense and create a fully fledged story in one-page but Anthony Cawood negotiates the twists and turns with skill and expertise in this tight micro-short thriller that’ll resonate and pack a punch with audiences.

Filmmakers: We know you have the drive and you’re dying to move off the starting blocks. All you need now is the vehicle. And here it is! Cut and polish in your own inimitable style and Satnav could be your short-cut to guaranteed success.

Specs: One talented 30-something female with a driver’s licence and attitude. A car, a lonely road in the middle of nowhere. A SatNav and accompanying V.O.

About the writer: Anthony Cawood is an award winning screenwriter from the UK with 4 short films produced and another 10 or so scripts optioned and/or purchased. Links to his films and details of his scripts can be found at www.anthonycawood.co.uk.

Read SatNav (1 page in pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

About the reviewer: L. Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She currently works as a freelance web-content editor and lives with her husband (also a screenwriter) in Sydney, Australia.

Sunday, April 22, 2018

Original Script Sunday - post author Don

Over on the Original Scripts page are twenty seven original scripts for your reading pleasure.

– Don

Friday, April 20, 2018

Just Coffee by Matthew Dressell – Filmed - post author Don

Just Coffee by Matthew Dressell

A customer angers the assistant manager at a diner when he takes advantage of the restaurant’s “Free Refill” policy.

Just Coffee was featured prominently on SimplyScirpts and went through the critique process there as well. It has made the rounds at festival and now Matthew has posted it for all to see.

Just Coffee (2018 Comedy Short) from Matthew Dressel on Vimeo.

Discuss on the discussion board.

Wednesday, April 18, 2018

An Angel Whispers – Short Script Review - post author Steve Miles

An Angel Whispers by Jeremy Storey

“A cynical reporter investigates a small-town supernatural tale, that can only be believed to be seen.”

Ben is a veteran journalist chasing a story in the heartlands of rural USA. Folk in these parts like to talk of a miracle. The kind that hard-nosed reporters like Ben prefer to avoid. Yet as the investigation leads him from one witness to another it becomes clear that something out of the ordinary happened here.

And while no-one can say for sure what they saw, all are certain of one thing: that what they heard that night was to change their lives forever.

As Ben’s search leads him closer to the truth, he’s forced to accept this story isn’t over. This is more than copy; this is a test of faith. And in order to come to terms with events, Ben must confront the guilt of his own shattered past.

Only then can he believe that a tragedy playing out half the world away has the power to bring about redemption.

Jeremy Storey’s An Angel Whispers is a low budget treat for a director looking to make their mark through a dialogue driven story with real heart and soul. Featuring a handful of key players and a solid mystery at its core, this is a beautifully realized short script with universal appeal and the ideal fare for short film festivals.

About the Writer: Jeremy Storey, originally hails from the United Kingdom, but now resides in Seattle, WA. He first discovered the joys of writing at school, penning short stories and collaborating on comic books with his friends. Coming from a writerly family, it was clearly in his DNA to tell stories. However, it wasn’t until he graduated University, that he started to dabble in film and stage.

Since then, he’s written feature length screenplays (The Immaculate Secret, Rewind, Pink Slip Party), as well as award-winning short screenplays (Cat & Mouse, Wishbone, Tower of Strength) and award-winning stage plays (Last Cup of Sorrow, Wolves at the Door). For Jeremy, writing is a form of catharsis. His stories clearly reflect his love of exploring emotions, characters, and worlds that only reside in the deepest recess of the imagination. In turn, he hopes what he writes, readers and viewers will find entertaining, compelling and authentic. He can be reached at: jeremystorey at yahoo.

Read An Angel Whispers (20 pages in pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

About the reviewer: Steve Miles started writing scripts around five years ago after realizing that his social life was vastly overrated. He enjoys writing in a variety of genres but leans toward raw, grittier characters and the worlds they inhabit – from the deadly serious to the darkly comic. Drinks coffee, owns an unhealthy amount of plaid and uses a calculator for the most basic of sums. Check out more of his work at sjmilesscripts.webs.com

Monday, April 16, 2018

Original Script Sunday (has come on a Monday) - post author Don

Over on the Original Unproduced Scripts page are twenty original scripts for your reading pleasure.

– Don

Friday, April 13, 2018

Red Light Indicates Doors Are Secure – Short Script Review (Available for Production!) - post author Hamish

Red Light Indicates Doors Are Secure by Anthony Cawood

A man discovers his fears could be a blessing when a night cab ride goes horribly wrong.

For many metropolitan workers, their daily commute is damned from the moment they walk out the door.

Overcrowded buses and delayed subway trains are daily demons one can’t escape. Mundane monsters which delight in tormenting travelers – making their day Hell from the start.

But getting a comfortable taxi ride isn’t all that bad – right?

Not if you’re Gareth, the protagonist in Anthony Cawood’s “Red Light Indicates Doors Are Secured.” Upper-middle class and entitled, Gareth’s arrogant – in some ways. But it just takes a small red light to extinguish all that confidence in a puff of smoke.

You see, Gareth suffers from Cleithrophobia – the fear of being locked in. And when his cab starts rolling, the doors lock. A red light indicates the doors are secured, and Gareth’s phobia kicks in – fast.

Cruising along dark streets, Gareth’s cab starts and stops at every traffic light, lengthening the trip and causing yet more concern. And Gareth’s anxieties certainly aren’t helped by unexpected hazards – like idiots who try to reach into the moving car. Or stand clueless in the road.

There’s something not quite right about these “idiots”. Maybe they’re all drunk and celebrating. Or perhaps it’s something more. A danger that’ll make Gareth feel relieved that he’s locked in.

Unless things get even worse…

Budget: Moderate. Just rent a cab for the day. And a few extras as well….!

About the writer: Anthony Cawood is an award-winning and produced screenwriter. He has sold/optioned four feature screenplays, and sold/optioned over forty short scripts, many of which have been filmed. Outside of his extensive screenwriting career, Anthony is also a published short story writer, interviewer and movie reviewer. Links to his films and details of his scripts can be found at www.anthonycawood.co.uk.

Read Red Light Indicates Doors Are Secure (8 pages in pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Wednesday, April 11, 2018

Requiem – Short Script Review (Available for Production!) - post author Hamish

Requiem by Sylvia Dahlby

A mentally-impaired teen mourns the death of a murdered classmate.

Churches hold a unique role in society: setting the final scene for births and deaths. Those attending such events experience a wild range of emotions – from ebullience to dark distress.

For the characters in Requiem, it’s sadly the blackest of nights. 14 year-old Rose lies motionless in her casket at church. Though now (presumably) at peace, Rose is the victim of a murderous assailant; not yet identified – much less caught. Her only companion in these last hours: developmentally delayed teen boy Elvin, his world rocked by the loss of his closest friend.

When others enter the vestibule, Elvin bolts away.

It’s his mother and the local Father, conversing nervously amongst themselves. About how Elvin’s been reported missing. In fact, he’s disappeared without a trace!

Not long after Elvin’s mother leaves, Rose’s father arrives. A grieving parent on the verge, Peter asks the Father to hear his confession. But when he collapses in the booth – a different voice filters through the screen.

Elvin’s there. Hiding. Ready to admit to certain “sins”:

            ELVIN
     (stuttering)
I did-didn’t me-mean to kill her.

Rose’s father storms out, intent on wreaking his revenge. But can a boy as troubled as Elvin tell the truth – or is he just saying what others want to hear?

Read the story to find out. Offering high drama on a low budget, Requiem is the “holy grail of scripts”: a tale of grief, redemption and revenge. One that – unlike Elvin (and perhaps others) – has absolutely nothing to hide!

Budget: Low. Just some high quality actors (and a church) is all.

About the Writer: I’m a one time advertising copywriter who has fallen in love with screenwriting. I’ve written a handful of features, one has been produced as a Role Playing Game (RPG) and made its debut at CarnageCon. I enjoy writing short scripts since it’s a fun exercise for sharpening my skills; so far one of my shorts has been produced as a student film project, and I welcome the opportunity to have more of my work produced via participation on SimplyScripts. Sylvia can be reached at sylviedahl (a) AOL.

Read Requiem (5 pages in pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Tuesday, April 10, 2018

Cypher - post author Don

The same young crew that did Deja Vu has come out with a new film: Cypher.

Cypher, a new mobile ARG, tasks players with finding clues that lead them to specially marked bags. The winner of the game is promised a grand prize. 6 weeks into the game, things begin to go south as some players take the game too seriously.

Monday, April 9, 2018

Yardwork – Short Script Review (Available for Production) - post author Hamish

Yardwork by Marnie Mitchell-Lister

Sometimes, you just can’t take the nagging anymore…

No-one likes doing yardwork.

If someone claims to enjoy it, they’re most likely lying. It’s dull, tedious, and stressful. In other words, it’s no fun.

But then there’s Yardwork – a one-page script by Marnie Mitchell-Lister. A fun, fascinating read, Yard’s as short and brutal as they come.

The premise: a woman’s been gruesomely done-in by her husband. What’s the murder weapon, you ask? A weed-wacker, apparently.

But Sargeant Russo and Officer Jennings are on the case. If anyone’s going to “dig up” the truth, it’s them.

Just imagine all the clues: gory violence. Dark humor. And the most morbid of twists. Even if you’re no fan of the great outdoors, it’s safe to say filming Yardwork would be summer fun.

So put down the Strimmer and pick up a winner. And “grow” your next film project today!

Pages: One. Yes – one!

Budget: Minimal.

About the Writer: Marnie Mitchell-Lister has creative A.D.D. Some of her writing can be read here: BrainFluffs.com. Some of her photography can be seen here: marnzart.wordpress.com.

Read Yardwork (one page in pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Search with Google

    Custom Search SimplyScripts

hear your script

Subscribe to the SimplyScripts mailing list

    Email Address

Featured SimplyScripts Blogs

ScriptSearch

Advertisement

More Navigation

Latest Entries

Categories

Script of the Day
April 24, 2018

Advertisement

Donate


Advertisement



Writers I dig

Search Amazon

Search Sheet Music




SimplyScripts Logo