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Thursday, October 29, 2015

A Mighty Fire – Short Script Review (Available for Production) - post author Dena McKinnon

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A Mighty Fire

A blues-man seeks a legendary recording that may be nothing more than old rumors…or it might just be real.

When it comes to serving up memorable horror with unique characters and fresh concepts that haven’t been done to genre-death, it’s hard to beat Robert Newcomer.  Showcased previously at STS, “Bert” (as he’s affectionately known when we’re feeling cheeky) is also writer of Someplace Nice and Dark, a creepy little riff involving a delivery boy, a trailer, and an old man afraid of his own shadow.

In Mighty Fire, the setting is more exotic: a beat up old record shop in New Orleans.  Not the tourist section. The Seventh Ward.  Young blues wanna Jean Juneau arrives on the shop’s porch seeking the last record of blues legend Robert Johnson (rumored to have been recorded while Johnson was dying from a bad case of poison and a woman scorned.)  Known as Mighty Fire, the record is said to be the ultimate blues experience: agony and ecstasy all rolled into one.

Jean pawns his guitar and gets the recording.  Has he made the deal of a lifetime? Or a contract with the Devil himself?  Crack this script open, and find out!

About the writer:  Robert Newcomer recently received his first IMDB credit for another short, Them That’s Dead.  An intelligent writer, he has several other shorts and a horror feature length available for consideration. (IMDB credits listed here.)

Pages: 14

Budget: Moderate.  There are a handful of characters and settings: the record shop, a bar, and a room.  There may be some FX expense incurred to make sure one gets the atmosphere right. But for scripts like this, it’s worth the price.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

Tuesday, October 27, 2015

The Station – Short Script Review (Available for Production) - post author Dena McKinnon

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The Station

A soldier and his dog face the ultimate test in loyalty.

What can one say about The Station? This one, admittedly, has a mix of influences.  A bit of classic Twilight Zone, a touch of Dante’s Inferno… and even a touch of political relevancy torn from Iraq, and Afghanistan.

The story is simple – Captain Daniels has just returned from a tour in the Middle East. By his side is his faithful companion Virgil… a German Shepherd who has seen his share of combat as well.  They’ve arrived to catch the train home.  Or is this just the beginning of their travels?

Given the story, this is one script that you have to read – to try to explain gives too much away.  It’s a sweet tale, and one that deserves to make it’s way to the screen.  Warning:  dog lovers may get misty eyed.

About the writer: A prolific writer, Kevin Lenihan has a number of short and feature length scripts in his roster… and is always looking for the next great story and idea.

Pages: 12

Budget: Not for a newbie.  To do this right requires at least stock footage of a train,  some combat desert scenes…  and a photogenic German Shepherd. But for a director with a few quality produced shorts under their belt, this could be the perfect (train) ticket…

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

Friday, October 9, 2015

Bloom – Short Script Review (Available for Production!) - post author David M Troop

Bloom

A young rapper enters a rap battle in hopes to win the ultimate prize.

“The reveal.”  That’s the point in the movie where the audience drops its jaw and realizes that for the past ninety minutes they’ve been watching a different film altogether.  If done correctly, it can turn a great movie into a classic film.

Bloom, written by Jean-Pierre Chapoteau, takes us to the inner city projects – a setting we’ve already seen in such films as Boyz In The Hood and 8 Mile.  As the intro scene unwinds, two teenagers – Jeff and Darnel – head toward a house-party with thumping rap music blasting out the windows.

Darnel intends to challenge an infamous rapper named Clips, but Jeff warns Darnel that one false move or even one bad rhyme could get them both killed.

Jeff pleads with Darnel to take things slow, “plant the seed,” and live to rap another day.  However, Darnel has his eye on the prize, and taking on Clips in a rap battle is the only way to win.

Clips accepts Darnel’s challenge and his two hundred dollars.  After Clips’ rhymes bring the crowd to frenzy, he turns the mic over to Darnel – who finds himself trapped in a lion’s den with only his words to save him.

Darnel takes the mic, exhales slowly, and instructs the DJ to kill the beat. And something unexpected and quite wonderful happens then.

The reveal.

At that crucial point, author JP Chapoteau pulls the rug out from under the audience and turns the script on its head.  After we’re able to close our mouths, a smile slowly forms. Permanently.

Bloom is the perfect screenplay for a director who knows and appreciates the world of rap music.  And it’s also a chance to tell the story of a young urban man who risks his life so that he may live it. For real.

Pages: 5

Budget:  Small to medium.  A house-party and DJ.  Two very talented young actor/rappers.

About the Guest Reviewer: David M Troop resumed writing in 2011 after a twenty-five year hiatus.  Since then, he has written about 50 short scripts, two of which have been produced.   Dave would like to make it three.  He is a regular, award-winning contributor to MoviePoet.com.  Born on the mean streets of Reading, PA, Dave now resides in Schuylkill Haven with his wife Jodi and their two lazy dogs Max and Mattie. He can be reached at dtroop506 “AT” gmail!

About the Author: Jean-Pierre Chapoteau started writing feature-length scripts in 2005, then focused on shorts in 2009. Since then he’s had three scripts produced and two more optioned. He has won several awards for his shorts and has become a moderator at the site MoviePoet, who specialize in the craft of the short scripts. Jean-Pierre was a finalist in the RAW TALENT Competition for his faith-based feature-length script: ‘Far From Perfect.’ And was also a semi-finalist in the SLAMDANCE teleplay competition and a finalist in the OBSWRITER teleplay contest for his adapted teleplay, Curb Your Enthusiasm: The Guardian. You can contact Jean-Pierre Chapoteau at: jeanpierre425 (a) gmail.com

READ THIS SCRIPT HERE – AND DON’T FORGET TO COMMENT

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Monday, September 7, 2015

Ouija – Short Script Review (Optioned!) - post author Steven Clark

Ouija

A group of friends get more than they bargained for when they hook a Ouija board up to a 3D printer and encounter a presence from the other side.

You a ghost and horror fan? Then, let’s chat about a staple in the supernatural sub-genre… that well-known prop: Ouija boards!

Widely considered a tool to summon the dead, theories about Ouija boards abound. Some true believers consider these plywood concentrations of pressed evil to be an expressway to the very depths of hell. A gateway, in fact, for evil spirits – offering EZpass access to one’s soul. Other paranormal doubters consider the boards a harmless family game (and profit play by Hasbro Inc.) Needless to say, such contrasting views are polarizing: what are a Ouija Board’s true powers? Can they be used for Good? Evil? Or – perhaps – Comedy?

That’s the meta-answer provided by veteran writer Anthony Cawood, with his latest horror offering, Ouija. Peek, if you will, into its blood soaked pages. Beyond it, you’ll find a secluded cabin in the forest, populated by four close and fool-hearty friends: Kurt, Grace, Dean and Imogen. Yep, the candles are lit. And the patchouli incense a-burning. Toss in a copy of the titular game, and the potentially grisly scene is set. Evil Dead notwithstanding, the supernatural rendezvous date comes due…. save for one torn-from-the-script pages of The Big Bang– twist:

The gang’s Ouija board is rigged to a 3d printer, in the hopes of bringing the visions it invokes to life.

And boy, does it ever!

Shaking hands  grazing the planchette, the friends toss question after question into the whirling miasma of the spirit world. Do they get answers? No avail. But soon the printer ‘whirs’ to life, building an ominous model of their own cabin. Not to mention a premonition of the foursome’s looming deadly fate….

Will our best buds deny their fears and stick it out? Or flee the cabin, in mortal fear of their lives? Written with a dark humoristic streak, Ouija melds generic horror with quirky high-tech sensibility. Horror directors take note – this script fuses classic paranormal jump scares with fresh blood – ala Generation Y!

Pages: 8

Budget: Pretty low. A cabin, teens and Ouija board. (Well, plus a fake 3d Printer). That’s it!

About the writer, Anthony Cawood: I’m an award winning screenwriter from the UK with over 15 scripts produced, optioned and/or purchased. Outside of my screenwriting career, I’m also a published short story writer and movie reviewer. Links to my films and details of my scripts can be found at www.anthonycawood.co.uk.

About the reviewer: Based in upstate, NY, Steven Clark is the writer of over 30 short scripts, several of which are under option, in pre-production, or have already been made into films. On A Clear Night, a family Christmas feature aimed at a Hallmark Channel-type audience, is currently in the works. Steven can be reached at Steamroller138 (a) gmail.

Read Ouiji

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Wednesday, July 22, 2015

Time for Love – Short Script Review – Optioned! - post author Anthony Cawood

Time for Love

An elderly lady discovers an old flame in her shed

Sometimes, a script engages you from the first couple of sentences; usually for a combination of reasons. Its introduction piques your interest.. hinting at mysteries to come. Its story beats stimulate an easy empathy – compelling one to root for a character, even before you know their name. Such tales flow from simple beginnings, weaving a subtle narrative that never lets one disengage. Cracking stuff. When done just right.

Time for Love is such a script. A super-short four page piece, TFL follows Marjorie Flanagan (86), confronting an interloper in her shed. Armed with a stick, she prepares for battle – only to be hit with the shock of her life instead. Sitting in the middle of the barn is her husband, George; a time-traveling inventor who disappeared sixty years ago – vanishing into thin air, without a trace. But now he’s back. And he’s hasn’t aged. A twenty seven year old wanderer, tethered to a tempermental steam-punk time machine (a huge jerry-rigged kings wing chair). It’s a moment of sweet reconciliation for two long lost lovers. But with a caveat that threatens to ruin all. You see, George can’t stay in one place for very long. If he does, he ages. Badly. After decades of trying, he’s finally found Marjorie. And has only minutes to make up for a lifetime of lost memories.

Science fiction at it’s finest, Time for Love isn’t about gadgets or FX.   It’s a psalm to love, aging and loss, and the fragility of the human condition. Mixing in echoes of Dr. Who and classic literature, Bowcott infuses TFL with a real sense of poignancy… one that resonates on a universal level. A limited location classic, TFL has only one setting – a shed – two actors and a time machine. It’s sure to be a festival favorite – grab this one before the flow of time snatches it away!

Budget: Low. And designing that time machine is going to be fun in and of itself!

About the reviewer:  Anthony Cawood is an award winning screenwriter from the UK with a bunch of short scripts produced, optioned and/or purchased. He is currently trying to get someone to make one of his three feature scripts. Links to his films, scripts and other goodies can be found at www.anthonycawood.co.uk

About the writer: Dustin Bowcott is a self employed microbe retailer and father of four boys. He has enjoyed writing since the day he read his first novel. For Dustin, writing is something he has to do, when not writing, he’s thinking about writing and will absorb himself into multiple projects at one time. When he gets tired of writing one thing he moves onto another and has been known to work on three different stories in one day, writing for sometimes 12 hours straight and, on occasion, even longer. Dustin can turn his hand to any genre and has just finished first draft of a new children’s novel. Dustin is a BBC Writer’s Room finalist and a Shore Scripts finalist both in 2014. He is a produced and optioned writer, and has recently turned his hand to production, having produced his first short film with another in the pipeline that should be completed this year. Want to see what else he has in store? Give him a shout-out at dustin7375 “AT” gmail.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

Monday, July 13, 2015

Evicted – Short Script Review (Optioned!) - post author L. Chambers

EVICTED

Two drug addled squatters receive an offer they can’t refuse.

Sexy Beast, Filth, Lock Stock:

Just a few select films from the small island across the pond in the crime and thriller genres. Each has made an indelible impression upon audiences worldwide.

British writers and filmmakers are masters at depicting their own special brand of crime. In his article for The Guardian earlier this year, Andrew Pulver examined the never ending popularity with audiences of Gangsters, geezers and guns and the booming low-budget crime-flick industry… both on the large and small screen.

Continuing with this tradition, and in his own inimitable fashion, STS is proud to showcase Dustin Bowcott’s short screenplay: Evicted.

We’re introduced to Steve and Baz, two down on their luck twenty-something lads who just happen to believe in that old adage: possession is nine-tenths of the law. If you’re wearing it, driving it, living in it, it’s yours – until proven otherwise. After all, home is where the heart is and when we first meet these two they are enjoying a nice quiet night in  – sitting back and relaxing amidst a little candlelight. Okay, that ambience is perhaps a little deceptive. There is candlelight but that’s because the power’s been cut off long ago. There’s also rats, broken glass and the general putridness and squalor associated with a ‘squat’.

What are these two up to? Well, they’re just about to partake in their first hit of heroin for the night – shared needle and all.  Just about to, when…

Will you look at what the wind just blew in – an unannounced visitor by the name of Gianni. In his forties, and in a whole other league to the boys. He’s well spoken, wearing high-end clobber – exquisite Italian leather shoes, tan crombie and black fedora with tan hatband. This is a man in charge.

So, what’s this hotshot want with two no-hopers?

Gianni’s got a few problems – or as he likes to put it, a few ‘most hated things’ that need fixin’. Which is where the lads come in. Contrary to what we first fear Gianni is not concerned with how this lot came to be here, nor what vices they may indulge in.  He’d rather take advantage of their less than altruistic attributes, in the form of a very tempting proposition.

Steve, being the brains of the outfit, (and I use that term loosely) is at first a little circumspect, despite his drug-induced haze. But when Gianni drops a bag of the good stuff at the boys’ feet with a few choice verbal reassurances and the promise of some cold hard cash, it’s an offer neither can refuse. After all, the job sounds like a piece of cake – no stealing, no violence – a little light stand-over is all. What could be simpler than scaring a few old people out of their homes so Gianni can recoup some of the money he’s owed.

An easy five hundred quid. Or, if you’re au fait with your cockney – easiest monkey ever.

Or, is it?

I’m not letting any more out of the bag on this one, suffice to say the denouement to this gritty crime thriller is not for no nancy-boys.

Filmmakers: So, you’re done with your RomComs and gentle slice of life dramas. Want to add seedy underbelly crime-thriller to your reel? Ready to tackle real hard men characters, dark humour, and dialogue that sings with authenticity – not to mention a liberal amount of gore to top it all off?

Alright then guvnor, don’t bovver with the rest, get on it. Now. You heard. That’s an order, son. Why are you still here?

Pages: 6

Budget: No problems at all here. A few ramshackle locations will do you fine; and some seedy characters to fill the space!

About the reviewer: Libby Chambers has been writing all her life. Over her career, she’s worked in the Features Department for ABC TV as a Program Assistant, trained as a FAD, and served professionally as a freelance web-content editor and proofreader. She lives with her husband (also a screenwriter) in Sydney, Australia, and describes him as being both a good and a bad influence on her writing. You can contact Libby at libbych “AT” hotmail

About the writer: Dustin Bowcott is a self employed microbe retailer and father of four boys. He has enjoyed writing since the day he read his first novel. For Dustin, writing is something he has to do, when not writing, he’s thinking about writing and will absorb himself into multiple projects at one time. When he gets tired of writing one thing he moves onto another and has been known to work on three different stories in one day, writing for sometimes 12 hours straight and, on occasion, even longer. Dustin can turn his hand to any genre and has just finished first draft of a new children’s novel. Dustin is a BBC Writer’s Room finalist and a Shore Scripts finalist both in 2014. He is a produced and optioned writer, and has recently turned his hand to production, having produced his first short film with another in the pipeline that should be completed this year. Want to see what else he has in store? Give him a shout-out at dustin7375 “AT” gmail.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

Monday, January 19, 2015

Bump in the Night – Short Script Review (Available for Production!) - post author Dena McKinnon

Bump in the Night

A foul mouthed drug addict decides that burglary can get him his next fix, but he picks the wrong house and the wrong couple to mess with.

Our culture has such a schizophrenic view of old people. On one hand, we infantilize them. Awwwww, they’re so cute and polite. Innocent beings brimming with wisdom, and memories of days gone by. Then we discard ‘em like yesterday’s trash. Old folks’ facilities. Left to fend for themselves in broken down homes. Especially after the children move away. They’re vulnerable to falling; breaking that oh-so vulnerable hip. Not to mention violent home invasions by ruthless predators…

Meet Alexander and Agnes, 60s. A sweet couple living out their golden years in a comfy suburban neighborhood. We meet them in bed. They’re cuddled together – fast asleep. At least until they hear a noise.

It’s an intruder. Baz – a strung-out teen junkie in search of a score. Alexander and Agnes slip out of bed, and tiptoe quiet as mice downstairs.

Baz grabs Agnes’ purse, and turns to go. But his path is blocked by Alexander, wielding a baseball bat. He tells the old codger to F* off, but Alexander’s not deterred. For a mortal battle’s about to ensue. An epic fight for the ages.

Low budget and high entertainment, Bump in the Night has loads in its favor. Colorful characters. A wicked sense of humor. Twists. There’s even a moral hidden deep down in here: don’t assume that old people are helpless. They were once young bastards, too….

About the writer: Anthony Cawood is an aspiring screenwriter from the UK with a number of scripts in various stages of production, two of which have just wrapped shooting. His script, A Certain Romance, recently won in the Nashville Film Festival Screenwriting Competition (short script category). You can find out more at http://www.anthonycawood.co.uk.

Pages: 10

Budget: Pretty low. A handful of actors. A bar, and a house. That’s about as easy as it gets!

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

Monday, August 11, 2014

In the Grip of Denial – Short Script Review (In Production!) - post author Guest Reviewer

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In the Grip of Denial

After a brutal car crash, a man slowly unravels the truth behind his survival.

Gary Parrish drives his car late at night; accompanied by the blur of the dark road, his guitar case in back. His cell phone rings: he looks away from the wheel… jumps the shoulder and slams into a tree.

Blackness. Followed by the beeping of a hospital monitor. When Gary awakes, his fiance Melissa is at his side.

After a brief hospital stay, Gary heads home with Mel. There’s been some nerve damage in his arm, but otherwise everything’s okay. He’s a lucky man… or is he?

Recuperating at home, Gary finds himself frustrated at every turn. His beloved guitar’s been smashed to bits. And even the simplest tasks become daunting: dressing himself, holding a beer bottle, or playing football with his friends. His relationship with Melissa increasingly strained, Gary rushes his return to work – to find he can’t even hold his pen. His awkward co-workers seem strangely subdued.

Confronted by an increasingly alarmed Mel, Gary finds himself facing a harsh choice: deal with the truth of what happened that night. Or let his grip on reality slip away…

A unique dramatic script, Grip of Denial offers its readers the full package – fully realized characters you’ll care about… wrapped in a touch of mystery.

About the writer: Zach Jansen is an award-winning and produced screenwriter from Saint Paul, Minnesota.  He enjoys spending time with his kids, anything movies, and sitting at his desk pounding out his next script.  If for some reason you want to learn more about him, you can check out his IMDb page or quasi-frequently updated blog.

Page Count: 14

Budget: Mid-range. The car crash could be mostly implied. Settings include an office building, hospital, home and garden – and a cast of various extras to portray friends and coworkers.

About the guest reviewer: A writer himself, Leegion’s works can be found on www.simplyscripts.com.

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Friday, July 18, 2014

A Face in the Crowd – Short Script Review (Optioned!) - post author The Merrows

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A Face in the Crowd — Review

An analyst at an intelligence agency is horrified when his subject starts to follow him…

Paranoia strikes deep. Into your life it will creep.” – Stephen Stills, For What It’s Worth

Just because you’re paranoid doesn’t mean they aren’t after you.” – Joseph Heller, Catch-22.

There’s plenty to be paranoid about these days, isn’t there? Drones watching us from above, the IRS targeting us, NSA listening to us. But what if you are the NSA? Nothing for you to worry about, right?

Or is there?

In the eerie psycho-sci-fi screenplay A Face in the Crowd, writer Anthony Cawood tells the tale of Derin, a 26-year-old analyst for the NSA who abruptly finds the paranoia tables turned.

As Derin runs a face-recognition program on his PC to analyze photographs of a riot, a man in one of the shots turns and looks out through the computer screen into Derin’s office. A short time later, Derin discovers the man has disappeared from the photo completely.

Time to be paranoid? (Did I mention it’s a still photograph?)

From that moment on, Derin has a series of real-world encounters with the mysterious man. Or at least it seems. A reflection here, a shadowy glimpse there… but are they real? Or just a figment of Derin’s panicked imagination? Or – perhaps – some strange blend of the two? Because, as Aldous Huxley once said, “There are things known and there are things unknown, and in between are the doors of perception.

Derin is stuck in between… but not for long.

A Face in the Crowd is an enjoyable, chilling read. And – given privacy concerns of the day – quite timely as well.

About the writer: Anthony Cawood is an aspiring screenwriter from the UK with a number of scripts in various stages of production, two of which have just wrapped shooting. His script, A Certain Romance, recently won in the Nashville Film Festival Screenwriting Competition (short script category). You can find out more at http://www.anthonycawood.co.uk

Pages: 7

Budget: Moderate. A handful of locations, including a high-tech office, a CCTV monitoring room, a car park, a supermarket, a cafe, and Derin’s home. Five actors with speaking parts, plus lots of extras. Some FX, but nothing unreasonable.

About the reviewer: Scott Merrow co-writes screenplays with his wife Paula. Since 2006, they’ve written over 50 short screenplays, several of which have been produced. They tend toward family-friendly scripts, but they’ve written a little bit of everything: horror, fantasy, sci-fi, comedy… the whole nine yards.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

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