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Friday, June 29, 2018

The Trench – Short Script Review (Available for Production!) - post author Hamish

The Trench by Chris Beadnell

In war, it’s important to retain one’s humanity.

Unless that leads to a mistake…

The Somme offensive of 1916 was planned as a swift and incisive battle that would lead to total Allied victory in World War I. Unfortunately, it was anything but: both sides incessantly shelled one another for four months, resulting in over a million fatalities.

In Chris Beadnell’s Trench, we’re taken to the mop-up phase after a successful British advance, aided by said shelling.

Looking for survivors in the German trenches, our two cleaners have one motto:

            EASON
…Remember, no prisoners.

Yet this unwritten rule is challenged when in the last dugout they come across one moribund survivor. His leg deformed by shrapnel, he’s immobilized.

With neither bullet nor bayonet on them, the victors leave it to nature to finish the last German dying off.

With hindsight, there’s only one word needed to describe this decision: mistake.

Partially based on historical truth, a micro-script with a gigantic premise like this one deserves to have a great general directing the action.

So pick this one up and earn your film stripes!

Budget: Minimum. Yes, you’ll need some costumes. But the rest should be easy.

About the writer, Chris Beadnell: With a 30+ year paramedic career, bearing witness to the complete spectrum of human emotion, I would use the creativity of writing as an escape from the reality of such a high pressure occupation. Most of my writing was never seen by anyone except a very select group of family and friends, and sometimes not even them. However, a serious eye injury in 2015 had me off work for months and the boredom of not working gave me the time and desire to learn the craft of script writing, and the stories locked in my mind finally had an avenue to flow. Chris can be reached out Cbeadnell (a) ymail.com or ChrisBeadnell.wordpress.com. Check out his other works.

Read The Trench (1 page in pdf format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Wednesday, June 20, 2018

Silence, Eventually – Short Script Review (available for production) - post author Hamish

Silence Eventually by Steven Clark

Two young men suffer an eventful first date at a night club, but that’s neither the beginning, or the end, of their personal struggles.

On June 12th, 2016, 49 people – mostly young gay men – were killed in a mass shooting at Orlando nightclub Pulse. 53 more were wounded. And countless lives traumatized.

The deadliest mass shooting by a single attacker in the history of the United States, Orlando symbolized even more – an act of pure hatred against a community built on freedom of expression and love.

You know what they say about “silver linings”. In the face of such tragedy, such clichés may ring trite, but still true.

Because through all the pain and sorrow of that day came a tidal wave of solidarity for LGBT pride that no madman’s bullet could stop.

Steven Clark’s Silence, Eventually turns this horrific tragedy on its head, using it effectively and gently tell a tale of innocent souls who suffer persecution – for the “crime” of who they are.

Beginning in a back alleyway, we’re introduced to two young survivors – Sam and Kyle. While both are physically intact, Kyle’s shirt is soaked in blood.

Needless to say, he just wants to go home. Which is the safest place to be, right?

Wrong. Kyle hasn’t come out to his parents yet. And they definitely don’t know he’s been on a date with Sam to the club.

Traumatized, but determined to “keep moving”, Sam and Kyle walk together along a suburban sidewalk – the sun preparing its entrance on a brand new day.

And Kyle admits to worries about his “secret” being discovered:

            KYLE
My parents are old school proud.
If I came out…

The rest is easily implied.

Fortunately, Sam offers to help Kyle clean up before returning home, and cheer him up a little – if he can.

But does survival always ensure a happy ending? Will Kyle’s family discover his recent whereabouts and still accept him with open, relieved arms?

Budget: Minor – two main characters, and easy settings. (Easy to find – but emotionally difficult to shoot.)

About the writer: Based in upstate, NY, Steven Clark is the writer of over 30 short scripts, several of which are under option, in pre-production, or have already been made into films. On A Clear Night, a family Christmas feature aimed at a Hallmark Channel-type audience, is currently in the works. Steven can be reached at Steamroller138 (a) gmail. Check out his website BadRepScript.weebly.com and his other screenplays.

Read Silence Eventually (11 pages in PDF format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Friday, June 15, 2018

Outcall – Short Script Review (Available for Production) - post author Hamish

OutcallOutcall by Chris Beadnell

An elderly man gets a visit from a new home health aide – one with added benefits!

First impressions count. Especially at the start of a new job. It’s a chance to let your professionalism shine, and prove why you were hired in the first place – while demonstrating your top notch skill-set first hand.

This is the situation young Bambi finds herself in at the beginning of Chris Beadnell’s comedy short, Outcall.

A new girl at her agency, Bambi’s got to impress her boss, and satisfy her clients – totally. As we join her in her new venture, she’s preparing to meet a new customer. Is the girl dressed properly? Check. Does she know what her task entails? Double check.

But when she arrives at the address, confusion rears it’s ugly head. Because this locale isn’t your usual meet for Bambi’s line of work. And not a typical client either.

It’s not often you get an 82-year-old man named John requesting the following from a 20-something girl:

            BAMBI
So I have a shave, a back wash
and a massage. That’s what we’re
doing?

Then Bambi realises something else: the senile senior… stinks on ice! So she adds a quick shower to the list of on –the-job services, and gives the octogenarian a wet scrubbing. In the shower. Buck naked. An experience John relishes. Ah, customer service at its best!

But halfway through the shaving routine, two major twists run this train right off its tracks:

   Bambi’s phone rings.
   There’s a hurried knock at the door.

Maybe that’s coincidence. Or these events are connected. But if so – how? Only one person knows for sure, and that won’t be you…until you read the script!

This certainly ain’t a family friendly short, but it’s audience-friendly all the way. That ridiculous shower scene is a total gem: providing a mix of amusing/mature entertainment… with clever plot revelations along the way. It’s not often you see those two adjectives in the same sentence, but Outcall weds them instantly. Now, all it needs is the perfect Minister (um, “Director”) to finish the job… even if Bambi can’t.

Pick this one up, and you’ll be called in to many award ceremonies! With satisfied “clients” all the way!

Budget: Pretty low. Your primary priority: two great actors… with great comedic timing and chemistry!

About the writer, Chris Beadnell: With a 30+ year paramedic career, bearing witness to the complete spectrum of human emotion, I would use the creativity of writing as an escape from the reality of such a high pressure occupation. Most of my writing was never seen by anyone except a very select group of family and friends, and sometimes not even them. However, a serious eye injury in 2015 had me off work for months and the boredom of not working gave me the time and desire to learn the craft of script writing, and the stories locked in my mind finally had an avenue to flow. Chris can be reached out Cbeadnell (a) ymail.com or ChrisBeadnell.wordpress.com. Check out his other works.

Read Outcall (7 pages in pdf format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Wednesday, June 13, 2018

Chef Musto – Short Script Review (Available for Production) - post author Hamish

Chef Musto by Steven Clark

What’s for dinner? That’s always the question when guests arrive…

Dinner parties: a chance to impress friends in more ways than one. While the overall vibe of the occasion is important, it’s the food that will be most remembered by patrons when all’s said and down – especially if a speciality dish is served…

In Steve Clark’s Chef Musto, the kitchen is just one of many rooms contained within an eloquent British mansion. This lavishness is particularly flaunted in the dining room, where a grand table is prepared to welcome soon-to-be-arriving dinner guests.

Unfortunately, the kitchen staff are anything but prepared. The Sous Chef is late, and exasperated Musto blames diminutive butler Radford for the mess. Musto’s assistant Hispanic Mi-Mi speaks no English, and stays out of the argument as it threatens to boil over the top. Steam is avoided when missing maestro Chris finally turns up, at the precise time he was instructed to arrive.

Fortunately, the wait proves worth it. If Chris was a soldier, he’d be covered in medals. Though new to the gig, his culinary experience shines through as the team speed their way through preparing the main dish’s sides.

And soon after Radford turns up the heat:

            RADFORD
The Davenport’s phoned.
Estimated time of arrival in five minutes.

While Davenport is only the party host, Musto knows all-too-well they’re behind schedule. As is common in Kitchen Nightmares, some shortcuts must inevitably be taken for the main course. Some rookie mistakes will surely be made – ones that lead to the hosts seeing the entrée before it should be unveiled…

Take a pinch of flavorsome dialogue, a drop of juicy plot twist, and sprinkle some spicy characters on top. Whip that all together ‘til it foams, and you’ve got a concoction of comedic incongruence called Chef Musto: Bon Appetite!

Whether you’re a beginner or a seasoned director, this culinary classic is sure to have guests heaping praise upon the chef. So cook this tantalizing script until it’s well done, and your audience will be demanding seconds – we guarantee!

Budget: Pretty low: give this just a little green, you’ll be cooking fine!

About the writer: Based in upstate, NY, Steven Clark is the writer of over 30 short scripts, several of which are under option, in pre-production, or have already been made into films. On A Clear Night, a family Christmas feature aimed at a Hallmark Channel-type audience, is currently in the works. Steven can be reached at Steamroller138 (a) gmail. Check out his website BadRepScript.weebly.com and his other screenplays.

Read Chef Musto (8 pages in PDF format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Friday, June 8, 2018

Fault – Short Script for Review (Available for Production!) - post author Hamish

Fault by Steven Clark

Technology can solve most ills – except when social conditioning plays a part….

Over the past few decades, treatment of mental health has improved leaps and bounds. Today, we’re revolted at how the mentally unwell were whisked away to asylums and had experiments forced on them – like cogs in the pharmaceutical machine.

Of course, problems still exist today. Especially when it comes to children; many of whom suffer from agonizing emotional distress – yet are far too scared to face the truth.

Steven Clark’s Fault tackles this tricky topic with respect. On page 1, we’re introduced to a seemingly typical teenage situation: young Mary Kate is holed up in her room – doing nothing, saying nothing, and refusing everything offered by her father, David. It’s a common condition – for any age.

But what isn’t common is the “cure”. After having her brain scanned thoroughly, Mary Kate’s doctor installs a small chip in her arm. The teen seems deeply nervous, but her mother Abby’s desperate to have the procedure done.

After the implant’s complete, the doctor pulls Abby aside for a word of warning. The chip treatment can sometimes be – let’s say – “too perfect” for its own good. But Abby’s mother is convinced. If anything will save her Mary Kate, this technology is the way.

And technology doesn’t make mistakes – right?

Will the treatment worked as intended? Or will there be a tragic glitch – sending an already troubled family down a darker path? With these answers come profound insights: regarding how society views troubled children. Not to mention, how they view themselves.

A short script that discusses big, unsettling ideas head on, Fault will shine bright with the right actors. Pair candid, raw performances with a skilled director – and the result will be troubling. But faultless, nonetheless.

Budget: Relatively low. One doctor’s office, one house – that’s it.

About the writer: Based in upstate, NY, Steven Clark is the writer of over 30 short scripts, several of which are under option, in pre-production, or have already been made into films. On A Clear Night, a family Christmas feature aimed at a Hallmark Channel-type audience, is currently in the works. Steven can be reached at Steamroller138 (a) gmail. Check out his website BadRepScript.weebly.com and his other screenplays.

Read Fault (8 pages in PDF format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Monday, June 4, 2018

The Kiss – Short Script Review (Available for Production) - post author Hamish

The Kiss by Kosta

Saying goodbye is the hardest part. Or is it, really…?

Children go through many firsts in their initial years of life: First word. First day at school. First dentist appointment. And much more.

While some are natural human developments, others require bravery. Especially for a vulnerable child placed in a terrifying situation; one they’re not mature enough to understand.

In The Kiss, young Billy’s been asked by mother Shelley to kiss Godmother Norma: an old woman in her sixties with thick makeup. Who lies cold in her casket. Dead.

As you’d imagine, ‘first kiss of a corpse’ isn’t an accomplishment Billy’s eager to add to his resume.

From the start, the boy finds himself quite hesitant about the whole funeral experience. He’s particularly unable to grasp how friend Sam can eat with a corpse nearby – “festering” just across the room.

As it turns out, Sam’s an expert in the business of death. Able to handle his food under grisly conditions, Sam entertains Billy with graphic descriptions of what will happen to Norma’s body… after all’s been said and done.

And Sam cautions Billy about one horrific thing:

            SAM
There’s a point nine nine nine nine
nine… nine percent that… they
come back no matter what.

Needless to say, this information doesn’t convince Billy to comply with his mom’s request. So when she returns to his side, Billy’s still fighting what he’s gotta do.

Then Shelley manages to make Billy even more nervous – telling her son certain tall tales that raise the stakes even higher than before!

Riddled with witty fun dialogue, The Kiss is one of those magical scripts that refuses to obey genre rules. It’s a story that’ll align you with Billy from the first few lines – and raise questions along the way:

Will Billy kiss the corpse? What will happen if he fails? And what about that nine nine nine nine nine percent chance of bringing a monstrous horror to life?

Do you want to direct this? The answer should be a dead-sure “yes.” The Kiss is a clear festival favorite. And you don’t have to smooch a corpse to see it through…

Budget: Moderate. Yes, you’ll need a casket and access to a “church”. But most of the rest is easy to accomplish. Almost as easy as kissing… a dead relative?

About the writer: Kosta learned how to draw before he can write. This background in graphic design and illustration comes through in his writing as his work exudes an unmistakable visual style.

His work has placed in the finals of numerous screenplay competitions including the Nicholl’s and Screencraft fellowships as well as the Industry Insider screenwriting competition featuring Sheldon Turner.

Kosta is currently working on another feature and developing a project for television. He lives in perpetual rush hour traffic in Montreal, Canada and can always be reached at kostak@kostak.com.

Read The Kiss (11 pages in pdf format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Monday, May 14, 2018

Cassandra – Short Script Review (Available for Production!) - post author Hamish

Cassandra by George Ding

A young woman hires a company that claims it can show her future with her boyfriend. But when she discovers a future infidelity, she must decide whether to let the visions dictate her choices in the present.

Cassandra: a tragic figure in Greek mythology who had the ability to foresee future dangers, but as she was cursed, no-one believed her warnings. The term “Cassandra complex” comes from this tale and is still a popular idiom today.

George Ding’s Cassandra takes this myth and spins it into an enthralling piece of dramatic sci-fi. Greece is replaced with near-future Bejing, and Cassandra the prophet is now Cassandra the corporation, offering young couples a glimpse of how their romance will likely unfold. And our lead characters are no heroes, but Xiaoyu and Yi, two people in Cassandra’s target demographic.

Like so many lovers, this duo don’t know if they’re ready to tie the knot and become one. But Amy, Xiaoyu’s dear friend and a newlywed, proclaims that Cassandra erased all her doubts about her boyfriend. In fact, Amy’s such a friend that she wants the same thing to happen to Xiaoyu and Yi.

So Xiaoyu gets booked in for an appointment with Cassandra by Amy. But that’s where the similarities end. Her glimpse doesn’t erase her doubts, it expands them. Worse still, the doubts are self-inflicted; her future behaviour sows the seeds for them, not Yi’s. And while she hints at what she sees to Yi, he doesn’t believe she’d do such a thing…or will she?

Will Xiaoyu accept Cassandra’s caution as the inevitable truth, or will she try to alter the course of the future through her actions in the present?

By combining an ancient legend with a futuristic yet believable setting, Cassandra provides a vision not just for couples, but for budding directors too. It predicts many award wins, but be quick – blink and this glimpse will end up belonging to someone else!

Budget: Moderate. A few different scenes and settings – but despite this being SF, there’s no need for crazy FX!

About the writer: George Ding was born in Beijing and moved to the lush, yuppie suburbs of Washington D.C. at the age of four. He received a B.A. in Film Production with a minor in East Asian Languages and Cultures from the University of Southern California. After graduation, George took a two-month trip to Beijing and has lived there ever since. He currently works as a freelance writer and filmmaker. His writing has appeared in VICEThe New York Times and The Washington Post. Contact George at GeorgeDing.Com

Read Cassandra (22 pages in pdf format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

Wednesday, May 9, 2018

Whiteout on Route 89 by L. Chambers – Short Script review (available for production) - post author Marnie

Whiteout on Route 89 by L. Chambers

Tragedy strikes when a cab driver becomes more focused on his troubled passenger than the icy road.

To be truly great at certain professions sometimes involves more than just being competent at the labor itself. For instance, that rare doctor who possess good bedside manner, and bartenders who listen and serve free words of wisdom along with your cocktail. Same goes for taxi drivers. The best ones get you to your destination, while offering an ear and their two cents.

Old Reg is one of those drivers. On a fateful winter night, Reg navigates through blustery conditions to get his fare, Edie, safely to her fiancé. He attempts to conversate, but Edie is reluctant. Through the rearview mirror, he observes several things: bruises, tears, and no engagement ring. Kind soul that he is, Reg tries to get Edie to open up.

            REG
You know they say taxi drivers are
like barkeeps and psychologists. Just
as much help only you don’t have pay
through the nose.

After a while, Edie can no longer hold it together. She begins to sob. Reg’s attention becomes more focused on Edie than the road, and he doesn’t see the deer that crosses their path. By the time he does, it’s too late. The road is too icy. Reg loses control and the cab crashes, landing in a ravine. They’re trapped. Reg is badly hurt but his focus remains on Edie as he attempts to keep her calm. Reg is definitely one of the “good ‘uns”. So genuinely kind he’d probably treat Edie the same…even if he knew the truth about her.

Reg and Edie are great characters and offer a wonderful opportunity for actors to showcase their craft. The crash and snow might be a challenge, but by no means impossible to recreate with a little imagination.

About the Writer L. Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She currently works as a freelance web-content editor and lives with her husband (also a screenwriter) in Sydney, Australia.

Read Whiteout on Route 89 (18 pages in PDF format)

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

About the Reviewer: Marnie Mitchell-Lister has creative A.D.D. Some of her writing can be read here: BrainFluffs.com. Some of her photography can be seen here: marnzart.wordpress.com.

Monday, May 7, 2018

A New Night – Short Script Review (Available for Production!) - post author Hamish

A New Night by Tom Zarnowski

Memories don’t always die…

We often refer to holidays as getaways for good reason. They’re a chance to “get away” from the omnipresent stress of working life and recharge the batteries. The downtime also provides us with a golden opportunity to introspect our inner lives.

But in A New Night, the getaway that former parents Emmett and Dawn take to heal deep personal wounds turns out to be nothing more than a placebo.

Or worse.

Heading to a remote log cabin to cleanse themselves of memories of their dead daughters, Dawn struggles to accept the events of the past and mournfully realizes that no matter how hard her partner tries, her family feels incomplete without her girls:

            DAWN
They’re still with us, Emmett.

This weakness is made all the more evident when – during their first night in the cabin – Dawn spies a speck of white in the pitch black darkness. Artificial shouts of “happiness” penetrate the silent forest night.

Intrigued, Dawn follows the sounds – into the dark, and through the woods.

Waking and finding his wife gone, Emmett exits the cabin and follows her trail – until he stumbles onto a sight so incomprehensible that he loses all physical control.

When it returns, Dawn has vanished. She and her companions? Nowhere at all to be found.

Intent on saving his wife, Emmett returns to the cabin. Even from the outside, it’s obvious that someone’s… been there.

Grabbing his axe, Emmett heads inside to confront whoever’s responsible for this mess… But what exactly will he find?

Why has the cabin been ransacked? Where’s Dawn? And who’s with her?

Even more pressingly, when will you read this script and discover the answers to these questions – and more?

A New Night offers ticks all the classic horror boxes: Isolated location, troubled characters, and mystery. Yet it never succumbs to clichés; the organic mixture of psychological/physical horror enables this script to appeal to fans of many horror genres. All combined into one huge scare.

Directors looking to frighten audiences both mentally and visually need to add this one to their collection of scripts to film.

You’ll end up with your own family… of festival awards, that is!

Budget: Relatively low. Get a cabin in the woods, and run from there!

About the writer: Tom Zarnowski is a screenwriter from Chicago with a variety of features and shorts written. He previously worked for Veluvana Pictures writing and developing features from start to finish. His screenplay ‘Stages’ recently placed as a finalist at the Beverly Hills Film Festival. Before partnering with Veluvana, he worked as a script consultant for Road 28 Pictures. Did New Night scare the “daylights” out of you? Then send him an email at tzarnowski (a) gmail.

Read A New Night (8 pages in pdf format)

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp (a) gmail. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

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September 24, 2018

    See You In Court by Linda Gould

    When a Cuban-born ballplayer is abducted, his sportswriter fiancée and her fraternal twin sister, a Department of Homeland Security bureaucrat, decide to conduct competing investigations. 9 pages
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