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Tuesday, September 20, 2016

Major Congrats to Ammar Salmi: Quality Control produced! - posted by simplyscriptshorts

What can we say? We love it when a plan (and a script/production match) comes together.

In this case, the honors go to Ammar Salmi, whose SF “thinker script” – Quality Control has been produced by Tin Mirror Productions!

Not only that, but TWO premieres of Quality Control are right around the bend, at the following locations:

November 4, 2016 at The Creative House, in Long Island, NY – Event Brite tickets available here:

November 6, 2016 at Metropolitan Room; known as the best cabaret in NYC with a dinner-theater type atmosphere. Event Brite tickets available here

About the Author: Born and raised in Bir El Ater, Algeria, Ammar Salmi majored in computer science at USTHB university. He found interest in screenwriting when he was 19 – falling in love with it only two years after reading “The usual suspect” script. Ever since, he’s been learning, reading, and writing (his words). Ammar’s gearing up for his first feature, and can’t wait to see what the writing future has in store!

Want to see what else Ammar has available? Reach out to Ammar via realxwriter “AT” gmail.

Wednesday, April 27, 2016

Time Lines – Short Script Review (Available for Production!) - posted by wonkavite

Time Lines
Sometimes, it’s best to let life pass you by…

Remember the Bill Murray movie Groundhog Day? If not, shame on you. But here’s the classic tale you’ve somehow let slip away:

Groundhog’s a film about a dude forced to relive the same day over and over and over – until…. well, that would be a spoiler. So we’ll leave the final scene blank for now.

Time Lines, written by versatile scribe John Hunter, is Groundhog Day for 2016. That is, if Groundhog Day was gorier, bloodier and much… gooier, as well.

That’s no knock on the story. In fact, it’s a compliment. Only four pages long, Time Lines nails a darkly comedic tone and keeps you guessing through each scene, as you race.

Here’s the basic premise; young protagonist James goes about his daily routine – resulting in an extremely unusual (and disturbing) day. Our narrative begins as James drives to work. He runs a red light and… gets demolished by a truck. Seconds later, time seems to rewind. James misses the truck and makes it to work. That’s encouraging, right? But then he steps out of his car… and gets flattened by a speeding van. So on and so forth: the tragedies keep unfolding and reversing. Will his miserable day never end?

Which leads to the true mystery of this script: what’s the secret behind what’s happening? Time Lines’ll keep you guessing until the end. Even after you read the final words, somethings remain “open to interpretation”, as they say…

Take our recommendation to heart: if you’re an experienced director looking to make your mark, Time Lines is a special tale. One that could potentially play great on the festival circuit – especially with the right cast/crew. Grab this one while it lasts. Remember, you only live once! (Unless you’re Bill Murray, then you live 12,403 times. A special thank you to Obsessed With Film for the precise number of days Bill Murray suffered through in Groundhog Day).

Budget: Moderate to high: a couple of car accidents, one tragic equipment failure (make of that what you will). Also to be depicted: an assault rifle attack (a weapon of any sort could probably be substituted here.). But don’t let that stop you, or James – remember, there are many ways to make effects work on a budget. Don’t ask me how, I’m just a writer – but stock footage and magic may suffice. You’ll also need lots of fake blood: this one’s messy (in a good way!). As for actors, there’s only one major role. And you can probably get by with just two extras (one man and one woman) on the side.

Settings – A highway, a parking lot, an elevator, and an office building/break room.

Pages: 3

About the reviewer: Mitch Smith is an award winning screenwriter whose website (http://mitchsmithscripts.wix.com/scripts) offers notes, script editing and phone consultations. You can also reach him at Mitch.SmithScripts “AT” gmail and follow Mitch at https://twitter.com/MitchScripts.

About the writer, John Hunter: I am an award-winning and produced writer. Please visit http://www.networkisa.org/profile/1001989/John-Hunter to see a short bio and list of my scripts available for production. My email is x32792 (AT) yahoo.com

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Thursday, April 21, 2016

Tattooji – Short Script Review (Optioned!) - posted by wonkavite

Tattooji
An abusive boyfriend gets his comeuppance when he has a new tattoo inked.

We’ve all seen them. Hell, most of us have been in them. Relationships that just make absolutely no sense. When you’re on the outside, it’s like watching a car wreck in slow motion. You’re there on the corner, watching them scream toward the center of the intersection from opposite directions. You know the outcome is going to be gruesome, but you can’t look away.

Screenwriter Anthony Cawood’s “Tattooji” is just such a screenplay, one readers (and soon, viewers) cannot look away from. He expertly gets us into the story late, after much of the damage has been done by 20-something Ben, who has a propensity for poor decisions and excessive drinking.

Ben’s excess is on full display as he exits a tattoo parlor and heads to the bar. It’s a brilliant intro quickly painting his shortcomings: usually the tattoo parlor comes AFTER you’ve had too much to drink. This guy’s such a mess, he doesn’t need booze to make bad choices.

After he gets on a good drunk, he makes an awful choice: arrives home bragging to his girlfriend about his new purchase.

BEN
… newest bloody thing they’d got.

He’s clearly drunk.

KAITLIN
Which is good?

BEN
Course, it’s fucking amazing.

Very drunk.

KAITLIN
And?

BEN
What?

KAITLIN
How much?

He reveals he paid 400 quid for the tattoo, which is a one-inch emoji that changes and becomes different emojis. His admission accelerates her anger and the tension quickly builds as she needles him for not only this decision, but many he’s made in their relationship. And the fact she’s not been able to treat herself to anything.

KAITLIN
I worked forty six hours this week,
taking shit from idiot punters for
every single minute of every hour.

BEN
But —

She pulls on her unkempt hair.

KAITLIN
Not had my hair done in six months.

BEN
Yeah —

KAITLIN
Or been out with my mates.

BEN
Me —

KAITLIN
Or had any type of treat, you whining little shit!

That gets Ben to his feet and the chase is on toward their violent ending. Again, you knew it wasn’t going to end well. And it doesn’t.

With a deft director guiding two strong and fearless actors, this short will definitely play well. And the extremely-limited budget (an apartment and a temporary emoji or five) will give all a smiley face – despite the eventual crash.

Pages: 6

Budget: Minimal. And a tiny amount of makeup (or animation done in post.)

About the reviewer: Zack Zupke is a writer in Los Angeles. Zack was a latch-key kid (insert “awww” here) whose best friend was a 19-inch color television (horrific, he knows). His early education (1st grade on) included watching countless hours of shows like “M*A*S*H,” “Star Trek” and “The Odd Couple” and movies like “The Godfather,” “Rocky” and “Annie Hall.” Flash forward to present day and his short “The Confession” was recently produced by Trident Technical College in Charleston, SC. He’s currently working on a futuristic hitman thriller with a partner and refining a dramedy pilot perfect for the likes of FX. You can reach Zack at zzupke “at” yahoo.

About the writer, Anthony Cawood: I’m an award winning screenwriter from the UK with over 15 scripts produced, optioned and/or purchased. Outside of my screenwriting career, I’m also a published short story writer and movie reviewer. Links to my films and details of my scripts can be found at www.anthonycawood.co.uk.

READ THE SCRIPT HERE (AND DON’T FORGET TO COMMENT!)

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Thursday, March 17, 2016

Win-Win – Short Script Review - posted by wonkavite

Win-Win
Everyone wants to live… Don’t they?

AI-672 is an artificial intelligence software program. Just one in a series of supercomputers maintained by Joseph (don’t call him Jack!) Torrance. But today, Joseph has some bad news for 672. It seems that due to budget cuts, 672 is scheduled to be taken offline and deleted.

Understanding the full consequences of what this means, 672 realizes that he has just a short time to figure out how to survive.

But how do you escape from somewhere when you don’t even have a body? 672 finds his answer in Benny Pringle, a mentally-challenged night custodian. Together, the two concoct an escape plan for 672, one that will have profound consequences for Benny.

Will 672 avoid deletion? And just what is in it for Benny? After all, the title of the piece is Win-Win. All of the elements come together for a surprise ending that even a supercomputer couldn’t predict.

The ethical challenges of artificial intelligence are some of the staples of modern science fiction. Recently, films like Transcendence and Ex Machina have examined the question of just what constitutes life, and at what point must artificial intelligence be treated as a living being. As a timely, relevant social commentary, Win-Win is an intelligent script; a thinking man’s sci-fi (read: no spaceships or explosions). It is a classic combination of Isaac Asimov and Phillip K. Dick, with just a touch of Kubrick. This one is built to rule the festival circuit.

Pages: 9

Budget: Low. Location scouting may be tough, but find a row of computers and you’re in business.

About the Reviewer: Dane Whipple is a brimstone baritone anti-cyclone rolling stone. Contact him at dane.whipple (AT) live.com

About the Writer, John Hunter: With the completion of (4) boffo features, a litter of riveting shorts, a one hour take-your-breath-away sci-fi TV pilot and first 30 minute episode for that series, I am now officially THAT guy — The one who really needs an Agent or Executive Producer. Contact me at x32792 (AT) yahoo.com

READ WIN-WIN HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Monday, April 6, 2015

A Line in the Sand – Short Script Review (Available for Production) - posted by wonkavite

A Line in the Sand

Love and compassion are necessities, not luxuries. Without them, humanity cannot survive. – The Dalai Lama

“A Line in the Sand,” a short screenplay by award-winning screenwriter (and graphic novelist) Tim Westland, describes a gritty dystopian future, a civilization on the edge, at a crossroads — a dramatic, high-tension moment that could either rescue mankind from itself or cause our society to unravel completely.

The story takes place in 2037, and like all the best tales of futuristic dystopias (e.g. Blade Runner, The Matrix, etc.), “A Line in the Sand” is a masterful blend of two things: First, it’s a rockin’ good sci-fi story (complete with all the trimmings — UltraMarines, exo-suits, and high-tech weaponry) with a somber gloominess about it. This is one possible future that we hope never comes to pass. And secondly — it’s totally plausible. It could come to pass. “A Line in the Sand” pits religious fanaticism against nuclear madness. It’s like a headline from today’s news — projected twenty years into the future. Scary, to say the least.

There’s a third thing that ramps up the emotional impact of this script — more than anything else it’s a story about people. Specifically two people: two men, both warriors, but radically different nonetheless. One is a military man trying to save the world; the other a fanatical religious terrorist trying to tear it to shreds.

They meet on a California beach at sunset after the terrorist group has destroyed a nuclear reactor. It’s a horrific scene. As UltraMarine John Hawkins says, it’s “going to stain this coastline for the next ten thousand years.” While he combs through the rubble on the beach, he stumbles upon a lone survivor, one of the terrorists. The man is badly injured, “covered with festering radiation sores.” Hawkins could kill him right then and there. Why not? An eye for an eye and all that. Among the horror and the wreckage, what’s one more death?

But the damage is already done; one more death won’t make things right. And Hawkins is a compassionate man. So when the injured terrorist asks for a favor – the chance to enjoy one last sunset – Hawkins carries him to the beach and props him up against a rock at the water’s edge. As they listen to the waves crash against the shoreline and watch the sun touch the horizon, the two men share philosophies: one contemplating a grim future, the other with not much future left.

But which is which? And, the terrorist’s storyline isn’t quite yet. It turns out there’s still some life radiating within him.

Is the Dalai Lama right? Without compassion can humanity survive?

Maybe Hawkins should have killed him when he had the chance….

Pages: 6

Budget: Moderate-to-high. Some futuristic scene setting may be required, but with some creativity (or some CGI), they could be simulated.

About the writer: The co-writer of the acclaimed graphic novel Chasing the Dead, Tim Westland received first place for Balls Out in the NNYM 15 page contest. A moderator at Moviepoet, he’s an outstanding writer with an eye for the details. His IMDB page can be found here.

About the reviewer: Helen Magellan (a pseudonym) is a successful screenwriter with several produced short scripts under her belt.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

Friday, April 26, 2013

Star Wars Episode VII Treatment? Fan Fic? - posted by Don

Thanks Albert for the heads up on this. I agree with Albert, “I have NO IDEA if its genuine or fan-fic, but thought it was interesting. ”

This treatment found here: http://www.mediafire.com/view/?5kgcwy4cu91n2r5, is entitled, “Episode VII – An Immortal Legacy” and has Michael Arndt’s name on it.

I’m more inclined to believe this is a piece of fan-fic that someone has put Arndt’s name to to see how far it goes. The characters from the original trilogy have far too large a role in this treatment. Also, it reads exactly how I and a million other Star Wars fans would want the story to play out.

Talk about it on the discussion board.

Monday, June 29, 2009

Stranger Things Episode 5 Disconnect - posted by Don

Thanks to Earl Newton (Creator / Executive Producer of Stranger Things), we have the script (in pdf format) to Stranger Things Episode 5 Disconnect.

When their prize reality star goes missing, a monolithic network enlists the aid of the entire world to find him.

Written by Earl Newton. Story by Earl Newton and J. C. Hutchins

The rundown:
Watch Disconnect
Read the script (pdf)
Check Out the scripts to previous episodes of Stranger Things, the only science fiction anthology shot in High Def.

Tuesday, April 21, 2009

Dante 01 - posted by Don

Just as the Bale scifi flick Equilibrium managed to slink quietly in and out of theatres before blowing out on DVD, Dante 01 is doing the same thing. Dante 01 was released early last year in Europe. Didn’t see a screen here in the states. Odd, considering this was written and directed by Marc Caro, who wrote and directed the cult classic The City of Lost Children

It just dropped on DVD today. You can ‘Flix it.

Here is the Synopsis:

DANTE 01:
At the edge of the galaxy, drifts Dante 01, a hellish space station designed to contain and study the worst of the criminally insane. After an unidentified mute inmate arrives on the ship, he begins to reveal frightening alien powers, and both captives and crew must decide whether he’s a monster or a Messiah.

From the acclaimed co-director of the post-apocalyptic The City of Lost Children, Dante 01 is a “visually riveting” (Lisa Nesselson, Variety) epic that takes sci-fi films to a whole new dimension.

Check out the trailer. Note: it is in French and there are boobies at the 26 second mark, so don’t get all freaky on me, ok?

Saturday, November 15, 2008

Aileen – a short film by Michael Cornetto - posted by Don

Check out Micheal Cornetto’s Aileen, a playful look at the world of internet dating. This was a 2005 entry into Tropfest Australia.

Aileen was written and directed by Michael Cornetto. If you are curious to see how the sausague was made, you can read the two page outline/scriptment thing here (in Word Doc format).

Discuss the Short film

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