On the Unproduced Scripts page are the twenty two scripts of the June One Week Challenge.

Theme: Future Shock
Genre: Horror SciFi
Challenge: Stories inspired by a scary future. Micro-horror shorts with a view to being budget-friendly.

Visit the Discussion Board for the details.

– Don

BRIDGES (4 page short drama script) by James Austin McCormick

A suicidal man is comforted by a stranger but soon begins to suspect he might be better off without her help.

Self-preservation isn’t only a natural, human instinct, but it’s also an instinct deeply ingrained in pretty much every species on earth. Just by existing, pretty much every living orgasm on Earth is automatically programmed to sustain that existence – by surviving.

But, the human mind, although the most sophisticated of all species – at least on Earth, that we know of – can be quite fragile due to our unique emotional complexities. I guess it’s a gift and a curse?

Anyway, life is hard. As everyone surely knows, not everything goes our way. And I’m sure that we’ve all hit our own personal versions of rock bottom a time or two in our lives. Life, in itself, is an emotional roller-coaster – the highs can be very high and the lows can be incredibly low. And when those lows are incredibly low, sometimes our emotions can get the best of us. And our fragile, sophisticated psyches can be our own worst enemies – driving some to make a very unfortunate decision that completely goes against our natural, self-preservation instincts.

In James Austin McCormick’s disturbing drama, Bridges, Joe is at a low point in his life. Perhaps going through a mid-life crisis, the 40-year-old man, tired and beaten down, is at such a low point in his life that he’s seriously considering ending it all.

Standing at the edge of a bridge, Joe still isn’t sure if he’s going to go through with it or not. As he smokes a cigarette, weighing his options, perhaps he’s searching deep down for a reason not to do it. Or maybe he’s just waiting for someone to talk him out of it.

“Are things that bad?” a pale woman passing through asks him randomly.

At this point, Joe’s probably heard all the generic advice he can take. And, despite maybe looking for a reason not to jump, he’s still cynical.

            JOE
Let me guess.

But Joe doesn’t quite get the answer he was expecting… or looking for.

            PALE WOMAN
Not at all. Life’s cruel, unfair. So many
problems, so many pressures. It’s just so
unbearable. And there’s no escape.

Sheesh! Not exactly the person you’d call up for advice when you’re feeling down, is she?

The random stranger continues to give Joe some really terrible advice, doing her best to talk him into taking that life-ending leap. Flabbergasted, Joe has no idea what this strange lady’s agenda really is – perhaps a little reverse psychology? Or is it something much more sinister?

As if her ill-advised persuasiveness wasn’t unexpected enough, it’s at this point that the story moves into an even more unexpected direction. Though the story’s tone is pretty grim, it’s very sharply written with a neat twist.And we really do feel for the Joe character who, unfortunately for a lot of people, is all too relatable.

If you’re experiencing suicidal thoughts or know anyone who is, the National Suicide Prevention Lifeline (1-800-273-8255) provides 24/7, free and confidential support for people in distress, prevention and crisis resources for you or your loved ones, and best practices for professionals.

BUDGET: Shoe-string. 4 actors, 1 outdoor location.

ABOUT THE WRITER: James Austin McCormick is a college lecturer and compulsive writer of speculative fiction with many short stories published in various anthologies along with novellas and novels published with Class Act Books. As a screenwriter, James has consistently placed high in international competitions and, along with a co-author, has had three feature-length horror scripts optioned by K5 films. With a long list of short-length scripts, James also collaborated with talented writer, Annabel Grace, on the produced short, In the Silence. You can find his works on the Internet Speculative Fiction Database. James can be reached at: jimbostories (a) hotmail.

Read: BRIDGES

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Creak and Shriek (8 page short, horror in pdf format) written by Rob Herzog

An eight-year-old boy struggles for answers when his horror sound effects record starts playing on its own in the middle of the night.

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DEAR GOD, I QUIT – LOVE SATAN (9 page short comedy script) by Jay Williams

When Satan hands in his resignation letter, God is forced into an impossible situation

What if God one of us? Just a slob like one of us? Just a stranger on a bus… trying to make his way home?

That’s what singer/songwriter Joan Osborne asks us in her insanely catchy 90’s pop song, “What if God Was One of Us”. If even you didn’t grow up in the 90’s, love it or hate it, I’m sure you’ve heard it before.

For obvious reasons, this song played in my head after just finishing Jay Williams’s sharp-witted comedy short, “Dear God, I Quit – Love Satan”. While Joan Osborne’s song asks us what it would be like if God was, indeed, one of us, Williams explores the scenario further… while also asking the same question about God’s rival, the Prince of Darkness himself, Lucifer.

In “Dear God, I Quit – Love Satan”, God is a slob like one of us (to answer Joan Osborne’s question)… and a drunk… and a gambling addict.

The story opens outside of a storefront on the Vegas strip where we meet Godfrey – God in human form. Unshaven and unwashed, Godfrey looks like an old homeless man, muttering profanities to himself while glugging down a bottle of whiskey. It’s been a rough go in Vegas – not only is he hammered… but he’s also broke.

That’s when his friend, Lou, sharply dressed and doing much better than his counterpart, comes to the rescue like any friend would. If you were wondering, yes, Lou is short for Lucifer. And, yes, on Earth, he and God are friends.

            GODFREY
Oh Lou, is this how it ends?
How did it ever come to this?

We then cut to heaven, long before God became Godfrey and lost everything in the casinos.

This version of heaven doesn’t seem very heavenly – here, we don’t see angels playing harps with halos over their heads while riding on puffy clouds. This version of heaven looks much like an office you’d find your accountant working in. But maybe a lot less organized and a lot more filthy. Apparently, even in heaven, God is a slob like one of us.

A pile of paperwork in front of him, God seems just as stressed as any nine-to-five office worker. I guess we really were created in God’s image…

That’s when Lucifer arrives to conduct their weekly session where they discuss the balance of good and evil.

            GOD
OK, I’ve enabled a couple of
new strains of penicillin.

But, as their session continues, Lucifer breaks some news to his counterpart, handing him a letter of resignation. Bored of his duties, Lucifer has also “seen the light”…

But to truly be relieved of his duties, Lucifer needs God’s forgiveness first. But God isn’t so sure. After giving it some thought, God comes up with a plan – that he and Lucifer head down to Earth in human form. If Lucifer demonstrates good behavior and shows him that he has indeed changed, God will forgive him. But forgiveness comes with some serious consequences…

Packed with pithy dialogue and fantastic chemistry between God and Lucifer, “Dear God, I Quit – Love Satan” will make you do what any good comedy SHOULD do… laugh. And especially with the world where it is right now, God knows we could all use a good laugh.

BUDGET: Low. Two actors, two locations.

ABOUT THE WRITER: Jay Williams is a UK-based writer working in theater and movies. You can read more of his work right here on Simply Scripts. Jay can be reached at: jaywilliams120671 (a) hotmail.co.uk

Read Dear God, I Quit – Love, Satan.

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production.

About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Skip (3 pages in pdf format) by Gary Howell

A woman finds it difficult to communicate with her mother, but will that change when her great-granddaughter comes for a visit?

Jane drops her daughter, Sophie, off with Anna, her mother, Sophie’s grandmother. Sophia sings an old but memorable jump rope song. Anna recognizes this old song and chimes in. They sing together as Sophie jumps.

And the generations don’t stop there! Anna takes Sophia along to the retirement home to visit Gloria, Anna’s mother, Sophie’s great grandmother. Anna wheels Gloria out into the garden. She tries to talk with Gloria, but we learn Gloria has lost her memory. However, as Gloria takes interest in young Sophia, a smile comes to her face and for that moment, her memory is reawakened by the chant of the old jump rope rhyme, Cinderella dressed in yellow… and just when we think her memory is back, Anna asks Gloria if she recognizes her. But it is a very sad moment when Gloria doesn’t respond.

This is a sad but sweet story that would be super low budget and easy to produce. It’s a strong piece that everyone can relate to. No matter our age, we all know time is something we cannot stop or even turn back without a time machine but it’s part of life.

Things I love about Skip:

I love the way the writer scans over four generations weaving the jump rope rhyme throughout. We see youth in Sophie, the middle aged always-on-the-go in Jane, the gracefully aging Anna and then Gloria who is in a state of waiting for death to come. I super love the way the writer touches our heart at the end when we see that Sophie has left her jump rope in Gloria’s lap. This story makes a reader appreciate each stage of life. It is also chock full of female cast which is hot right now, and it’s a story I think could wow a lot of festivals!

Production: Budget – low; Actors – four and one extra; Locations – 2

About the Writer: Gary Howell is an attorney by trade, but a writer at heart. He has written several shorts, one of which was recently produced, “Country Road 12” that stars Dee Wallace (“E.T.”, “Poltergeist”). He has also co-written with Rick Hansberry a dramedy, “According to Plan”, that was optioned with Josh Monkarsh of Traffic City Productions, and is in development. He has had a manager reach out regarding representation after a drama pilot, “Bounty,” has performed well in a couple of competitions.

Recently Gary and Rick started working on a new script together (“Lake Regret”) and they’re blogging about the process from beginning to end, including the marketing and hopefully eventual sale and production of the script. You can read about their efforts at www.lakeregretmovie.com.

Gary enjoys writing both comedy and drama, and leans towards indie-themed pieces that are character driven. He enjoys reviewing scripts and providing advice and constructive criticism to other writers, and would welcome the opportunity to work collaboratively with any producers/directors looking to work with him on any type of project. Gary can be reached at: GaryMHowell (a) gmail.

Read Skip (3 pages in pdf format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the reviewer: Dena McKinnon is an optioned and produced screenwriter who also writes on assignment. Her IMDb credits. She can be reached at: girlbytheshore (a) hotmail.

MOTH (10 page short drama script) by Ben Clifford

A young single mother, struggling to deal with her baby’s incessant crying, leaves her apartment for a moment of peace and quiet only to realize that she locked herself out with her baby still inside.

Happy belated Mother’s Day, everybody!

Being a mother is a very difficult job, maybe the hardest job in the world. It’s only right that we show our appreciation to the women in our lives who brought us into this world, nurtured us and helped mold us into the responsible, productive, well-manneredadults that most of us are today. Though, like most “holidays” reserved for specific people, our mothers deserve more than one day of appreciation.

As great as our mothers have been to us and, as much as we love them, they aren’t perfect. They’ve all made mistakes that they’ve hopefully learned from. Read all the “Motherhood for Dummies” books you want, there isn’t a book out there that truly prepares someone for motherhood. Being a mom can be a learn-on-the-go, trial and error process. Especially when you carry the difficult burden of being a SINGLE mother.

In Ben Clifford’s dramedy, “Moth”, Jen isn’t just a single mother living on her own – she’s a 19-year-old single mother living on her own. Most people her age are still living with mommy and daddy, raiding their refrigerator for late-night snacks after a taking one too many bong hits with their friends. But Jen has the responsibility of raising a child on her own. Life hasn’t been easy for her. Struggling to get by, a moment of peace and quiet has been hard to come by. Especially on this day when her baby can’t seem to stop crying. Sleep deprivation taking its toll, Jen doesn’t know what to do. So she calls her pediatrician for some advice.

            DR. MATTHEWS (V.O)
Is he fed? Changed? Et cetera.

Jen realizes how silly her question was and allows Dr. Matthews to tend to his other patients. But, as her baby continues to cry, all she wants is just one moment of peace and quiet. Just. One. Damn. Moment.

Her brain screeching, Jen steps out of the apartment to give her ear drums a break. Taking a deep, soothing breath, she savors the moment of peace. Maybe a little too much. Her infant’s cries still audible from inside the apartment, she steps outside to breathe in some fresh air and soak up some much-needed vitamin D provided by the warm sun.

Perhaps caught up in the “moment”, Jen loses complete track of time, finding herself on a nearby park bench, people-watching and enjoying the ambient sounds of city traffic and construction. Yes, even the sound of a power-drill smashing through concrete is more peaceful than the sound of a baby crying. But, suddenly, Jen snaps out of her trance and remembers that she’s a mother with responsibilities – and her baby is inside unattended!

Jen hurries back into her apartment building, hearing her baby STILL crying from inside. But as she tries getting back in, panic hits her like a bucket of water – she locked her keys inside!

Afraid to call the cops due to what many may consider negligence, she seeks help from the building’s superintendent, eventually being forced to call a locksmith after business hours. And things continue to snowball from there.

As I mentioned, motherhood isn’t easy and I’m sure we can all point out a moment in time when our moms screwed up royally. For Jen, this is one of those moments. And though we can all agree what she did wasn’t the best decision, she realizes the error in her ways and will do ANYTHING to get back to her baby. And that’s something we can all root for.

BUDGET: Low. Two locations – the inside and outside of an apartment. Three actors and a baby.

ABOUT THE WRITER: Ben Clifford is an Australian screenwriter interested in writing drama and comedy. He’s greatly inspired by the works of Peter Weir, Harmony Korine, the Marx Brothers, Todd Solondz, Andrea Arnold, and Cate Shortland. Ben can be reached at: cliffordben502(a)gmail.

Read: MOTH

Discuss this script on the Discussion Board

*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production.

About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Over on the Original Scripts page are fifteen original scripts for your reading pleasure.

Script submissions are closed until June 8th and I encourage everyone to try their hand at the June Moving Picture Verse Writer^tm One Week Challenge.

Don

Theme: Future Shock
Genre: Horror SciFi
Challenge: Stories inspired by a scary future. Micro-horror shorts with a view to being budget-friendly.

Visit the Discussion Board for the details.

– Don

What A Good Boy Does pdf format by Ben Clifford

A young boy feels like he needs to tell his parents about a horrifying thing that happened to him — only to find out that they might not want to know. Trigger warning.

Picture that classic 1950’s image of the perfect American family:

Mother in her apron, steam rising from a fresh batch of brownies.
Father with his dinner jacket and pipe, smiling like he just told a joke.
Son at the table, their pride and joy, what a good little boy.

Now take a match and light it on fire.

This is a story of the cracks and holes and twisted, burnt corners of the nuclear family dream. Mother is a strung-out mess, desperate to keep up appearances. Father is the buttoned-up breadwinner whose well-being trumps all else. And their son, Bobby, has a secret. Something that makes his mother very worried. Something that might just send the whole façade crumbling down. How far will mother go to plaster over the cracks? How deep can one family bury their skeletons?

If you want a safe, happy family drama, check the Hallmark channel. If you’re looking for a psychologically complex tale with the courage and conviction to face those very dark places, you owe it to yourself to check out Ben Clifford’s What A Good Boy Does.

Production: This ten page short is an actor’s film. Suburban neighborhood. Suburban house. Two couples and a child.

About the writer: Ben Clifford is an Australian screenwriter

About the reviewer: James Barron is a former law student turned screenwriter who loves to write comedy along with the occasional horror/thriller. Contact James at jbarron021 (a) gmail.

Read What A Good Boy Does (10 page short drama in pdf format)

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.