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Tuesday, March 22, 2016

The Soda Machine – Short Script Review (Available for Production!) - posted by Dane Whipple

** WARNING! ADULT READERS ONLY **
** NSFW – Or Anyone Really….! **

The Soda Machine
A late night trip to the laundromat leads a young man into a world of trouble – and the gateway to cyber/fetish hell…

Ok kids, you ready for some fun?

A night at the laundromat, could there be anything more boring?

Johnson (a perfectly appropriate name, as it turns out) just wants to clean his uniform before work in the morning. To pass the time, he decides to buy a soda from the vending machine. When the machine steals his dollar, that’s when things start to go a little screwy.

First, he tries to get his dollar back from the old man who works there. When that doesn’t work, Johnson starts to go to work on the soda machine. Well, the old man doesn’t take too kindly to someone messing around with his woman. Wait, what? Yes, it seems the old man and the soda machine (no relation to the old man and the sea) have a special… relationship.

What follows is a battle royale involving an axe, four quarters, multiple bloody stumps, and some dismembered…well, I’ll let you discover that part on your own. But ultimately, it is a story about love. Don’t believe me? Be sure and read to the surprise ending and tell me I’m wrong.

The Soda Machine is a quirky, off-the-wall action-comedy in tradition of Kung FuryTurbo Kid, and pretty much everything Michael Ironsides has ever been in. This is the kind of film that festival goers will not only remember, but actually want to see again. Full of wit, grit, and enough blood to make Tarantino blush, it is a potent flick with viral potential. Perfect for a filmmaker looking to make a memorable… splash!

Pages: 10

Budget: Medium. One central location, the laundromat. Biggest costs will be blood, clean-up, and…um…prosthetics.

About the Reviewer: Dane Whipple doesn’t hurry in the surrey with the fringe on top. Contact him at dane.whipple (AT) live.com

About the writer: Michael J. Kospiah is an award-winning screenwriter and playwright who began his career as a sports columnist for several newspapers in Pennsylvania and New Jersey. With 15 years experience, he has worked as a ghostwriter, script consultant, script doctor and has collaborated with filmmakers from all over the world. His first-produced feature film “The Suicide Theory” had its world premiere at the prestigious TCL Chinese Theaters on Hollywood Boulevard, Hollywood, California in 2014. After winning several awards on the festival circuit (Dances With Films Festival – Grand Jury Prize, Austin Film Festival – Audience Award, Melbourne Underground FF – Special Jury Prize), the film was picked up for distribution in U.S. and Canada via Freestyle Releasing and received a brief run in select theaters while available (and still available) On Demand through most major cable outlets (also on Netflix). The film was listed #5 on theguardian.com’s Top 10 Australian Films list for 2015 and is currently rated 76% on Rotten Tomatoes.

You can visit his IMDB page here http://www.imdb.com/name/nm5414625/?ref_=tt_ov_wr and reach him via email at spesh2k “AT” msn.com.

Link for Mike’s Twitter Page: @spesh2k https://twitter.com/spesh2k

Link for The Suicide Theory trailer: https://www.youtube.com/watch?v=5eaXXOKJvtg

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Monday, March 21, 2016

The Role of the Dice – Short Script Review (Available for Production) - posted by LC

THE ROLE OF THE DICE

The fate of two couples is determined by a single roll of the dice.

Couples game night. It’s very much a tradition for some. And no – we’re not referring to some kinky type of seventies Key Party, or Twister played in the buff. We’re talking about a board game that is an institution to most, one that’s been around since the nineteen-thirties – the classic game of Monopoly.

Game nights can be great fun. There’s nothing like combining a healthy dose of friendly rivalry while cultivating memories and bonhomie with good friends. Cracking the caps off a few cold ones, opening a bottle of wine, snacking on some appetizers. Then sit back and let the games begin. Of course, there’s the little matter of winning being a whole lot more fun than losing, not to mention playing fair – in life, just as in the game.

In The Role Of The Dice, our hosts for the night are Chuck and Hannah, their guests, well to do friends Demetri and his heavily pregnant wife Stephanie. Expertly presiding over the entire affair is writer David Lambertson.

Remember I mentioned ‘fun’ and ‘playing fair’?  Straight off the bat our host Chuck doesn’t appear to be enjoying much of either.  To say he’s in a bad mood is an understatement – the words ‘grudge match’ instantly come to mind. But why, we wonder? Well, Chuck’s got his reasons. While out on patrol today (Chuck’s a cop) he discovered a little wheeling and dealing going on behind his back, and he’s about to exact revenge.  Exactly what he saw we’ll leave up to you to find out… We will say, how he enacts justice, is just as captivating as why.

Equally captivating is the skill with which writer David Lambertson spins this very clever yarn by juxtaposing the action with the moves of the Monopoly game. We watch as with every roll of the dice Chuck’s rage intensifies, and with each juicy revelation the subsequent plays on the Monopoly board mimic his state of mind – as do the escalating tensions of the other players around the table.  Mind games, double entendre, (Chuck’s first weapons of choice) – until it becomes patently obvious that Chuck has the monopoly over all of the players at the table, and that the game is about to take a deadly turn.

One of two entries tied for Reader’s Choice Simply Scripts One Week Challenge, The Role Of The Dice is a skillfully written and well plotted thriller that’s already proven to be a crowd favourite.

Filmmakers: Want to invest in something that’s a sure fire winner? Don’t leave this one to Chance, and Do Not Pass Go, it’s time to make your move. You never know, this might just be money in the bank.

Pages: 12

Budget: Minimal. Get a board game, good actors – a little bit more – and you’re done!

About the reviewer: Libby Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She has also worked professionally as a freelance web-content editor and proofreader. She is thrilled her first ever entry (Simpatico) into a Screenplay Comp – The LA Comedy Festival ‘Short’ screenplay division took out Top 3 Finalist and hopes the high placing will be a continuing trend. 🙂 Libby would love to see her words come to life on screen. She lives with her husband (also a screenwriter) in Sydney, Australia, and describes him as being both a good and a bad influence on her writing. You can contact Libby at libbych “AT” hotmail

About the writer, Dave Lambertson: I took up writing rather late in life having already been retired before I put pen to paper (okay – finger to computer key) for the first time.  My favorite genres to read and write are dramedies and romantic comedies.

In addition to this short, I have written four features; “The Last Statesman” (a 2015 PAGE finalist and a Nicholl’s and BlueCat quarterfinalist), “The Beginning of The End and The End” (a PAGE Semi-Finalist). Taking Stock (a drama) and a new comedy – “Screw You Tube”. Want to learn more? Reach Dave at dlambertson “AT” hotmail!

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Sunday, March 20, 2016

Original Script Sunday for March 20, 2016 - posted by Don

Happy Spring.

Over on the Unproduced Scripts page are twenty two original scripts for your reading pleasure.

-Don

Friday, March 18, 2016

Tim Westland’s For the Love of God – Available for Viewing (but wait, there’s more)! - posted by wonkavite

Awhile back, STS announced that Tim Westland’s reviewed script For the Love of God had been optioned.  As you all know, that’s the first step.

Today, we’re thrilled to announce that the script has been shot by talented director Randy Smith – it’s distributed and looking… fabulous!

So take a peek at it on Youtube here…!

In the meantime, we highly suggest you look over Tim’s other work. The man writes in a variety of genres – each intelligently nuanced, and available for production as we speak:

Shorts

Better Be Good – (Holiday Fantasy Short) – When a young boy finds Santa’s lost bag of toys in a nearby forest, his first thought is to return it. His big brother has other ideas though, which might prove life changing for both of them. https://simplyscriptsreviews.wordpress.com/2014/11/06/better-be-good-short-script-for-review-available-for-production/

Balls Out (comedy) – Legendary Surfing Pioneer, Mick “Balls Out” Shelly, hasn’t hit the waves in five decades. But an opportunity to reclaim the spotlight takes Mick and people from his past on a trip down memory lane that none are likely to forget. https://simplyscriptsreviews.wordpress.com/2015/10/23/balls-out/

Careful What You Wish For (comedy/fantasy) – Magic genies and bottles. Such things never end well.  Or DO they? https://simplyscriptsreviews.wordpress.com/2015/07/09/careful-what-you-wish-for-short-script-review-available-for-production/

A Line in the Sand (Hard Political SF/Drama) – Love and compassion are necessities, not luxuries. Without them, humanity cannot survive. https://simplyscriptsreviews.wordpress.com/2015/04/06/a-line-in-the-sand-short-script-review-available-for-production/

TV Series

Loose Screws (TV Pilot/Drama/Thriller with writer John Robbins) – A successful psychiatrist finds himself losing his grip on reality – and turns to an old patient – a girl with a mysterious mathematical talent, that he used and betrayed years ago. https://simplyscriptsreviews.wordpress.com/2015/01/01/loose-screws-featured-television-pilot-review-available-for-option/

Features

Hunted/Stitched (Feature Horror with writer Rod Thompson) – After accidentally shooting a girl in the mysterious Ozark mountains, five hunting buddies must battle for their lives and their souls when a backwoods hillbilly taxidermist invokes ancient supernatural powers to bring his monstrous patchwork creations to life to exact his revenge.  Note to Directors who focus on contest winners… Stitched has been wowing the big ones.  Quite well! https://simplyscriptsreviews.wordpress.com/2015/04/01/hunted-feature-length-script-review-available-for-production/

About Tim himself: Tim Westland, co-writer of the acclaimed graphic novel Chasing the Dead, received first place for Balls Out in the NNYM 15 page contest. An outstanding writer with an eye for the details, his IMDB page can be found here. And he can be reached here (when not subsumed in writing throes): timwestland “AT” hotmail

Thursday, March 17, 2016

Win-Win – Short Script Review - posted by Dane Whipple

Win-Win
Everyone wants to live… Don’t they?

AI-672 is an artificial intelligence software program. Just one in a series of supercomputers maintained by Joseph (don’t call him Jack!) Torrance. But today, Joseph has some bad news for 672. It seems that due to budget cuts, 672 is scheduled to be taken offline and deleted.

Understanding the full consequences of what this means, 672 realizes that he has just a short time to figure out how to survive.

But how do you escape from somewhere when you don’t even have a body? 672 finds his answer in Benny Pringle, a mentally-challenged night custodian. Together, the two concoct an escape plan for 672, one that will have profound consequences for Benny.

Will 672 avoid deletion? And just what is in it for Benny? After all, the title of the piece is Win-Win. All of the elements come together for a surprise ending that even a supercomputer couldn’t predict.

The ethical challenges of artificial intelligence are some of the staples of modern science fiction. Recently, films like Transcendence and Ex Machina have examined the question of just what constitutes life, and at what point must artificial intelligence be treated as a living being. As a timely, relevant social commentary, Win-Win is an intelligent script; a thinking man’s sci-fi (read: no spaceships or explosions). It is a classic combination of Isaac Asimov and Phillip K. Dick, with just a touch of Kubrick. This one is built to rule the festival circuit.

Pages: 9

Budget: Low. Location scouting may be tough, but find a row of computers and you’re in business.

About the Reviewer: Dane Whipple is a brimstone baritone anti-cyclone rolling stone. Contact him at dane.whipple (AT) live.com

About the Writer, John Hunter: With the completion of (4) boffo features, a litter of riveting shorts, a one hour take-your-breath-away sci-fi TV pilot and first 30 minute episode for that series, I am now officially THAT guy — The one who really needs an Agent or Executive Producer. Contact me at x32792 (AT) yahoo.com

READ WIN-WIN HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Sunday, March 13, 2016

Original Script Sunday for March 13th - posted by Don

Over on the Unproduced Scripts page are twenty six original scripts or your reading pleasure.

– Don

Friday, March 11, 2016

Eulogy – Short Script Review (Available for Production!) - posted by wonkavite

Eulogy

When a cantankerous woman is given only months to live, the town scrambles to see who will write her Eulogy – and inherit her vast fortune.

When I was given this script to read, I was told it’s based on a feature length. As friends and foes will tell you, I’m not the easiest reviewer to impress. Yet – having read this – I can honestly say I’m eager to read the long version, as well.

In both it’s long and short forms, Eulogy tells the story of Ruby Mae Morgan – a well-to-do spinster with no family of her own. The closest thing she has to a friend is the granddaughter of her gardener; a seven year old girl nicknamed Tadpole. Even reading it cold off the page, the relationship between these two is incredible. Tadpole’s innocence and childlife wisdom proves the perfect foil for Ruby’s cranky personality. (It’s just so easy to imagine the late Jessica Tandy in this role.)

When Ruby learns she’s dying, she issues a proclamation in the town paper: whoever can give her the best eulogy (while she’s living and able to judge) will inherit the vast fortune she owns. Needless to say, the town goes crazy! People who barely know her, people who hate her – all sharpen their bullshit pencils and get writing.

There’s no real surprise as to who wins this competition. But the simplicity and grace of the story – and the authentic chemistry of the characters – makes reading this script supremely worth-while.

If you’re a director interested in quality drama, look absolutely no further. Eulogy’s the tale to tell.

And if you’re looking for a feature length film (available for viewing here), then snap up this gem while you can. Because there’s bound to be some Sundance creds in your future…

About the writer: As a new writer, Dena McKinnon has had her share of luck (her word). She has had four shorts produced. One of her shorts, The Box, directed by Sascha Zimmermann, has racked up numerous awards and will screen at Comic-Con this month in San Diego. Dena has optioned one feature, Doggone, a buddy script cowritten with Kevin Lenihan. Currently, Dena has one feature in production, The Last Call, with Leo-PR, and is writing on assignment for an undisclosed TV producer.  Dena’s IMDB Credits and Website are available at the following links:

http://www.denamckinnon.com/

http://www.imdb.com/name/nm5053184/?ref_=fn_al_nm_1

Pages: 21

Budget: I don’t see this script as being expensive to produce. Locations include a plantation/southern mansion and many locations (which can be easily substituted.) The cast includes ten or fifteen people. Most have small background parts. Two main characters: an old woman who pushes people from her. And the little girl who insists on getting closer.

About the reviewer: Phil Clarke, Jr. is a contest winning writer who has had multiple feature films optioned.  Produced shorts of Phil’s have been featured at Cannes and Clermont Ferrand.  More of his work is available at his website: www.philclarkejr.com.  (IMDB Credits listed here.)

READ THE SCRIPT HERE. (AND DON’T FORGET TO COMMENT!)

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

 

 

 

 

 

 

 

Thursday, March 10, 2016

The Other White Meat – Short Script Review (Available for Production!) - posted by wonkavite

The Other White Meat
When their food supply fails to arrive, space researchers Sarah and Jack face the ultimate fear…

SARAH
You wanna shuffle?

JACK
(snaps)
Give me the cards.

We’ve all experienced it. A task that no-one wants to do must be done.

So a contest to randomly select the unlucky loser is reluctantly agreed upon.

In John Hunter’s The Other White Meat, Jack and Sarah are two researchers who’ve spent 18 months searching for extra-terrestrial life on a remote ice-planet… with absolutely no success.

When the story starts, they’re already in a jam. The food’s run out, and supply line issues ensure there’s no more arriving for several weeks. So there’s only one course of action left.

But neither of them wants to decide.

A method of arbitration is therefore required; for the two starving scientists, it’s a one card draw. The stakes are higher than any card game ever played on Earth, and the rules are staggeringly simple: highest card wins, or so it seems. Though with hindsight, it appears the loser may end up being the “winner”. That is, when all is said and done…

White Meat is a script that never backs itself into one genre – sci-fi, horror, and even some dark comedy are mixed to create a concoction that invokes every emotion there is. One page you’re laughing. The next, paralyzed with fear. And it all comes across seamlessly, resulting in a roller coaster ride that handcuffs the reader – never letting them go until the very end.

With more twists than the current race for the White House, dialogue in this script shines: ranging from bitterly ironic to traumatically blunt. In fact, there’s just one box left to tick off to make this a festival winner: a director who can leverage all of White Meat’s twists – and let this infinitely rewarding script hit new heights!

Pages: 9

Budget: A bit of FX.  But low-moderate.  The station can be a basement. And most of White Meat’s shocks can be implied!

About the Reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp “AT” gmail.com. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

About the Writer:  With the completion of (4) boffo features, a litter of riveting shorts, a one hour take-your-breath-away sci-fi TV pilot and first 30 minute episode for that series, I am now officially THAT guy — The one who really needs an Agent or Executive Producer. Contact me at x32792 (AT) yahoo.com

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Tuesday, March 8, 2016

Man’s Best Friend – Short Script Review (Available for Production!) - posted by LC

MAN’S BEST FRIEND
Three days after a couple’s beloved dog goes missing, a phone call arrives that will change the game. Forever.

Put aside whether you’re a dog person or cat person just for a moment and focus on the incomparable talents of Man’s Best Friend, and why mutts have earned this most eminent title.

Ready…?

Guide dogs, guard dogs, sniffer dogs, therapy dogs, herding, hunting, tracking and cadaver dogs, bomb, drug, and chemical detection dogs; dogs of war, dogs who can sniff out cancer – dogs who rescue their owners from burning buildings and rolling rapids… And that’s just to name a few of their talents. Add to that, unconditional loyalty and love, goopy grins, sloppy kisses and perennially wagging tails, and really – the ‘elegant tramp’, (as one of my friends labels felines), is really not much competition, now is it?

From Rin-Tin-Tin and Lassie to the memorably cute but a lil’ fugly Verdell in As Good As It Gets, it’s no wonder dogs have an illustrious celluloid history, in both leading roles and as sidekicks.

Okay, now picture this:

You’re wandering down the street, minding your own business, and you look up to see MISSING, LOST DOG, or REWARD, stamped across a poster and nailed to a telegraph pole. Typically a photo of said AWOL pooch looks dolefully and adorably into the camera. Aww, so sad, and guaranteed to tug at the ol’ heartstrings.

This is also the opening scene of Steven Clark’s screenplay, Man’s Best Friend.

But hang on now, cause if you’re thinking this is going to be a cute fluffy-dog piece think again. Curt and Cassie, a couple in their thirties (he’s a cop btw) have just received a rather ominous telephone call and discovered there’s a bounty to be paid on Ranger, their missing ‘family member’ – and a rather hefty ransom demand.

MAN (V.O.)
We have your dog. …
He’s got nice teeth. But I’ve got
pliers. … $10,000 dollars for the mutt. Cash. Or
I start playing dentist.

Eww! Marathon Dog, anyone?

To say anything further would spoil the fun, the suspense, and the very, very, dark twists and turns of this piece. Suffice to say this tail (sorry, tale) is less for lovers of Marley And Me , and more for fans of teeth baring, and snarling Cujo, and Seven Psychopaths.

Dare I say, if you’ve got a nose for talent you can call off your search right now cause with Man’s Best Friend you’ll definitely be barking up the right tree.

Pages: 10

Budget: Low. Just – make sure you do this one right… every beat!

About the writer: Based in upstate, NY, Steven Clark is the writer of over 30 short scripts, several of which are under option, in pre-production, or have already been made into films. On A Clear Night, a family Christmas feature aimed at a Hallmark Channel-type audience, is currently in the works. Steven can be reached at Steamroller138 (a) gmail.

About the reviewer: L. Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She currently works as a freelance web-content editor and lives with her husband (also a screenwriter) in Sydney, Australia.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

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