Autumn is upon us. Time to read some unproduced scripts over on the Original, Unproduced Scripts page.

– Don

Horrific Tales of the Wickedly Macabre is an anthology series that celebrates the ridiculous excess of ’80s horror. Eight separate terrifying stories, each told by horror fans, specifically for horror fans.

Next up is:

Kindhearts by Sean Chipman (Wraparound Story Written by Sean Chipman)
A troubled couple visits a sit-down chain restaurant on their daughter’s 15th birthday, only to find that the restaurant harbors a dark secret.

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Frank or Francis – May 17, 2010 unspecifid draft script by Charlie Kaufman – hosted by: Being Charlie Kaufman – in pdf format

A Hollywood satire in which an auteur director (Frank) and a movie blog commenter (Francis) go to war with one another. Francis hates almost every movie he watches. 

Information courtesy of IMDb

More scripts on the Movie Scripts

Forgetting Sara Marshall – December 18, 2006 unspecified draft script by Jason Segel – hosted by: Rain Dance – in pdf format

Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah’s traveling to the same resort as her ex – and she’s bringing along her new boyfriend.

Information courtesy of IMDb

More scripts on the Movie Scripts

Horrific Tales of the Wickedly Macabre is an anthology series that celebrates the ridiculous excess of ’80s horror. Eight separate terrifying stories, each told by horror fans, specifically for horror fans.

Next up is:

Filthy Animal (28 pages) by Michael J. Kospiah (Wraparound Story Written by Sean Chipman)

A mysterious animal control officer teaches an abusive dog owner what it’s like to be treated like an animal.

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Ishtar – October 11, 1985 blue revised draft script by Elaine May – hosted by: UCLA Extension Writers’ Program – in pdf format

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the C.I.A., the Emir of Ishtar, and the rebels trying to overthrow his regime.

Information courtesy of IMDb

More scripts on the Movie Scripts

HOME (12-page short horror screenplay) Written by SEAN O’DONAGHUE

A man and woman are drawn to an abandoned house minutes apart for unrelated reasons and engage in a game of broken telephone in a house with motives of its own.

It’s always a pleasure to find a good, old-fashioned, creepy horror short to contribute to my lack of sleep at night. And while the horror fan in me was really drawn in to this clever spine-tingler, the filmmaker in me was drawn towards it because it was a one-location, two-character piece. So, any filmmakers out there looking for something easy to film during social distancing, look no further.

The story opens as Raymond tapes “missing” posters onto telephone poles throughout a quiet neighborhood in search of his missing cat, Felix. But as he continues to put up these “missing” posters, he hears a meow coming from a creepy, abandoned house across the street. Almost a 100 percent sure it’s Felix, he makes the mistake of entering the home – never a good idea in the middle of the night, especially in a horror movie.

Meanwhile, a photographer named Natasha arrives at the abandoned home to recover a camera she had left there the previous day – she’s been taking photos of the place. But when she arrives, she realizes that she’s not alone.

Trying to draw out what she thinks may be a homeless person upstairs, she bangs on the ceiling with a broomstick, which makes Raymond realize that he’s not alone either. Though both parties are relatively harmless and are at the house with good intentions, they sort of engage in a game of Marco Polo.

But as this game of cat and mouse continues, they each notice strange children’s drawings and carvings on the walls – the creepy drawings tell the tragic story of the family that once lived there, a sinister story that ended violently. And as Raymond and Natasha eventually find each other, they both realize that they’re not the only ones there…

“Home” combines familiar horror tropes to create an original, cleverly-chilling story that constantly plays with the audience’s expectations throughout.

BUDGET: Low. One-location, two actors.

ABOUT THE WRITER: Sean O’Donoghue is a 22-year-old writer based out of Toronto, Canada. Though he studied Economics and Political Science at McGill University in Montreal, his passion was always in film. Sean gravitated towards other creatives, ending up writing for and working with friends on smaller projects. Now graduated and having left McGill’s film club, Sean made the choice to pursue a career in screenwriting with “HOME” being his first foray into the professional sphere. His influences range from classic adventure films such as the Indiana Jones Trilogy (Emphasis on trilogy), to noir/neo-noir thrillers including Memento and The Maltese Falcon, to stoner action flicks like Pineapple Express. Sean’s interest in multiple genres is something he wishes to emulate in his own work as he looks to tell wide-ranging stories that capture various perspectives of the human condition. Sean can be reached at: sean.od1701 (a) gmail.

Read: HOME (12-page short horror screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

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Over on the Unproduced scripts page are 15 original scripts for your reading pleasure. Also, who wrote what and writers’ choice is up from the September One Week Challenge.

– don

Inside Llewyn Davis – Undated, unspecified draft script by Joel Coen & Ethan Coen – hosted by: Rain Dance – in pdf format

Follow a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles — some of them of his own making.

Information courtesy of IMDb

Check out more on the Movie Scripts page.