Tick Tock Toe

An elderly man plays tic tic toe with his granddaughter resulting in an unexpected outcome

Life isn’t a game you win or lose.

Rose is a born loser. An awkward, angsty, acne-ridden 14-year-old. After a long day of being ridiculed by the popular kids at school, she stops by the nursing care center to visit her grandfather, Sidney.

Sidney is a born winner. Or at least he was, until he got put out to pasture here at the old folks home. Here, his winning days exist only as faded photographs of yesteryear. Nowadays, Sidney is a bit of a curmudgeon. He calls things like he sees them, and what he sees is that Rose could use some life lessons.

To kill some time, Sidney and Rose decide to play a good old game of Tick Tac Toe. Sidney plays to win. Rose plays not to lose.

Naturally, game after game ends in a draw. What’s the point of a game you can’t win?

As the two trade moves on the board, they swap stories, as well. Sidney’s time in the war has given him a unique perspective on life, and some advice for Rose on how to live it. Following draw after draw, Rose begins to adopt a new and positive outlook, and Sidney realizes that perhaps it is time for him to try a new approach to the game of life. He knows all too well that if you kill enough time, it may just kill you right back.

In the tradition of Gran Torino and Little Miss Sunshine, Tick Tock Toe is a classic mentor/mentee character-driven drama, examining what the young can learn from the old and vice versa. There is also an element of life mirroring the game ala Searching for Bobby Fisher. The script offers a profound meditation on the nature of life, death, and everything in between. The kind of weighty rumination that would make Terrence Malick proud, TTT is surely set to be a standout on the festival and awards circuits.

If you are looking for a real winner, play a game of Tick Tock Toe!

Pages: 13

Budget: Medium. One central location, the nursing home, with a short school scene and a (spoiler) casket shot.

About the Reviewer: Dane Whipple is living in a powder keg and giving off sparks. He is currently working on that screenplay everybody keeps talking about: The Wild Age. Contact him at dane.whipple (a) live.com

About the writer: An award winning writer, Bill Sarre has had scripts place both finalist and quarter finalist with Page and Bluecat. Another short of his, The Grieving Spell, was recently grand prize winner of the London Film Awards. Bill can be reached at Bill.sarre (a) gmail.com

Read Tick Tock Toe

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Mucho Congratulations to Breanne Mattson!

Reviewed on STS back in March 2014 , her script A Day With Death was subsequently discovered by Asurf Oluseyi and Asurf Films, Ltd. The film was shot in Lagos, Nigeria – bringing terrific cultural flavor to an already charming script.

As of today’s writing, Day has been officially nominated for Best Short Film for the Africa Magic Viewers Choice Awards!  (AMVC).  Not bad at all – fully deserved! For yet more information, the film’s Facebook page is available here:  https://www.facebook.com/adaywithdeath

*******

Oh – and then there’s Breanne’s OTHER amazing news…  Her feature length thriller Warning Shot has now officially cast Hollywood fav Bruce Dern in a pivotal role.  Here’s what the press has to say: The character-driven drama/thriller Warning Shot starts filming in Los Angeles in early 2016 with Bruce Dern heading its cast. The project was brought to Dern by veteran Casting Director John Jackson, known for his work on the award winning films The Descendants and Nebraska. Dern, who was nominated for an Academy Award for his performance in the film Nebraska, can also be seen this December in Quentin Tarantino’s The Hateful Eight. In Warning Shot, Dern will play a dying businessman whose legacy is in jeopardy.

The story centers on a single mother and her young daughter struggling to make ends meet until they inherit a farmhouse. When a family business rival sends armed men to take the water rights to the farm’s creek by force, the situation spirals out of control.

Written by Breanne Mattson, the script was a Nicholl quarterfinalist in 2011. Dustin Fairbanks will make his feature debut as director with Ross Otterman (Gutshot Straight, Excision) producing. Executive Producing is DJ Dodd, whose film 10,000 Saints premiered at the 2015 Sundance Film Festival.

But WAIT – THERE’S MORE!  (Oh so much, much more…) Directors in search of their next big thing should be aware that Breanne’s got more shorts available. Reposted for your consideration, please find The End in Sight – a gritty crime thriller by Ms. Mattson that’s just aching for the right producer to see it, er, visualized…

The End in Sight

A hired killer tries to finish one last job before going blind.

A bad guy with a soft spot – looking to do something right after a lifetime of mistakes…  What the heck is it about characters like this that captures the imagination?  Because they do. Every time.  They’re just so… more interesting than vanilla good guys. Hit men especially.  Watch the Professional or In Bruges, and dare to disagree.

The End in Sight is a short script that “hits” that exact note perfectly.  Enter Hugo – the consummate hit man.  He’s killed efficiently all his life. Now – unfortunately – he’s going blind.  Which, one could imagine, is really bad ju-ju for a man who relies on visual acuity…

Hugo’s trying to finish one last job before he retires: kill a gangster, and return a wayward prostitute, Winter, to a rival pimp named Skarda.  Needless to say – things get emotionally complicated and go horribly wrong.  Given the setup, this could have been a cliche script.  But The End in Sight does things right; pulling out twists and character beats that make the whole trip worthwhile. So if crime and thrillers are your forte, crack this one open. It’s got a killer ending…

About the writer: Breanne Mattson is no stranger to accolades.  Her feature lengths have made Nicholl Quarterfinalist three times (yeah, that’s three times, beeyotch!) She’s also made semi-finalist in Bluecat, Final Draft and honorable mention in TrackingB.  She’s also received a “worth the read” from Scriptshadow.  Her website can be viewed at www.breannemattson.com (IMDB credits here.)

Pages: 35

Budget: Okay. This one’s no “newbie” script.  Thirty five pages long, it features plenty o’ squibs and bullet hits,  stunt car driving, and both inside and outside locations.  But in experienced hands, this script could be amazing.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Bowel Sounds

A patient experiences malevolent gastric distress…

Ever sit in a quiet classroom or church… and suddenly your stomach makes one of those really loud gurgly sounds? Whoa. How loud was it, you wonder? Did anyone else hear it? Are they staring at you? Grossed out or giggling? And then… it happens again. G-u-R-g-L-e. And again. Sheesh, what are those sounds, anyway? What’s going on inside you that’s making so much ruckus? Could something you ate really cause that much commotion?

Or perhaps something’s eating you!

That’s the premise of the riveting comedy-horror, Bowel Sounds, by Robert G. Newcomer. Sad sack Tucker thinks something’s eating him up – from the inside out. And admittedly, he don’t look good. Even his family physician’s taken aback by his haggard appearance. But after listening with his stethoscope, Dr. Morgan concludes it’s just normal bowel sounds. You know, an undigested bit of beef. Or something Lewis Carroll-ish…

But Tucker ain’t buying it. He can feel something in his innards. Rolling. Squirming. Biting. And when he listens through the stethoscope, he hears an evil voice. Taunting him!

Questioning his patient’s marbles, Dr. Morgan slips from the room to order a sedative. But while he’s gone, Tucker takes matters into his own hands. Literally.

What follows next solves poor Tucker’s problem. But it sure ain’t pretty.

Memo to any doctors who might read this: Don’t leave surgical tools lying around when there’s a crazy person in the room. And one more word of caution: if you see a bloody trail leading to a trash can, and the trash can moves – keep your distance.

Horror directors, take heed. If you remember Reanimator with fondness, Bowel Sounds is the perfect tale for you. Darkly comedic, and bloody fun!

About the writer:  Robert Newcomer recently received his first IMDB credit for another short, Them That’s Dead.  An intelligent writer, he has several other shorts and a horror feature length available for consideration. (IMDB credits listed here.) Other scripts by Robert (also horror) reviewed at STS include:

A Mighty Fire

Someplace Nice and Dark

Pages: 5

Budget: Low. Three actors, a “doctor’s room” and buckets of blood!

About the reviewers: Scott & Paula Merrow are a husband and wife screenwriting team. Since 2006, they’ve written over 50 short screenplays, several of which have been produced. They tend toward family-friendly scripts, but they’ve written a little bit of everything: horror, fantasy, sci-fi, comedy,… the whole nine yards. They’re reachable at scott-paula “AT” comcast.net

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

LES GARCONS

A notorious French thief breaks into a museum and gets an unexpected surprise.

Crime capers. We love them so! Nothing captures a viewer’s imagination more than a priceless artifact, ferreted away by a daring cat burglar. Hollywood feeds our fancy with this genre regularly, treating us with star-studded movies such as The Oceans Eleven series, To Catch a Thief, The Score, Entrapment and of course The Thomas Crown Affair – an art theft film so popular they made it twice!

What do each of these entertaining films have in common (besides the pilfering of objets d’art?) A charismatic anti-hero who relies on style and stealth over violence.

Talented writer Jean-Pierre Chapoteau continues this grand tradition in Les Garcons. His worthy protagonist? The masterful and dashing “Jean-Luc The Great.”

As debonair as they come, our suave “master of all thieves” is blessed with great cunning and flamboyant skill. His daring criminal exploits include pilfering jewels right off the Pope, and “lifting zee necklace off of zee Queen of Spain as she dined in a room of one-hundred friends.” Not bad for a career cad’s resume.

His current target? The valuable painting “The Tree and the Fly”, displayed at a local museum. Unfortunately for this Master of Shadows, his best laid plans quickly go awry.

Jean’s caught red-handed by Tye – a young star-struck security guard. Tye triggers the alarm… then asks if he can have his picture taken with the criminal mastermind.

Have his picture taken? Never! Jean-Luc denies his ardent fan’s request. In a cunning game of cat and mouse, he demands to be taken to the “closest room of rest.” Guided into the break-room, an increasingly concerned Jean-Luc bargains with his captor. Let him go free… and perhaps a picture’s not out of the question.

Footsteps approach. All seems lost. But a clever twist proves the old saying: “never, ever trust a thief!”

About the writer: Jean-Pierre Chapoteau started writing feature length scripts in 2005 then focused on shorts in 2009. Since then he’s had three scripts produced and two more optioned. He has won several awards for his shorts and has become a moderator at the site MoviePoet, who specialize in the craft of the short scripts.  Jean-Pierre was a finalist in the RAW TALENT Competition for his faith based feature length script: ‘Far From Perfect.’ And was also a semi-finalist in the SLAMDANCE teleplay competition and a finalist in the OBSWRITER teleplay contest for his adapted teleplay, Curb Your Enthusiasm: The Guardian.  You can contact Jean-Pierre Chapoteau at:  jeanpierre425 (a) gmail.com

Pages: 6

Budget: Low. Two actors. A few cheap props. A school hall or all purpose room dressed to look like a museum.

About the reviewer: Gary “Rolo” Rowlands cut his teeth on sketch comedy and was a commissioned writer on Spitting Image, a hugely popular sketch show in the UK that regularly attracted audiences of 8-10 million a week. He has several features available and is currently rewriting his contained supernatural thriller Offline. He can be contacted at gazrow at hotmail dot com

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Not surprisingly, Matias’ pivotal boxing drama short Win/Lose won… a director that’s guaranteed to bring it all the way to the final round! Which is far from shocking, given Mr. Caruso’s battle-tested writing chops.

But as long as we’ve got you on the ropes, STS now directs your attention to a few more Matias gems. Grab one of these in a head-lock quickly: anything you produce from them is bound to be a knock-out!

Oh – and before you take a gander at these?  Here are a few more things to bear in mind:

• Our dearest Mr. Caruso recently signed onto CAA.  Seriously.  CAA!!
• And… his script Carnival made it onto this year’s one and ONLY BLACKLIST!!

Translation – you DO want to grab these. Don’t you?!? 🙂

Sweet Poison (Noir Horror) – A jaded demon hunter sets out to trap the Incubus who killed the woman he loved…

Like a Moth to a Flame (Drama) – A woman attempts to exorcise her lost lover. But is his pull too powerful to wish away?

About the writer: An optioned and award winning screenwriter, Matias Caruso has far too many accolades to name. So we’ll stick with just one: he’s the 2014 Grand Prize Winner of the International Page Awards Contest. Not to mention an all-around terrific guy. Interested in Matias’ work? Email him at matiascaruso32 “AT” gmail

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. 

The screenplays may not be used without the expressed written permission of the author.

BETTER TIMES

A desperate young couple are faced with a stark choice in exchange for the promise of a better future.

The Hunger Games, Mad Max-Fury Road, Interstellar, Tomorrowland, The Maze Runner, Insurgent, The Giver, Looper, Elysium, The Purge, Snowpiercer, Dredd — Ooh, I’m running out of breath… These films make up a partial tally of the last few years of movie releases in the Sci-Fi/Dystopian genre. No guessing then that the popularity of this genre is at an all time high, and with box-office gold almost guaranteed, the demand for quality stories is on the increase.

Dystopia, as the name suggests, features worlds where the setting is bleak, oppressed, threatened. In the extreme – impending nuclear fall-out and zombie apocalypses. At the other end of the spectrum – a dying earth, societal breakdown, hard-core surveillance. One thing’s for sure, there’s always a fight for survival. Second thing is, audiences appear to have an insatiable appetite for these future worlds of bedlam, mayhem and decay.

Up and coming filmmakers will be interested to know that quite a few esteemed directors transitioned from the short format with Dystopian fiction, to feature film success.

Spielberg’s Minority Report was originally a short story by Phillip K. Dick; James Cameron made Xenogenesis – a short film featuring a female heroine, cyborgs and a giant robot inspiring Terminator; George Lucas made his dystopian short film, Electronic Labyrinth: THX 1138 4EB and its later incarnation THX 1138, a ‘short’ which put him on the map. More recently Neil Blomkamp with collaborator Sharlto Copley shot Alive In Joburg, expanding upon that same source material to eventually produce District 9.

Want to scale the same heights as the aforementioned film luminaries? Recall me mentioning quality stories?

STS is pleased to present Steve Miles’ short screenplay, ‘Better Times’.  Set in the not too distant future of 2078, Better Times is a cautionary tale of a world run by big business and ruled by corporate hegemony.  Sebastian and Eileen Cade, a couple in their 30s with a baby on the way, are facing the biggest decision of their lives. Sebastian has just agreed to the ultimate sacrifice – all he has to do is sign on the dotted line. Question is, will he be signing his life away in a deal with the Devil, or will this most noble act result in the couple’s salvation?

Better Times is a flawlessly written and atmospheric tale of two ordinary people trying to survive in a most extraordinary world… with a chilling revelation in the final act that you won’t see coming.

Do you have your eye on a bright future in the film world? Then look no further than: Better Times. 

Budget: Not bad at all. A tiny bit of Tech-FX, but just to add that extra flair.

Pages: 9

About the Reviewer: Libby Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She has also worked professionally as a freelance web-content editor and proofreader. She is thrilled her first ever entry (Simpatico) into a Screenplay Comp – The LA Comedy Festival ‘Short’ screenplay division took out Top 3 Finalist and hopes the high placing will be a continuing trend. 🙂 Libby would love to see her words come to life on screen.   She lives with her husband (also a screenwriter) in Sydney, Australia, and describes him as being both a good and a bad influence on her writing. You can contact Libby at libbych “AT” hotmail

About the Writer: Steve Miles decided to get serious about writing around three years ago. Since then he’s concentrated on putting together a collection of shorts with a goal of finishing up a feature or two by years end.  Oh, and giving George RR Martin a run for his money! Email him at stevemiles80 “AT” yahoo.co.uk

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Letting Go

After a horrible accident, a young girl’s mother has a very hard time letting go.

 The loss of a loved one. Whether it be through death, disappearance or tragic social circumstance, the grieving process is one which all humans experience at one time or another. And one we never truly get used to – especially when an innocent child is concerned. Stories that deal with such issues will never get old. When done properly, the result can be an emotional powerhouse; because it’s so universal. And because we’re often so powerless to stop it.

A simple short, Letting Go follows Jason and Jenna – parents devastated by the loss of their four year old daughter Lily. We meet the couple upstairs in their home. Friends and family have gathered downstairs, but Jenna is in no mood to greet them. Eventually the well-meaning guests depart – leaving Jenna and Jason alone. With their memories, and an empty child’s bedroom.

Carefully crafted, Letting Go explores its topic with respect… Providing a few twists – and a poignant ending – along the way.

About the writer: An award winning writer AND photographer, Marnie Mitchell Lister’s website is available at brainfluffs.com. A Scriptshadow selectee, Marnie’s had 5 shorts produced (so far) and placed Semi-final with her features in Bluecat.

Pages: 6

Budget: Minor. One house setting, three main characters (including a 4 year old), and a handful of extras.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Hmmm… quite a double entendre there. Is it not?

For The Love of God: we urge all STS fans to read this post!

It is hereby announced that Tim Westland’s spectacular short For The Love of God has now been optioned. Just imagine – a writer capable of tackling a mix of sensitive subjects: with a splendid blend of style, humor and humanitarian sensibility as well.

That’s what we’d shoot for at STS, when in search of a stand-out script to film.

Sure enough – one lucky director did. We’ll keep you apprised as this one develops. All the way to the silver indie screen.

In the meantime, we highly suggest you look over Tim’s other work. The man writes in a variety of genres – each intelligently nuanced, and available for production as we speak:

Shorts

Better Be Good – (Holiday Fantasy Short) – When a young boy finds Santa’s lost bag of toys in a nearby forest, his first thought is to return it. His big brother has other ideas though, which might prove life changing for both of them. https://simplyscriptsreviews.wordpress.com/2014/11/06/better-be-good-short-script-for-review-available-for-production/ NOTE: CHRISTMAS THEME – grab this before Santa (or Krampus) rips it away!

Balls Out (comedy) – Legendary Surfing Pioneer, Mick “Balls Out” Shelly, hasn’t hit the waves in five decades. But an opportunity to reclaim the spotlight takes Mick and people from his past on a trip down memory lane that none are likely to forget. https://simplyscriptsreviews.wordpress.com/2015/10/23/balls-out/

Careful What You Wish For (comedy/fantasy) – Magic genies and bottles. Such things never end well.  Or DO they? https://simplyscriptsreviews.wordpress.com/2015/07/09/careful-what-you-wish-for-short-script-review-available-for-production/

A Line in the Sand (Hard Political SF/Drama) – Love and compassion are necessities, not luxuries. Without them, humanity cannot survive. https://simplyscriptsreviews.wordpress.com/2015/04/06/a-line-in-the-sand-short-script-review-available-for-production/

TV Series

Loose Screws (TV Pilot/Drama/Thriller with writer John Robbins) – A successful psychiatrist finds himself losing his grip on reality – and turns to an old patient – a girl with a mysterious mathematical talent, that he used and betrayed years ago. https://simplyscriptsreviews.wordpress.com/2015/01/01/loose-screws-featured-television-pilot-review-available-for-option/

(in) Equality (SF – In development. Treatment available) – A collaboration with writer John Robbins and J.E. Clarke – a hard SF TV series in the speculative vein of Orphan Black.

Features

Hunted/Stitched (Feature Horror with writer Rod Thompson) – After accidentally shooting a girl in the mysterious Ozark mountains, five hunting buddies must battle for their lives and their souls when a backwoods hillbilly taxidermist invokes ancient supernatural powers to bring his monstrous patchwork creations to life to exact his revenge.  Note to Directors who focus on contest winners… Stitched has been wowing the big ones.  Quite well! https://simplyscriptsreviews.wordpress.com/2015/04/01/hunted-feature-length-script-review-available-for-production/

About Tim himself: Tim Westland, co-writer of the acclaimed graphic novel Chasing the Dead, received first place for Balls Out in the NNYM 15 page contest. An outstanding writer with an eye for the details, his IMDB page can be found here. And he can be reached here (when not subsumed in writing throes): timwestland “AT” hotmail

Heart of Coal

A renowned female psychologist ruminates over serial killer personalities – and the horror they’ve wreaked on her  life…

Narration. Voice-over. For some, it’s a film gimmick that grates on the nerves. But when done right, it can be spectacular. Don’t believe us? Try on a few of these films on for size.

Annie Hall: stand-up comedian Alvy Singer recounts his neurotic, titular love affair. Goodfellas: Henry Hill describes his evolution from small time crook to valued Mobster, and fall from grace to Informant. The Usual Suspects: Roger “Verbal” Kint weaves a tale of five random members from a police line-up, and the evil Keyser Soze. Speaking of Kevin Spacey and voiceovers, what about American Beauty?

All classic films told through the eyes of the narrator. And that’s the power of “V.O”. In the hands of a skilled screen writer, the voice of the narrator can lift a film to new heights. Add complex dimension to a story, and set the proper tone from page One… whether it be comedic, dramatic, or – in the case of Heart of Coal – downright chilling.

Dr. Lianne Berg’s life has had its ups and downs. A child psychologist who works with autistic children, she’s successful, young and gorgeous. A woman driven to succeed by horrors in her own childhood. Only nine when her mother was killed in front of her – stabbed to death sixty-seven times and beheaded. The serial killer never captured. Not surprisingly, the working of such dysfunctional minds became Dr. Berg’s obsession. As the script progresses, her voice drives the narrative; providing a glimpse into her separate worlds. Professional insights on the motives of such monsters, and her own nightmarish memories: how they’ve warped and shaped her life…

Stylishly written and streamlined, Heart of Coal is a deliciously demented script. And an amazing showcase for a thirtyish actress with just the right voice. With the right cast and smart editing, this script is an amazing find. Do this one right, and create a true horror masterpiece!

About the writer: Born and raised in Sweden, Pia Cook has SEVERAL produced features and shorts to her name (full IMDB credits here.) She started writing screenplays in 2006 and has written over sixty short screenplays and ten features. (Yeah… that’s not a typo. Six ZERO.)

Budget: Moderate. There are some locations inside a hospital and a Senator’s office. And a few extras to hire. Not to mention some blood and horror FX. But nothing to lose your head over. (Talk about an unfortunate choice of words!)

About the reviewer: David M Troop resumed writing in 2011 after a twenty-five year hiatus.  Since then, he has written about 50 short scripts, two of which have been produced.   Dave would like to make it three.  He is a regular, award-winning contributor to MoviePoet.com.  Born on the mean streets of Reading, PA, Dave now resides in Schuylkill Haven with his wife Jodi and their two lazy dogs Max and Mattie. He can be reached at dtroop506 “AT” gmail.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR VIEW OTHER SCRIPTS AT THE STS BLOG HERE

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.