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Friday, October 2, 2020

Frank or Francis by Charlie Kaufman - post author admin

Frank or Francis – May 17, 2010 unspecifid draft script by Charlie Kaufman – hosted by: Being Charlie Kaufman – in pdf format

A Hollywood satire in which an auteur director (Frank) and a movie blog commenter (Francis) go to war with one another. Francis hates almost every movie he watches. 

Information courtesy of IMDb

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Thursday, October 1, 2020

Forgetting Sarah Marshall screenplay - post author admin

Forgetting Sara Marshall – December 18, 2006 unspecified draft script by Jason Segel – hosted by: Rain Dance – in pdf format

Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah’s traveling to the same resort as her ex – and she’s bringing along her new boyfriend.

Information courtesy of IMDb

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Wednesday, September 30, 2020

Filthy Animal by Michael J. Kospiah – episode 2 of Horrific Tales of the Wickedly Macabre - post author admin

Horrific Tales of the Wickedly Macabre is an anthology series that celebrates the ridiculous excess of ’80s horror. Eight separate terrifying stories, each told by horror fans, specifically for horror fans.

Next up is:

Filthy Animal (28 pages) by Michael J. Kospiah (Wraparound Story Written by Sean Chipman)

A mysterious animal control officer teaches an abusive dog owner what it’s like to be treated like an animal.

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Tuesday, September 29, 2020

Ishtar screenplay - post author admin

Ishtar – October 11, 1985 blue revised draft script by Elaine May – hosted by: UCLA Extension Writers’ Program – in pdf format

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the C.I.A., the Emir of Ishtar, and the rebels trying to overthrow his regime.

Information courtesy of IMDb

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Monday, September 28, 2020

Home by Sean O’Donaghue – short script review – available for production* - post author Michael Kospiah

HOME (12-page short horror screenplay) Written by SEAN O’DONAGHUE

A man and woman are drawn to an abandoned house minutes apart for unrelated reasons and engage in a game of broken telephone in a house with motives of its own.

It’s always a pleasure to find a good, old-fashioned, creepy horror short to contribute to my lack of sleep at night. And while the horror fan in me was really drawn in to this clever spine-tingler, the filmmaker in me was drawn towards it because it was a one-location, two-character piece. So, any filmmakers out there looking for something easy to film during social distancing, look no further.

The story opens as Raymond tapes “missing” posters onto telephone poles throughout a quiet neighborhood in search of his missing cat, Felix. But as he continues to put up these “missing” posters, he hears a meow coming from a creepy, abandoned house across the street. Almost a 100 percent sure it’s Felix, he makes the mistake of entering the home – never a good idea in the middle of the night, especially in a horror movie.

Meanwhile, a photographer named Natasha arrives at the abandoned home to recover a camera she had left there the previous day – she’s been taking photos of the place. But when she arrives, she realizes that she’s not alone.

Trying to draw out what she thinks may be a homeless person upstairs, she bangs on the ceiling with a broomstick, which makes Raymond realize that he’s not alone either. Though both parties are relatively harmless and are at the house with good intentions, they sort of engage in a game of Marco Polo.

But as this game of cat and mouse continues, they each notice strange children’s drawings and carvings on the walls – the creepy drawings tell the tragic story of the family that once lived there, a sinister story that ended violently. And as Raymond and Natasha eventually find each other, they both realize that they’re not the only ones there…

“Home” combines familiar horror tropes to create an original, cleverly-chilling story that constantly plays with the audience’s expectations throughout.

BUDGET: Low. One-location, two actors.

ABOUT THE WRITER: Sean O’Donoghue is a 22-year-old writer based out of Toronto, Canada. Though he studied Economics and Political Science at McGill University in Montreal, his passion was always in film. Sean gravitated towards other creatives, ending up writing for and working with friends on smaller projects. Now graduated and having left McGill’s film club, Sean made the choice to pursue a career in screenwriting with “HOME” being his first foray into the professional sphere. His influences range from classic adventure films such as the Indiana Jones Trilogy (Emphasis on trilogy), to noir/neo-noir thrillers including Memento and The Maltese Falcon, to stoner action flicks like Pineapple Express. Sean’s interest in multiple genres is something he wishes to emulate in his own work as he looks to tell wide-ranging stories that capture various perspectives of the human condition. Sean can be reached at: sean.od1701 (a) gmail.

Read: HOME (12-page short horror screenplay)

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*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Subscribe to Michael’s YouTube Channel.

Sunday, September 27, 2020

Original Script Sunday and who wrote what September OWC - post author admin

Over on the Unproduced scripts page are 15 original scripts for your reading pleasure. Also, who wrote what and writers’ choice is up from the September One Week Challenge.

– don

Friday, September 25, 2020

Inside Llewyn Davis – screenplay - post author admin

Inside Llewyn Davis – Undated, unspecified draft script by Joel Coen & Ethan Coen – hosted by: Rain Dance – in pdf format

Follow a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles — some of them of his own making.

Information courtesy of IMDb

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Thursday, September 24, 2020

Out Of Time screenplay - post author admin

Thanks “PC” for the heads up.

Out Of Time – February 13, 2001 unspecified draft script by David Collard – hosted by: Daily Script – in pdf format

Matt Lee Whitlock, respected chief of police in small Banyan Key, Florida, must solve a vicious double homicide before he himself falls under suspicion. Matt Lee has to stay a few steps ahead of his own police force and everyone he’s trusted in order to find out the truth.

Information courtesy of imdb.com

More on the Movie Scripts page

Wednesday, September 23, 2020

Gift Horse by Anthony Cawood – short script review – available for production* - post author Michael Kospiah

GIFT HORSE (5-page short thriller screenplay) by Anthony Cawood

What seems like a chance encounter turns out to be something much more sinister when a muscle-bound gym-rat crosses paths with a bartender who’s grieving the death of his twin sister.

Today’s review was an entry from Week 3 of the annual Writer’s Tournament here at Simply Scripts. Though this one wasn’t the top-rated script that week (based on writer votes), it was right up there. And while it’s probably the easiest to shoot out of all the entries from that week, it was also one of my favorites.

This one-location revenge tale takes a place at a dingy little bar where we meet the bartender, Dominic, who’s grieving the death of his twin sister. It seems like they’re closing up – by the looks of it, it’s been a slow night. Empty. But when a customer named Stevie knocks on the door asking if they’re open, Dominic decides to let him in.

Stevie, a muscle-bound gym-rat, shows up with a coupon he found in his windshield – “Happy Hour: First Five Drinks On Us”. Hell of a deal, right? Maybe TOO good of a deal. Don’t know many bars that give away drinks like that. But business does seem slow, and what better way to bring more patrons in than giving away free booze?

As the two chat alone at the bar, Dominic brings up his late, twin sister, Sinead, who died tragically – oddly, Stevie recognizes the name.

            STEVIE
There was a Sinead… at my gym.

            DOMINIC
Yeah?

            STEVIE
Ahuh, not seen her recently.

            DOMINIC
No, because she died.

As their conversation continues and we find out more and more about Sinead’s demise, we begin to realize that this encounter at the bar didn’t happen by chance.

Cleverly dark, this taut, tense, one-location revenge thriller would be very easy to film during social distancing and play very well on screen.

BUDGET: Shoe-string. Two actors, one location.

ABOUT THE WRITER: Anthony Cawood is an award-winning screenwriter with one feature produced and a further four features optioned or in pre-production. In addition to features, he has over forty short scripts produced/sold/optioned – including ten filmed. Also occasionally pens screenwriting articles, interviews with writers and filmmakers, and even a short story or two. He can be reached on his website AnthonyCawood.co.uk.

Read GIFT HORSE (5-page short thriller screenplay)

Discuss this script on the discussion board

*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production.


About the Reviewer: Michael J. Kospiah is the award-winning screenwriter of critically acclaimed indie-thriller, The Suicide Theory (79% Rotten Tomatoes – available on Amazon Prime, Itunes, Google Play, etc) and 2020’s upcoming Aussie thriller, Rage. His horror feature, They Never Left is currently in development.

Subscribe to Michael’s YouTube Channel.

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