Stories Of The Subconscious Mind (5 pages in pdf format) by Curt Dennis

If you could go inside the subconscious of a depressed person, what would you find?

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Slacker’s Guide to the Zombie Apocalypse by James Barron

Life after the zombie apocalypse is harsh and uncompromising. But for two stoners holed up in an apartment with a lifetime supply of weed, it’s more like an inconvenience.

Remember when Seth Rogen and Co. faced the biblical apocalypse in This Is the End? A few of them stumbled successfully through doomsday, but how would they fare if they were faced with a zombie apocalypse instead? This is the very question asked by James Barron’s The Slacker’s Guide to the Zombie Apocalypse.

The answer? Not too well. Not at all.

Faced with Z Day and barricaded in their dorm, three friends (Mark, Steve and Liam) find themselves in a terrible pickle when their food runs out, leaving them starving and trapped – or worse. They intensely debate what to do: Steve and Liam vote to hold out one more day… aided by hits from their favorite bong. But Mark, the sensible non-stoner, insists they need to send someone outside to gather supplies and do recon. But who should be the lucky one?

Borrowing a cue from This Is the End, the trio draw toothpicks: he who pulleth the shortest stick is doomed to venture into the great unknown. Unfortunately for Mark, he’s inevitably chosen to leave for the munchie run – through a terrifying, zombified world.

What happens next? Well, without spoiling the finish, things go about as well as can be expected. And definitely not as planned.

A fun, chuckle-a-minute script, Slacker’s Guide has lots of things: stoner humor, Millennial appeal – and zombie action (no kidding). Scoop this up now… or wait until you take another hit from your bong for creative inspiration.

Fair warning though: act fast. This script might be picked up faster than a bag of Doritos in a stoner’s dorm.

Budget: Mid to high. A few locations (dorm room, hallway, stairway, food store). Lots of zombies, three good buddies and some props. Although, if you’re packing weed, you’ve got one of the major props covered already.

About the writer, James Barron: James can be reached at jbarron021 “AT” gmail

Read Slacker’s Guide to the Zombie Apocalypse (14 pages in PDF format)

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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About the reviewer: Mitch Smith is an award winning screenwriter who offers notes, script editing and phone consultations. Reach him at his website, follow him on twitter @MitchScripts, or email him at Mitch.SmithScripts (a) gmail.

…has come on a Tuesday.

Over on the Unproduced Scripts page are twenty eight original scripts for your reading pleasure.

– Don

Lullaby (3 page horror in PDF format) by Warren Duncan

A dad pushes his daughter on a park swing. A perfectly innocent moment until it’s not.

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Winters Past (20 pages in PDF format) by Tony Moore

A Britain devastated. ‘The Fire’ has ripped apart the world. The street drug Utopium allows for individuals to relive past memories at the cost of slowly destroying their minds. Can Hendric, a man trying to remember the death of his sister, uncover the disturbing truth whilst trying to surviving trapped inside the brutal drug den of a psychotic underworld leader?

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… It’s summer. I’m on summer time.

Over on the Unproduced Scripts page are twenty two original scripts for your reading pleasure.

– Don

Devlin And The Clown (7 pages in pdf format) by Daniel Walker

A young man develops paranoia after meeting a creepy looking clown.

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Out of Character (9 pages in pdf format) by R.E. McManus

Screenwriter Jack creates characters that live and breathe… maybe TOO much?

Ever watch Will Ferrell films? Well, there’s one particular flick you should see. It’s called Stranger Than Fiction – a tale about a man named Harold Crick, who discovers one day that he is in fact a character in one of Emma Thompson’s novels. (Yes, Emma Thompson the actress – known in certain circles as Nanny McPhee.) Fortunately, Harold Crick’s a gentle soul; despite the wringer Emma puts him through, he’s pretty harmless all the way.

But what if a character you wrote was far more dangerous and… unhappy with their fate? What would they do to their creator? By final Fade Out, would YOU be safe?

That’s the very question screenwriter Jack faces in R.E. McManus’ twisty short Out of Character: when one of his shadiest characters arrives at his doorstep – armed, angry, and brimming with demands.

When Out of Character opens, Jack’s writing in his claustrophobic unorganized study – surrounded by empty pizza boxes, half-finished cups of coffee and writer’s manuals galore. (A scene all too real for some writers.) Just then, the doorbell rings. Jack answers – and finds himself face-to-face with… a man named Ken. There’s a pistol in Ken’s hand. Strangely familiar features on his face.

Ken forces his way inside.

Tense bantering ensues – until the stranger-than-truth reality is revealed. Ken’s one of Jack’s characters – disgruntled and demanding change! According to Ken, Jack created him a bit too fat. A lot too poor. And with too much attitude to let such things slide. Using his revolver to do the talking, Ken insists that Jack give him a thinner waistline, a better car, and a supermodel girlfriend as well (can you say ‘join the club’?)

But can Jack do such things, and shove all creative integrity aside?

We won’t spoil the ending – promise. But needless to say, the tension rachets up quick. Jack attempts to comply with Ken’s milder demands, but conspires to take down his creation… before the plot gets too wild…

Equally humorous and tense, Out of Character is a great comedic dark script, stuffed with Easter Eggs for directors and writers alike. Grab it before someone writes YOU off. And the next time you compose a scene? Think real careful about Flat Slob #2’s feelings. Maybe it’s not wise to piss him off that much.

Production – Low budget. Two actors, one location (a house), one computer and one gun.

About the writer: R.E. McManus was born in England, of Irish roots. Hence he was always a little confused. He has since travelled the globe, and noted what he saw on his travels. He’s been writing since he could pick up a pen. The fact they were IOUs is neither here nor there.

He fell in love with film when he first saw 2001: A Space Odyssey at the age of six. Although he’s still not sure about the spelling of Odyssey. It’s still looks wrong,

He loves Fincher, Hitchcock and Kubrick. And Faith No More. And Elvis. He even has a dog named after him. This seemed like a good idea until he went to the park.

Want more information? (Just say yes – you know you do!) Then head over to his website at Rendevous.yolasite.com, or email him at redarcy2000 (a) yahoo.co.uk.

Read: Out of Character

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Find more scripts available for production.

About the reviewer: Mitch Smith is an award winning screenwriter who offers notes, script editing and phone consultations. Reach him at his website, follow him on twitter @MitchScripts, or email him at Mitch.SmithScripts (a) gmail.

Normal Activity (4 pages in pdf format) by Warren Duncan

Two home intruders cause a man to come to terms with the grim truth about himself. (Psychological Thriller)

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