Over on the Original scripts page are fourteen scripts for your reading pleasure.

– Don

Thanks Sean for the heads up on:

Eileen – December 2021 shooting draft script by Luke Goebel and Ottessa Moshfegh (Based on EILEEN, by Ottessa Moshfegh) – hosted by: Deadline – in pdf format

The stagnant waters of Eileen’s dull, stifled life as a solitary worker at a juvenile detention center in 1960s Boston, are unexpectedly disrupted when the institution brings in a new psychologist, the vibrant Rebecca. The fervent enthusiasm that blossoms between the two women almost immediately gives way to a closer relationship, until their fragile connection takes a dramatic turn.

Information courtesy of IMDb

We are at 33 scripts studios are posting for award consideration.

THE GAMBLER
(5-page short drama)
by Gary Howell

A man diagnosed with a terminal illness makes a drastic choice.

What would you do if you discovered you only had a couple of weeks to live? The Gambler by Gary Howell asks its main character just that question as 35-year-old Joe Ferguson receives the news that nobody wants to hear:

       DR. WILLISTON
The cancer you have is almost
undetectable until it’s too late.

Would your answer change if you lived just minutes from the famed Las Vegas Strip—if you could literally see it from your kitchen window? That’s the entirety of the setup that Howell creates for The Gambler. A lonely, obviously risk-averse man faces a terminal illness in a city known for taking big shots.

How do we know that Joe is risk-averse? Howell deftly sets things up with several simple clues: He describes Joe’s Las Vegas home as “threadbare, sparsely decorated.” Big-spender Joe eats a bowl of cereal for dinner, sorting through a steady parade of bills. And, we soon find out, Joe is sitting on a pile of cash. Add it all up: Joe is a saver, reluctant even to spend his money on his own bills.

That’s the heart of The Gambler, as we watch one piece of information—imminent death—transform someone into a completely new person. The Saver instantly becomes The Gambler.

What’s particularly interesting, though, is how Howell sets up Joe’s mindset for the big moment through a simple exchange with a friend.

       JOE
What am I going to do, go to Paris?
I’ll be in hospice before you know it,
and that’ll be fully covered by my
medical insurance.

       BUCK
And if you win?

Joe finally stops, faces Buck.

       JOE
This is Vegas, Buck. Nobody wins
in Vegas except the house.

Joe knows he’s going to lose. So, why does he want to risk all of his money on one round of blackjack? Is it truly only that he has nothing to lose? Maybe. It’s open for interpretation, but I see the moment as Joe saying to death: “You can’t take everything from me if I take it from me first.” Whatever his motivation, he’s plowing straight ahead. 

Soon, he’s sitting at the table.

       DEALER
Cards coming out.

The first card comes to Joe face down, then the dealer deals himself a card down.

The next card to Joe comes face up. An eight. Joe frowns, but not nearly as hard as he does when the dealer’s next card comes up — an ace.

       BUCK
Shit.

Joe flips his under card over. It’s another eight.

       DEALER
Sixteen.

       JOE
Welp. Maybe this wasn’t such a
good idea after all.

He drums his fingers on the table. After what seems like an eternity considering it:

It’s the moment Howell has been setting up from page one: the choice. How far will Joe take this? Well, I’m not going to leave you hanging. Yet.

       JOE
Hit me.

The dealer takes the next card, flips it over and slides it in front of Joe.

Joe sucks in what seems like all the oxygen in the room. It’s a three.

       DEALER
Nineteen.

Joe waves his hand over the cards. Gets up from his chair and as the dealer flips over his hole card, we– 

SMASH CUT TO: 

EXT. BELLAGIO HOTEL – AFTERNOON 

Now I’m going to leave you hanging! But, don’t fret, it could be worse. I’ll let Howell explain: “I had toyed with the idea of a ‘Sopranos’ type ending where you think you know what happened, but aren’t necessarily sure because it would cut to black after Joe steps out of the casino. In giving it more consideration, I thought that in a 5-page script like this one, the reader (and ultimately, the viewer of the film) really wants to have a resolution, and I think the way it ended tied things up, but also allows the reader to imagine what happens with the character afterward.”

Of course, I’m going to make you read the script itself to know what Howell decided. Anything else wouldn’t be as fun. And, in the end, that’s what Howell’s script is: fun. Yes, it’s a drama. Yes, there are heavy themes. But, anybody familiar with Howell’s previous work knows, he writes from the heart, and with a certain, very personal, style. He’s not afraid to write about tragedy or personal heartbreak, but when he does, there’s always another layer. Howell explained. “Being who I am, I’ve always tried to find some sort of positivity and humor in all situations and will try to inject that into my scripts.” The Gambler has that extra layer. It’s well worth the read and definitely worthy of production.

Production Notes: At first glance, the production challenges look daunting for a short: Las Vegas, Bellagio, the fountains…unless you’re looking for an excuse to write off a trip to Vegas, it might seem too much. Howell wants you to look closer, “I think this can actually be filmed using a lot of stock footage of Vegas—it doesn’t have to be big budget. At its heart, this is a character-driven story and can be shot in a minimalistic way.” 

Locations: A doctor’s office, a sparse residence, Las Vegas strip, Bellagio exterior and interior.

**The Gambler by Gary Howell received the Writer’s Choice Award in SimplyScripts’ September ’23 One Week Challenge.

Read the Script and talk about it on the Discussion Board

About the Writer: Gary Howell is a native Texan, yet still doesn’t own a cowboy hat. He practiced law for 17 years before finally scratching a life-long itch and started writing short and feature films. He’s had four of his short films produced, one feature optioned and has worked with producer Matthew George (“LBJ”, “Wind River”). Coverfly featured his TV pilot “Bounty” in a recent live virtual table read.

About the Reviewer: Paul Knauer is a produced screenwriter with two features in early development. His main focus is thrillers and slightly absurdist comedy with heart. But, Paul believes becoming a better writer requires pushing personal boundaries, so you’ll notice a thorough mix of genres in his portfolio. Much of his work has universal appeal, evidenced by successful productions in the UK, UAE, and US–and options in Australia, Russia, India, Canada, and Thailand. A recent feature of his was named a 2022 Nicholl Fellowship Quarterfinalist.

Find more scripts available for production

*This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Thanks Barksid and Bob

Memory – April 29, 2022 unspecified draft script by Michel Franco – hosted by: Deadline – in pdf format

Sylvia is a social worker who leads a simple and structured life. This is blown open when Saul follows her home from their high school reunion. Their surprise encounter will profoundly impact both of them as they open the door to the past.

Information courtesy of IMDb

Go here for more -> https://www.simplyscripts.com/oscar-screenplays-96.html

Thanks Bob!
John Wick: Chapter Four – January 28, 2022 Salmon revised draft script by Shay Hatten (Current Revisions by Michael Finch (Based on characters created by Derek Kolstad)) – hosted by: Deadline – in pdf format

John Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes.

Information courtesy of IMDb

Check them all out

Thanks Bob and McManus for the heads up on these (which can also be found on the Scripts studios are posting for award consideration page.)

Landscape With Invisible Hand – January 9, 2020 Production Scene-Numbered Draft script by Cory Finley (Based on the Book by M.T. Anderson) – hosted by: Amazon MGM Studios – in pdf format

When an occupying alien species’ bureaucratic rule and advanced technology leaves most of Earth impoverished and unemployed, two teenagers hatch a risky plan to ensure their families’ futures.

Information courtesy of IMDb

May December – Undated, unspecified draft script by Samy Burch (Story by Samy Burch & Alex Mechanik) – hosted by: Deadline – in pdf format

Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under pressure when an actress arrives to do research for a film about their past.

Information courtesy of IMDb

Thanks, Bob!

Flamin’ Hot – July 19, 2021 full green revised script by Lewis Colick and Linda Yvette Chávez – hosted by: Deadline – in pdf format

This is the inspiring true story of Richard Montañez who, as a Frito Lay janitor, disrupted the food industry by channeling his Mexican heritage to turn Flamin’ Hot Cheetos from a snack into an iconic global pop culture phenomenon.

Information courtesy of IMDb

More on the Scripts studios are posting for award consideration – like the oscars page.

Thanks Bob and Barksid for the heads up on this:

Anatomy Of A Fall (anatomie d’une chute) – February 16, 2022, unspecificed draft script by Justine Triet & Arthur Harari – hosted by: Deadline – in pdf format

The story begins when Samuel is found dead in the snow outside the isolated chalet where he lived with his wife Sandra, a German writer, and their partially-sighted 11-year-old son Daniel. An investigation leads to a conclusion of “suspicious death”: it’s impossible to know for sure whether he took his own life or was killed. Sandra is indicted, and we follow her trial which pulls the couple’s relationship apart. Daniel is caught in the middle: between the trial and their home life, doubts take their toll on the mother-son relationship.

Information courtesy of IMDb

More on the Scripts studios are posting for award consideration page.

Thanks, Sean for the heads up:

Are You There God? It’s Me Margaret – January 23, 2021, unspecified draft script by Kelly Fremon Craig (Based on the novel by Judy Blume) – hosted by: Deadline – in pdf format

Margaret Simon is just 11 going on 12 when her family moves from New York City to Fartbrook, New Jersey. Margaret’s mother is Christian and her father is Jewish. Margaret has been raised without an affiliation to either faith, and does not practice an organized religion, although she frequently prays to God in her own words, beginning by saying, “Are you there God? It’s me, Margaret.” She is beginning to feel uncomfortable with her lack of a religious affiliation. For a school assignment, she chooses to study people’s religious beliefs, hoping to resolve the question of her own religion in the process. Part of her study involves attending different places of worship to better understand religious practice and also to see if one of them might be right for her. She enjoys spending time with her Jewish paternal grandmother, Sylvia Simon, who loves her as she is, and hopes Margaret will embrace Judaism after taking her to her synagogue for Rosh Hashanah services.

Information courtesy of IMDb

More on the Scripts studios are posting for award consideration