TO LIVE OR TO DIE.

                                               Screenplay by Dmitry Ursu. 

1 EXT. House. Morning. 
In front the house Tadd with a video camera is staying. In front of him is staying Clara Parker. She is blonde. She is 34 years.

                                               CLARA.    
(looking in the camera). 
                             Yesterday here it was the terrible shooting in this year. 
                              23 men have died: 5 white and 18 black. Two of them 
      were put in the hospital, but today, they died.    
                                                                                 
2 INT. «Chrysler 300M».   Night.  
At the road in front of the entrance of the house is «Chrysler 300M». There are three men in it: at the wheel is sitting Bil and next to him is sitting Frank. Behind them is sitting Harry. Bil is brown-haired man.  He is 26 years. Frank is 27 years. He is brown-haired man. Harry is 26 years. Dark-haired man.

           			             BIL 
(to Frank). 
Your mind in your ass. It is your blame. 

          				 FRANK. 
Go to hell.

        				 BIL. 
                                   You don’t stop to surprise me.

           			             FRANK. 
                                   You fright me, Bil?

           			             BIL. 
                                    You must not fright.

           			             FRANK. 
             How can I understand you?  
                       
           			             BIL.
             So, how it is said? And this is that I am not going
             to imitate you. I won’t do like you do. Between us 
             there is a lot of difference and very perceptible.

           			             FRANK. 
 Perceptible!!!

           			             BIL. 
 Perceptible.

           			              FRANK.
You know there is not difference between us. 
You think the matter is so, but it is not such,
considering your life and mine.

            			  BIL.
 I think is it everything.

            			 FRANK. 
Yes, only this one.

            			 HARRY.
 I don’t understand, where such ideas are
 in the mind.

            			FRANK. 
They appear from anything.

            			HARRY. 
Don’t you get sick of doing nothing? It’s 
time to finish.
	
            			BIL. 
May be so, Harry!

            			HARRY.
But tell me, what do you want? Fighting? 

            			FRANK. 
No so this one.

           			            HARRY. 
You don’t prove anything, by fighting! 
It’s right nobody have made world better
broken a nose to somebody and permit
somebody to broke yours. 

             			FRANK.
 I don’t contest such deep evidence.

             			HARRY.
 You don’t hear my advice, do you?

             			BIL. 
 But I tried. Listen, Harry. Don’t jump higher
 than a head.

Silence.

             			HARRY.
You know there are minutes when you like me 
positively.

             			FRANK.  
This is declaration of love, isn’t it?

             			HARRY. 
Go to hell. Who’ll be able to love you, hell! 
Instead Liza.

             			BIL. 
In it there is idea of life. I don’t imagine how 
our treatment will be form further? 
How will they finish?

             			FRANK. 
We have a lot of time to understand this
 question.

Back door is being opened and Eric sits on the back seat, closing the door. Eric is 25. He is brown-haired man.

             			FRANK 
(to Eric). 
Have you found out? 

             			ERIC. 
Yes.

             			BIL.
 Excellent.

Bil start a car. The car began to move and went away.

3 INT. Tony’s house. Bedroom. Night. 
On the bed Tony is lying. On him Cortny is sitting with a gun in her hand. Put the gun to her head, Cortny says. Tony is blond man, he is 27 years. Cortny is blonde. She is 23 years.

            			CORTNY.
Is it suit to me?

            			TONY.
If somebody holds it, I think yes.

 They laughs.

            			TONY. 
Listen babe. Put it on the place.
It isn’t a toy. It can do harm your small head.

            			CORTNY.
That’s ok, Tony. Do you think, I don’t know, 
what do with it? You have learnt me yourself!  

            			TONY. 
The matter is that I don’t want you to shoot
 you noggin. Do you understand?

            			CORTNY.
 Well! I’ll do as you want not to quarrel.

            			TONY. 
 It is clever decision.

She gets off from him and put a gun on the table. Then she lays on Tony and begins to kiss him.

            			TONY. 
You are sexual today. 

            			CORTNY. 
Don’t you want it?

            			TONY.
It would be excellent, if it were always 
with you. 

           			 	CORTNY.
 Well. I’ll try. 
            (kisses him)

            			TONY. 
Get of me, baby. I need to go to a toilet.

She lays near him. He gets up and goes out from the bedroom. Lied some minutes, Cortny gets up and goes out too.

4 INT. (cont’d). Toilet.
Tony is staying near the lavatory pan and doing his matters.  Cortny is coming into the toilet. She is coming up to Tony from back and embraces him, puts her head on his shoulder and looks at his cock. Tony looks back and says.

          				TONY. 
Haven’t you looked at him?

          				CORTNY 
                                                (smiling).
When he is small, he looks so funny.

          				TONY.
Is it serious?

          				CORTNY. 
Yes.

          				TONY. 
Why don’t you smile?

          				CORTNY.
 I don’t want to offend you.

          				TONY. 
I wouldn’t take offence.

          				CORTNY. 
It would be very dump to smile from him.  

Having finished pissing, Tony dresses his trousers. Cortny puts down her hands and goes back. Tony pours water turns back and says.

          				TONY. 
Let’s go from here. You don’t want to 
engage of sex here do you!

          				CORTNY. 
You can try
           (laughs).

          				TONY.
 In next time, babe. OK?

          				CORTNY. 
How you want. I can do it with you in any 
place.

          				TONY. 
I’ll remember it. It is useful.

They laughs and then go out from the toilet.

5 EXT. « Mercedes CLK cabrio ». Night. 
Before porch of the house is stopping « Mercedes CLK cabrio » where are sitting: Ned at the wheel, Francois next to him and Bob is on the back seat. Ned is 29 years. Francois is 28. Bob is 27 years. They are negro.

           			            FRANCOIS 
(to Bob). 
Try without consequence. And without 
witnesses.

Bob is walking to the porch of the house.

           			             FRANCOIS. 
Bob.

Bob stops and turns back.

           			              FRANCOIS 
                                                 (showing silencer). 
Hell. You have forgotten.

Bob is coming up a car, takes from the hand of Francois a silencer and approaches to the porch of the house.

           			              FRANCOIS 
                                                  (is crying to Bob). 
Faster, OK?

Bob not turning back, comes into the house, goes upstairs on the third floor and stops in front of the door. 

            			  BOB.
 I hope, he at home.

He knocks at the door, takes a gun puts a silencer. The door isn’t opened. Having knocked any more, he turns back to the door which is behind him.

            			  BOB. 
Damn it. 

Bob begins to knocks at the door. When the door begins to open, Bob directs the gun to the man and shoots in his chest. The man begins to fall and Bob is looking at him, staring with surprise.

           				  BOB. 
This is not Tony.

Behind Bob the door begins to open and Tony appears with gun in the hand on the porch. Not going out in the corridor, Tony shooting three times to Bob’s back. Bob falls on the floor.

6 EXT. (cont’d). 
At the pavement, cabriolet is staying, where are sitting Ned and Francois. Three shots happened. They are looking at each other with surprise.

           			             FRANCOIS.
 I’ve said him to shoot with silencer.
 
           			              NED. 
What shall we do?

           			              FRANCOIS.
 Let’s wait a minute.

Some minutes later Tony goes out from the porch of the house and begins to shoots killing Francois and then Ned. Tony looks on the sides and goes into the house.

7 INT.  Bar. Night. 
In the bar at the table are sitting Bil and Harry. Not far from Frank and Michael is playing billiards. Near them Eric is staying and watching at them. Michael is black-haired man with long hair. He is 27.

          				HARRY 
                                               (put the bottle of beer on the table).
 From the morning something unusual happens. 
All are mad, aren’t they?

           				BIL. 
May be. Why you think so?

           				HARRY. 
Their behavior very strange. 
          (drinks beer) 
It’s very strange. Very.

           				BIL. 
It is nerves. Nerves are big problem. 
           (drinks beer).  

           				HARRY. 
Yes, it is very serious thing.

Silence. They continue to drink beer.

           				BIL. 
I remember one guy, who runs after any woman, 
but now when I look at him, he didn’t see a woman
in his life.

           				HARRY. 
I have such period too, so I don’t surprised.

Bil looks at him is surprised.

8 INT. (cont’d). Toilet. 
Michael and Frank are staying in the toilet at the sink and washing their hands.

           				MICHAEL. 
At once, after wedding, his young bitch
went to the court blaming him, that he
don’t fuck her. Decision of court was following 
he had to pay 45.000 dollars and study course of sex 
special education …

They close tap, take the paper and dry the hands.

            			MICHAEL
                                               (continues). 
He prefers the second variant and spent 
whole his free time on learning love plays:
 look erotic films and fisical education. As a
 result he began super-lover, he brought his wife
 to exhaustion and she went to the court again. 
 Good he fucked her, Frank, if she is again discontented.

            			FRANK. 
It is difficult to understand the woman – 
what they want.
 
9 INT. (cont’d).
Bil, Harry and Eric are sitting and drink beer. William approaches to them. William is dark-haired man. He is 24 years.

           				WILLIAM 
                                               (to Eric). 
May I talk to you in private?

Eric stands up, and goes to the door with William.

10 EXT. (cont’d).
Eric and William are coming out of the bar to the street, stop and fire the cigarettes. Silence becomes.

            			ERIC 
                                              (looking at the sides).
 How long are you going to be silence?
 What do you want to talk about? 
 (is smoking cigarettes).

            			WILLIAM. 
Just a minute. I want to form my question
 correctly.

            			ERIC. 
Well! I’ll wait you, if it is necessary.

            			WILLIAM. 
What have you with Nicole?

            			ERIC.
I don’t understand?

            			WILLIAM. 
Well. I’ll put my question more understanding... 
How long have you been sleeping with Nicole?

             			ERIC. 
This is important?

             			WILLIAM. 
Yes.

             			ERIC. 
She is a bitch.

             			WILLIAM. 
You know what she is for me.

             			ERIC. 
How it is has occurred?

             			WILLIAM.
 I don’t know, Eric.

             			ERIC. 
What do you want from me? Must I help you?

             			WILLIAM. 
Keep away from her. And say about it to
your friends, well?

             			ERIC. 
It is nothing changes. She wants it herself. 
Talk with you.

             			WILLIAM. 
I’ll care of nothing happen, but you – a
bout your friends.

             			ERIC. 
Ok! See you later.

Eric smokes a cigarette throws it in an urn and comes back in a bar. William cross the road, looking on the sides.

11 EXT.  Beach. Afternoon.
On a bench is sitting Cortny. Tony comes up to her. He have two glasses with a cocktail. He gives Cortny glass and sits on the next bench.

                                           TONY.
                             Sorry, I’ve kept you waiting.

                                           CORTNY. 
                             No harm done. Never mind.

                                           TONY. 
                             You have decided what we’ll do today?

                                            CORTNY. 
                             No.  
 
                                            TONY. 
                             Don’t worry. You have time to think.

Tony see Erin, which going not far away.

                                             TONY. 
                            I’ll be back in a moment. It is not for a long
                            time.
 
                                             CORTNY.  
                           Where are you going?

                                            TONY. 
                           It’s hard to say. 

                                            CORTNY. 
                           What?

                                            TONY. 
                            Nothing. 

Tony stand up, puts a glass on a little table and follows Erin. 

12 EXT. « Dodge Caravan ». Parking. Afternoon. 
«Dodge Caravan» is standing. Erin is comes up to the car. Having opened the door, he sits in the car. At this moment, the right door is being opened and in the car sits Tony. Erin looks at Tony is surprised. Erin is 25 years.
Tony hits Erin. 

                                             TONY. 
                              Stupid ass.

Tony opens the door and get out from the car. Blood is flowing from Erin’s nose. He holds a nose to fingers.
   
13 INT. Harry’s house.  Drawing room. Afternoon. 
Harry speaks by phone. 

                                               HARRY.
                                              (by phone).
                              Go to hell... Don’t shit me… It is not so.  
       I’ll find you… Shut up, sucker. You don’t
       know a fucking thing. Fuck off.

Harry puts the phone-hand. Phone rings again. He takes the phone-hand.

                                                HARRY 
                                                (by phone).
                                Yes … What? ...Where?

He comes up to a window, removes slightly jalousie and looks at street.

                                                 HARRY. 
                                It is black « Ford Taurus »? … Are you sure?
         This is exact the cops? … OK.

14 INT. Elevator. Day.
Frank is come down in elevator. 

15 EXT. Elevator. Day.
Frank gets out from the elevator in garage. He looks on the sides.

                                                 FRANK. 
                                And where this car?

Having seen « Lincoln LS », Frank goes to the car. 
        
16 INT. Michael’s house. Kitchen.  Afternoon. 
Michael is sitting at the table on kitchen and sniff cocaine which lays on the table.

                                               MICHAEL. 
                          	Incredible. That’s exactly what I wanted.

Pause.
 
                                              MICHAEL. 
                                  Cool. It’s a great piece of luck!

Pause.

                                              MICHAEL. 
                                  I’m really delighted.

17 EXT. Eric’s house.  Pool.  Afternoon. 
Eric and Judit are sitting near pool and drink coffee. Judit is 20 years. She is blonde.

          				ERIC. 
          I have killed too. Sometimes, I can’t to sleep.
                      
                                               JUDIT.
                                That's something to consider.

                                               ERIC.
                                That's what's got you thinking.

                                              JUDIT.
                                 Yes.
 
                                              ERIC.
                                 How you feel about it?

                                              JUDIT.
                                  It will affect you and your life.
   
                                              ERIC.
                                 What you propose to do about it? I'd like 
          your opinion.

               JUDIT.
           It’s hard to say.

18 INT. Bar. Night.
Tony and Martin are staying next to the door. Martin is 26 years. He is brown-haired man.
The door opening and in front of them is staying Cris. He looks at Tony and Martin. 

       				CRIS. 
Come in.

Tony and Martin are coming into the room. Cris closes the door. Cris is 30 years. He is brown-haired man. Tony and Martin are staying and look at six guys which play in poker. Because of a table Clive is stand up and coming up to them. Clive is 32 years. He is brown-haired man.

       				CLIVE. 
Tony, who is this?

       				TONY. 
I told you about him.

Cris hits Martin.

19 INT. (cont’d).  Toilet. 
Tony and Clive are staying and talks.

       				CLIVE. 
Why you have brought the cop?

       				TONY. 
I don’t knew, that he cop.

       				CLIVE. 
This is no fucking good, Tony. How to trust 
you now?

20 INT. (cont’d). Cellar.  Night. 
On a bench is sitting Martin. Martin’s face in the blood. Next to him is staying Cris.

        				CRIS. 
Speak.

Martin silences. Cris hits him. Martin falls on the floor. Cris comes up to him and hits him. Tony and Clive are coming into the cellar. They are coming up to Cris.

        				CLIVE
                                               (to Cris). 
What?

        				CRIS. 
Nothing. He does not want to speak.

       				 CLIVE. 
Kill him.

Tony and Clive leaves. Cris pulls out a pistol and kills Martin.

21 INT. Bar. Night.
In the bar are Michael and Ron are sitting at the table.
 
       				MICHAEL. 
If I’ll kill you? Casually? 

       				RON.  
Why?   
 
       				MICHAEL. 
You like cops.

       				RON. 
You really do it?

       				MICHAEL.
 Yes.

Michael kills Ron, then puts a gun on the table and continues to drink coffee.

       				MICHAEL
                                                (seller). 
  Where is Eric?

       				SELLER.
                                     In toilet.

       				MICHAEL. 
  Fine.

Pause. Michael continues to drink coffee.  
 
22 EXT. (cont’d).
Along the shops, Eric goes. Behind him Michael goes.

       				MICHAEL. 
Eric.

       				ERIC.  
Go to hell.

       				MICHAEL. 
What’s the matter with you? 

       				ERIC 
                                               (stops). 
What with me! And you ask?

       				MICHAEL 
                                               (comes up to Eric). 
And what?  
       
       				ERIC. 
Shut your fucking mouth. 
           (goes further).

       				MICHAEL 
                                               (follows Eric). 
What’s up, Eric?

      				 ERIC. 
You know what.

            			MICHAEL.
 I don’t understand you.

       				ERIC. 
You don’t try. 

Silence. 

23 INT. Supermarket. Morning. 
Frank is hiking in a supermarket.

24 INT. Hospitals. Morning.
Michael comes into hospital and approaches to the girl, who sitting at a table.

        				MICHAEL. 
Antony King in what chamber?

        				GIRL. 
Just minutes, please. 
            (searches in a computer).

25 INT. (cont’d).
Michael comes into chamber and comes up to bed, where Antony sleeps.

      				 MICHAEL. 
What the fuck. He sleeps again.

26 INT. Frank’s house. Bathroom.  Day. 
Lisa is taking a shower. Near her Frank is staying. Lisa is brown-haired young girl. She is 20 years.

             			FRANK 
                                               (looking at the floor). 
Yesterday I couldn’t come early.

             			LISA 	
                                                (washing hair). 
Your friends are more important than I, 
aren’t they?

             			FRANK. 
I can’t leave them!

             			LISA. 
But you take more attention to them then me.

             			FRANK. 
It’s not mean, that I don’t love you.

            			 LISA. 
Listen, Frank. You say that love me. 
But if you really loved me, you wouldn’t
behave yourself so.

             			FRANK. 
And how I should behave?

             			LISA. 
To spend more time with me.

             			FRANK. 
You consider I spend little time with you, 
but I don’t know how does it happen so.

             			LISA.
 I’m glad you have understood at last.

             			FRANK.
 I can’t leave them. Do you understand?

             			LISA. 
I am not sure you much hurry with conclusions
            (closes the crane). 

 She takes a towel and dries the heir.

             			FRANK. 
Lisa...Hell.

             			LISA. 
Don’t burst, a knowledge your blame. 

             			FRANK.
Listen, what I’ll say you. More our fellows 
have grown here.

             			LISA. 
And?   

             			FRANK. 
That’s why I should visit those places where 
we have brought up, where we’ve spent more
part of our life. 

              			LISA. 
I’ve know what you want to say. I’ve heard it
 a hundred times. 

              			FRANK. 
Do you have any suggestions about it?
 You have understood the sense?

              			LISA. 
Yes, but you’ve fined for two days, which you’ll 
spend with me 
          (puts the towel on the place).

              			FRANK. 
Well, I am not against.

Lisa is coming out of the bathroom, comes up to a mirror, takes the comb and begins to comb her hair. Frank is coming from of the back and says.

              			FRANK. 
  			Are you angry with me?

              			LISA. 
No. I am not.

              			FRANK. 
Then what is the matter with you?
 You are so strange, offended.

              			LISA. 
It is your dream.

              			FRANK. 
I would like it to be so, but I hesitate.

Silence. Lisa is continuing to comb hair. Frank is staying behind her and looks at her.

              			FRANK. 
May be I must do anything? 
I don’t know, but I’ll try with pleasure.

              			LISA.
 I don’t know.

              			FRANK. 
Think a little. You are so quick thinking. 

              			LISA. 
OK. Go to the kitchen and cook me... my favorite 
dish.

              			FRANK. 
No. Only not this one. You know that I usually
cook very bed. 

              			LISA. 
Well! I think I won’t suffer from poisoning. 

              			FRANK. 
You think so?

              			LISA.
 Sure.

Lisa is continuing to comb hair. 

              			FRANK.
I’ll try but if is something wrong and 
you won’t like or you’ll fell yourself sick 
when you smell, with all problems you’ll 
address to yourself.  
            
              			LISA.
 I trust you.

              			FRANK. 
Hell! I don’t like all this. 
	
              			LISA. 
Accustom.

Lisa turns to the mirror and combs her hair again. Frank looks at her. She is looking at Frank in the mirror and says.   
   
              			LISA. 
Well! Go! It is enough to star at me.

              			FRANK.
 I go.

He leaves. She continues to comb her hair.
       
27 INT. Hospital.  Day. 
Tony and Frank are walking along corridor at hospital. They are coming into chamber and come up to Antony which laying there. He is lying under the blanket. Antony brown-haired man, he is 25 years.

            			ANTONY.
 I don’t expect to see you today.

            			FRANK. 
We don’t promise.

            			TONY 
                                                (to Antony). 
You look like dog.

            			ANTONY.
 I know. 

            			TONY. 
What said the doctor? When will you go
 out from here?

            			ANTONY. 
I don’t know.  It is not depends from me.

            			TONY. 
I can’t understand. How could you be
in accident? You are lucky that the car 
was driving not so fast. 

            			ANTONY. 
I don’t notice it, the matter is in it.  
                      
            			TONY. 
You must be more attentive.

            			ANTONY.
 Next time I’ll try.

            			TONY. 
Next time may be not being.

            			ANTONY. 
In fact you are glad that I am alive, 
aren’t you?

            			FRANK. 
What a rubbish you say?

            			ANTONY. 
Oh, hell. I believed you. Where does 
the world roll? My best friends, dream me
 to be buried.

            			TONY. 
                                  And what you have drunk?

            			ANTONY.
I’ve forgotten taste of whisky not saying 
about another drinking.

            			TONY. 
We have taken care of it.

            			ANTONY.
 And how to thank you?

            			TONY.
 Don’t get drunk. Well?

They laughs.

28 EXT.  « Maserati 3200 GT ».  Day.  
« Maserati 3200 GT » is at the pavement. Near the car are staying Michael and Jane. She is brown-haired young girl. She is 26 years.

            			JANE. 
Look. Fellow.  Stop to stick to me.

            			MICHAEL.
 You are mistaken, babe. To meet isn’t to stick. 
 I want only to be closer to you. 

            			JANE. 
Now it isn’t right moment not for this.

            			MICHAEL. 
You’re right. And it would be better to meet 
anywhere. 

            			JANE. 
And you think, I’ll want with you meet?

            			MICHAEL. 
 You know, I like you more and more it’s 
 pleasant to chart with you.

            			JANE. 
 I advice to find any another one and
 chart with her how long as you want,
 because it’s time to go.

She is going out, but Michael catches her hand.

            			JANE. 
Release me.

            			MICHAEL. 
Can you check for some minutes?

            			JANE. 
You won’t have enough time to grab me. 

            			MICHAEL. 
It’s worth of trying.

            			JANE. 
Your time is over. Release me.

            			MICHAEL. 
Some seconds, not more.

She beats Michael on his face with palm.

            			MICHAEL. 
Why, babe?

            			JANE. 
Release me.

            			MICHAEL. 
Well. How you want 
           (release her hand).

Jane leaves. For several time, Michael looks at her, then at the sides. The boy is walking nearby him and stop in front of Michael. The boy’s name is Ricky. He is 8 years. On his back there is a rucksack.

            			RICKY. 
Mr. Could you tell me, where the toy shop is?

            			MICHAEL 
                                               (sits on the knees). 
Go ahead, turn to the left, cross the street,
turn to the right and you’ll see a big shop.

            			RICKY. 
Thanks, Mr.

            			MICHAEL. 
Say to "mummy" your name?

            			RICKY. 
What "mummy" are you? Oh, hell.

            			MICHAEL. 
Haw do you tell with me.

            			RICKY.
 Go to hell, stupid 
           (leaves).

The oldster is coming up to the stop. Erick is coming out of the shop and runs across the old, holding him not to fall down.

            			OLDSTER. 
Where you are moving, dump.

Eric hits him with head to the nose. Oldster falls down. Michael is moving to them.

            			MICHAEL. 
Calm down, Eric.

            			ERIC. 
I’ll show to this ugly creature. Don’t I look like
mad?

            			MICHAEL. 
It’s time to go away from here. 

They get into the car (Eric at the wheel) and went away.

29 EXT. Harry’s house.  Day.
Harry is sitting on the porch in front of the house and looking at the clouds. « Chrysler 300 M » is stopping at the pavement.  Bil is sitting at the wheel. Turned on the engine, he get out of the car comes up to Harry and sits at him. It’s silence.

            			HARRY. 
Do you sometimes remember your 
childhood?

            			BIL. 
Sometimes.

            			HARRY. 
Here I spent my childhood. I look at this street 
and I remember all … I remember one day a boy
who was three years older than me began to run
after me. He didn’t like how I called him. Only we 
were in the road, the car appeared from somewhere.
Not to be knocked down me, the driver turned to the
side...and that was last minutes of that fellow. He was 
thrown to my house and he felt near my stairs… I was
blamed myself in his death. But now it isn’t interest me. 

            			BIL. 
Today not so simply to return to former outlook 
on life. If you have lived half of life, that’s why
change them for five minutes is impossible … 
Looking back, at that world, I am surprised, that 
we’ve know such little or  don’t want to know about 
our life. Our last will be always beyond us. And we 
must remember it. Of course the wonderful moments.
Which we have lived... That is necessary for us.

 Silence. Bil takes a cigarette, set on the fire and begins to smoke.

            			BIL.
 Our last is a particle of us and to kill this
 particle is to kill something in us. 

            			HARRY. 
Nobody never doesn’t think about it. 

            			BIL.
In it there is our trouble. Everyone only
kill time. They don’t find the reasons. They 
don’t think about anything. Not to happen 
anything all is to better and it is enough for them.

30 EXT. Court’s tennis. Day. 
Frank and Bil are playing tennis. Harry, Tony, and Eric are sitting on a bench.

                                            HARRY.
                                 Street vendors!

                                            ERIC.
                                 Yes.

                                           TONY.
                                A whole day's work.

                                           HARRY.
                                You right.
 
                                           ERIC.
                                We've got time?

                                          TONY.
                                 No.

                                           HARRY.
                                I'll take care of everything.

                                          TONY.
                                How?
 
                                          HARRY.
                                You’ll see.

Pause.                                      
Harry fires a cigarette.
 
                                          ERIC.
                               Smoke really bothers me.

                                         HARRY.
                               Why you smoke?

                                         ERIC.
                               Nerves.

                                         HARRY.
                               Bad.

31 INT. « Jaguar XKR ». Day. 
Near the pavement not far from the college, cabriolet « Jaguar XKR » is standing. Harry is sitting at the wheel, Bil is sitting near him.

            			BIL. 
Why have you come here? Here there are no
 whores.

           			            HARRY. 
You are wrong. Look around.

Bil looks on the sides.

            			BIL. 
And where you see them?

            			HARRY. 
How about those ones two blond girls.

Harry shows with head to Susan and Sundra.

            			BIL. 
Do you see they’ll caught? 
           (smiling). 

           			 	HARRY. 
Trust me, Bil.

            			BIL. 
I don’t think so, Harry.

            			HARRY.
 Look and study.

Harry gets off the car and comes up to Susan and Sandra. They begin to talk. Lifting the cigarette, Bil is watching after them. He is smoking and then turns his eye to them. In some minutes Harry comes back with girls. He sits at the rudder, but the girl jumps into the car on back seats.

            			HARRY
                                               (to girls).
Meet, please. This is Bil.

           		          		SUSAN and SUNDRA
                                               (simultaneously). 
Hi.

            			HARRY 
                                               (to Bil). 
And it is these two pretty girls: Sundra and Susan.

            			BIL. 
I am very glad, that you used our taxi.

Girls laughs. The car begins to start, turns and moves.

            			BIL. 
Where do you want to drive? There are a lot of places.

            			SUSAN. 
Resolve yourselves. 

           			 	BIL. 
All right.

32 EXT.  « Ferrari F430 ». Noon. 
At pavement is staying red « Ferrari F430 ».  Next to the car are staying Frank and Tony. They smoking.

            			FRANK 
                                                (looking around). 
Either he is late or you have not exacted a time.

            			TONY. 
I consider, he is late.

            			FRANK.
 So, we should wait for him.

            			TONY.
 It is necessary.

Silence for a long time. They continue smoking. Frank throwing cigarette-butt into the rubbish bin. 

            			FRANK. 
I must call. I’ll be very fast.

Frank moved aside for some steps and come into the phone-box. He is phoning. At sidewalk, near Tony is stopping « Chevrolet Impala ». Tony throws out a cigarette and sits in the car. Paul is sitting at the steering-wheel. He is 35 years.

            			PAUL. 
What is about money? It’s time to pay, Tony. 

  Tony taking out of a packet of money and gives to Paul.

            			TONY.
How we had made arrangement. 
Exactly 25.000. You can not count.

           			 	PAUL 
                                                (putting money into the pocket). 
Since this day, you’ll pay more at 10.000.

            			TONY. 
Why?

            			PAUL. 
It’s my decision … you understand, the matter 
is very risky and I don’t want, that my ass to be bad.
You understand?

            			TONY. 
But you have been glad with 25.000.

           			 	PAUL. 
It was a long ago. You earn much more.

            			TONY. 
Our business isn’t excellent. Problems beside us. 
A lot of competitors have appeared.  And every 
day, we lose something …and I don’t know, what 
will be the end.

            			PAUL. 
I’ll take care of them. Turn down them is my duty. 
You should only call me their names and address
 and trust me. 

            			TONY.
 As soon as I have information about them,
 I’ll give you massage and I hope you won’t let me down.

            			PAUL.
 You’ve know me. See you, keep yourself. 
OK? Bye, Tony.

Tony is getting out of the car. The car movies from the place. Put the phone-head, Frank goes out of the phone-box and comes up to Tony.

             	                    TONY. 
Let’s go.
 
They sits in "Ferrari" and went away.

33 INT. Harry’s house.  Kitchen.  Night. 
Bil is staying at the table. Susan is sitting on the table in front of Bil. They are kissing. 

            			BIL.
What have you said to your parents? 

                                          SUSAN. 
            I won’t come home. I’ll stay with girlfriend.

                                         	BIL. 
Do I look like a girlfriend!

            			SUSAN. 
And what I should tell! That I am going to lay
 in your bed!

            			BIL. 
It sounds reasonable.

            			SUSAN. 
This is no fucking good. 

            			BIL. 
What you wouldn’t say to you parents, the main 
is you here. 

            			SUSAN.
 How must I understand?

            			BIL. 
How you want.

            			SUSAN.  
Please, explain me. I’ve understood that 
it is indifferent for you if I have a problem.

            			BIL. 
Not, sure. You are mistaken.

            			SUSAN. 
But what wouldn’t happen, I’m glad that
 I am here and let’s throw every thing out 
of our heads.

            			BIL. 
Excellent idea
            (kisses her).
Let’s go to the bedroom.

            			SUSAN. 
OK. Let’s go to play.

34 INT.  Tom’s house.  Sitting room.  Night. 
On the floor Tom is lying. His face is blooded. Near him, Frank is sitting with a pistol in his hand. Near Tom, Tony is staying. Tom is brown-haired young man. He is 22 years. Hit Tom with a pistol on his face, Frank says.

            			FRANK 
                                               (to Tom). 
Say, shitass.

            			TOM. 
I nothing have.

            			FRANK. 
You are lie, bitch.

            			TONY. 
May be we shoot him?

            			FRANK. 
It is early, Tony. 
           (to Tom). 
Where do you keep them?

            			TOM. 
How you don’t understand. Your address 
is mistaken.

            			FRANK.
 You have excellent informant.

            			TOM. 
And they are mistaken too.

            			FRANK.
 So, are you going to speak or not?

            			TONY. 
Let me shoot him. We have little time.

           			 	FRANK. 
Don’t hurry, Tony.

            			TOM. 
What’s a devil?  Leave me.  Don’t touch me.

Frank hits him several times.

            			FRANK. 
What have you said, shitass?

            			TOM. 
I nothing have. How you don’t understand.

            			FRANK.
 I ask you last time. Where do you keep them?

            			TOM. 
I don’t know what you speak about?

 Frank stand up and directing the pistol to Tom.

            			FRANK. 
Well. They won’t need for dead one. 

            			TONY. 
Let me kill him. My nervous will be silence.

  Frank putting down the pistol.

            			FRANK. 
OK. I am not against it.

  Tony points the pistol to Tom.

            			TOM. 
Ok. I’ll say. But only one condition. 
You won’t kill me.

            			FRANK. 
I am agree. But where?

            			TOM. 
What guarantee are?

   Tony showing the pistol.

            			TONY.
This is your guarantee.

            			FRANK. 
So, where are they?

            			TOM. 
The car is in the garage. The goods are on
 the back seats.

            			FRANK. 
The mark of the car?

            			TOM. 
« Oldsmobile Aurora ». Green color.

            			FRANK. 
Fine. Go on. In what garage?

            			TOM.
 I don’t know this.

            			TONY
                                                (to Frank). 
Well. You should find all garages.

            			FRANK. 
Take any more men. They nothing do,
 but now, it will be use from them. 
           (to Tom). 
 If you device us we’ll be killed. 

            			TOM. 
I said what I knew. You’ll be convinced.

            			FRANK. 
Pray, that will be such.

            			TONY 
                                                (to Frank). 
I’ll ring them.

 Tony is coming up to the phone, takes the phone-hand and dials the number.

            			TONY 
                                                (by phone). 
Leave all your business. The work is for you …
Check all garages in the city and find out green
« Oldsmobile Aurora ». As soon as find, phone me.

 Tony puts the phone-hand.

           				TONY. 
Let’s go, Frank. We are waited.   
                                                            
Tony and Frank are moving to the door Not approaching to the door, Frank is stopping. Tony is stopping near Frank. 

            			FRANK.
 (to Tom).
If you don’t let down, you know what 
will happen to you, don’t you?

            			TOM. 
(is slowly standing up).
 Vow. This is so.

            			FRANK. 
I hope that this is so.

Tony and Frank is going out of the sitting room, closing the door. Tom is walking around the sitting room from side to side, cleaning blood from his face with handkerchief. He is approaches to phone and dials the number.

            			TOM.
 (by phone). 
Hi. It’s me. 

35 INT.  "Maserati”. Garage. Night. 
"Maserati", where is sitting Eric at the wheel and next to him is sitting Michael, is moving into underground garage.

            			ERIC. 
We must check two garages yet.

            			MICHAEL.
 It is not important. The main one, we must 
 find out this devil car.

The car is moving along the line of the cars. Eric has seen «Dodge Viper ».

            			ERIC. 
I had sport car a long ago "Dodge". Old one, true! 
The wonderful car, with rather capricious character. 
Then I understood at this the car have the character too. 
I am ready to vow, she doesn’t hate traffic jam. The speed 
for her like air for us. I felt with my heart what she had
in her soul when I left her at the car park. She couldn’t 
stay there. She not only couldn’t stay but didn’t hate. 
She was only for speeding. The cars are the most 
beautiful thing in the world ... I has last it is the car. 

            			MICHAEL. 
And how it happened?

            			ERIC.
 Run away from cop.

  They stop near « Oldsmobile Aurora » of green color. They are looking at her.

            			ERIC. 
This is car seems to be.

            			MICHAEL. 
Ring to Tony.

Eric takes the phone-hand and dials the number.

36 INT. "Ferrari F430" . Night.
 Along the street "Ferrari" is moving. At the wheel is sitting Tony, next to him is sitting Frank. Phone calls. Tony pulls out phone and answers a bell.

            			TONY 
(by phone). 
Yes … Where? … Excellent. I’ll be soon.
 Look nobody’ll get into it … Bye, see you.
(put the phone-hand on the place).

            			FRANK. 
They have found out the car?

           			 	TONY. 
Yes. It is here, not far away.

Pause.

37 INT. Harry’s house.  Bedroom. Night. 
Sundra and Harry are lying on the bed. They are kissing. Harry very smoothly pull her aside.

           				SUNDRA. 
What’s the matter with you?

           				HARRY. 
Just a minutes. I’ll come now.

He is getting up and walking out of the bedroom to the corridor, closing the door. Opened the zip-fastener, he is stretching the rubber of the pants, looks at his cock and begins to talk with him.

           				HARRY. 
What are hell? What happened to you? What is happening,
dunce? I have a lot of questions to you and I want to answer  
them. Hell! Why do you let down me? (points a finger in the 
direction of his cock). I am talking with you. Yes, with you. 
And it is not necessary to turn away. And don’t do such a 
guilty air. Because it’s true it is your blame. See the point? 
No, you nothing understands. I to whom speak? You know 
only sleep and nothing .… Why are you silent? Say 
something? Or advise what shall I do? Have you seen the 
girl in the bedroom? She is waiting for me. Because she 
doesn’t give a damn for me. You need for her. But you look 
so, like you don’t give a damn for her and for me. And now 
think a little and take extents. Go up. Really she is not 
pleasant to you? Listen, I decide with whom to sleep. You 
understand? Come on. Go up... good fellow. Go up, go up 
and don’t think to stop. Continue in this temp.

The door is being opened in the back and Sundra is coming into the corridor.

           				SUNDRA
 (looking asides). 	
Who  are you talking with there?

           				HARRY 
(fastening zipper).
Nobody with, baby 
(turns).
Nobody with.

           				SUNDRA. 
What happened to you? Do you talking 
with yourself?

           				HARRY.
No. No.

           				SUNDRA. 
Who with?

           				HARRY. 
I convince my wild to wake up.

           				SUNDRA 
(laughs). 
 You are funny.

          				 HARRY. 
Humor helps to go out from any situation.

           				SUNDRA. 
And how often does it help you? 

           				HARRY. 
All depends on fate.

           				SUNDRA. 
But it sometimes let’s me down.

           				HARRY. 
 Because you have a problem with humor.

           				SUNDRA. 
May be it is so.

           				HARRY.  
All will be all right in time.

           				SUNDRA. 
Sure … Well, has your wild gone up?

           				HARRY. 
Yes, it’s fine.

          				 SUNDRA. 
Well. Let’s go. You will introduce me 
to him.

They come into the bedroom and close the door.
                                                        
38 INT. Harry’s house. Bedroom. Night. 
Harry is staying at a window and looks at stars. Sundra comes up to him.

          				 SUNDRA. 
What has happened?

          				 HARRY. 
Nothing.

Silence.
          				 SUNDRA. 
Well. I go to sleep.

           				HARRY. 
OK. 

Sundra comes up to the bed and lie to sleep. Harry continues to stays near the window. Then fire the cigarette.

39 INT. "Ferrari F430". Street.  Night. 
"Ferrari" is moving in which Tony is sitting at the wheel and next to him is sitting Frank.

           				TONY. 
Who is the guy?

           				FRANK. 
You don’t know this guy.

           				TONY. 
Where he is work?

           				FRANK. 
Plunders old women in the subway.

          				 TONY. 
Good job.

           				FRANK. 
Yes.

They laughs.

40 INT. Harry’s house. Drawing room. Morning. 
Bil is sitting on the sofa and playing the guitar. Harry is coming down the stairs.

           				HARRY 
(coming up to Bil). 
Haven’t you seen my razor?

          				 BIL.
 It one is at Susan.

           				HARRY. 
Are you sure?

          				 BIL. 
Yes. I saw myself, how she has taken.

           				HARRY. 
Why does she need my razor?

           				BIL. 
May be she wants to shave anything. 
You’ve know what … and where.

           				HARRY.
 She is crazy. To shave in that place with my
 razor. What did she think about? She looks 
 like a clever one.

           				BIL. 
But, what is wrong in that!

           				HARRY.
 And why she has not taken your razor?

           				BIL. 
She like your razor!

           				HARRY. 
My razor!!! I’ll kill her.

           				BIL. 
I already fucked her … can kill.

           				HARRY.
 Where is she?

           				BIL.
I think in the bathroom.

Harry is coming up to the stair goes up then goes along the corridor and comes up to the door, knocking with fist. 

           				HARRY 
(knocks on the door). 
Susan.

 Susan’s voice is heared out of the bathroom.

           				SUSAN.
(O. S)
 What?

           				HARRY.
 Is my razor with you?

           				SUSAN. 
(O. S)
 Yes.

           				HARRY.
 Do you need it else?

           				SUSAN.
(O. S)
 No yet.

           				HARRY. 
 May I come in and take it.

           				SUSAN.
 (O. S)
 The door is opened.

Harry is coming in the bathroom. In the bath, Susan is lying over with soap-suds.

           				HARRY
 (coming up to Suzan). 
Listen, Susan. The next time, please, ask me
before take, OK?

          				 SUSAN. 
Excuse me, I did not know.

Susan is taking out of the water her hand where she holds his razor and gives it to Harry.

           				HARRY. 
Well, show me your art.

           				SUSAN. 
Dream, idiot.

           				HARRY. 
Well, show me.

           				SUSAN.
 Go to hell.

           				HARRY.
 May be, you’ll decide.

           				SUSAN. 
Not in this world.

Harry is going out of the bathroom and closes the door. Susan stand up and approaches to a mirror, considering the body. Then looks to itself between legs.

          				 SUSAN. 
You are beautiful, baby. 

41 INT. Harry’s house. Kitchen.  Morning. 
Harry is staying at the window. He is holding a cup of coffee in his hand and looking through the window at the road. « BMW M5 » black color, where four Negron are sitting is passing near his house.

           				HARRY
 (is looking at the car). 
Curs.
 (is drinking coffee). 

The car is approaching at the end of street and turning round. Sundra is coming in the kitchen (she in a bathing suit).

          				 SUNDRA.
 Do you have beer?

           				HARRY 
(not turns). 
In the ridge.

           				SUNDRA. 
Do you have anything to eat? I haven’t eaten 
since yesterday.

           				HARRY. 
No.

Opened the door, Sundra takes a bin of beer and closes the door.

           				SUNDRA. 
Are you coming?

          				 HARRY. 
Yes, just minutes.

She comes out of the room. Having drunk some coffee, Harry is arriving to the table and pours coffee into the cup.

42 EXT.  Harry’s house. Day. 
Bil, Susan and Sundra are sitting on the bench at the swimming-pool. Bil is playing the guitar. Harry is approaching them. He sits down between Susan and Sundra.

           				BIL. 
Have anything happened?

           				HARRY. 
No, nothing.

           				BIL. 
What is with your appearance?

           				HARRY. 
I think, than to do today. It is very
boring to be here.

           				BIL. 
I have decided. And girls agree.

           				HARRY. 
Say. May be I’ll like it too.

           				BIL. 
Sure. You can’t doubt. You’ll like it.
	
           				HARRY 
(to girls). 
Do you agree?

           				SUSAN. 
Sure.

           				SUNDRA. 
How can we refuse.

           				BIL.
 Harry. They are not be able to do this.

43 INT. Tony’s house.  Bedroom.  Morning. 
Cortny and Monicka are staying at the mirror. Cortny is painting her lips. Monicka is 22 years. She is blonde.

           				MONICKA. 
These goats’ men are wild.

Tony is appearing in the door.

           				TONY. 
Thanks a lot, Monicka. You have such
 opinion about me.

 Monicka and Cortny, turn back simultaneously.

           				MONICKA.
 I don’t think so about you, Tony.

           				TONY
(to Cortny). 
I want you for some minutes. 

           				CORTNY. 
Sure.

  She is coming up to Tony. He is whispering something to Cortny.

           				CORTNY. 
Well. I’ll do it.

  Tony leaves. Cortny is turning back to the mirror.

           				MONICKA. 
Has he offended?

           				CORTNY
 (is painting her lips). 
The matter isn’t in that. Don’t take attention. 
He has very hard work.

44 INT. "Ferrari F430".  Noon.
"Ferrari F430" is moving along the street. Phone is ringing. Taken the phone-hand, Tony is pressing it to his ear and says.    

           				TONY. 
(by phone). 
Yes. ... David! …Hi. … All is excellent, and you?… 
Where? … You are in Los-Angeles, aren’t you? …
Why didn’t you say at once? … Well, I’ll visit you. 
Only say where … Well. I’ll be soon.

Tony puts the phone-hand on the place. The cars moving forward and soon lows the speed, moves to take petrol, stops near petrol station. Having turn off the engine, Tony is getting out of the car. The guy is approaching him.

           				TONY.
 A full tank. 

           				GUY.
 Well.

Tony walks around his car and comes in the shop. He approaches to the counter and says to the seller. 

           				TONY. 
Where have you toilet here?

           				SELLER 
(pointing with a hand). 
Over there.

Tony comes into the toilet, approaches the box, opens the door, comes into and closes the door. Taken out of the small packet with cocaine and tube, he put the tube into the nose and breaths it.

45 INT. Shop.  Noon.  
Coming out of the shop, Tony approaches the car, where the guy is staying. He pays him and gets into the car and went away. Tony turn on the radio. "NIRVANA" is singing the song «Smells  like  teen spirit ». Looking at the road, Tony switch to the speed. Then, set fire to a cigarette.

46 INT. Shop.  Noon.
Michael is staying at the counter and talking with a saleswoman, whose name is Anna. She is brunette, 23 years.

           				MICHAEL. 
You look excellent today.

           				ANNA. 
Did you come here to tell me only this one!

           				MICHAEL.
 Yes.

           				ANNA. 
You are stupid, Michael.

           				MICHAEL. 
And what you wanted?

           				ANNA. 
I thought, you to invite me somewhere, 
but you didn’t think about this.

           				MICHAEL. 
Well. Let’s go somewhere in the evening? 
I know one astonishing place.

           				ANNA. 
No, Michael.

           				MICHAEL.
 I nothing understands!

           				ANNA. 
You had to guess yourself, what I 
want and don’t  wait my suggest.

           				MICHAEL. 
All right. "Mummy" recognizes the mistake.

           				ANNA. 
Only don’t again.

           				MICHAEL. 
What again?

           				ANNA. 
I’m angry, when you call yourself "mummy".

           				MICHAEL. 
You’ve know, how "mummy" applies to this.

           				ANNA. 
Stop, Michael.

           				MICHAEL.
 What is the matter with you today?

           				ANNA. 
You must find out a lot and we won’t be 
able to see each other, while you don’t learn 
the main truth.

           				MICHAEL. 
You are talking funnily.

           				ANNA. 
Go away, Michael.

           				MICHAEL.
 OK.

           				ANNA. 
Think, please, about my words.

           				MICHAEL. 
Well. 
(looking at the shelves). 
Give me a bottle of wine. Italy one.

Taken a bottle off the shelf, Anna puts it one on the counter and says.

           				ANNA. 
Anything else?

           				MICHAEL. 
Nothing
 	(pulls out a purse).

           				ANNA. 
It’s better to pay with credit card. 
I hope, it isn’t to false, how your money.

           				MICHAEL. 
No, of course. 
(gives her his card).
 So, will we see each other today?

           				ANNA. 
I’ll think.

           				MICHAEL. 
I’ll phone you.
           
47 INT. « Mercedes SL 500 ». Noon. 
Along the street, the cabriolet is moving, in which are sitting Cortny and Monicka. 
Silence.
 
           				MONICKA.
 Find the work.

           				CORTNY.
I can’t.

          				 MONICKA. 
Why? 

           				CORTNY. 
	I don’t know.

           				MONICKA. 
Bullshit.  
 
                                         	CORTNY.
                                    Shut up.
      
48 EXT. "Ferrari". Noon.
"Ferrari" is moves and stopping near the hotel.  
Turned off the engine, Tony is getting out of the car and closes the door. Turning around the car, he comes into hotel. He is approaching the elevator and presses the button. The beautiful blonde is stopping near him. Her name is Kim. She is 26 years. They look each other and slightly smile. The door of the elevator is being opened. Kim goes into the elevator and Tony goes after her.

           				TONY. 
What floor is yours?

           				KIM.    
7.

 Tony presses the 7-th button. The door begins to close and the elevator lifts.

           				TONY. 
In your accent I understood you are French, 
aren’t you?

           				KIM. 
What can you? I cannot.

           				TONY.
Experience. I need to communicate with 
different people.

           				KIM. 
It is healthy. Where are you from?

           				TONY.
 I was born here.

           				KIM. 
I’d never guess?

          				 TONY. 
Of course. We are all different. 

She nods. It becomes silence. The elevator is stopping and the door is opening. Kim comes out of the elevator and goes to the left side. Tony comes out and looks at her and goes to the right side. He approaches to the door and knocks a fist. Some minutes later the door was opened and in front of his was staying David. He is brown-haired man, about 26 years.

           				DAVID.
 Come in.

Tony is coming in and David closes the door.

           				TONY. 
Hi, fellow 
(holding his hand). 
We haven’t seen for age.

           				DAVID 
(shaking with his hands). 
Only an answer – it is depend for fate.

           				TONY. 
I am glad to see you, fellow.

           				DAVID. 
So am I. Sit down.

Tony sits on the bed, and David continues to staying in front of him.

           				TONY. 
Let you talk.

           				DAVID. 
I don’t know what.

           				TONY. 
Modesty remained in your blood.

 They laughs.

           				DAVID. 
Do you want to drink anything?

           				TONY. 
Without the drink - it is impossible.

           				DAVID. 
Then, let us do the next. Let’s go down to the bar, 
take cup of beer and talk about everything. We have
what to tell to each other, haven’t we?

           				TONY. 
Sure.

Tony is standing up.

49 INT.  Elevator.     
Tony and David are in the elevator. The elevator stops and doors is opened. Luc comes into the elevator at once and beats David with his fist to his face.

           				LUC. 
Fuck you, you made it in vain. I have
warned you to regret above it.

 At this moment, Tony has taken out his pistol and pointed to Luc.

           				TONY 
(directs the pistol to the head of the man). 
Leave him.

           				LUC 
(to Tony). 
We’ll resolve our problems ourselves.

           				TONY. 
You didn’t understand?

           				LUC. 
OK, OK 
(getting up his hands). 
I’ll go.

Elevator’s door begins to close. Luc puts his leg between the doors. The door is opened again and Luc goes out of the elevator, turns and looks at David. Tony is holding his pistol and directs it to Luc.

           				LUC. 
Think, David 
(to Tony). 
 But you, not be lucky, guy.

The doors of the elevator isn’t still closed, Tony pulls the trigger. The bullet is flying through the door and hits the Luc’s head. The doors completely closed, and the elevator continues to moving down.

           				DAVID. 
Why have you done this?

           				TONY. 
Who is this mad?

           				DAVID. 
A lot of time ago, there was one unpleasant history. 
We didn’t resolve that problem till this time.

           				TONY. 
Now, we can say, we’ve resolved it.

50 INT (cont’d).
Tony and David are sitting at the counter in the bar and drinking beer.

           				DAVID. 
And then I went away.

           				TONY. 
Do you point anywhere higher?

           				DAVID. 
I consider so, because of I didn’t go away.

           				TONY. 
Where?

           				DAVID. 
Nowhere.

           				TONY. 
I don’t understand?
	
           				DAVID. 
No anything place anything work, oh hell.

           				TONY. 
Do they pay a little or you get tired? 
What is the matter?

           				DAVID. 
I’m sick from all this.

           				TONY.
 I understand. If you need my help, ask, I’ll help you.

           				DAVID.  
I’ll do such, Tony.

Silence. They continue to drink beer.

51 EXT.  Beach. Noon.
Two water-cycles “Kawasaki 1100ZXI” are moving on the water not far from at the bank. Harry and Sundra are sitting on the first one, on the second one Bil and Susan are sitting. 

           				HARRY
(cries to Bil). 
Let’s go, to refuel.

           				BIL  
(cries). 
It’s early yet.

           				HARRY 
(cries). 
You are crazy.

           				SUNDRA. 
Don’t quarrel again, please.

           				HARRY. 
But we aren’t quarrying.

           				SUSAN. 
I don’t notice. 

The engine stops into the water-cycle, where Harry and Sundra are sitting. Bil turns the water-cycle and drives to them.

           				SUNDRA. 
What has happened?

           				HARRY. 
The petrol has finished.

           				SUNDRA.
 It’s great.

           				HARRY.
 I have said to this foolish. He doesn’t
 understand, scapegoat.

Bil stops near Harry and Sundra.

           				HARRY. 
I was right, mother fucker. Now tell
what shall we do?

           				BIL. 
Swim to the bank 
(laughs).  

          				 HARRY. 
You are joking?  

           				BIL. 
Harry, you look as stupid bitch.

All laughs except Harry.

           				HARRY.
Your humor is stupid as you.

           				SUSAN. 
I think, it is not so.

           				HARRY. 
Go to hell.

           				SUNDRA.  
Do you often quarrel?

           				HARRY. 
Yes. Because Bil very cleverest. 

           				BIL. 
Go fuck yourself.

           				HARRY. 
You too!

           				SUSAN. 
Can you shut your mouths?

52 INT.  « Jaguar XKR » .  Highway. Noon.
«Jaguar XKR » is driving. Harry is driving, next to him is sitting Bil, behind them is sitting Sundra and Susan.

53 INT. House.  Night. 
Frank and Martin are walking up stairs. Martin is a brown haired young boy, about 19 years.

           				MARTIN. 
I didn’t understand, what they want from me. 
They came, began to drop at my brain, asked
stupid questions. You know, it is sick of me. 
Wherever I go, something often happen with me. 
These guys have become impudent. They get in 
everywhere. What is happened around us? All have
forgotten what the order. Obviously it will not be
finished. Also it is necessary to do something, 
immediately. While all this one will not go so far …

 They go out from stair hall  and walk along the corridor. 

           				MARTIN
 (continues). 
Sometimes I seem. I was born in unsuitable moment. 
I want to live calmly, but no, some fools appeared and
now spoil everything... what are life... Hell! I don’t 
like this one, demon. Not about such life I dreamed. 
You understand? Not about such, Frank.

They are stopping in front of the door.

           				MARTIN.
It’s here. Are you sure, you will manage alone?
They are very plenty, may be we’ll come back 
and take somebody else.

Frank kicks the door and it is opens. He comes into a drawing room, after him comes Martin. Winnie and Jean, jump out of the armchairs, pull out pistols and direct at them. Winnie about 25 years, Jean about 26 years.

           				WINNIE. 
Who are you?

           				FRANK. 
Hide you gun.

           				JEAN. 
Fuck you, dunce.

           				MARTIN 
(to Frank). 
I said you before, they are crazy. Let’s go, 
we cannot manage with them.

           				FRANK 
(not paying attention on Martin). 
Must I repeat any more? Hide your guns.

           				WINNIE. 
May be, you don’t want to live, the guy. Well. 
We’ll help you.

           				JEAN. 
Precisely. Don’t show us your brave, because 
you won’t know what the really life is.

          				 FRANK. 
I think, we’ll make arrangements. Hide the guns.

 Winnie and Jean laughs.

           				WINNIE. 
Try me to make.

           				FRANK.
 I’ve worn you 
(is arriving to them). 
But you must resolve if you consider yourself
luck boys.

54 INT.  Night. 
« Acura CL coupe » dark blue color is moving along the street. At the wheel is sitting Frank. Next to him is sitting Martin. The police car is moving after them.

           				MARTIN
 (looking at Frank).
It’s great you to make them. With empty hands 
against two arm guns fellows. Where have you studied
fight such way?

           				FRANK
 (looking in the mirror). 
Fasten the belt.

           				MARTIN.
 I’ve seen such at the first time. On telly you’ll not
 able to see that you’ve made with those fellows. 
May be, you can teach me?

           				FRANK 
(looking in the mirror). 
Fasten the belt.

           				MARTIN. 
I know a fellow, he owns such art, but he never be
able to manage with you. You looked more inflexible 
than Steven Sigal! What is great! You’ve thrown them
into different sides! Will you teach me any method?

           				FRANK
 (looking in the mirror). 
Fasten the belt. 

Having seen, that police car is approaching nearer, Frank presses on the brake. The car is braking and the police car is running into the boot of the «Acura». As soon as the car have stopped, Frank is unbuttons a belt, going off the car, taking the pistol behind of the back. He goes to the police car and shoots, killing two policemen. Frank is coming back to the car and sits down for rudder. He is looking at Martin whose face is in blood and eyes are opened from surprise.

           				FRANK. 
I said to fasten the belt.

           				MARTIN. 
It’s worth listening to you.

           				FRANK. 
			Of course.

           				MARTIN.
I simply didn’t know, what you were going 
to do. That what the matter is.

           				FRANK. 
You must be thought many things, Martin.

           				MARTIN. 
I know.

Frank takes on the speed and the car starts to move.
   
55 INT. Eric’s house.  Toilet. Night. 
Eric is sitting in front of lavatory pan and splits into it. Michael is staying next to him, leaning against the wall.

           				ERIC. 
If you try to give me this shit, I’ll put it into
your ass. 
(continues to splits)
Demon it.

           				MICHAEL. 
But you’ve agreed yourself. You could have refused.

           				ERIC.
I didn’t know, what would happen and I’d feel 
myself so bad.

           				MICHAEL. 
You should have advised with me.

           				ERIC. 
Fuck you, Michael.

           				MICHAEL.
"Mummy" can take offence.

          				 ERIC. 
I’ll split at you. 
(get up and flush the toilet) 
On you, and this shit.

           				MICHAEL. 
It’s a pity. 

Eric approaches to the sink and washes the hands, the face, then mouth. Having closed the tap, he takes the towel and drys the hands and face.

           				MICHAEL. 
Are you better?

          				 ERIC. 
Bad. I have stomachache.

          				 MICHAEL. 
It happens to everybody, who try for the
first time.

           				ERIC. 
And why you haven’t warn me before,
 if you knew?

           				MICHAEL. 
I don’t know. I’ve forgotten, may be, the next 
time I’ll warn you.

           				ERIC 
(interrupts). 
And you think, I’ll agree to try this shit once again!

           				MICHAEL. 
The time’ll come and you’ll agree …
May be you ask me yourself.

           				ERIC. 
You stupid...

           				MICHAEL. 
It is not necessary better.

The door is being opened and Judit is entering.

           				JUDIT. 
How long are you going to be here?

           				ERIC. 
Now we are leaving.

Put the towel on the place, Eric goes out of the toilet together with Michael. Judit closes the door and comes up to the lavatory pan. Removes under shorts and sits on lavatory pan.

56 INT.  Eric’s house. Drawing room. Night.
Eric is staying at the plug and can’t hit into the holes of plug. A plug as does not come in hole. Michael is sitting in the armchair, is watching TV and drink beer. It is shown the baseball. Turned the head to Eric, he says drinking beer.

           				MICHAEL. 
Eric. What are you doing there?

           				ERIC. 
What?

           				MICHAEL. 
I ask, what hell are you doing there, foolish?

           				ERIC. 
Go to hell. It better to help me to put this shit.

           				MICHAEL. 
Help to you!!!
 (drinks beer). 
What it for the request, mother fucker.

           				ERIC. 
Can you shut up? Don’t you see I can’t hit
 to these holes.

           				MICHAEL. 
But they are so small. And your hands are trembling 
like at the drunkard.

           				ERIC. 
Listen, Michael. Go you from here, with you the
stupid jokes.

           				MICHAEL. 
Don’t worry. You haven’t sense of humor. 

           				ERIC. 
I must charge the batteries. Don’t you understand, 
how is important for me.

           				MICHAEL. 
You’d better to buy the new one. Why do you suffer?

Eric throws at him a block. Michael leans down, and the block flies above his head.

           				MICHAEL. 
Are you mad?
 (stand up).

           				ERIC. 
I’m nervousness. You are blame in it.

           				MICHAEL. 
If something happen, "mummy" is guilty. Or I am
near to you, in whom it would be possible to throw 
the block! So, I am right, or not?

           				ERIC. 
Shut your fucking mouth, dunce.

           				MICHAEL. 
Once again insult the "mummy", I’ll wet your sofa.

Eric is coming up to Michael.

           				ERIC. 
I haven’t understood?

           				MICHAEL. 
Has become deaf!

           				ERIC. 
Michael … I … It shouldn’t tell to you. 
(pushes Michael in a breast). 
Rest. You are my guest.

Michael falls in an armchair. Eric walks and takes the block.

           				MICHAEL. 
It is sure I must go to the toilet.
 (drinks beer). 
Will your sister be there much time? She have 
diarrhea?

 Judit appears.  

           				JUDIT. 
It is free. And I don’t have diarrhea.

 She goes to the bedroom. Eric is coming up to Michael and says.

           				ERIC
 (examining the block). 
Why do you drink so much?

           				MICHAEL.
 It helps me to sleep.

           				ERIC. 
In this case, a woman can help you. 
The result the same, but negative effects only
 positively.

           				MICHAEL. 
So, I have a suggestion. May be your sister’ll help, 
she hasn’t same anybody.

           				ERIC. 
Forget, Michael. I don’t like to repeat you a hundred
times. Keep far away from her. Both soul and body. 
Is it clear?

           				MICHAEL. 
But if she will be agree?

           				ERIC. 
Send her to the hell.

         				MICHAEL. 
But why?

           				ERIC. 
You not the best for her a variant.

           				MICHAEL. 
So, all problem in me!

          				 ERIC.
 Yes.

           				MICHAEL. 
All right. I’ll do such.

Michael stand up and goes out, continuing to drink beer. Eric comes to the plug and put the block into the plug from the first time, then he sits on the sofa and watch TV. Soon Michael comes. He sits near Eric and speaks.

           				MICHAEL. 
Do you know, what thing I have found?

           				ERIC. 
I can’t guess. But try to say, may be it will 
be like to me.

           				MICHAEL. 
The next time. At the beginning I’ll think,
 but you’ll know the first.

Silence. They are watching TV.

57 INT.  Bar.  Night. 
Tony is sitting at the counter and drinking whisky. Frank comes up to him and sits near.

          			 	FRANK. 
It’s essential to talk. The problem is serious.       
                                                                                                                              
           				TONY 
(drinks to the bottom). 
Well. Let’s go, if the problem serious.

Tony pays for whisky, and they go out of the bar.

58 INT. (cont’d).
Frank and Tony are moving in the elevator.

           				TONY. 	
Really is serious, that you decided to spoil all 
evening and drunk-up.

           				FRANK. 
You’ll see yourself soon ... and in general, 
to drink  a lot is very injuriously.

Silence.

59 EXT. (cont’d).  Night. 
On the roof of building are staying Frank and Tony. They are smoking. 

           				TONY. 
What’s up?

           				FRANK. 
Cops have detained a “van” with cocaine. If it will be 
repeated, we soon should search for new job, because, 
all that we have go to hell, Tony.

           				TONY. 
We must do something.

          				 FRANK. 
That’s why I’ve come to you. What shall we do?

           				TONY. 
We must know about this one more details, 
and then think what we shall do.

          				 FRANK. 
They have seized the driver of a “van”. While he 
is silence, but it isn’t example, that he’ll began to talk. 
We must to kill him now. Connect with that cop and 
let him do something. We pay him for this one.

           				TONY. 
Well. I’ll do so. Haven’t you anything to say?

           				FRANK. 
No.

           				TONY. 
Then, let’s go and drink.

They come back to the elevator. Tony presses the button. They smoke while elevator comes. The door is opened. They come into the elevator. Frank presses the button. The door closes and elevator moves down. 

60 INT.  Bedroom. Morning.
Eric wakes up of phone call. He takes a tube and presses to an ear.

           				ERIC. 
(by phone).
Yes … I don’t fucked your mum…(pause) ... who is 
speaking? … It’s you …No.  It’s my dream … Listen, 
I don’t fucked his mum …Ok, Ok. Where is your 
sense of humor? ... Ok.
(puts the phone-hand). 

Eric gets up and dresses. Door’s bell rings. Eric opens the door. At the porch Kurt is staying with pizza. Kurt is brown-haired fellow. He is 25.

           				KURT. 
Have you ordered pizza?

           				ERIC. 
May be.
 (pulls out money and lend him money).

 Kurt takes the money and gives him a box.

           				KURT. 
Don’t  we meet anywhere?

          				 ERIC.
 No 
           ( taken the pizza).

           				KURT.
 I’ve  remembered. Eric Adams. We studied together
 at the same school. Don’t you recognize? It’s me Kurt.

           				ERIC. 
Kurt didn’t look so.

           				KURT. 
Since then so much time has passed. You too 
have changed.

           				ERIC. 
You are mistaken 
(closes the door).

Kurt knocks the door. Eric opens the door.

           				ERIC. 
What do you want?

           				KURT. 
We were not friends a long ago. I don’t know why. 
May be, we were different. But people change during 
the life.

           				ERIC. 
Go away 
(closes the door).

Eric wants to go to the kitchen, but he hears the knock at the door. Having put pizza on the floor, Eric opens quickly the door and hits Kurt in the nose. Kurt falls down.

           				ERIC. 
Keep away from my house
 (closes the door).
Goon.

Eric lifts pizza and goes to the kitchen. Puts the pizza on the table, he approaches to the refrigerator and opens the door.

           				ERIC. 
Well, well, well. Where I am!!!

Eric looks over on sides, examining kitchen. Then, coming up to the window and looks at nearby house.

           				ERIC. 
                                  It’s my house. What the hell? 

61 EXT.  Police office. Evening. 
Eric is staying near the police car and talks with Cavin. Cavin is 45 years. He is cop.

           				CAVIN. 
What?! You consider, I’ll believe in it ... bullshit!

           				ERIC. 
Yes I say truth, hell you. I don’t know, where he is, 
fuck him. He is my debtor and I look for him myself.

           				CAVIN. 
With such belief like you have, you won’t deceive 
even whore. I have little time, so tell me, where we 
can find out him? 

           				ERIC. 
Listen, Cavin, you know me. Why, I must deceive 
you. I haven’t seen him for two weeks. It is quite 
possible, he left the city and now he is sunbathes 
in Mexico with naked maidens, or in Florida, with
his friends. By the way, I too for a long time didn’t 
see them.

           				CAVIN. 
You can’t again convince me. Try again.

           				ERIC. 
Haven’t another word to convince.

           				CAVIN. 
OK. Find them in your modern dictionary and 
in try, hell you.

           				ERIC. 
I say all what I’ve known. 

           				CAVIN.
 Well. I give any more time. Ask your friends.
 May be they know.

           				ERIC.
 Well. I’ll try.

           				CAVIN. 
And look, if you begin again, you’ll fell yourself 
very bad.
	
           				ERIC. 
You perfectly know, I’ve done up with this.

           				CAVIN. 
May be, but I have reason.

           				ERIC.
 It’s enough to press me. I have a lot of problems. 
And you still add them. What happen to this city? 
Already difficult to breath.

           				CAVIN. 
If you engaged in another thing, you would
 not feel such sensation.   

           				ERIC. 
I have known this lesson. And don’t make me feel 
myself if I am at the exam. For me it is simple a torture.

          				 CAVIN. 
Real torture is in the head. Believe me.

           				ERIC. 
What you want to say?

           				CAVIN. 
One advice. Be always attentive, differently
 someone’ll take advantage and kill you.

          				 ERIC. 
Do you try to frighten me? So, Cavin?

           				CAVIN. 
No.  I simply warn you.

           				ERIC. 
I resolve this problem myself.

           				CAVIN. 
Now, I am precisely not confident.

Cavin gets on the car and moves. Eric begins smoking. Harry is coming to him.

           				HARRY. 
With stupid questions again?

           				ERIC. 
Yes, hell him.

           				HARRY. 
We must finish with this.

           				ERIC. 
I think about it too.

          				 HARRY. 
Let’s go. We are waited for.

They are entering into the bar.
     
62 INT.  Taxi.  Night.
Taxi is staying at the pavement. Opposite the road the police-car stops. Cavin is getting of the car and coming to his house. Harry is sitting at the wheel and next to him is Michael. At the back seat the dead taxis is lying. Harry and Michael are looking after Cavin, who is opening the door and entering the house.

           				HARRY. 
This is that cop, who presses on Eric.

           				MICHAEL. 
Fine. Now, we precisely know, where he lives. 
And to kill his - is question of time.

           				HARRY. 
Let’s move from here, because we can be though
 in this stealing car.

           				MICHAEL.
 It isn’t worth stealing this car. And taxi. 
What did you think about when you do it? 

          				 HARRY. 
There weren’t another ones, Michael.

           				MICHAEL. 
I don’t believe, there weren’t. You think, what 
you say? How weren’t, when there are a lot of 
cars around. 

           				HARRY. 
At that time there weren’t. Do you understand?

           				MICHAEL. 
All right. So and to be. Let’s go, because the corpse 
begins to stink.

           				HARRY. 
Why he not in a compartment luggage?

           				MICHAEL. 
There ... is valises.

           				HARRY. 
Why you not thrown out them?

          				 MICHAEL. 
And to leave prints of fingers!

Harry turns on the motor engine, headlights and speed. The taxi starts to move and disappear. 

63 INT. Cavin’s house.  Bedroom.  Night. 
On a floor the woman and the little girl are lying. The hands and the legs are tied with rope. The mouth is closed with the duster. Michael in mask on the face and in gloves is staying near them.

           				MICHAEL.
You should be in this condition for a long time. 
And don’t be angry with me. God teaches us to love 
everybody. Understand? And now we must only wait 
for Cavin. He must come very soon. So? I’ll leave 
you alone. Ok?

The woman tries to say something. Michael leans toward her and says very quiet.

           				MICHAEL 
(quiet). 
And you good night.

He goes out of the bedroom, turning off the light, and comes into the kitchen. He approaches the fridge and takes a can of beer. Closed the door, he turns off the light and goes in the drawing room. Turned off the light in the drawing room, he sits in an armchair and removes of the masks. Opened the can, he drinks the beer. 
             
64 INT. Cavin’s house.  Night. 
Cavin enters into the drawing room, closing the door and turning on the light. Behind him Michael's voice is heared.

           				MICHAEL.  
You are late.

Cavin turns back and sees Michael, sitting in the armchair and hitting to him with the pistol.
		
           				CAVIN. 
Who are you? What are you doing here?

           				MICHAEL. 
Your death. You don’t want to say “good-bye”
to "mummy"? Well.

Michael shoots at Cavin some times. Bullets make hole in bosom, and blood spatter a door. Michael stands up and approaches to Cavin.

           				MICHAEL.
 May be, you move up! "Mummies" it’s time
 to go. Ok? All right, I’ll help you smeller.

Michael takes him at his hands and moves up him aside. He comes to the door and stops, turning.

           				MICHAEL. 
Did you say anything? … Ok. I’ll turn off
 the light.

He turns off the light and leaves the house. He looks around, lifts up his head and looks at the moon.

           				MICHAEL.
 You haven’t been so round for a long time.    
                     
He is moving slowly to the pavement and crossing the road and coming to the car, parked at the pavement. He sits at the wheel and turns on the radio. Group "Nirvana" is singing the song “Lithium”. He starts off the motor and went away. 

65 INT. Frank’s house.  Bathroom.  Morning. 
Frank is cleaning the teeth. Taking the tube and tooth-brush, he presses the paste on a brush and looks carefully at the paste.

          				 FRANK. 
Hell. My sperm is whiter, than this tooth-paste.

He cleans the teeth. Liza enters the bathroom and says.

           				LIZA. 
You didn’t see keys from my car.

           				FRANK.
 I’ve seen somewhere, but I don’t remember.

           				LIZA. 
Please. Remember.

           				FRANK.
 I don’t know.

           				LIZA. 
You said, that somewhere seen.

           				FRANK.
 To hell these keys.

           				LIZA. 
And how I’m going?

           				FRANK. 
Taxi.

           				LIZA. 
A taxi!

           				FRANK. 
You are surprised. Good that I haven’t suggested 
you the roller skates.

Liza leaves.  

66 INT. Eric’s house. Bedroom.  Morning. 
Eric enters in the bedroom and sits on the bed, where Judit is lying.

           				ERIC. 
Somebody is mistaken with the door. May be,
he is drunken.

           				JUDIT. 
Really?

           				ERIC. 
We have such men a lot of but, as a rule, they
 all are inoffensive fellows.

           				JUDIT. 
Sometimes drinking influences to the people very
strange way … and to you too.

           				ERIC. 
But now a situation has changed. I drink less and 
less. For short, I want to stop.

           				JUDIT. 
Do you serious think out about it?

           				ERIC. 
Why not!

           				JUDIT. 
I didn’t expect it from you, didn’t expect at all.

           				ERIC. 
We all are inclined to changing.

           				JUDIT. 
It’s exact.

           				ERIC. 
Does anything worry you?

           				JUDIT. 
Trifles, Eric. Trifles. For example, that our family 
is dieing now.    
 
           				ERIC. 
Why do you think so?

           				JUDIT. 
Only don’t tell me, that you are pregnant man!

           				ERIC. 
But we have relatives in San Francisco.

           				JUDIT. 
I forgot that they are, they always consider us
like nonentity.  
   
           				ERIC. 
I want to say you, that we not nonentity. It is sick 
of me to do a look before everybody, that we are 
nonentity.

           				JUDIT. 
I have never done a look, that we are nobody!

           				ERIC. 
You say to everybody that we are nobody.

           				JUDIT. 
It isn’t so, Eric.

          				 ERIC. 
It will be far away very soon behind. And we’ll
 begin a new life.

           				JUDIT.
 Do you promise?

           				ERIC. 
Yes, my sister.

           				JUDIT. 
Will we happy?

           				ERIC. 
Sure.

           				JUDIT. 
I don’t believe.

           				ERIC. 
You’re wrong.
         
67 INT. « Chrysler 300M » .  Night. 
«Chrysler 300M » is moving along the street. Bil is sitting at the wheel and next to him is sitting Harry. On Harry’s knees there is an open the case with money.

           				BIL. 
Are they really?

           				HARRY.
 No, of course.  

           				BIL. 
It will be liked to "mummy" to cheat the 
whores, as usual.   

           				HARRY. 
You are right.

           				BIL. 
You know very well how and where you can
use them not risking.  
	
           				HARRY.
 We must follow after his acting. It’s advantage.    
      
           				BIL. 
To use false money for important aim, there is
 not better man than Michael. 

           				HARRY. 
It’s really.

           				BIL. 
They need to him more than us.
          
68 INT.  Hotel. Night. 
Michael is coming out of his room. 

           				MICHAEL. 
It was wonderful 
(closes a door). 
"Mummy" is in flame again.

He is coming to the elevator. The door is being opened behind him (where he comes from) and out of the room the head of Pamela appears. She is blonde, about 23 years.

           				PAMELA. 
Hey. This money is false 
(shows the money).

           				MICHAEL 
(is stopping). 
And what! But you enjoyed yourself. 

          				 PAMELA. 
You are cur. Give me money.

           				MICHAEL. 
Don’t dream. Teach to lose in any situation.

           				PAMELA. 
Go to hell.

           				MICHAEL. 
Bye, babe. Shall we meet again?

           				PAMELA. 
Never.

          				 MICHAEL.
 I hope, you’ll change your mind.

           				PAMELA. 
If you pay. Clearly?

           				MICHAEL. 
I am sorry, no. "Mummy" never uses the
 real money.

           				PAMELA. 
You’ll be sorry about it.

          				 MICHAEL. 
What you’ll make? You’ll ring the girlfriends, 
that they have spanked me?

           				PAMELA. 
You have time all to correct.

           				MICHAEL. 
Sorry, but "Mummy" needs to go.

           				PAMELA. 
Go out, the cretin.

           				MICHAEL. 
Bye, baby. "Mummy" has received a lot of pleasure 
and free of charge. 
( laughs by a female voice).

           				PAMELA
 (smiling). 
Don’t you kiss me?

           				MICHAEL 
(has reflected).
 If you want.

           				PAMELA. 
Very much.

Michael comes up to her and kisses. She beats him with knee between his legs and he falls down on the floor. She closes the door.

           				MICHAEL
 (silently).
Oh, hell. It’s painfully … Bitch… Sexual bitch! 
Really! It’s voice more beautiful … and more 
painfully. 
(senile with woman’s voice).

He gets up slowly, leaning against the wall and goes slowly to the elevator.

69 INT. Car. Night. 
In the car is sitting Eric and smokes.

           				ERIC. 
What he so long? … Bitch. 
(looking at hours, then around).

 From entrance Michael is getting out. He sits in the car.

70 INT. "Maserati".  Night.
At the sidewalk is staying "Maserati".  Eric is sitting at the wheel and next to him is sitting Michael. They are looking at Bryan, who is staying on the opposite road, near phone box. Bryan the Mexican, about 30 years.

           				ERIC 
(pointing to Bryan). 
This is Bryan. His nickname "shovel". 
We must kill him as soon as we can, today. 

           				MICHAEL. 
Let us kill him now? 

           				ERIC. 
No, no. There are a lot of witnesses now.  

          				 MICHAEL.
 Whom you have in view of? This is old woman 
(shows on the old woman). 
She is blind, or this pederast 
(shows on the guy).
 He now talks to the friend and nothing not sees.

           				ERIC. 
I said - not now.

           				MICHAEL. 
I don’t like to wait.

           				ERIC. 
As it you have not said: "mummy" don’t 
like to wait.

           				MICHAEL. 
What difference?

           				ERIC. 
You don’t want to have a sleep?

           				MICHAEL. 
No, turd.

          				 ERIC. 
And that is good.

Silence. They continue to looks after Bryan, who looking at hours and smoke the cigarette.

           				MICHAEL. 
He gave an excellent idea. It won’t be bad if 
we begin to smoke.

          				 ERIC. 
You five minutes ago smoked.

          				 MICHAEL. 
And what?

          				 ERIC. 
In chips are down, you will die. Who will
 amuse Eric? 

           				MICHAEL.
The daddy Roman.

          				 ERIC. 
Again, you mention religion in conversation. 
You not the believer.

           				MICHAEL. 
Can, we’ll shut up together and smokes.

They take the cigarettes, lit them and begin to smoke. After a while, Eric sees the girl, walking along the pavement.  

           				ERIC. 
Michael, do you remember I’ve told you 
about the girl.

           				MICHAEL. 
Which girl?

         				  ERIC. 
The girl from a neighbor house.

           				MICHAEL. 
Which the girl from a neighbor house?

           				ERIC. 
Her name is Clarissa.

           				MICHAEL. 
And what?

           				ERIC.
 She is here.

           				MICHAEL. 
Where is she?

           				ERIC. 
There she is 
(waves her with hand). 
She is walking.

Clarissa passes by their car, waves Eric and goes further.

           				MICHAEL. 
So she is! With such appearance, she can work 
like strip-tease woman.

          				 ERIC. 
I’ve said you about it. 

Silence. They continue to look at Bryan, who is smoking and looking around. The granny passes by Bryan. He says something to her. She shakes her head and goes further.

           				ERIC. 
May be, he wanted to invite her to
appointment.

           				MICHAEL.
 And in the end - is fuck.

The man passes by Bryan. Bryan says something to him. The man stops and points to the side and explains something. Talking a little, they shake the hands with each other and the man goes away. Bryan smokes throws the cigarette into the rubbish bin. The phone is ringing in the phone-box. Bryan takes the phone-hand and pressed it to his ear.

           				MICHAEL.
 Something occurs.

           				ERIC.
 M-m.

Bryan puts the phone-hand, goes out of the phone-box and goes along the pavement to the bus-stop, which is not far from here. Michael throws the cigarette.

           				MICHAEL. 
Let’s move after him. Only slowly.

           				ERIC. 
Don’t teach me. I know. 
(throws the cigarette through the window).

The car is slowly moving after Bryan along the pavement. Bryan is approaching the bus-stop and looking around. "Maserati" stops not far from the pavement. The “bus” approaching to the bus-stop and stops. People get off the “bus”, then another get on the “bus”. Bryan continues to stay and look around. The “bus” begins to start. Eric and Michael continue to watch him. Some time later, the “bus” approaches and stops. Bryan gets on the “bus”.  The doors are closed and the “bus” leaves. “Maserati” moves after the “bus”. 

71 EXT.  Night. 
The “bus” is stopping at the bus-stop. Bryan is getting off the “bus” and walking along the pavement. "Maserati” is moving slowly after him. Bryan approaches the black « Audi A6 » and sits near the driver. Eric stops the car not far from here and switch off the engine.

           				ERIC. 
Now you can kill him, Michael.

           				MICHAEL. 
It’s time.

Michael gets off the car and goes to the black “sedan”. Opening the door, he sits at the back seat and takes a pistol with silencer. 

           				MICHAEL. 
Hi. The death has come.

Bryan and the driver turn and look back. Michael shoots quickly at Bryan, than at the driver. Hidden the pistol, he gets out of the car and comes back. Eric starts the engine, when Michael sits in the car.

           				MICHAEL. 
All is clean. We can move. 

           				ERIC.
           Who was that?

          				 MICHAEL.
 I see him at first. 

          				 ERIC.
 Hell him.

 The car starts to move. Eric returns on the speed. It’s silence.

           				MICHAEL. 
Listen, friend. How are you going to spend
your later life?

           				ERIC. 
With you.

           				MICHAEL.
 Didn’t you think to go anywhere?

           				ERIC. 
It was not better to disappear out of the USA
for some time and leave there. But only for some
time. I am not going to leave my town. I like here. 
I have grown here. It’s my house, my life.

           				MICHAEL. 
But if cops’ll begin to look for you? What then?

          				 ERIC. 
It will be more wonderful. Pursuit, shooting. 
It’s great?

           				MICHAEL. 
But you can be taken to prison. The law now
 is very stern.  

           				ERIC. 
You are afraid to live, Michael. The matter is in it.
           
           				MICHAEL. 
Not, so. Apparently you know me very bad.

          				 ERIC. 
Do you remember the Bob and Endy?

           				MICHAEL. 
And what?

           				ERIC. 
They are in prison, because they always were
 afraid of something and made a lot of mistakes.

           				MICHAEL.
 But I am not going to be there.

           				ERIC. 
The fear of prison must not prevent you to do
 what you believe hope.

The guy appears on the road and “Maserati” brings down the guy. The guy falls down on asphalt. Eric presses on the brakes and the car stops. They look back and watch the guy, lying on the road.

           				ERIC. 
Have you seen? Stupid, the cretin.

           				MICHAEL. 
It seems to me, you killed him.

          				 ERIC. 
Oh, hell. Only this I hadn’t.

          				 MICHAEL.
 The new problems... Fuck. 

         				  ERIC.
 Exactly (includes speed).

The car starts to move.

72 INT. Bar. Night. 
Michael and Eric enter the bar. They look at dancing public.

           				MICHAEL 
(loudly). 
Here is a beautiful place.

           				ERIC 
(loudly).
I feel myself here very strange. I think sometimes, 
all this is not for us, we didn’t deserve this one.

           				MICHAEL 
(loudly). 
We deserve this one exactly. 

           				ERIC. 
I haven’t mood today.  

           				MICHAEL. 
He will soon appear. You see those little girls? 
They wait you. Don’t lose of time. "Mummy" 
goes to have fun ( laughing by a female voice).

Michael goes to dance. Eric approaches to the rack and sits down. 

           				ERIC 
(to barman). 
Beer.

73 INT.  Morning. 
Cortny leaves an apartment, closes the door and goes to the elevator. Put the keys into the bag, she presses the button. Some seconds later, the door is opened. She enters in the elevator and presses the button 1. The door is closed. Elevator moves down and then stops. 
As soon as the doors open, she sees Jason in front of elevator. He has a pistol with silencer. (Jason is negro, about 27 years). He shoots to her chest. She falls down. The blood flows along the walls. He takes keys out of the bag, put them into the pocket and goes away.   

74 INT. Tony’s house. Noon. Drawing room. 
On a sofa is sitting Tony with a sad face. Near him is sitting Frank. In an armchair is sitting Eric.

           				FRANK. 
We’ll find him.

           				TONY 
( sadly). 
I haven’t loved her, but I felt something to her.
I like he. We understood each other …We were 
very happy. She will not be had. 
			
          				 FRANK. 
May be it’s a secret love? And you don’t know 
about it?

           				TONY
 (sadly). 
Now it’s late to say about it. We nothing can change
 and back her too.  

           				ERIC. 
Who needed to kill her?

           				TONY. 
Those who tried to kill me some days ago.

           				FRANK. 
I think, it’s time to finish with them. They’ve
 come too far. 

           				TONY. 
It must be done a long ago.

           				FRANK. 
We’ll find them, Tony.

           				TONY. 
I am going to take part too.

           				FRANK. 
In this condition?

          				 TONY. 
I am obliged. You don’t understand, who 
she was for me.

           				FRANK. 
When we’ll begin?

           				TONY. 
Immediately. Right now.

          				 FRANK. 
Excellent. I’ve already forgotten, how to hold
the pistol.

           				TONY.
 You’ll remember.

Michael enters the drawing room, in a hand at him the glass from whisky. 
He comes up to Tony and gives him the glass.

           				MICHAEL. 
Take.

           				TONY. 
What is this?

          				 MICHAEL. 
Whisky...It helps in such case.

           				TONY.
 Thanks 
(drinks).

  Michael sits in an armchair and asks.

          				 MICHAEL. 
What have you decided?

           				ERIC. 
Today we’ll visit our friends.

           				MICHAEL. 
He … no hell, it can’t be, that cur, was waiting
 for her, he couldn’t know, that she’d come out,
 he couldn’t, could he? I don’t understand, why 
did he kill her?

           				TONY. 
To revenge me.

           				FRANK. 
He’s done not very exactly.

           				TONY.
 Devilishly exactly. But you don’t want to say …
 I don’t like it.   
 
           				FRANK. 
Soon all this will finish.
	
           				ERIC. 
We yet have not started!

           				MICHAEL. 
So let's begin!
            
75 INT. Wasly’s house. Bathroom. Noon. 
In the bathroom are Wasly and Melani. He is sitting on edge the bath. She is sitting on the laps near him. Wasly is 26 years, the Negro. Melani is 19 years, the Negro woman.

           				WASLY. 
Come on, baby. Do it.

           				MELANI.
                                   But.
 
				WASLY. 
Don’t worry. I’ll try to make so, 
that you has not spattered.

           				MELANI. 
What?

           				WASLY. 
Suckle.

           				MELANI. 
But …

          				 WASLY. 
You will suckle?

Melani begins to suck. Wasly closes eyes.

                                         	 TONY.
(O.S.)
                              	Hi, Wasly.

Wasly opens eyes and looking at Tony and his gun.

           				TONY. 
Who killed her?

           				WASLY. 
Your girl, which didn’t like to suck! Her?

           				TONY.
 Who?

           				WASLY.
 I don’t know who. May be my friends knows who
 killed yours bitch.

Tony kills Wasly. Tony lets down a pistol and looking on Melani.
She stand up and get out from the bathroom. Tony shoots in Wasly.
         
76 INT. (cont’d).
Tony comes up to the phone, takes the tube, and dials the number. Behind of him is lies dead a body of negro.

           				TONY 
(by phone). 
It’s me … Fine.  I’ll be back soon. 

77 INT. Tony’s house. Drawing room. Noon. 
Tony is sitting and looks photo.    

78 INT. Cafe.  Noon. 
Near the window are sitting Tony and Frank. They eat pizza and drink the milk.

           				FRANK. 
You imagine. One day I was sitting and slowly eating. 
And suddenly, a slice of bread falls overhand. 
Where was it from? I didn’t understand! I in a life
don’t eat bread. Till now, I don’t understand, 
whence it has fallen! How do you think?

           				TONY. 
Mysticism.

           				FRANK. 
May be, you don’t believe me, but it was really so.

           				TONY. 
I believe you, Frank.

           				FRANK. 
No. I see, you don’t believe me. 
 
           				TONY. 
May be you have drunk then?

           				FRANK.
 And say, that you believe me!

           				TONY.  
Did you drink or not?

           				FRANK. 
Sure, no. Listen, Tony, it was really so. 
I don’t believe myself, can you understand?
Why will I do you fool boy?  
 
           				TONY. 
You speak, did it fall up on you? So?

           				FRANK. 
Yes, hell. Yes.

        				   TONY. 
May be, someone thrown?

           				FRANK. 
I was alone at home.

           				TONY. 
It’s very strange.

           				FRANK. 
It’s simple fantastic.

           				TONY. 
Fantastic - is our reality, becoming absurd. 

           				FRANK. 
Don’t you believe me yet?

           				TONY. 
Let’s tell about something another one. Put 
off this.  
 
          				 FRANK. 
Ok. But we’ll turn to our talking.  

           				TONY. 
Necessary, Frank.

           				FRANK.
 May be, I must see a psychiatric? He will be 
able to help.

           				TONY. 
You are not like a mad.

           				FRANK. 
I begin to doubt, Tony. All is mixed. 
 
           				TONY.
Throw all out of your head.

           				FRANK. 
You think, it is so simple? It all time is in my eyes 
and when I don’t understand it won’t leave me.

           				TONY. 
You are quiet tired.    

           				FRANK. 
May be, you are right. It is very difficult to understand, 
but I’ll try.

Silence. They continue to eat. In the street in front of the cafe, the “limousine” stops. The door is being opened and the man goes out of the car. He crosses the street, enter into the cafe and approaches to the table, where Frank and Tony are sitting. Having bent over, he is whispering something to Tony.

           				TONY
 (to Frank). 
I’ll be back soon. It is not for a long time.

Tony stand up, and goes out of the cafe with the man. Frank eats and stares on waitress. Tony and the man approach to a “limousine”. Tony get into the car, the man sit in front. Frank looks through the window and drinking the milk. The waitress approaches to him.

           				WAITRESS. 
Do you want anything else?

          				 FRANK. 
Yes. The same ones.

Waitress goes away. Frank continues to eat and looking around the visitors. Tony gets out of the “limousine” and come back in cafe. The “limousine” starts and moves toward. Tony sits down, opposite Frank.

           				TONY. 
Everything is all right. The fish has bitten.  

           				FRANK. 
I haven’t doubted.

 The waitress appears. Having put the order, she leaves.   

           				TONY. 
You have ordered yet!

           				FRANK. 
And what? I am hungry.

           				TONY. 
If you become fatty, I’ll kill you.

          				 FRANK. 
All is right. I like eating myself.

           				TONY. 
It’s really.
         
79 INT. Michael’s house.  Bedroom.  Noon. 
At the window is staying Michael. Near the bed is staying Bil, throwing the tennis ball at the wall.

           				BIL.  
Don’t you bother to be here?

           				MICHAEL. 
How you don’t understand, my best friend 
has died.

           				BIL. 
What are you going to do?
 	(catches the ball).

           				MICHAEL. 
If I can, I’ll go for a funeral.

           				BIL 
(throwing the ball). 
Is anything preventing to this one?

           				MICHAEL. 
My presence, won’t be liked there by 
somebody.

           				BIL. 
I would spit at everybody and go. 
He was your friend, wasn’t he?

           				MICHAEL. 
May be,  I’ll do so.  
  
           				BIL. 
Where is it?

           				MICHAEL. 
In San Diego.

           				BIL. 
When are you going to the start?

           				MICHAEL. 
Tomorrow.

           				BIL. 
Well. Good luck. I would join you, but you know, 
I don’t like funerals.

           				MICHAEL. 
I know, I know.

           				BIL. 
I won’t be present at my funeral.

           				MICHAEL. 
I know it too.

           				BIL. 
It’s time to go. Bye. See you.

           				MICHAEL.
 Bye.

Bil leaves. Michael looks through the window and sees a young guy is talking with a girl on the pavement.

          				 MICHAEL. 
Well, friend. You have a chase to catch her … 
Act, while    nobody is here. 
(looks at the sides and see the old woman,
 who waiting for somebody)
 What does she need here?

 The guy continues speaking to the girl, approaches to her and embraces her.

           				MICHAEL 
(seen this). 
You are brave boy. You decide to touch her
 in the street
 (pause). 
You will begin or not. To "Mummy" pesters 
Waiting
 (pause). 
Well, who will be the first?

The guy embracing, continues talking with her. On other side of street, stops silvery « Porsche Boxter ».

          				 MICHAEL. 
Well, well, well. The dude is driving a «Porsche». 
I must ring up Nikky, to drive away it. 

The guy gets out of the car and enters into an entrance of the opposite house.  
 
           				MICHAEL 
(seen this). 
Where do you go, shitass. There only pederasts one live.

Having seen that a blond-hair girl is going out.  

 			 MICHAEL. 
I am mistaken.

The girl crosses the street and approaches the old woman. They begin talking.

           				MICHAEL. 
What does she need from that old woman (pause). 
A wonder, Eric knows her? (Pause). Where have 
I seen her? (pause). I exactly, have seen her, but 
where? (Pause). Hell. Don’t they to bother to chatter! 

The girl and the old woman leaves. The guy and the girl continue talking. Then she goes to the porch. The guy turns and leaves.

           				MICHAEL 
(looking at the guy). 
Nothing has happened to you, buddy.  
   
The guy goes out of the entrance, gets into the "Porsche" and drives away.

           				MICHAEL.
Only stupid drive these car… Now I am  
alone 
(look downwards, on a cock). 
And my friend.

He turns comes up to the bed, lays on the back and looks at the ceiling.

80 INT. Harry’s house.  Night. 
In the cabinet is sitting Harry at the table, playing at the computer in game « Need for speed ». Somebody is knocking at a door.

           				HARRY. 	
Who is that!

He gets up and goes to open the door. Having opened the door in him fly a heap of bullets. Harry falls down. 

81 INT. Bar.  Night. 
Michael is sitting on the rack and drinks the whisky. Having put the glass on the rack, he says.

           				MICHAEL
(to barman). 
Pour any more.

The barman takes the glass, pours whisky and gives Michael. Michael drinks, puts the glass on the rack and speaks.

           				MICHAEL. 
Still.

The barman takes the glass and pours. Michael looks around and sees the negro. The barman puts the glass in front of Michael. Michael takes and drinks.

          				 BARMAN. 
You’ll be under drunk.

           				MICHAEL. 
Me? I have been under drunk for a long time! 
 	(having put a glass on the rack). 
Pour any more.

 Barman takes the glass.

           				BARMAN. 
May be, you’ll be enough?

           				MICHAEL. 
Any more.

The barman pours and gives to Michael.

82 INT. (cont’d).  
Negro enters the toilet in the bar and pulls out the pistol with the silencer. Then comes up to the door of box in where Eric is sitting on the lavatory pan. Negro, shoots many times at the door. Bullets lace in the door and fall into Eric: in the breast, in the face, and in the head. Negro enters in the next box, closes the door and, not removing trousers, sits on the lavatory pan.

83 INT. (cont’d). 
Michael is sitting at the rack in the bar and drinks the whisky. Looking around, he sees, that the Negro isn’t at the rack. Michael stands up very quickly, pays for whisky and goes in the toilet. Closing the door in the toilet, he looks around. Having seen on the door of a hole from a bullet, he quickly pulls out the pistol with the muffler. Slowly comes up to the door, he opens the door and sees the dead Eric.

           				MICHAEL 
(silence). 
Demon.

Michael is going out, but suddenly he notices the shoes in next cabin, which look out from under a door. He enters the another cabin, stands on the toilet bowl and looks into the neighbors cabin, where the negro is sitting on the toilet bowl with the pistol in his hand.

           				MICHAEL
 (pointing the pistol). 
Hey, negro. Don’t you wait for "mummy"?

Negro turns the head and looks at Michael. Michael shoots at his head.

          				 MICHAEL. 
"Mummy" wants some blood. 
 (continues shooting). 
A lot of blood. 

Michael gets off the toilet bowl and goes out of the cabin.  Then comes up to the mirror and looks at his reflection.

84 INT. « Lincoln LS ». Night.
Along the street « Lincoln LS » is moving. At the wheel is sitting Frank. Near him is sitting Liza.

           				FRANK. 
I sometimes look at you and have very strange
feeling, that you have a lot of secrets.

           				LIZA. 
You are not right, I haven’t.  
  
           				FRANK.
No, you, likely, have secrets. May be not secrets, 
but that you don’t want to say.  

           				LIZA. 
You are mistaken.

           				FRANK. 
I’m glad, you are always with me. 
Do you know about it?
  
           				LIZA.
 Perfectly … I’m glad too.

Silence. She is smiling.  

           				FRANK. 
Are you merry?

          				 LIZA. 
Me? No.

           				FRANK. 
Then, what’s up?

           				LIZA. 
I’ve  remembered a funny case. And please, 
don’t ask me tell you, because it concerns only
the women.

           				FRANK.
I am not going to ask you. Why do you think, that 
we are curious persons?

           				LIZA. 
I don’t know.

           				FRANK. 
I doubt. You hide from us a lot of things.

          				 LIZA. 
It seems you.

           				FRANK. 
May be, but not always.

           				LIZA. 
This happens to somebody, but not to me.

           				FRANK. 
It’s familiar for you more, than for me.   

           				LIZA. 
Of course.

   Pause.

           				FRANK. 
I think out, may be, we’ll go to Vegas for a day?

           				LIZA. 
To spend money! No. I don’t want.

           				FRANK. 
Now all will be differently. Please, don’t be angry.

           				LIZA. 
Who is angry?

          				FRANK. 
You are.

           				LIZA. 
Me?

           				FRANK. 
Yes, you are like mad.

          				 LIZA. 
Why do you think so?

           				FRANK. 
Because. Pull yourself together, babe. If you refuse me,
 I’ll tie your legs around your neck and take with force.

           				LIZA. 
I don’t doubt.

           				FRANK. 
Well, do you agree?

           				LIZA.
 I haven’t chance?

           				FRANK. 
No, unfortunately.

           				LIZA. 
If you knew, how I was happy.

           				FRANK. 
I can imagine.

They stop at the traffic light. « Lincoln Aviator » appears behind of the cross-road and stops in front of “Oldsmobile”. The Negros, with the guns appears out of the window.

           				FRANK.
 Lay down, quickly.

 Liza and Frank lay on the seats. Negros shoots, broking out the window “Oldsmobile”. The “off-road” car moves and disappears. Liza and Frank get up.

           				LIZA. 
What the hell?

           				FRANK. 
You must know better about it.

85 INT. Tony’s house.  Night. 
Tony comes into an apartment and includes light in the drawing room. Then goes on kitchen, includes light, approaches to the refrigerator and opens the door. Behind him there is a voice: 
                           
                                        	JASON. 
(O. S) 
                                   Hi, Tony.

Tony turns around and sees Jason, with the pistol, with the muffler in a hand. He shoots at Tony several times. Tony falls down on the floor. Puts the pistol on the table, Jason opens the box and pulls out the big knife. 

         				JASON. 
I think, it is fit.   

86 INT. Frank’s house.  Night. 
Bell in the door. Frank comes up to the door, takes the pistol and slowly opens the door, looking out in the corridor. He looks around. The corridor is empty, but in front of the door, he sees a big bag. Frank puts the pistol behind the belt, lean toward and slowly opens the bag. In the bag there is Tony's head.

       				FRANK. 
Oh, hell …Curs.

He closes the mouth with an arm. Liza comes up to him.

       				LIZA. 
Who is there? 
(seeing what is in the bag, she begins crying).

       				FRANK 
(stand up and turns). 
Go away. It would be better.

87 INT.  Street. Night. 
“Minibus” is moving along the street. At the wheel is sitting Antony. On the back seats Frank, Bil, Michael and Martin are sitting. They are loading the guns.

       				ANTONY. 
I can’t believe. How could it happen? 

       				MICHAEL. 
We can’t understand ourselves.  

 	      			MARTIN. 
Tony is dead, Harry is dead, Eric is too. All of 
they are dead.   

       				BIL. 
We must do something.

       				FRANK. 
We are doing, Bil.
	
       				MICHAEL. 
But very slowly. 

       				FRANK. 
Our hurry will not be good, Michael.  

       				ANTONY. 
If I knew about it I would do everything 
against it.   
  
       				MARTIN. 
We would do it all, the old.   

       				FRANK. 
We’ve done a mistake and must not repeat
 it again.   
 
       				ANTONY.
 Do you think we can manage with them?

       				BIL. 
We must do it not think about enemies.
	
       				MICHAEL. 
Let’s hope we’ll be lucky.
Silence.

88 INT.  Night. 
Near the house the music is heard and “minibus” stops. 

       				FRANK
 (looking at them).
 	Are you ready?

 Almost all they nod their heads.

        				FRANK. 
Then act. Don’t leave anybody alive.

Opening back door, they get out of the “minibus”. Taking the gun, Antony gets out of the car and join to the rest. They come up to the door and stop.

       				FRANK. 
Michael, Bil. Go around the house and will enter 
            from a black entrance. The rest one comes with me …

Michael and Bil leaves.

       				FRANK.
 Are you ready? Then act.

They enter the house. The noise of the gun is heard out of it. Music stops playing. The gun’s noise is heard for some seconds and then the silence becomes. 

89 EXT.  House.  Morning. 
In front the house Tadd with a video camera is staying.  Clara Parker is staying in front of him.
 
       				CLARA.
                                               (looking in the camera). 
                      Yesterday here it was the terrible shooting in this year. 
                       23 men have died: 5 women and 18 men. Two of them 
                       were put in the hospital, but today, they died. In this
                       moment the police is preparing different motive of crime.
                       They consider it was investigation between two bands. 
                       And in the nearest days we’ll get the exactly answer … 
                       Clara Parker, the 4-th canal 
                                              (releases a microphone). 
                       Showen?

     	  			TADD. 
                       Yes.

     	  			CLARA. 
                       Well. Let’s go. 

They come up to minibus near the pavement.

      	 			TADD. 
                        You shop for the groceries?

       				CLARA. 
For what?

     	  			TADD. 
This is really neat!

          CLARA.
Are you joking?
           
          TADD.
No.

          CLARA.
Goon. 

          TADD.
I guess I ruined your day.

           CLARA.
Yes.  

They sits in a “minibus” and went away.