© 2005. Verbal Entertainment. All Rights Reserved  

					      SILHOUETTE

                                        A

						Screenplay

						    By

						Jay Lovito 

 

Opening night shot of a NEW YORK cityscape.

									     Dissolve to: 

				 "Verbal Entertainment Presents"

                                                                                                                                   									     Dissolve to:

					"A Film by Jay Lovito"

                                                                                                                                                           		                                                   Cut To:

THE CAMERA zooms into a black and white photo of a beautiful, voluptuous blonde woman smiling.

                                                                                                                                     	                                                   Fade To Black:

                                                                       	                   "SILHOUETTE"

INT. OFFICE ROOM - NIGHT - RAINING HEAVILY

A MALE CAUCASIAN in his mid-thirty's sits in front of his desk which has an expensive state of the art desk top computer, puffing on a Cuban cigar. This is BOBBY BOOTH. A very successful and reliable video vigilante turned private investigator known for catching prostitutes, gang and drug dealing activity. His recordings have lead the police to over one hundred arrests. Rain trickles down the windows as He patiently sits in his office contemplating with smoke all around him. We hear three knocks on the door.

				Bobby
			Come in please

A TALL AFRICAN AMERICAN MALE enters the office wearing a black trench coat (JOHN). He looks like a very educated man from the looks of his attire and glasses. His umbrella is dripping on the floor.

				Bobby
			John how are you?

				JOHN
			Pretty good. Uh where should I put this?

				Bobby
			Just leave it on the floor, it doesn't
			Matter. Come in; take your coat off, have
			A seat and make yourself comfortable.

JOHN hangs his coat up, Leaves the umbrella on the floor and takes a seat.

				Bobby
			So, how can I be of help?

				John
			I want you to spy on my wife.

They both look at each other for a brief moment. BOBBY looks away and puffs on his cigar.

				Bobby
			Spy. Hhhmmm, why do you want me to spy
			On your wife?

				John
			Because that is what you do.

				Bobby
			What do you suspect she's doing?

				John
			I’m a limo driver. I work only at nights, which
			Makes me a very tired person and has taken a toll
			On my private life. My wife-

				Bobby
			What’s her name?

				John
			CHRISTINE. As soon as I took this job I noticed
			A change of mood in her-sure my coming home as soon
			As she wakes up only to find me going straight to bed
			Didn’t help either but our sex life was also 
			Diminishing rather rapidly. It has been like that for
			The past three months now. But lately she been sort
			Of mysteriously happy, for no reason I can come
			Up with. I’m a paranoid man, so I come to you hoping
			You can clear this up.

				Bobby
			So you think your wife is cheating on you because
			Suddenly she's in a happy mood?

				John
			Yes.

Bobby
			Doesn’t sound like enough for a guy to hire someone
			To spy on his wife.

John
			Do you always try to talk your way out of jobs
			Before you take them?

				Bobby
			My main objective in my line of work is to help
			People, not just simply take their money and record
			With my camera like a lot of people think I do. 
			I consider this an honest living. You come to me for
			Help and I will provide you with it the best way I 
			Can with a reasonable fee.

				John
			So will you help me?

BOBBY puffs on his cigar one last time before putting out. As he exhales the remaining smoke in his mouth he stares at JOHN for several seconds.

				Bobby
			What does your wife do?

				John
			She’s a high school vice principal.

				Bobby
			How long have you been married to her?

				John
			Three years.

				Bobby
			Any kids?

				John
			How could we? I work at night she works in the
			Daytime.

				Bobby
			What time does she leave work?

				John
			She’s out usually at five-thirty or six.

				John
			So-

				Bobby
			Sure I’ll help you. That’s what bobby booth is here
			For.

JOHN takes out a photo and gives it to BOBBY.

				John
			That’s my wife. Her work address is on the back.
			Should I pay you now or later?

				Bobby
			Oh don't worry about that. I’ll see what I can do.

				John
			If anything happens, call this number. It’s my cell
			Phone. Thank you very much bobby.

				Bobby
			You’re very welcome. Whatever happens I’ll let you
			Know right away.

JOHN gets his coat and picks up his wet umbrella off the floor.

				John
			I appreciate it. Have a good night.

JOHN leaves the office and bobby suspiciously stares at JOHN'S photo of his wife.

                                                                Cut to:

INT. BOBBY'S APARTMENT - LIVING ROOM - NIGHT

BOBBY sits on his sofa, exhausted as he drinks out of a small scotch bottle.

He puts the bottle on top of the living room table, takes out his cell phone and calls his girlfriend. 

We can't hear what his girlfriend says over the phone.

				Bobby
			Hey babe how you doing?
				(Beat)
			Nothing I’m just resting in the house.
				(Beat)
		      I’m so tired.
				(Beat) 
			Yeah it’s been a long day, um listen Hun I’m afraid
			We’re not gonna be able to see each other in the
			Next couple of days.
				(Beat) 
			I’m gonna be working.
				(Beat)
			Yeah, listen sweetie I’m very tired, I’m gonna
			Have to get some sleep ok
				(Beat) 
			C’mon baby don't be sad it's just for a couple
			Of days, we'll see each other in no time ok
				(Beat)
			Ok baby goodnight and sleep well.

Fade to black:

                               "WEDNESDAY"

                                                                Cut to:

INT. BOBBY'S BLACK CHEVY IMPALA - EVENING

BOBBY is park across the street from CHRISTINE'S high school. The remaining students in the school are making their way out. 

The evening is getting darker as the minutes pass. BOBBY checks his watch and it reads: 6:09. 

The school doors open once again and CHRISTINE finally gets out.

				Bobby
			Ah there you are.

CHRISTINE gets in silver Ford Taurus and slowly drives off. The CAMERA stands from a distance as she drives off then PANS LEFT over to bobby's car. He waits a couple of seconds then HE drives off.

			                                         Dissolve to:

INT. CHRISTINE'S TAURUS - FREEWAY - NIGHT

CHRISTINE drives steadily through a seemingly empty freeway. She sees something in her rear view mirror. As soon as she tries to focus on it her cell phone rings.

				Christine
			Hello?

				Woman
			Hey baby how are you?

				Christine
			Oh fine baby I just got out a little while ago.

				Woman
			You don't sound very happy, what's wrong?

Christine
			Nothing, I’m just tired.

				Woman
			When are we gonna have another episode similar
			To last night's?

Christine
                         (Smiling)
			Oooh I can't wait for another one of those.

				Woman
			Oh me neither sweetie.

				Christine
			You want to hang out tonight?

				Woman
			Oh baby I’m sorry I can't, I got to take care
			Of something tonight. I’ll be calling you later
			Though so we could chat about the things we discussed
			Last night. Ok baby?

				Christine
			Ok baby no problem. I’m just gonna go home, take
			A nice and hot bubble bath and I think about the 
			Future and you.

				Woman
			Oooh that sounds very good. It's a real pity
			I can't join you.

                                                           Dissolve to:

EXT. JOHN AND CHRISTINE'S HOUSE - NIGHT

CLOSE UP ON THE DOOR KNOB - The CAMERA zooms out as CHRISTINE enters the house. 

The CAMERA slowly pans right revealing BOBBY parked across the street from the house.

BOBBY takes out his cell phone out and calls JOHN.

				Bobby
			Hey john how you doing?

				John
			I’m good, what do you got?

				Bobby
			Well it doesn't look like I got much,
			She went straight home.

John
			Straight home?

				Bobby
			Yeah, straight home.

				John
			Ok

				Bobby
			But I did see her talk on her phone while
			I was following her.

				John
			Well, call me if anything.

JOHN hangs up just as BOBBY was going to ask him a question.

							                     Fade in:

Fade out:

INT. BOBBY'S OFFICE - DAY

BOBBY has a black briefcase lying on top of his desk.

He opens it. Inside the case is a pair of binoculars, a small digital camera, a black cell phone, and some surveillance equipment.

He takes out the digital camera, puts it inside one of his desk drawers and opens the bottom drawer. He takes out a medium-size, high tech, state of the art MINI DV camcorder and places it on the desk next to the briefcase. 

Fade to black:

					  "THURSDAY"

                                                                Cut to:

EXT. DOWNTOWN - NIGHT

CHRISTINE gets out of her car and begins to walk towards a tall building. She steps on the sidewalk.

                                                                Cut to:

INT. BOBBY'S BLACK IMPALA - NIGHT

BOBBY is watching CHRISTINE though his binoculars.

BINOCULARS' POV - CHRISTINE is admitted by a guard into the upper-class building.

BOBBY takes out the MINI DV camera and gets it ready to record.

                                                                Cut to:

INT. APARTMENT - NIGHT

A very sexy and elegant woman in her early-thirties (Anne) walks over to the door.

Anne
			Is that you my dear?

				Christine
			Yes it is my lovely.

ANNE opens the door and CHRISTINE stands there.

				Anne
			Well aren't you gonna come in?

CHRISTINE jumps on Anne and begins to passionately kiss her as she goes inside the apartment.

ANNE turns around with her as they kiss and locks the door.

They kiss all the way to the room and fall on the bed.

CHRISTINE stands up while Anne stays in bed. She starts removing her top.

The CAMERA quickly tracks around CHRISTINE towards the shaded window.

                                                           Dissolve to:

INT. BOBBY'S BLACK IMPALA - NIGHT

BOBBY carefully looks through his binoculars.

BINOCULARS' POV - CHRISTINE'S SILHOUETTE can be seen through the window.

				Bobby
			Oooh here we go

BOBBY quickly takes the camcorder and begins to record the SILHOUETTE.

MINI DV CAMCORDER'S POV - The high quality of the camcorder makes the picture very clear - CHRISTINE dances seductively, naked.

As BOBBY ZOOMS IN, ANNE'S SILHOUETTE can now be seen along with CHRISTINE in the picture.

				Bobby
			There we go, there we go.
			Oooh c'mon lets have a kiss, c'mon-
Give her tits a lick while you're at it.

After about three minutes ANNE and CHRISTINE get out of the picture.

BOBBY stops recording.

                                                                Cut to:

INT. ROOM - NIGHT

ANNE and CHRISTINE are in bed all cuddled up.

				Christine
			So when will everything be ready for us
			To leave?

				Anne
			Don’t worry about that sweetie, I have everything
			Under control. Pretty soon now we'll be in paradise
			Living the good life together, away from all this
			Bullshit.

				Christine
			Oh baby I can't wait, I’m so anxious I can't explain
			It.

				Anne
			Just be patient sweetheart. Everything will go 
			Smoothly.

EXT. BESIDES BOBBY'S IMPALA - NIGHT

BOBBY gets out his and begins to walk very slowly towards CHRISTINE'S car avoiding being noticed by anyone nearby.

As he passes CHRISTINE'S car he quickly places a tiny transparent bug on the side of the windshield. The little bug is a very efficient, almost completely invisible to the naked eye.

BOBBY now has to turn around and go back to his car.

To avoid suspicion he takes out his cell phone and pretends he's speaking to someone. Loudly.

				Bobby
			Wait a minute I thought you said it was
			This way!

He turns around.

				Bobby (cont'd)
			Aaaahhh shit now I have to go all the way
			Back?! You know what listen, I’m going back to my
			Car, call me when you get your directions right!

He goes back inside his car.

Fade to black:

                        "THIRTY MINUTES LATER"

                                                                Cut to:

INT. BOBBY'S BLACK IMPALA - NIGHT

BOBBY patiently sits in his car.

ANNE and CHRISTINE come out the building.

BOBBY takes out a black cell phone with a wire plugged into a square receiver with a small antenna. He puts the phone to his left ear.

ANNE is walking CHRISTINE to her car. The closer they get to car the clearer BOBBY hears through the surveillance phone.

				Christine
			So tomorrow at what time?

				Anne
			Why don't we have dinner at that seafood place?
		
				Christine
			Jackson’s seafood?

				Anne
			Yeah I love that place. 

				Christine
			Sure. What time should we get together?

				Anne
			I’ll wait for there at nine. That way you
			Can go home relax for a little while have a
			Nice bubble bath maybe.

				Christine
			Sure thing baby.

BOBBY now gets the camcorder with his right hand and begins to record.

MINI DV CAMCORDER POV - They say a couple of things more then they say goodbye to each other and kiss.

				Bobby
			Gotcha.

                                                                Cut to:

INT. BOBBY'S APARTMENT - NIGHT

BOBBY is going over his recordings on his laptop computer.

He takes out his cell phone and calls JOHN but this time he's unavailable. The answer machine comes up.

Bobby
			Hey john it's bobby. Please call me back
			As soon as you gets this.

Fade to black:

                              "FRIDAY"

				                                        Cut to:

INT. BOBBY'S OFFICE – DAY

BOBBY sits in his office contemplating. He then attempts to reach JOHN again from his office phone but he's still unavailable.

				Bobby
			Hey john its bobby again. I’ve been trying to reach
			You-I’ve got some importing things I have to talk to
			You about. Give me a call as soon as you get this.

INT. BOBBY'S APARTMENT - LIVING ROOM - AFTERNOON

BOBBY sits in his sofa, drinking a cup of coffee and reading a magazine.

HE finishes his coffee and puts the magazine down. HE looks at his watch which reads: 7:00 PM.

He stands up and goes to the bathroom. The CAMERA stays in the living room. We hear THREE knocks from the door. 

BOBBY quickly paces back from the bathroom without even using it, to the door.

				Bobby
			Who is it?

				Man
			FBI, open up please.

BOBBY is extremely puzzled and a little stunned. He looks through the peephole.

				Bobby
			Can I see some I.D?

PEEPHOLE POV - A STRONGLY BUILT CAUCASIAN MALE (agent Richards) stands in front of the door. He shows his badge.

				Agent Richards
			My name is AGENT RICHARDS. Would you please
			Open up.

BOBBY reluctantly opens the door. AGENT RICHARDS walks as soon as BOBBY opens the door.

				Bobby
			What seems to be the problem detective?

				Agent Richards
			No problem, just need to ask you a couple
			Of questions. 

				Bobby
			In regard of what?

				Agent Richards
			Mind if I sit down?

				Bobby
			Uh...no please.

AGENT RICHARDS walks over to the living room, BOBBY right behind him. They both sit down. BOBBY has an uneasy look on his face.

Bobby
			So what is this about?

				Agent Richards
			Can you tell me where you were on Tuesday night?

				Bobby
			What? Tuesday night? No I’m not telling you
			Anything until you tell me why are you here.
			Don’t you know who I am?

				Agent Richards
			Big time private investigator bobby booth.
			I know exactly who you are.

				Bobby
			Well I appreciate the recognition but
			What is this about?

AGENT RICHARDS takes out a mug shot photograph and shows it to BOBBY.

				Agent Richards
			Do you recognize that man?

BOBBY looks very close at the photo. The man in mug shot is JOHN.

				Bobby
			Wait a minute. That’s... that's john.

				Agent Richards
			John?

				Bobby
			Yes john. Well what did he do?

Agent Richards
			This man is Anthony krinkle. Ex-con, jewel thief,
			And professional bank robber.

BOBBY can't believe what he's hearing. He stands up and starts walking nervously.

				Bobby
			You mean I’ve been working for criminal?

Agent Richards
			I’m afraid so Mr. Booth. We've been investigating a
			Jewel heist that happened several months back. About-
			Three point nine million dollars in black pearls were
			Stolen. Three different witnesses identified Anthony
			Krinkle as one of the men in the robbery. We’ve been
			Looking for him since. Until this past Tuesday, a man
			Who perfectly fits Anthony krinkle's description,
			Walks out of your place of work. We studied the
			Surveillance tape that captured this man's image and
			We identify him as Anthony krinkle. 

				Bobby
			This is fucking insane.
				
				Agent Richards
			When was the last time you saw him?

				Bobby
			Tuesday night. Uuuummm he had made an appointment
			To meet with me and he asked me to spy on his wife
			Whom he suspects of cheating.

				Agent Richards
			He asked you to spy on his wife?

				Bobby
			Yeah that's what I said. Oh ok he doesn't have
			A wife right?

				Agent Richards
			I’m afraid not Mr. Booth. He’s a homosexual.

				Bobby
			A what?! You mean I’ve been working these past two
			Days for an ex-con, wanted criminal, homosexual 
			Faggot?! Is that what you're telling me?

				Agent Richards
			Please keep your voice down and have a seat.

BOBBY sits on the sofa and shakes his head exhaustively.

				Agent Richards
			Who is the woman you agreed to spy on?

				Bobby
			Some woman named Christine. A high school vice
			Principal.

				Agent Richards
			So did you follow her?

				Bobby
			That is what I do.

They both look at each other for a brief moment.

				Agent Richards
			Where did you follow her?

				Bobby
			The first day she went straight home.
			The second day I followed her downtown.
			She was with a woman.

				Agent Richards
			Did you happen to catch her name?

Bobby
			The only thing I caught was footage of them
			Together, that WAS to be seen by john...or
			Whatever the fuck his name is.

				Agent Richards
			And where do you have this footage?

				Bobby
			Back in my office.

				Agent Richards
			Well we're gonna have to go to your
			Office then Mr. Booth

				Bobby
			Is this completely necessary?

				Agent Richards
			I’m afraid it's absolutely necessary.

AGENT RICHARDS stands up.

				Bobby
			Oh...ok then.

BOBBY stands up and heads to the door. AGENT RICHARDS follows behind him.

				Bobby
			Oh wait a second, I’m getting my jacket.

BOBBY goes back to get his jacket. AGENT RICHARDS waits facing the door.

The CAMERA stays with AGENT RICHARDS.

BOBBY comes back into frame with his jacket on. 

BLAM! BLAM! AGENT RICHARDS gets shot twice in the back. He leans against the door and blood quickly trickles down the door onto to the floor.

BOBBY is paralyzed and doesn't know what the hell just happened.

The CAMERA faces BOBBY as a silenced .45 pistol appears out of the darkness behind him. 

While the gun gets closer and closer we can see that it's JOHN holding it.

				Bobby
			What the fuck!

BOBBY turns around and sees JOHN pointing the gun to his eye.

				Bobby
			Oh please don't fucking shoot me.

				John
			Shut up! Get on the ground.

BOBBY with his hands up takes a knee.

				John
			Go farther back and don't make a sound.

BOBBY goes back about five feet away from JOHN.

JOHN holsters his gun and walks towards the now dead AGENT RICHARDS.

				John
			You’re gonna have to help me carry him to
			The bathtub.

				Bobby
			What? Oh no fucking way, please don't make
			Me part of this.

JOHN gives BOBBY menacing stare.

				John
			If you don't help me take care of this body,
			Then you're gonna force me to take care of two.

JOHN takes out his gun.

				John
			You called me a faggot you little piece of shit?!

				Bobby
			Oh...uumm-i... no-I uumm-i was confused.

				John
			We have to take him...to the fucking bathroom
			Now.

INT. BATHROOM - NIGHT

JOHN and BOBBY carry AGENT RICHARDS in the bathroom and drop him in the tub facing up. Blood slowly oozes out of his mouth.

				John
			Ok. So we have to be there by nine.

				Bobby
			What? Where?

				John
			You forgot you're work already?
			Jackson’s seafood. Anne and Christine and
			Having dinner there.

BOBBY is shocked at the fact that JOHN knows all about what he has been working on.

				John
			What time is it?

BOBBY looks at his watch which reads: 8:09 PM

				Bobby
			It’s eight o'clock already

				John
			That’s not bad

BOBBY is now looking at AGENT RICHARDS. He seems to be noticing something very strange as his facial expression quickly changes.

				John
			What?

JOHN looks at the body.

SHOT OF AGENT RICHARDS' BODY - More blood begins to drip from his mouth and he begins to shake like early signs of a seizure.

				John
			Aaaahhh fucking vests!

JOHN takes out his gun.

John
			If only you hadn't seen him.

BLAM! JOHN shoots him in the head.

BOBBY quickly turns away.

				Bobby
			Oh fuck-fuck me-shit! Why did you do that?!

				John
			Hey calm the fuck down. See now he's dead.

				Bobby
			But why?!

				John
			Because I fucking shot him.

				Bobby
			Who are you?

				John
			YOU'RE the investigator.

Bobby
			Why are you doing this?

				John
			Listen. No more questions from you.
			We have to leave right now.

				Bobby
			But we can't just leave him like this.

				John
			He’s dead. He doesn't have to go anywhere.
			In about two minutes his partner will be here
			Because he would like to know-

JOHN points at the dead AGENT RICHARDS.

				John (cont'd)
			Why he's taking so long.
			So let’s go.

INT. BUILDING HALLWAY - NIGHT

A SPANISH MALE of average height walks cautiously towards BOBBY'S apartment. This is AGENT RICHARDS' FBI agent partner. 

The CAMERA tracks in front of him until he reaches the apartment.

He looks down at the bottom of the door and sees a small trail of blood.

The CAMERA tracks back away from him then pans left as it reaches the corner revealing JOHN with his gun pressed against BOBBY'S Adam’s apple.

INT. BOBBY'S APARTMENT - NIGHT

The FBI agent kicks the door open waving a 9mm pistol.

				FBI agent
			Agent Richards?
             		(Beat)
			Agent Richards?

He goes out of frame as looks for AGENT RICHARDS.

INT. BUILDING HALLWAY - NIGHT

JOHN and BOBBY walk over next to the apartment. The CAMERA tracks behind them. The apartment door is still open.

JOHN with his gun still pressed against bobby, this time on the back of his head. With his left hand, he takes out two small but powerful STINK BOMB bottles.

After waiting a couple of seconds, he throws both of the stink bombs in the apartment cracking open as soon as they hit the floor.

				FBI agent
			Hey who's there?

Right away this incredibly strong and horrendous odor rises into the air. The odor is so strong the FBI agent begins to choke and can't breathe.

JOHN pulls BOBBY back then puts a DUST MASK on.

He goes inside the apartment where we see the FBI agent gagging and grabbing his throat.

JOHN aims his gun at his torso then unloads on him until the clip is empty. He takes out the empty clip and reloads another one without hesitation, like a professional hitman.

He quickly exits the apartment closing the door behind him quietly.

BOBBY just stands there with his hands up.

				John
			What the fuck are you standing there for?
			C’mon we got somewhere to go.

INT. BOBBY'S IMPAL - NIGHT

BOBBY drives nervously while JOHN calmly sits on the the passenger side.

				Bobby
			Can I ask you something?

				John
			Three questions.

				Bobby
			What?

				John
			You’ve got three questions. Go.

				Bobby
			Uuuhh-ok. Is Christine your wife?

				John
			Yes.
			
				Bobby
			Is she really your wife?

				John
			I said yes.

				Bobby
			What are you gonna do to her?

				John
			Ask her why she's been cheating.

				Bobby
			Are you gonna hurt her?

				John
			Don’t fuck with me I said three questions.
			Now you shut up, take us where they are, and
			Do it quickly.

EXT. CITY STREET - NIGHT

A bright sign reads: JACKSON'S SEAFOOD

                                                           Dissolve to:

INT. JACKSON'S SEAFOOD - NIGHT

CHRISTINE is sitting in the back waiting for ANNE.

She then looks across to the entrance. The CAMERA pans right and ANNE is making her way towards CHRISTINE'S table.

				Christine
			Hey baby.

CHRISTINE stands up and kisses ANNE on the lips.

ANNE
			Hi babe sorry I was late.

They both sit down.

                                                           Dissolve to:

INT. BOBBY'S IMPALA - NIGHT

BOBBY and JOHN are parked across the street from where CHRISTINE and ANNE are having dinner.

They just sit there without making a sound as they were mannequins.

                                                           Dissolve to:

INT. ANNE'S APARTMENT - LIVING ROOM - NIGHT

ANNE and CHRISTINE are on the couch making out. They look like they're about to have sex.

                                                                Cut to:

INT. BUILDING HALLWAY - NIGHT

JOHN and BOBBY are walking towards ANNE'S apartment. The CAMERA tracks behind them.

They reach the apartment. JOHN takes out his silenced .45 pistol.

				John
			Kick the door open.
		
				Bobby
			What? What do you mean kick the door open?

				John
			Exactly that. Now kick it.

				Bobby
			I can't kick open this goddamn door man.

JOHN points his gun to BOBBY'S crotch area.

				John
			Kick it before I blow your ball sack off.

He cocks back the gun.

				Bobby
			Ok, ok. Fuck!

BOBBY takes a couple of steps back, takes a couple of breaths, then runs and kicks the door as hard as he can.

				Bobby
			Aaaahhh!

The door doesn't open and he hurts his leg.

				Anne (O.S)
			What the fuck was that?

JOHN shoots the door locks and kicks the door open. ANNE and CHRISTINE both jump out of the couch half naked.

JOHN has his gun pointed at ANNE. BOBBY is on the floor grabbing his leg.

				John
			Bobby get the fuck in here!

BOBBY slowly gets up and limps his way inside the apartment.

				John
			Close the door.

BOBBY closes the door the falls on the floor grabbing his leg.

				Christine
				(Petrified)
			What the fuck is going on Anne?

				John
			Don’t worry about it sweetheart. 
			It has nothing to do with you.
			Agree with me Anne. Please.

				Anne
			Tony. You motherfucker! Who the fuck is this?
	
				John
			Oh that's bobby. Well it looks like I caught
			You guys right in the middle of second base.
			Sorry about that.

				Anne
			Tony don't do this.

				John
			The name is john. Now why don't you be a good?
			Hostess and supply me with what I need.

				Anne
			Fuck you!

ANNE takes out a .32 caliber pistol and points it at JOHN.

				John
			Holy shit. A stand off between me and you?
			I’ll be goddamned. Looks like you grew some balls
			After all. Or should I say ovarian hostility.

				Christine
			Anne what are you doing?

				Anne
			Shut up Christine! Stay out of this.

JOHN and ANNE stand with their guns pointed to each other for about three consecutive minutes.

BLAM! JOHN shoots ANNE in her left shoulder. As she goes down a shot rings out from her gun and hits CHRISTINE in the chest, she goes down.

ANNE falls to her knees. She tries to shoot JOHN and BLAM! JOHN shoots her in the head, she falls to the floor.

				Bobby
			Oh fuck! What did you do?!

JOHN now walks to the bedroom. The CAMERA stays in the living room.

With ANNE and CHRISTINE dead, BOBBY automatically assumes he's next.

BOBBY attempts to get up but his leg is quickly swelling up and he can't stand straight.

				John (O.S)
			Don’t you try to go anywhere bobby. 
			I’ll be there in just a sec.

BOBBY falls to the floor again and is now crawling his way to the door. By the time he's almost one foot away JOHN gets back from the bedroom carrying a black briefcase.

				Bobby
			John please don't kill me. Please.
			I beg you.

JOHN doesn't say anything. He has a very cold expression on his face.

He points the gun at BOBBY'S head.

				Bobby
     				(Sobbing)
			Don’t kill me.

CLICK! JOHN puts the safety back on his gun and exits the apartment, leaving the door open.

							                      Cut to:

INT. BUILDING HALLWAY - NIGHT

BOBBY is limping across the hallway leaning against the wall.

We begin to hear steps. BOBBY stops as he begins to hear them.

He looks back and TWO TALL MALES wearing black tuxedoes and sunglasses come out of the corner walking rapidly towards BOBBY.

				Bobby
			What do you want?!

One of them grab BOBBY'S arms while the other takes out a burgundy rag and covers BOBBY'S nose and mouth with it.

After a few seconds BOBBY is now out cold.

 							               Fade to black:

Fade out:

INT. OFFICE ROOM - NIGHT

MEDIUM SHOT OF AN EMPTY DESK - The person sitting behind the desk puts his hands on top of the desk. From the looks of his hands he appears to be an older heavy guy. In one hand he has a cigar lit. As the smoke emanates form the cigar we hear THREE KNOCKS on the door.

				Man
				(Gruff voice)
			Come in.

We can only hear the footsteps of the person who just walked in.

The black briefcase that JOHN had is laid on the desk.

The man sitting behind the desk turns it around, opens it and looks at the contents for a brief moment then closes it back.

The CAMERA slowly pans up as the man turns his chair around. We can only see the back of the chair. He takes a couple of puffs from his cigar.

				Man
			No time.

							                 Dissolve to:

CLOSE UP OF THE BLACK AND WHITE PHOTO of a blonde woman smiling - As the CAMERA zooms out the photo catches fire and burns slowly.

									   Fade to black:

				        THE END

NOTE: If you would like to contact me my e-mail address is      DRGENTLEMAN35@AOL.COM 

I am ready to make this into a feature. The only thing stopping me is that I don't know any actors who fit these characters and don't own a DV CAMERA. I have all of the scenes storyboarded and know exactly how I want the picture to look. I thank you very much for taking the time out to read this script.

QUICK REMINDER: This script is copyrighted by VERABL ENTERTAINMENT and its owners. Thank You.

Sincerely, 

Jay Lovito