SAW V
		
		Lions Gate Films logo.
		Twisted Pictures logo.
		FADE IN:

		INT. ROOM

		A woman wakes up in a heap of a cold metal floor, and as
		her eyes adjust to the dim light, she is met with terrible
		pain in her arms and shoulders. Running along from her hands
		to her shoulder blades is a row of hooks, pierced through her
		flesh and hooked through her bones. The hooks are connected
		by thick metal cords, loosely strung up into a darkened hole
		in the ceiling. A TV in the middle of the room turns on, and
		clips of her play across the screen, accompanied by a devilish
		voice. It's JIGSAW.

						JIGSAW
				Hello, Alecia. I want to play a game. You
				are wealthy, and successful, but for all 
				the wrong reasons. I figure that corrupt 
				judges should be the ones on trial. You've
				always pulled string to get your way, and 
				now, you'll have to pull them again, if you
				want to escape. If you look above the 
				television set, you will find a gavel. This
				is where you judge your own life. You will
				have to run across the room, and bang the 
				gavel down on the plank. And, you are going
				to have to hit it HARD. If you can manage to
				send the weight flying up enough to ring the
				bell, you will be saved. But hurry. As soon as
				the timer starts, those barbed-wire cords will
				begin pulling upwards, taking you with them, 
				right into the gears. The tighter they become, the
				harder they will be to pull in order to make it 
				across the room. If you fail, you can be your own
				strung puppet. Let the game begin.
		
		Alecia stands up, startled, and looks at her hands as they ooze
		blood through the wounds. With a shriek, she runs and grabs the
		mallet off the TV set, snapping the string holding it down and
		starting the timer.

		A terribly loud whirring noise screeches at her from above, and
		the coils of wire begin to pull upwards.

		Immediately she runs across the room, pulling on the cords, pulling
		on the hooks in her flesh and bone. She shrieks in agony, and stops
		in attempt to manually pull the hooks out, but is greeted instead
		by a jolt of electricity.

		She falls to the floor as the cords continue to tighten and pull
		upwards into the gears of the ceiling, and her arms are soon being
		pulled back across the floor after them. 

		She stands up groggily and grabs the mallet cautiously, running
		forward again to hit the plank. This time, after more struggling
		and screaming while pulling against the hooks, she hits the plank,
		but is too weakened by the pain to make the weight fly up far 
		enough.

		As the cords continue winding up into the ceiling, she is dragged
		across the floor, kicking and screaming, cutting her hands apart
		while trying to pull at the barbed wire cords attached to the hooks.

		She tries again to yank the hooks out before she is electrocuted again,
		and as she lumps over yet again, her body slowly begins rising up, like
		a puppet on strings.

		Her head lolls around on her shoulders a bit before she opens her eyes,
		in time for her head to disappear into the ceiling, followed by her
		shoulders.

		As her mid torso area is about to be pulled in as well, a grinding
		sound is heard, accompanied by terrible screaming and sprays of
		blood. 

		Her legs are left dangling out of the ceiling as the crunching of
		bones eventually stops, and blood drips from the gears.

											FADE OUT.

		OPENING CREDITS

		SUPERIMPOSE:          SAW V

											CUT TO:
		
		INT. HOSPITAL ROOM - SAW III

		Jeff is sitting next to Lynn, who's head is blown completely to a frazzle,
		he is crying.

							JEFF
					Babe, I just wanted to say that,
					I love you, and I will die in 
					here soon.

		Jeff turns and picks up the buzz saw. He then slices his head clean off.

													CUT TO:
		INT. ROOM

		CLOSE ON DOOR

		We hear voices from the other side, one of them is of course a
		SWAT member, RIGGS.

						RIGGS (O.S.)
				Break it down!

						VOICE (O.S.)
				Right!

		All of a sudden, the door bursts down and SWAT members burst in
		and the gun sounds are heard as they turn everywhere. Then two
		men walk through, then Riggs.

		ANGLE ON ROOM

		It's dim, we see Alecia up in the gears and all the SWAT members
		going around to look around for any trace of Jigsaw. Riggs walks
		closer to Alecia and looks up, we see blood start to drip on his
		face.

		ANGLE ON RIGGS
	
		He wipes his face.

						RIGGS
				Alright, find another room!

						MAN
				Right here!

		Riggs nods his head and they break it open.

											CUT TO:

		INT. HOSPITAL ROOM - DAY

		A Doctor, LAWRENCE from SAW, is operating on someone, we think we know who it
		is but we're not sure.

						LAWRENCE
				Well John, you're fixed. You'll have a
				very long life ahead of you.

		Now we see in the bed is JOHN KRAMER, or so called the JIGSAW KILLER.
		John smiles and gets up. He then goes to the coat rack and picks up
		his coat.

		CLOSE ON:

		JOHN's THROAT

		A big scar is there.

		FLASHBACK:  Taken from SAW III

		JEFF slices Jigsaw with the blade in the neck, Lynns collar blows, and
		the hospital door closes.

		INT. ROOM

		CLOSE ON RIGGS FACE

		Tears are streaming down his face. He opens his mouth to say something but
		can't. We now see what he is looking at. It's Kerry, dead in her trap.
					 
		INT. HOSPITAL ROOM - DAY

		John smiles devilishly and walks out of the room. On a golden platter reads:
		Dr. Lawrence Gordon. John turns and him and Lawrence smile and Lawrence 
		follows John out.

						LAWRENCE
				Hey! What are you doing?

						JOHN
				Next victim..

		Lawrence takes a deep breath and walks back into the room, John keeps walking
		through the hallway of the hospital. While he does this, other hospital workers
		are rushing by.

		INT. ROOM

		Riggs is wiping his eyes, but still tears stream down.

						RIGGS
				Kerry! FUCK! FUCK!

		A man, HERLEY, a manager for SWAT sits in a chair listening to him with a very
		dirty look on his face.

						HERLEY
				We found another room. We haven't broke it
				down, now get over there!

		INT. ROOM

		Riggs and his crew enters. Hanging in the middle of the room is naked, frozen
		solid DANICA from SAW III. She is frozen from the "Ice Trap" in Saw III. A
		man whistles.

		INT. ROOM

		Riggs enters and there is TIMMOTHY on "The Rack" from SAW III. He is very 
		rotted and all his blood is dry.

		INT. HOSPITAL ROOM 

		Riggs and his crew comes in and JEFF's daughter is dead on the ground, and
		Riggs enters the "Hospital Room" where we see John on the bed, Jeff
		dead on the ground, rotting. Amanda dead, Lynn dead with her face blown
		up from the "Shotgun Collar" from SAW III.

		Riggs goes to the bed and looks at John's face. It's not him... Eric Matthews
		who died in Saw IV

		We hear screaming from another room from somewhere else in the building but
		we cannot find out where it is coming from...

		INT. ROOM

		It's dark, we can't see anything until the door suddenly breaks down and there
		is small light and we see the shadow of a girl in the corner screaming.

		Herley turns on the lights.

						HERLEY
				Holy Shit.

		We see the room is like a mental facility and the woman's name is JENNIFER, and
		she gets up and steps up to Herley and hugs him.

						RIGGS
				Bring her to the fuckin car.... I'll check it
				out around here.

		Herley leaves and Riggs walks up to a door and when he tries opening it, the lights
		flash off and the front door closes, and Riggs is alone in the dark.

		RIGG'S POV

		He's looking at the door. It opens and out comes Jigsaw in the pig mask.

															CUT TO:

		INT. POLICE STATION - DAY

		Herley is sitting with Jennifer, and Jennifer has a glass of water, while Herley has a
		cup of coffee.

						HERLEY
				Jenny, what happened.

						JENNIFER (Sassy)
				First of all, I'm JENNIFER, not JENNY. And I
				don't fucking know.

						HERLEY
				Hey you little bitch!

		Herley gets stopped because Jennifer popped him one right in the kisser, and Herley laughs
		a bit.

						HERLEY (CONT'D)
				LOCK HER THE FUCK UP!!!

															CUT TO:

		INT. DARK ROOM 

		We hear shear cryes of agony, we know the voice is familliar, it is, it's Riggs!! He's in
		a trap!!

		The room suddenly brightens and we are looking straight at Riggs, he is very scared and tears
		are coming down his face.

		Now we see the room, Riggs is chained around the neck, and there is an ice cube supporting him
		so he won't die, there's a TV, a cup of acid, and a man sitting in the back, watching. He's
		looks more like a shadow..

		Now we are looking at the TV. The so called, BILLY doll is on the screen. He starts to talk in
		his deep, scary voice.

						JIGSAW
				Hello, Riggs, ever since Kerry and Eric
				have been dating, you've been jealus, and
				you've commited suicide, 3 times Riggs. It
				never worked hanging yourself.... You always
				wanted to see Kerry die....

		CLIP:

		Riggs is sitting on a bed looking at a picture of Kerry, Riggs is crying on the bed, then he
		gets angry and throws the picture.

						RIGGS
				DIE KERRY! DIE!

		INT. LIGHT ROOM

		Riggs is crying hard, and we again look at the screen.

						JIGSAW (CONT'D)
				And she did..... You then felt sorry....
				Well, if you want to die, or live... We'll
				see. If the ice cube melts, you will be hung.
				In front of you there is a cup of acid. After
				you start the timer, you have 60 seconds to
				get it. Now, the acid was also seen in Kerry's
				trap. I think you two should have the same fate.
				In 60 seconds the key will melt, and in 120 seconds 
				the ice cube will melt. The room degrees is 103. 
				Let the game begin.....

		Riggs moves barely. We then hear a sound of something drop in the acid and a ticking of a 
		timer.

		Riggs digs his hand into the acid, then screams in agony.

		He takes his hand out and puts it back in.

		ANGLE ON TIMER

		The time is at 28.

		ANGLE ON RIGGS

		He takes his hand out holding the key but he has no skin on his hand and wrist, it's all
		flesh.

		The key starts burning him.

						RIGGS
				OW!! THIS IS FUCKING BULLSHIT!

		He drops the key......

		ANGLE ON TIMER

		It's at 119.

		ANGLE ON ICE CUBE

		There's barely any, then it cracks, and breaks.

		ANGLE ON RIGGS

		He just hangs there, he's choking, he then takes the acid and pours it on himself, he dies
		almost immeadiatly.

															SMASH CUT TO

		INT. JAILCELL - DAY
	
		Jennifer is standing looking at Herley who is leaning on the jailcell. Jennifer takes out a
		shank and stabs him.

		Jennifer Turns around.

		JENNIFER'S POV

		She turns into Jigsaw with the pig mask.

		INT. ROOM - DIM

		We are looking at Jennifer who is naked in a Spanish Chair, a chair with sharp rusty spikes on
		it. She also has sharp jagged hooks in her breasts.

		She screams and cries. 

		She turns her head to a TV. It turns on to show Billy, the puppet.

								JIGSAW
						Hello, Jennifer. You've killed people
						and you laughed when your father killed
						himself with an electric saw. You've made
						a living of killing people with...Sharp things.
						Now it's my turn, what you are strapped in
						is a "Spanish Chair." Now, the sharp
						rusty spikes are behind you... But when
						a timer starts, you have 60 seconds to
						get a key, or the spikes will be dug everywhere
						in your body. The key is in your breasts. You
						have to grab the chain to the hooks that are
						dug in your breasts and rip them off. How
						much blood will you shed to stay alive? Let
						the game begin.

		She turns and looks around. Nothing but blackness. She starts to scream and she cries and cries
		and yells.

		She grabs the chains to the hooks and pull.

		CLOSE ON: NIPPLE

		The hook breaks through it.

		VIEW OF JENNIFER

		She screams.

		We see the spikes digging in to her head.

		CLOSE ON: TIMER

		It hits zero.

		CLOSE ON: JENNIFER'S FACE

		Sharp, bloody, rusty nails are sticking out.

		CLOSE ON: FLOOR

		Blood is puddling up and a key falls.

		INT. HOSPITAL - DAY

		We see a girl, JILL, Jigsaws wife is looking through a door. We can just see that there are two
		men running through.

		INT. HALLWAY - DAY

		It's John chasing a man, CECIL, who obviously did something wrong.

		INT. HOSPITAL - DAY

		CLOSE ON: WALL

		There is a sharp spike sticking out right behind Jill.

		ANGLE ON JILL

		She turns her head, and just as she's turning the door bursts open slamming her into the sharp
		spike in the wall.

		Cecil looks back and sees what he's done.

		Cecil runs over to her.

								CECIL
						Baby, sorry. I'm sorry babe!

								JILL
						I'm not your fucking babe. I'm John Kramer's!

		Jill dies and John runs through the open door, sees Jill and grabs Cecil and drags him into a room
		where we see John punch Cecil unconcious.

		INT. ROOM - LIGHT

		We are looking at Cecil, who is sitting in a chair.

		We see quick shots of his wrists and ankles, they are strapped to the chair.

		Jigsaw puts a helmet of knifes on Cecil.

								JOHN
						Hello, Cecil, I want to play a game.
						What you are looking at is knifes.
						Now if you want to die, it's painless.
						If you want to live. Painfull. The
						only reason you are here Cecil, is
						because you cheated on 5 women at the
						same time. You tried to buy Jill's
						love, when she was commited to me.
						You new that... You know that I'm Jigsaw
						and you wanted me to put her in a
						trap. But, she didn't. So you decided to
						kill her yourself and pretend she was
						with you... It didn't work... What you
						have to do is push yourself into the
						knifes and blind yourself and you'll
						be free... Ha, ha, ha. Let the game
						begin.

								CECIL
						What the fuck! Fuck is this? Who the hell are
						you? You sick fucking son of a bitch! FUCK YOU!
						YOU DIRTY BASTARD GET ME OUT OF THIS FUCKING 
						THING!

								JOHN
						Yelling won't help. Your time is officially
						up. Game Over... You can still survive. The
						key's right in front of you.

		John turns off the lights and walks out of the room and Cecil is screaming
		for help.

		John smiles.

													CUT TO:

		INT. ROOM - LIGHT

		Daniel sits working on Billy the puppet and Jigsaw walks in and steps and looks
		at his work and then goes over to where he is building a trap himself.

									DANIEL
						Where were you?

		John/Jigsaw takes a sip of water.
	
									JOHN
						Cecil Adams. Daniel, you've been my side kick from
						my first trap and to my last...

		CLIP: SAW

		We see Paul looking at the Razor Wire, then we turn slowly to see an eye through a
		small hole in the wall and we go to the other side... Daniel is watching him.

		Another clip from SAW is shown, this time Mark's trap. We look at the peephole and 
		we see Daniel watching.

		CLIP: SAW II

		We are seeing Michael in his trap and we look up to an air ven where Daniel watches
		him.

		CLIP: SAW III

		We see Jeff walking along and we go to a different room to see Daniel watching Jeff
		on Moniters.

		END CLIPS

		INT. ROOM - LIGHT

									JOHN (CONT'D)
						All I want to know... is why?

									DANIEL
						John, before anyone, even before my
						dad... On my mom's side... You are my
						uncle...

		Jigsaw smiles.

		All of a sudden, the door bursts down, detective Eric Mathews comes in and he then sees
		Daniel, but Jigsaw's gone...

		Mathews is about to say someting when he gets shot by Jigsaw.

		Daniel starts to cry...

									JOHN
						Daniel. It's OK. He needed to die.

									DANIEL
						Why? WHY WHY WHY!!

									JOHN
						I'm sorry.

		Daniel nods and turns back to work on Billy.

															CUT TO:

		INT. HOSPITAL ROOM - DAY

		Lawrence stands in his office thinking about something. There's a knock on the door.

		Lawrence walks suspitiously over to it.
	
		The bum bum bum bum of drums plays.

		He opens it to find DIANA! From SAW. She's about 16.

									DIANA
						Hi dad!

									LAWRENCE
						Hey! How's your father? Detetive Hoffman?

									DIANA
						Alright, but I miss you and he's gone all the
						time.

		Lawrence smiles and the intercom speaks up.

									INTERCOM
						Dr. Gordon, please report to the main office.

		Lawrence sighs and walks out and Diana frowns and leaves.

		INT. HALLWAY - DAY

		Diana walks to a door and we see it says Girl's bathroom.

		Diana walks suspitiously to the stall and opens it and John in the Pigmask jumps out
		and stabs her with some kind of medicine. Diana falls unconcious.

														CUT TO:

		INT. MAIN OFFICE - DAY

		Lawrence hears Diana scream and runs to the room to find she's not there...

														SMASH CUT TO:

		INT. ROOM - DARK

		We can barely see Diana. She's walking around and she sees a tape, she walks over to
		it and picks it up.

														CUT TO:

		INT. ROOM - DAY

		Lawrence is standing there, stunned and Allison comes in.

														CUT TO:

		INT. ROOM - LIGHT

		We see Diana turned on the lights. She plays the tape.

										JOHN
							Hello, Diana. Ever since your father was
							in the bathroom trap and cut off his 
							foot. You've been disappointed and have
							hated him. Now today you will go through 
							a series of traps. Will you save others, or
							just save yourself. In different parts, you'll
							find different rooms where there are different
							passages. If you choose the wrong one, you
							will have to perform a task. Let the game begin.

		Diana hears screaming from another room. She walks into it.

		INT. ROOM - LIGHT

		A man is sitting in a chair, strapped on and there is a flame thrower right in front
		of his head.

		There is a tape hanging from the ceiling next to him and Diana goes and picks it up
		and a ticking noise starts as she clicks PLAY.

										JIGSAW
							Welcome to your first test. This man meant something
							to you..two years ago. Your ex-boyfriend who cheated
							on you. Now, he's burned people with his act. Will you
							let him die or live? Now, it's up to you... What will
							you do. He has 120 seconds to live. The key is somewhere 
							in him. Think careful...Wait. It's right at the tip of 
							his tongue...Ha,ha,ha. let the game begin.

		Diana throws it down and runs over to the man which is, RANDY, a 18 year old boy.

		Diana sees a mirror that is attatched to the chair, with a scapel lying on it, and Diana
		picks it up.

										DIANA
							Stick out your tongue!

										RANDY
							Are fucking out of your god damn mind?

		We see the time, it's at 110.

		Diana tries to get the scapel over to him but he kicks her away and then the flames blast him
		in the head.

		INT. HOSPITAL ROOM - DAY

		Lawrence is gone, but Allison is still looking around when we see Detective Hoffman in the door
		way holding a needle. He starts running at her and he stabs her with it.

		Allison falls and Hoffman takes her away.
		
		INT. HALLWAY - LIGHT

		Diana walks through a hallway where shee sees 3 doors. On the walls above, it says: CHOOSE WISELY.

		She picks the left one.

		INT. ROOM - LIGHT

		There's a matress and a small ceiling light that lightens up the room and on the matress is a tape.

		Diana runs over to it and presses play.

										JIGSAW
							Wrong choice, Diana. The correct door, was the 
							middle. Now, under the bed is a pool of broken
							glass. There's a key at the bottom. It's 2 feet
							deep. After this tape ends, the door will slam
							shut. In 5 minutes, if you don't have the key,
							it will lock forever, and this very room, becomes
							your tomb.

		The tape ends and the door shuts with a huge BOOM.

		Diana flips over the bed to see a pit of broken glass.

		She tries putting her foot in put immediatly takes it out.

		She looks around trieng to find something

		She looks at the timer, it reads 1 minute left.

		She then digs her hand into the glass and comes out with the key and just in time she escapes from
		it.

		INT. ROOM - LIGHT

		We are looking at a door which opens to reveal Diana walking in and we swing around to see a man in
		a jaill cell with a spiked room which we can see is on a spring timer.

		A TV turns on.

		It is Billy.

										JIGSAW
							Hello, Jerome, in your life you've made it to jail
							again and again. You've never learned anything. 
							Right now you find yourself in a cage with spikes
							above you. Your only hope, is Diana. Diana, you
							have to get the key which is hooked up to a wire
							so be careful, if you pull the wrong way, the spikes
							will fall and claim this victim.

		Diana looks around to see if she can see a key somewhere, she does. It's on the ceiling. There is
		a ladder leading to it.

		She climbs it and pulls it one way than the other. The spikes fall.

		When the spikes fall, a tape is revealed on the spikes and Diana climbs down and reaches it.

		She clicks play.

										JIGSAW
							Diana, listen if you will, X marks the spot for
							the treasure...

		Diana leaves to a different room.

																	CUT TO:
	
		INT. POLICE STATION - DAY

		Lawrence is there talking to a cop, Sergeant RICK JAMES.

										LAWRENCE
							I think Jigsaw took my daughter and my ex-wife.

										RICK
							Well, I can't guarentee you anything, but we'll
							try...

										LAWRENCE
							TRY?? NO! I'LL DO IT MYSELF!

		Lawrence leaves.

		INT. ROOM - DAY

		We are looking at a wall where there is a X. Diana goes over to it. It's a garbage bag. Inside of
		it... are hacksaws.

		She turns to see a sliding door.

		She opens it.

		INT. ROOM - DAY

		We can barely see Diana's figure, we see her hand go to a switch turning on the lights. Just like in
		SAW, we look at the big lights of the bathroom turn on. We then see Allison chained up next to Adam's
		dead body.

		We see Xavier and Lawrence's foot.

		there's a tape in the middle of the room. Diana picks it up and presses play.

										JIGSAW
							Hello, Diana, this is your final test. Your mother
							is chained to the pipe. Just like your father. The
							only way to free her, is to cut her foot off. Make 
							your choice.

		Diana walks over to Allison who's sound asleep. Diana starts cutting waking up Allison who starts 
		screaming in pain.

		Allison doesn't see's who's doing it and grabs a knife from her back pocket and slits Diana's throat.

		Allison gets up and sees it's Diana. Allison starts to cry and she turns and looks in the bathtub to
		see a tape.

		Allison presses play.

										JIGSAW
							If you are listening to this, you've killed Diana.
							Your fate is now sealed in the room. Game Over.

		Allison looks up and we see John in the door way. He shuts off the lights and yells: GAME OVER!

																	CUT TO:

		INT. ROOM - LIGHT

		Lawrence walks through all the rooms and his cell phone rings and he answers and then leaves.

		ZOOM OUT OF THE HOUSE

		We hear Allison's screams:

										ALLISON
							LAWRENCE! HELP! JOHN, YOU FUCKING BITCH! FUCKING ASS
							HOLE! HEEEEELLLLPPPPP!
																SMAST TO BLACK

						THE END OF MY SAW V
						SEQUEL TO SAW I,II,III, and my
						SAW IV. Watch for SAW VI.