Fade to:
Ext. Parking lot - night
A young black man, J.C. Swanson, stands in the middle of a parking lot, his back to the camera.
(flash)fade to Black:
Voice
Well I like to eat, sleep, drink, and be in love.
(Flash)Fade TO:
EXT. PARKING LOT - NIGHT
The camera partially pans around J.C., who is now slowly dropping down to his knees.
(Flash)FADE TO BLACK:
voice
I like to work, read, learn, and understand life
(Flash)fade to:
eXT. PARKING LOT - NIGHT
The camera continues panning around J.C., who is still dropping down to his knees.
(flash) fADE TO BLACK:
voice
I like a pipe for a Christmas present, or records, Bessie, bop, or Bach.
(Flash)Fade to:
eXT. PARKING LOT - NIGHT
The camera continues the 180 degree pan around J.C.  He is now down on his knees, and someone is walking towards him.
(flash)FADE TO BLACK:
voice
I guess being colored doesn't make me not like the same things that other folks like who are other races.
(Flash)Fade To:
EXT. PARKING LOT - NIGHT
J.C., still down on his knees, is now facing the camera. A gun is pressed against his temple.  J.C. closes his eyes.
(flash)Fade to Black:
voice
So will my page be colored that I write?
fADE TO:
INT. SET OF TALK SHOW
A red light on top of a television camera blinks out and a stage bell rings.  A stage hand runs in front of the camera and shouts.
	STAGEHAND
Clear! 
Stage hands are scurrying around the set of a talk show.  The talk show host is huddled tightly and in deep conversation with the producer and a couple of the other guests, a white supremacist and a black separatist.  
														fADE TO BLACK:
A title appears on the screen and reads:  
"CHAPTER I, NIGGERS AND POOR WHITE TRASH"  
fADE TO:
J.C sits in a chair on stage, with his hands neatly folded in his lap
The stage hand steps in front of J.C.
	STAGE HAND
Quiet on set!  Were back on in 5, 4, 3...
The guests rush back to their seats as the director gives the host his cue.  The show is seen on a television monitor, with the live action taking place in the background.
	Jackie (host)
Welcome back.  Joining us now is noted African-American author J.C. Swanson.  He is the author of the best-seller "A couple of niggers, a bunch of vatos, and a whole lotta p.w.t."  Interesting title.... Mr. Swanson, you have listened off stage as some of our guests have expressed their opinions, sometimes loudly, about what is wrong with America.  Their thoughts have ranged from segregation to separatism.  What is your solution for the racial strife that plagues our great nation?
	J.C.
Well Jackie, I would first like to say that there is no race problem dividing this country.
The audience oh's and boos, and Jackie motions them to be quiet.
	JACKIE
That's a tough statement to swallow Mr. Swanson, would you like to explain?
	J.C
Certainly.  These people on stage preach hate, and they want the races to be separate.  I've got bad news for you people; it's way to late to get rid of us.
The audience applauds and shouts their support.
	J.C (cont'd)
American society has become almost completely integrated.  It would be impossible...
One of the black separatists speaks up.
	SEPARATIST
With all due respect my educated brother, you obviously haven't been to our cities in a long time.
	J.C
I readily admit that there are some pockets that haven't been integrated, but...
The black separatist laughs.
	SEPARATIST
Integrate?  My brother, we don't belong with the white devil.  We don't need to integrate, we need to separate!
A couple of the other black separatist on stage stand up an voice their support.  The leader of the white supremacist stands up and shouts.
	SUPREMACIST
Y'all need to sit your monkey-asses down, shut up, and stop muddying up our god damn country!
J.C. smiles as everyone on stage stands up and begin cursing and screaming at each other.  Tension builds and a fight appears imminent, but Jackie is able to get everyone to sit down.  
	JACKIE
Everyone sit down.  Now, Mr. Swanson,    are you saying that our guests views on separation are impossible because too much time has passed?
	J.C
Nothing is impossible, but when you look at it, we...we are on the verge of creating a new race of people through inter-racial...     	
	SUPREMACIST
Bullshit!  We are the master race.  You are just here to serve the white man!
A couple of the black separatist stand up and yell at the supremacist.  The lead separatist speaks up.
	SEPARATIST
Brother Swanson, you are buying into the conspiracy.  It's the plan of the white devil to assimilate the black man to make us easier to control...
	SUPREMACIST
Bullshit.  We don't want nothin' to do with you niggers!!     
One of the white supremacist stands up and shouts at J.C.
	SUPREMACIST (cont'd)
Just cuz' you can read, don't mean you can tell me shit.  Your still just a nigger!
The audience oh's and ah's.  Jackie turns towards the audience.
JACKIE
Slow your roll people, slow your roll.  Mr. Swanson, I'm still a bit unclear on this "new" race and how we all have become one.
SUPREMACIST
I ain't got no nigger blood in me!
Jackie shoots a look at the supremacist.
JACKIE
You need to not talk anymore.
Jackie turns back to J.C.
JACKIE (cont'd)
Mr. Swanson...?
J.C
Let me try to illustrate my point by using my loud friend over there as an example.
J.C. turns and motions towards one of the Supremacists.
j.C (cont'd)
After a night of...let me see if I can put it in terms you can understand... hot monkey jungle love, your sister finds out she is having my love child...
The crowd laughs and shouts their appreciation.  The supremacists shouts incoherent curses at J.C., who ignores him and continues.
j.C (cont'd)
...and since your sister has already professed her love for me, she obviously decides to keep the baby... 
The audience goes wild as the white supremacist jumps up and heads towards J.C.  One of the separatist jumps up and intercepts the supremacist by catching him with a right hook.  A huge fight breaks out on stage, with the host and some of the audience members getting in their shots.  J.C. jumps into the mix, but only gets in a couple of blows in before a bouncer rushes in from off stage and pulls him out of the mix.  A television monitor in the foreground displays color bars and the announcement: "We Are Currently Experiencing Technical Difficulties".  The fight continues on, completely out of control, in the background.
FADE TO BLACK:
Int - Coffee Shop - night
J.C. is sitting at a table, looking down, slowly stirring his coffee.		
Cut to:
J.C. breaks his intense concentration on his task to look around at the other people in the shop.  A young white couple sits nearby, gazing into each other's eyes. 
CUT TO:
A mother sits at a table, talking to a friend, while her young child plays on the floor next to her.  
CUT TO:
Seated outside is a young white man, shabbily dressed with a backpack and a bedroll placed in the chair next to him. 
CUT TO:
J.C. turns his attention back towards the shop, and catches the young white girl looking at him.  She quickly returns her gaze back to her boyfriend.  
CUT TO:
J.C. turns his head and looks over at the woman with her child.  
CUT TO:
She notices J.C's look, and while continuing her conversation, she subconsciously picks up her child and places him in her lap.  
CuT TO:
J.C. smiles wirly, then looks outside.  His smile quickly disappears.
CUT TO:
The white man is still sitting outside, now starring at J.C. with a look of hatred and utter disgust.  
CUT TO:
J.C. looks at him with a puzzled expression.
CUT TO:
The man slowly turns his back to J.C.  
CUT TO:
J.C. continues to look at him, and is suddenly startled by the loud sound of dishes being dropped on his table, followed by a woman's voice.		
WaITRESS(in a southern accent)
You're that bastard who caused all that trouble on the picture box today!
cUT TO:
J.C looks up to see a young white woman smiling down at him.  Recognizing her, J.C. smiles.  
j.C
Wasn't me.  That's just a character I play on TV.
The energetic young waitress leans down and gives J.C. a hug, then picks up the dishes.
Waitress
Saw the show today...oh, we gotta talk...
Before J.C. can reply, she walks away.  
CUT TO:
The woman with the child, noticing J.C's interaction with the waitress, decides he's safe.  She smiles towards J.C and lets her child off of her lap to play.
CUT TO:
J.C. gives her a patronizing smile, then looks back out the window.
cUT TO:
The white man still has his back towards J.C.  A black man walks up, dressed shabily, looks homeless.  He sits down at an outside table.  He looks towards the inside of the shop and nods towards J.C.   
CUT TO:
J.C. returns the nod.  J.C. looks back as the waitress returns and slides into the seat across from him.
Waitress (cont'd)
Okay.  Now tell me what the hell happened?
j.C
What?
Waitress
I thought you weren't playing the race card anymore.  
CUT TO:
The woman with the child looks out the window and sees the black man.  She waves towards the man behind the counter.  He walks over to her.  J.C. watches the action while continuing his conversation. 
j.C
I may move away, but it always comes back to kick me in the ass.  
Waitress
But why?  I mean, look at the kind of shit you get into because you try to be so damn militant.
j.C
It's not a question of why.  It is what it is.
The woman with the child motions towards the black man,  obviously requesting that the counter man remove him.  The counter man walks outside and motions for the black man to leave.
Waitress
I know I sound like a bizarre version of Rodney King, minus the gerry curl, mixed with a naive little white girl, but why can't we all just get along?
J.C smiles and does his best 'gangster' impression.
j.C
Because you must be true to the game, G-money!  It's all we've got, fool!
The counter man walks outside and speaks to the black man, obviously asking him to leave.
waITRESS
It doesn't have to be a game though.  If we all just stopped playing, and are just true to ourselves, instead of the game, things would be better.
J.C looks down at his cup of coffee.
j.C
Easier said then done.
The black man stands up, glances towards J.C., then walks away into the night.  The counter man comes back inside.
CUT TO:
J.C. turns away from the window and looks back towards the waitress.
waITRESS
Do you remember that poem by Langston Hughes we had to read in school?  How did it go?  Go home and...
J.C
Go home and write/a page tonight./And let that page come out of you--/Then it will be true.
waITRESS
That's what I mean by being true to yourself, instead of the game.
J.C
Again, easier said then done.
waITRESS
Just give it a try one of these days, okay?
 The Waitress looks at her watch.
wAITRESS (cont'd)
Well, I'm off.  Walk me out.
They both stand up.  As they walk out, the girl with her boyfriend stares at J.C. as he walks by.  J.C. looks at her, and she looks away.  
cUT TO:
Ext. PARKING LOT - NIGHT
The waitress and J.C. walk out the door.  She gives J.C. a hug.  She smiles at J.C., who returns in kind.
WaITRESS 
Love ya, call me later.  
They part ways, J.C. walks left, and the waitress walks left.  She walks over to her car, reaching in her bag for her keys.  Suddenly she hears:
Voice
Hey boy!
She turns around to see J.C. freeze, then slowly drops to his knees.  The white supremacist steps up to J.C. and presses a gun against his temple.  He pulls J.C.'s backpack off of his back, then forces J.C. down to his knees.  The supremacist berates and taunts J.C., as the waitress watches in shock.
Long Push towards waitress:
WaITRESS (Vo)
Go home and write...
The supremacist continues to yell at J.C., while the waitress looks on in shock.
wAITRESS (cont'd) (VO) (cont'd)
...a page tonight.
Frozen, she continues to stare at J.C. and the supremacist.
waITRESS (cont'd) (VO) (cont'd)
And let that page come out of you...
The waitresses eyes widen in horror.
waITRESS (cont'd) (VO) (cont'd)
...Then, it will be true.
Her eyes close.
fADE TO BLACK:
A gunshot sounds.