BLOOD ON THE ROAD

                                                                          Screenplay by Dmitry Ursu. 

1. EXT. FOREST. DAY.      
Looking sometimes back, Mark is running, trying not to touch the brunches of trees. Mark is brown-haired man, 32 years. He stops, looks around and runs on. Running one hundred meters, he stops, looks around and sits down on the ground, leaning against the tree. Taking a cigarette, he lights it and smokes, looking around.

2. EXT. FOREST. DAY.
Tree gays are running in the forest. Every of them have a pistol in the hand. One of them is Phil, other one George, the third one is Andy. Phil is brawn haired man, 37 years. George is negro, 36 years. Andy is blond man, 20 years. Running some meters, they stop and look around.

         					GEORGE. 
Well, where is he, mother fucker?! 

         					PHIL. 
Be quite, George. He didn't run very far. He is somewhere here. 
We’ll find him. Don't worry about it.

         					ANDY. 
We should kill him at once, when we had opportunity.

         					PHIL. 
Nobody knew he could run away, Andy.

         					GEORGE. 
He is lucky. Son of the bitch.                                

         					PHIL. 
We must divide into in order to find him faster.    

         					ANDY. 
It is not worth. It is better to keep together.

         					GEORGE. 
But you may be having problem in your trousers. I am 
right, Andy?

         					ANDY. 
Go to hell, George.

         					GEORGE. 
Haven't you killed anybody, Andy? Or you have a thin sole.

         					ANDY. 
Fuck off.

         					PHIL. 
Shut up, you, the both. Now it isn't the suitable
time. Resolve your problems in another place. 

         					GEORGE. 
I wanted to give him a pair of advice for future, so be 
calm, Phil.

         					PHIL. 
In other time, George. Well, it's enough to press 
him. I'm sure he cans more than you are. He must 
have time to try everything. Does Andy? Or I am
mistaken?  

         					ANDY.
I can much more. The time will come and you'll see.

         					PHIL. 
Have you understood, George?

         					GEORGE. 
Go to ass. Nothing he can. We know it, Phil.

         					PHIL. 
Are you sure?

         					GEORGE. 
You are very persevering, Phil.

         					PHIL. 
I should.

         					ANDY. 
How do you consider, it is good to be a young 
puppy, when everybody press you from all 
sides, showing the power.

         					GEORGE. 
Buy book about it, may be it'll help you with this question. 

         					ANDY. 
I have some question else.

         					GEORGE. 
Oh, go you to hell with your questions. 

         					PHIL. 
Well, George, you know, Andy and you – are absolutely 
different men.

         					GEORGE. 
You are right in one way, but you didn't say who the best 
from us was.  

         					PHIL. 
It should speak about it, you'll be convinced yourself. 

         					GEORGE. 
What have you found in this sonny?

         					PHIL. 
Nothing, I like him.

         					GEORGE.
You like him! It is very strange to hear from you. Don't you have 
love-affair? I am sure; it is so, because you didn't walk together 
yesterday holding the hands? 
(laughs).

         					PHIL. 
It is not funny, George.

         					ANDY. 
I've always knew, he is fucking goon.

         					GEORGE. 
Stop, baby. Do you want to have any troubles? Why'll not you 
disappear? I'll not so strange, it you lose the way in the forest.

         					ANDY. 
I've prevented everybody for all my life. What is a reason?

         					GEORGE. 
The reason is in yourself, guy.

         					PHIL. 
George. The fellow Andy by name came in our world very rapidly, 
he has much time to accustom to him. Some time later you'll like him.

         					GEORGE. 
The love from the first sight will not be.

         					PHIL.
When'll you become serious?

         					GEORG. 
I am always serious. But he 
(point to Andy).
It is not real. Where have you found him - in the nursery school?

         					PHIL.  
You must be beaten? 

         					GEORGE. 
No, of course. 

Pause. They continue to go.

3. EXT.  FOREST.  DAY.    
Mark is sitting on the ground, leaning against the tree and smoking looking around. Smoking a cigarette, he throws it, 
gets up and goes on.

4. EXT.  FOREST.  DAY.      
George, Andy and Phil are going. 
    
         					ANDY. 
How he can live in such way!

         					PHIL. 
For 5, 6 years, he may be accustoming.  

         					GEORGE. 
In such nasty thing! And you call it "to accustom"!

         					PHIL. 
Isn’t, damn it. So you live now, have you accustomed?

         					GEORGE. 
Yes, I have.

         					PHIL. 
But you Andy?

         					ANDY. 
Too.

         					PHIL. 
So has he. And why we have only become friend with him! His 
mother is bitch. To be born such a nasty boy. Why?

         					GEORGE. 
As and we – to live.

         					ANDY. 
Why has he done it? I don't understand. 

         					GEORGE. 
Who?

         					ANDY. 
Mark.

         					PHIL. 
It isn't absolutely known, why he has done it.
but it is said the life doesn't change a man.

         					GEORGE. 
May be he didn't think by his stupid head. I very often 
notice it.

         					ANDY. 
But trip up it was so foolish.

         					PHIL. 
You right. Our aim is to find him, but at another
 things it isn't worth taking attention.

George laughs.

         					PHIL. 
What is funny in it?

         					GEORGE. 
We have caught this creature for many times and 
he always has outwit us, damn it. I am right?

         					ANDY. 
Sure. Why are you laughing?

         					GEORGE. 
You look at everything from distant and then say 
              	(cries). 
Why can he run away from us, every time? And 
 who is blame?

         					PHIL. 
The fact is that we talk very much with him...

         					GEORGE. 
Instead to press the gun. So?

         					PHIL. 
Yes.

         				GEORGE. 
The problem is in that one. We gave him a chance
and he used it. Who is blame then?

         					PHIL. 
Everybody is guilty.

         					ANDY. 
Only don't put everything at me.

         					PHIL. 
Everything has been far, we must think about future. 
How can we find him?

         					GEORGE. 
I'll catch him.

         					PHIL. 
You had such opportunity, but you didn't do anything.

         					GEORGE. 
We nothing did. You wanted to say these words!

         					PHIL. 
You irritate me for the last time.

         					GEORGE. 
Irritate!!! Do I irritate you? Look at yourself - walking natural 
disaster, who brings only troubles.

         					PHIL. 
How have you named me?

         					GEORGE. 
Oh, but you are else so foolish!

         					PHIL. 
Repeat.

         					GEORGE. 
Go to hell, Phil.

Phil hits George and he falls down. 

         					PHIL. 
Repeat 
          		(take a pistol and lead to the back of George).

George gets up and moves the pistol.

         					GEORGE. 
You've hit me!

         					PHIL. 
Repeat.

         					GEORGE. 
He is hit me!

George waves to hit. Phil hits George in his face. George falls down.

         					ANDY.
 May be, you'll stop. We have important affaires.

         					PHIL. 
They'll wait.

George gets up and jumps on Phil. They are rolling on the ground.

         					PHIL 
(is trying to move George out). 
You are a creature.

Andy shoots up.

         					ANDY 
Stop.

George and Phil get up.
	
         					PHIL. 
Ok, Ok.

A dead bird fells near Andy. They are looking up.

         					GEORGE. 
A good shot, damn it.

         					PHIL. 
That's why I've taken him with us.

5. EXT.  FOREST.  DAY.
Mark is walking, looking around. Not so far he heard a shot. Looking at that side, he began to walk quickly, then to run. Soon he runs on the road, looks around and saw a police car. Mark goes there very slowly. At the wheel is sitting Tom. He is 36 years, brawn haired man. Noticing Mark, he gets off the car and goes to him.  

         					TOM. 
What has happened?

         					MARK.
Yes 
             	(looking around).

Tom doesn't have time to go to him, Mark takes out off the pistol and kills Tom. Looking around he comes up to the car, gets in moves.

6. EXT. FOREST.  DAY.
Phil Andy and George are going.     

         					ANDY. 
Try only to imagine, what'll be if we don't kill him.

         					GEORGE. 
What'll happen? 
	 	(laughs). 
Garry will grill our eggs.

         					PHIL. 
It’s true.

         					ANDY. 
Cannot we do anything? You are professionals.

         					GEORGE. 
(laughs). 
Did you hear, Phil? He calls us like professionals.

         					ANDY. 
Why are you laughing?

         					GEORGE. 
You talk very much. Don't bother me. Shut your mouth and be 
quite as long as you can.

         					ANDY. 
Well, I'll be calm and what is far?

         					PHIL. 
Stop to press at him, George. Oh, hell.

         					GEORGE. 
He irritates me, Phil. Why have you taken him?

         					PHIL. 
I asked to shut your mouth.

Pause. They continue to go. Andy takes out a cigarette and begins to smoke. A shot is heard. They stop.

         					PHIL. 
Have you heard?

         					ANDY. 
Sure.

         					GEORGE. 
In what side?

         					ANDY. 
It seems there 
(is pointed by hand).

         					PHIL. 
Only Mark could shoot.

         					GEORGE. 
Let's run, he is somewhere here.

They are running to the side where they heared a shot. Andy throws a cigar. Having run four minutes, they burst in the road, looks at the sides and see died Tom.

         					GEORGE. 
Oh, fuck. He killed the cop.

         					PHIL. 
The most dangerous is that he has moved away by car. By 
the police car.

         					ANDY. 
Now we will not be able to catch him.

         					GEORGE. 
Nowhere will he disappear.

         					PHIL. 
Let's go and take of the body from the road.

They approaches to the dead cop and look at him.  

         					GEORGE. 
What they are helpless when they lie in such way and can't do 
anything. 
          		 (laughs). 
It is a pity, we have not a camera.

         					PHIL. 
Mark, he didn't leave him any chance. He shoots from close 
distance in the head … and cop didn't pray.

         					ANDY. 
The cop couldn't take his gun, what hell to pray.

         					GEORGE. 
To pray it is always essential.
 
         					PHIL
 		(looks around). 
Let's pull him there
           		(take Tom for his hand).

George and Andy are taking his leg and begin to pull him in the forest. 

7. EXT.  POLICE CAR. DAY.
Police car is moving. 

8. INT. POLICE CAR. DAY.
Mark is driving the car and smoking a cigarette. 

9. INT.  POLICE CAR. DAY.      
David driving the car. Near him is sitting Ronny.

         					RONNY. 
My wife goes asleep at once and sleeps as if she was shot. I often 
look at her with envy ... all night she sleeps, smiling and says she 
never see dreams.

         					DAVID. 
I can’t have been!

         					RONNY. 
Of course … She loves very much to sleep and to wake up her 
is very difficult. One day I needed to wake her up and I couldn't 
do it. I cried near the ear and put alarm clock. I kicked her.

         					DAVID. 
Kicked!

         					RONNY. 
But she didn't feel anything. I pushed her from the bed but 
she continued to sleep.

         					DAVID. 
May be she died there?

         					RONNY. 
I such case I would celebrate an anniversary of her death. 
          		 (laughs).

         					DAVID. 
Have you showed her to a doctor?

         					RONNY. 
Why? She isn't ill.

         					DAVID. 
But it is better if they'll examine her.

         					RONNY. 
She looks healthy and feels herself very good.

         					DAVID. 
It's good for her - she doesn’t hear your snore.

  They laughs.

         					RONNY. 
You right. It is so.

         					DAVID. 
My wife, grumbles at me every morning - I was
not sleeping all night because you snore like 
tractor. On one hand shi is right.

         					RONNY. 
But on the other hand?

         					DAVID. 
But on the other hand – I don’t know.

         					RONNY. 
Look, David, have you never been sick of sleeping?

         					DAVID. 
No. Never. I don't see anything in it. But you?

         					RONNY. 
I am not sure exactly. Listen, a lot of time is spent 
on our sleeping. Half of our life.

         					DAVID. 
In such way our world is built. And not we have 
created it. Do you have anything against it?

         					RONNY. 
Everything is mixed in this life.

Pause. Some time later a police car is approaching to them, in which Mark is driving it. Both cars are moving near. David and Ronny are looking at Mark, but he is looking at them. After the cars had separated, David says.

         					DAVID.  
Who is it?

         					RONNY 
(looking in the back's mirror). 
                                  This is Tom’s car. 

David stops the car and turns back. Turning on a signal they are moving after Mark. 
 
         					RONNY.  
		          What is this fellow doing in Tom’s car?

         					DAVID. 
                                  Where do I know?

         					RONNY. 
And ... where Tom?

         					DAVID.
I don't know.

They approaches to Mark. 

         					MARK 
(looking in the back's mirror). 
                                    Oh, fuck.

Mark turns on the speed.

         					DAVID. 
What the fuck. 
           		(turns on the speed).

Mark is taking a pistol and put in the left hand. Pulling his hand out of the window, he shoots not looking. Bullets get the front glass leaving the cracks. David and Ronny lean toward. David loses the control of car, but corrects his mistake in time and continuous to move after Mark. Some cars are driving near him. 

         					DAVID. 
Why you sit! Do something.

Ronny is taking out the pistol and shoots too. The bullets get into the luggage compartment. Mark begins to shoot too. The bullets get into radiator. Ronny shoots, getting into the bumper, and then he leans back and begins to load the pistol. Holding the wheel, Mark loads the pistol.

10. EXT. «Lincoln Aviator».  DAY. 
Car is moving along the highway.

11. INT.  «Lincoln Aviator».  DAY.               
Patrick at the wheel. He is brawn-haired man, 24 years. Near him is sitting Britney. Britney is blonde woman, 22 years.

         					BRITNEY. 
I don't need anything from you.

         					PATRICK. 
What's up with you today?

         					BRITNEY. 
Are you asking!

         					PATRICK. 
                                	If I know, I wouldn't ask you.

         					BRITNEY. 
Go to hell. I am tired from you. From your promise. 
To say a lie for you is like to drive a car.

         					PATRICK. 
When did I say a lie, damn it?

         					BRITNEY. 
Always.

         					PATRICK. 
Always? … Cool.

Pause.

         					PATRICK.
			I think, it doesn't need for me.

Taking out of the pocket a ring, he throws it through the window.

         					BRITNEY. 
What the hell are you doing?

         					PATRICK. 
It is not interesting for you.

         					BRITNEY. 
You have thrown a ring! My ring!

         					PATRICK. 
And what?! It is not your ring. 

         					BRITNEY. 
No, it is mine. Stop the car.

         					PATRICK. 
I won't stop the car.  

         					BRITNEY. 
Stop the car, I say to you.

         					PATRICK.  
Why?

         					BRITNEY. 
What the fuck!!! You have thrown a ring. It is may be 
very expensive.

         					PATRICK. 
Sure, damn it.

Patrick is pressing on the brake. Britney hit his head in window. 

         					BRITNEY. 
You want to kill me. 

         					PATRICK. 
May be.

He turns on back speed and they begin to drive back.

12. EXT.  HIGHWAY.  DAY.   
Near the highway, Patrick and Britney are looking for a ring.

         					PATRICK. 
So, where is it, damn it.

         					BRITNEY. 
I didn't throw it!

         					PATRICK. 
Don't make me angry.

         					BRITNEY. 
You are blame yourself.

         					PATRICK. 
Will you ever stop to be wayward?

         					BRITNEY. 
Are you a whim?

         					PATRICK. 
But is there anybody here except you?

Britney is looking at him.  She is discontented. Two police cars are moving near them, shooting between itself. Britney and Patrick come up and look at them, while two cars don't disappear round the turning. 

         					PATRICK. 
Let you look for ring. We have not time to distract.

         					BRITNEY. 
Where have you thrown it?

         					PATRICK. 
I didn't know. I don't remember. I don't look. It was not 
important for me then. 

         					BRITNEY. 
Damn it, Patrick. How I hare you.

13. EXT.  HIGHWAY.  DAY.   
Police car is pursuing another one. Ronny creoles out of the window, shots breaking the window of back glass. Mark turns back and shots. The police car is moving from side to side trying to avoid the bullets. Mark begins to shot again. The bullets get in the wheel. Police car  is moving in side, out the road and turns down. Mark is looking in the mirror, then looks back and forward the road, putting the pistol on the seat. David and Ronny crawl out of the turned car and go away from it.

         					DAVID 
(cries).                                                                                                                                                                                        
Fine. Cool. He could fool over us. But the game hasn't finished yet. 
It is only the beginning... and he is winning now...he is lucky.

         					RONNY. 
Football and life are different things.

         					DAVID. 
                               	It isn't differ, Ronny. To won, it is essential to hold 
		          	all match, so all life. To score, it must be overcome the
                               	defenders. It is life, Ronny. It is something common. 
                               	The differ is that football is a game, but life is a life. 

         					RONNY.
You can't to go on.

         					DAVID. 
I wonder, has the transceiver broken?

         					RONNY. 
I'm not sure.

         					DAVID. 
We haven't get in such situation for a long time.

         					RONNY. 
I'm glad it.

         					DAVID. 
Not to be glad but…

         					RONNY. 
It is great. Yes?

         					DAVID.
It is high enjoyment.

         				RONNY. 
You can be written a book about.

         					DAVID. 
You may be thought the title.

         					RONNY.
			Good idea, I didn't think about it. What a book without title. 
                                   For example - Simple David. 

         					DAVID. 
Stop to treat.

         					RONNY. 
			Or - Here is David! But may be - The world against David. It 
                                    sounds not so bad.  

         					DAVID. 
Let's stop.

         					RONNY. 
I recognize letter David. Where have you been till this
time? I learned the right of people. Have you been at
psychiatrist?

         					DAVID. 
You haven't changed.

         					RONNY. 
For what?

         					DAVID. 
			Well, it is be better, if you check a transceiver.  Hell knows
			 how much we need to wait for the first car and if it'll stop. 
 
         					RONNY. 
You'll go the first. It'll can to burst. 

         					DAVID.
 Why am I the first?

         					RONNY. 
Because I have children, but you haven't.

         					DAVID. 
You have not children.

         					RONNY. 
			But I want to have. If I go there, it isn't known what will happen. 

The police car is exposing behind them. They turn back and look at it.  

         					RONNY.
 What shall I say?	

14. EXT. HIGHWAY.  DAY.
Along the highway are going Phil Andy and George.    

         					GEORGE. 
I don't understand why there is so much noise because of rubbish. 
When a fellow wants to fuck the bitch, it is enough to introduce with 
her, and then she'll pull you into the bed. 

         					ANDY. 
It is easy for you to speak, when all bitch are negro women.

         					GEORGE. 
Do you want to say there are not bitches among white ones? 

         					ANDY. 
I did not say it.

         					GEORGE.
Have you ever seen porn films? Didn't you take attention that 
besides blond women you'll not see anything.

         					ANDY.
Sometime I guess you nothing understands.

         					PHIL. 
Andy is right. He is got exactly in point.

         					GEORGE. 
You have made arrangement with him. It is so? What'll he 
promise to you - to spend a romantic night? 

         					PHIL. 
Your imagination has mixed.

         					GEORGE.
But your? 
(laughs).

         					PHIL. 
			The only you should know is not to be here. 

         					GEORGE. 
 Oh. I don’t knew. 

 Silence. Sometimes, some of them look back if the car is not moving. 

         					ANDY. 
I'm tired to walk. My legs are so tired that I'm ready to kill 
everybody who'll bother me. Shall we have a rest?

         					PHIL. 
Suffer, Andy. Suffer. Now it is not bad if compare what it was 
last year. Is it right, George?

         					GEORGE. 
Sure. How much have we walked, then?

         					PHIL. 
About ten miles.

         					ANDY. 
10  MILES!

         					PHIL. 
Sure.

         					GEORGE. 
It was heat then.

         					PHIL. 
It is good we had water.

         					ANDY. 
I am not going to walk today ten miles and more. Let's sit 
down and wait for a car.

         					GEORGE. 
But if it'll not appear? What is then? To be here all day?

         					ANDY.
How will not it appear?

         					GEORGE. 
You are a newer in this business. If you don't want to be 
shot, do as others do and ask less the stupid questions. 
You understand?

         					ANDY. 
You didn't say why you were walking ten miles?

         					PHIL. 
We had an affair.

         					GEORGE. 
It was very serious.

         					PHIL.   
Yes.

         					GEORGE. 
How many fellows we lost?

         					PHIL.
Three.

         					ANDY.
 Did they die because they were walking ten miles?

 Phil and George laughs. 

         					GEORGE. 
Because of this nobody died.

         					ANDY. 
Then why?

         					GEORGE.
 You are very inquisitive. 
        		 (takes a cigarette, lights it and smokes).

         					PHIL. 
Tell him, George. Let him know.

         					GEORGE.
We run across the police car.

         					PHIL. 
Shooting was cooler than in films.

         					GEORGE. 
Sure.

         					ANDY. 
How you talked refuge?

         					GEORGE. 
You said a word - professionalisms.

  George and Phil laughs, then Andy.  

         					GEORGE. 
Study, Andy.

         					ANDY. 
What study? Everything is thought, any fellow can cock the 
gun. Any mad can kill hundred cops and be at their funerals.

         					GEORGE. 
			Not everybody can do it. If you want to overestimate 
                                   grossly, chose the essential situation. 

         					ANDY. 
Sometimes I think…

         					GEORGE. 
It is not thought you.

         					PHIL. 
Let you tell him, George.

         					GEORGE. 
He won't surprise us with his stupid phrases. Silence is the best 
vitamin in this world. 

         					ANDY. 
It's simple that somebody becomes mad.

         					GEORGE. 
You'll be the first one. You don't know what stresses us with 
Phil runs across. And how it influences to our nervous system. 
I can argue in two hours you'll break your mind.

15. EXT. HIGHWAY. DAY.
Near the curb are staying David and Ronny.   

         					RONNY. 
Have you drunk? 
(laughs).

         					DAVID. 
It happened suddenly.

         					RONNY. 
If only your wife have seen you.

         					DAVID. 
			The problem is that I introduced with a whore.

         					RONNY. 
Is she nice?

         					DAVID. 
Sure. It's true, I've known about it only in the morning.

         					RONNY. 
Have you had anything with her?

         					DAVID. 
I don't remember.

         					RONNY. 
It's bad.

         					DAVID. 
I remember she took me to her place. We drank again…

         					RONNY. 
And it prevented to our sex.

         					DAVID. 
May be. In that day it was the first time when I drank a lot.

         					RONNY. 
It is worth of thinking about future.

         					DAVID. 
In what since?

         					RONNY. 
You have understood me, why I must explain you.

         					DAVID.
Have you met with it too?

         					RONNY. 
I've told you about it, don't remember?  

         					DAVID. 
I've forgotten.

         					RONNY. 
You are shit. Who I've told! Myself!

         					DAVID. 
Are you nervous? It's interesting. Where is Ronny, the fellow 
without nerves, calm, confidence?

         					RONNY. 
			You can not go on. I thought you are the only fellow who 
listens to me attentively. But you are bad conversationalist.

         					DAVID. 
May be then I thought over something. It happens to me.

         					RONNY. 
Do you often think so?

         					DAVID. 
If I have about what?

         					RONNY.
David is loved by everybody learned to think. It must be 
written dawn. 
           		(laughs).

         					DAVID.
Laugh! Laugh!

         					RONNY. 
I won't another chance.

         					DAVID. 
The time'll change.

         					RONNY. 
And what it then?

         					DAVID. 
You'll see.

Pause. Ronny is looking up at the sun.

         					RONNY.
 Today is unbearably hot again.

         					DAVID. 
As always.

         					RONNY. 
Well, it'd be better to have some beer, cold beer.

         					DAVID. 
I'd not refuse too.

         				RONNY.
We must be tolerant in order not to become crazy. This heat kills us.   

         					DAVID.
Shall we stop a car? Because we'll be burred here.

         					RONNY. 
Don't overestimates situation, David.

         					DAVID. 
I want to drink something cold.

         					RONNY. 
But you can be an excellent actor. Do you know, Damn it, 
how to die from thirsty more effective. 

         					DAVID. 
I'm not lucky.

         					RONNY.
You begin to bother me again.

         					DAVID. 
If reality is unattainable, why the dream is bad?

         			RONNY. 
You can dream, but don't mix me.
  
Pause.
         					DAVID. 
I think it'll be the last bad thing we'll run about. 

         					RONNY. 
Are you going to retire?

         					DAVID. 
I don’t know.

         					RONNY. 
Everybody'll miss you.

         					DAVID. 
Don't hurry. I haven't gone yet. 

         					RONNY. 
I am only preparing.

         					DAVID. 
People are preparing for another one.

         					RONNY. 
And what is it?

         					DAVID. 
You seriously want to hear or your fantasy is strange a little?

16. EXT. HIGHWAY. DAY.
Along the curb are going George, Andy and Phil.    

         					PHIL. 
But the most wonderful in this story that the police didn't 
find a gun.

         					ANDY.
 I must know how it happened?

         					PHIL.
It is a long story. But all facts I have already forgotten. The 
time flies very fast. It happened fifteen years ago.

         					GEORGE. 
Than the time was another one than now.

 Pause.
         					ANDY.
 Where is fucking Mark?

         					PHIL. 
Don’t worry, we’ll find him.

         					GEORGE. 
Before I didn't hesitate but now I hesitate. He has sat in bar for 
a long time and enjoys himself a cold beer. But we warm our 
brain trying to find him. He laughs at us, but we don't guess 
about it. 

         					ANDY. 
Do you have a pain in legs?

         				GEORGE. 
I said he'd bother everybody.

         					ANDY. 
Don't show off.

         					GEORGE. 
Are you bothered?

         					ANDY. 
What?

         					GEORGE. 
What you said about.

         					ANDY. 
Don't enjoy your depression and everything'll all right.

         					GEORGE. 
You are walking on the sharp part of knife.

         					ANDY.
May be you will say me what to do?

         					GEORGE. 
			I'd be better if you go to the road. May be any of mad will 
kill you. I’d be interesting to see it. 

         					ANDY. 
You spoil own life, George.

         					GEORGE. 
It is not so, baby. 

      					PHIL. 
Oh my God. You are quarreling like Stew and Tim.

Silence.
         					PHIL. 
Andy, what you know about fellow Denis by name.

         					ANDY.
Who nailed him girl to the bed!

         					PHIL.  
Sure.

        					GEORGE.
Are these madman’s in this world.

         					PHIL. 
As you. The differ is that you are white.

         					GEORGE.
			Do you love your mum, Phil?

         					PHIL. 
May be.

         					GEORGE. 
One day I'll turn out you neck and you won't see
her. Don't I warn you not a word about my skin, 
especially about black mad. If I were mad you 
wouldn't stay here. You are alive because we both 
have problems. Andy is a young puppy, he doesn't 
understand anything, he only put his as under the 
bullets.

         					PHIL. 
I see, somebody has sketched your brain, but as 
is nothing here.

         					GEORGE. 
I know better, Phil. Let's shut the mouths together, 
not to kill each other.  Andy only will be glad. But I 
don't want this fool will jeer at my corpse.  

         					ANDY.
He must be a stupid to touch to your body.

         					GEORGE. 
What don't you like in my body?

         					ANDY. 
Brains.

Phil laughs.
         					GEORGE.
Why are you laughing, fool? What is funny here, mother 
fucker.

         					PHIL. 
Well, you are simple - super stupid.

         					GEORGE. 
Well, I am a super stupid!! Shall I kill you?

         					PHIL. 
If you wanted, you couldn't do it.

         					GEORGE. 
Try.

         					PHIL.
How?

17. INT.  «Jaguar XJ40» 1989 YEAR.   HIGHWAY.   DAY. 
 «Jaguar XJ40» is moving. At the wheel is Mike. He is brown-haired man, 39 years. Looking at the road he is speaking on the phone.

         					MIKE  (V. O.) 
Advertisement is really excellent. I am sure in it... This is your 
opinion, nobody is interested in it…What?…Sure.…I think, yes
…Their suggestion, I'll know soon and cool you at once …Ok.…
What did he need?…He is crazy?…It seems our world becomes 
smaller 
             	(laughs)
…It is not so bad. …Well, it'll be known very soon. …I don’t know, 
I don’t know…Why do you think so?  .. Stop, friend, I have already 
heard …I understood… Bye…I ring to you. 
              	(sets the number)…
Hi, I miss your voice, my dear …I am OK... No, don't think about 
it …I said you throw everything from your head, because I'll need 
to spank you…No, I am jesting… No…But I don't want… The 
matter isn't so…Shall you allow me to speak?... When you learn to 
behave yourself and don't look at your friend, may be I'll agree with. 
Well, but without me don't go out. Do you understand?…Be careful, 
bye, baby. 

Mike turns off the phone, putting it into the pocket and continues to look at the road. Far in distant Phil, Andy and George are staying at the road. Phil rises his hand up. Mike presses the brake and stops the car near them. Mike opens the right window and says.

         					MIKE. 
What happened? Your car has been hijacked? 

Phil opens the door, and gets into the car, takes out the gun and point to Mike.

         					PHIL. 
No. You car. Get out of the car. 

Mike get out from the car. George walks around the car and sits at the wheel. Andy sits on back seat.

         					GEORGE. 
(to Mike). 
Wait pair minutes. The bus must appear soon.

         					MIKE. 
			I don’t know, why you need my car, but be careful. 

         					PHIL. 
Sure.

         					MIKE. 
I hope you'll give back it?

         					GEORGE. 
			As soon as we don't need it, we'll do it at once. 

Car leaves. Mike is staying and watching at the car. Taking out the phone he sets the number.

         					MIKE   (V. O.)
Hello. Police?…My car has just been taken…They are 
three: two white and one black men. I don't know their 
names…But remembered their faces…No, I see them at 
first time…Number of car?…I don't remember. The 
problem is that this car isn't mine, it is my father's car. 
«Jaguar XJ40» black color…Yes, I am sure…I understand 
in cars…Yes, they have guns, I saw at one of them. He want 
to kill me…I know that my car has just been robberied and 
your duty to find it…Do you think, on the road there are so 
many such cars…I am sure, such cars are not on the roads. 
All I want my car'll be back again, but how, its are your 
problems…I'll be grateful to you...Do you understand there 
I have very important documents and if they disappear my 
boss'll kill me…Do something. Don't sit in vain, because soon 
you'll have corn on your ass…Sorry…Ok…Bye…

Turning off the phone he is looking in sides.

         					MIKE. 
What shall I do? I hope the buses will appear soon.

Mike is walking slowly along the road, thinking about something. He sets the number

         					MIKE. 
Honey, hi. This is me….If something happens to me, move to 
mum. OK?…I'll explain you then…Nothing dangerous…it 
happened a small problem because of our life will be able to 
change…Everything I want you to believe me, trust me…You 
must obey me…I don't want to say about it. The time will come, 
you'll know everything.…It is only supporting, I am not sure 
myself…Don't be afraid, everything will all right…Do you love 
me?…Then rely on me. You'll live only a month, may be two. 
It isn't only know...I ask you, don't give me questions now. When 
I come you'll know everything. But until I'll think how to resolve 
this problem…No…Is not so complex as you think, I said you 
everything would be all right…Believe me… Only don't begin at 
the beginning... If you don't stop, I'll stop to speak to you…Listen, 
baby, don't put the rubbish into your head….Don't interrupt, when 
I say…Shall you stop?  Oh, hell. I have known so. 
          		 (turning off the phone). 
Why I phoned! 
           		 (look back and go forward).

18. INT. HIGHWAY. DAY.
 «Jaguar» is moving. At the wheel is  George. Near him is Phil. On back seat is sitting Andy.

         					PHIL. 
(turning to Andy). 
Hey, Andy. What is the name of that boy who sticked to you 
yesterday?

         					ANDY. 
I don't remember.  

         					PHIL. 
			How don't you remember if you talked with him and very long.

         					ANDY. 
Look, Phil. I slept with many bitches, but I don't remember 
their names. And why must I remember the name of that guy.

         					GEORGE. 
It is clear now why you didn't remember the bitches' names. 
They caught you somewhere at night, at the beginning beat 
and then fucked you till death. And why they must say you 
their names.

Phil and George laughs.  

         					ANDY. 
What funny is it?

         					PHIL. 
I think, George is right.

         					ANDY. 
Go you...

         					PHIL. 
I thought you understood the jokes.

         					ANDY.
 These are not jokes, this is mockery.

         					GEORGE.
 You have a child sense of humor.

         					ANDY. 
What do you want?

         					GEORGE. 
We?

         					ANDY. 
Yes!	

         					PHIL. 
Andy. I remember, you didn't take drugs in the morning.

         					ANDY. 
I remember it. I don't understand what you want to say?

         					PHIL. 
You behave yourself in another way, hell. It wasn't such with 
you before.

         					ANDY. 
As a matter of fact I have tiered of you. I haven't a minute 
of relax.

         					GEORGE. 
But we don't bother you at night! 
(laughs).

         					ANDY. 
You are not distorters, to tear to me....

         					GEORGE. 
 But should be 
(laughs).

         					ANDY. 
Fuck you.

Silence.  Andy set fire to a cigarette. Phil too. George is going on watching at the road.

         					GEORGE 
(to Phil). 
Turn on the music.

         					ANDY. 
Only not pank one.

         					GEORGE. 
Aren't you sleeping? It's time, baby. Mother fucker.

 Phil turns radio. «Spice girls» is singing.

         					ANDY. 
What did you switch on?

         					PHIL. 
Do you like it?

         					ANDY. 
No of course. Today is so exciting day and we must listen to 
these bitches.

         					PHIL. 
If the bitches were not all the men would be bitches too. You 
must be glad they exist because your ass would be in the window 
of Sex-shop.

        					GEORGE
 	(laughs). 
I would like to look at this picture.

         					ANDY. 
Go to hell.

         					GEORGE. 
Enough, baby.

Silence. Some time later «Jaguar» is approaching the police car, which is up on the road and is burning. Not far from it David and Ronny are staying. 

         					GEORGE.
 It is clear cops came on a picnic.

They laughs.

         					PHIL. 
I think, Mark had been here too.

         					ANDY.
It's clear so.

Ronny is waving by his hand, David went on the road and close the way to them.

         					PHIL. 
Don't stop.

         					GEORGE. 
Why do you decide I'm going to do it?

«Jaguar» is moving toward David approaching closer and closer. David jumped to the side. «Jaguar» passed by and moves toward. David gets up.

         					DAVID. 
Here they are hideous. They didn't stop!

         					RONNY. 
I saw.

         					DAVID 
(livid).
I couldn’t believe it.

Ronny approaches to him.

         					DAVID.
Oh, shit.

         					RONNY. 
Don't worry. You know people relate to the cops now.

David looking at him and didn't surprise at all. Silence.

					DAVID.
			I don't feel alone anymore.  
                        
					RONNY.
			Are you kidding me?

					DAVID.
			A piece of cake.  
              
    					RONNY.
			When was your last complete physical?
						
					DAVID.
			I don't know.

					RONNY.
			The American science and events. I am not surprised.

					DAVID.
			You are working pretty hard these days.

					RONNY.
			Yes. What a crazy day!

					DAVID.
			You are right.

					RONNY.
			There is much more to be done.    
                           
					DAVID.
			The last but not least.

					RONNY.
			You just relax. 

					DAVID.
			I try.
  
Silence.

19. INT. HIGHWAY. DAY.
 «Jaguar» is moving along the highway. George is looking at Ronny and David in the mirror of car. Turning back, Phil and Andy are looking too. They laughs.

         					GEORGE 
(to Phil). 
The question can be seemed stupid, but what you think about 
Andy's future?

         					ANDY. 
My future!

         					GEORGE 
(to Andy). 
But you shut up.

         					PHIL. 
I didn't think about it, but I consider everything will be all right.

         					GEORGE. 
Didn't you think what makes him do it?

         					PHIL. 
No.

         					GEORGE. 
May be we pressed him very much. All his life somebody 
pressed him. Somebody decided instead of him what to do 
and not to do. In some moment this pressing became intolerable…

         					PHIL. 
And he broke out. Everybody has his own limit.

         					GEORGE. 
But at this age to be engage in such efforts, it is very strange. 
Don't you see who he has become? I wonder, if he has always 
been such ugly hideous?

         					ANDY. 
You are so silence talking about my life. You don't know 
anything.

         					GEORGE.
It is bad, Andy. Only hell knows what'll 
happen with us because of you.

         					ANDY. 
I'll try to do everything your ass won't happen anything.

         					GEORGE. 
I won't allow you defeat us. It is not reasonable. You can't safe 
yourself not us. I am afraid to imagine.

         					ANDY. 
But you don't do it. Only rely me. 

         					GEORGE. 
You have said it seriously? Or you study to speak? I'll never 
rely on you. It is suicide. You know it better than I am.

Silence.
 
20. INT.  POLICE CAR. DAY.
Near the highway police car is staying. In the car are sitting two cops: At the wheel is Ray, near him is sitting Sam. Ray is brown-haired man,  38 years. Sam is brown-haired man,  36 years.

         					SAM. 
Evelyn Frechett is a nice girl too. 

         					RAY. 
I like more Cheryl Ringgold. She is really pretty.

         					SAM.
About tastes are not argued.

         					RAY. 
It is exactly.

         					SAM. 
It seems Wallis sat near her.

         					RAY. 
Yes, he was, but I was in front of her.

         					SAM. 
It is a pity, I didn't study with you.

         					RAY. 
Yes. In your class everybody were stupid, strange, schizophrenias 
except you of course. I can't understand how did you get there?

         					SAM.
I don't know.

         					RAY. 
Are you continued to suffer about Cheryl?

         					SAM. 
Nothing but memory remains.

         					RAY. 
Where is she now? 

         					SAM.
When we wrote to each other she lived in Miami. I don't know 
what happened to her but I didn't receive letters from her any 
more.

         					RAY. 
I have met Alison Mitchell lately.

         					SAM.
How is she?

         					RAY. 
She was in a hurry, we talked only 5 minutes.

         					SAM. 
Fuck.

         					RAY. 
She gave her phone number but I have lost it somewhere. 

         					SAM. 
Fine.

         					RAY. 
It's a pity there are few women like she is.

         					SAM. 
			Complain to God.

Ray laughs.

         					RAY. 
You right.

Silence. «Jaguar», appeared back, passed by and drives toward. 

         					SAM 
(see the car). 
Is it not that "Jaguar" was told about on the walkie-talkie? It 
seems it is known as in drive away.

         					RAY. 
I don't know, the color is the same.

         					SAM. 
And the model too.

         					RAY. 
We must check.

Ray stars the engine. Police car began moving after them. Sam turns on siren.

21. INT. JAGUAR. HIGHWAY. DAY.
 «Jaguar» is moving. At the wheel is George, near him is sitting Phil, on back seat is Andy. «Placebo» is singing. A police siren is heard behind them. George looks at the mirror.

         					GEORGE. 
Fuck, cops.  

Andy and Phil are looking back.

         					ANDY. 
It is better not to bother them. May be they don't follow after us.

         					GEORGE. 
Is there any car on the road?

         					ANDY. 
No, it isn't.

         					GEORGE. 
So, they are following after us, blockhead.

Police car is approaching them and fries to outstrip. George tries to close a way to them. Moving some miles the police car could be close to «Jaguar». George turns the wheel in left side. The car strikes the police car in right side and the latter moves in side. Ray could hold the car in the road and they continue to follow. Taking out the gun, Andy crowd out of the window and shoots. Phil began to shoots too. Leaning back, Phil and Andy change the guns. Out of police car with gun in the hand Sam shoots. Andy and Phil continue shooting. The police car is moving from side to side. Leaning back seat Sam changes the gun. Finishing shooting Andy and Phil change the guns. Sam shoots. Phil shoots and gets into the front wheel. The police car strikes the tree and explodes. Andy and Phil, leaning back hides the pistols back.

         					GEORGE. 
It is not bad, but could the better too. In general ... good job. 

Silence.

22. EXT.  POLICE CAR. HIGHWAY. DAY.   
Police car is moving. At the wheel is sitting Mark.  The petroleum is dropping out of the police car's fore-deck. Driving the car Mark smokes and looks in sides at the passing trees.

23. INT. JAGUAR. HIGHWAY. DAY. 
 «Jaguar» is moving.    

         					GEORGE 
(driving the car). 
Once I had been waiting for a month while my girl agreed.

         					PHIL. 
And of course you wish was increased.

         					GEORGE. 
Well, now there are a lot of bitches, you can have a good time 
with them.

         					PHIL. 
If your soldier doesn't let down.

GEORGE. 
But till this time I hadn't problem with it.

         					PHIL. 
And you, Andy?

         					ANDY. 
No.

         					PHIL. 
Do you have a girlfriend?

         					ANDY. 
I have told you hundred times, I hadn't a girl.

         					GEORGE.
You don't know how to do it.

         					ANDY. 
If you know everything why don't you share with everything!

         					GEORGE. 
Only not with you.

Silence. George is looking at the road. Phil and Andy are looking at the passing trees. Soon Andy looks at George in the mirror of back.

         					GEORGE 
(noticed Andy's eyes). 
What the fuck are you staring at me?

         					ANDY. 
But you?

         					GEORGE. 
I nothing, but you why looking at me?

         					ANDY. 
I don’t know. I don't like you today.

         					GEORGE. 
I am sick of you. You are a failure and you'll always be it. Like 
my father told, such fools as you are, don't live a long. They are 
always mistakes and get in stupid situations. Everything because 
they haven't enough vitamins in their head. I have known you 
very good for some months.  

         					ANDY. 
You don't know anything about me.

         					GEORGE. 
It is good for everybody not to have deal with you and later 
I ask you to be in a distance from me. 

         					PHIL. 
How long will it be continue.

Andy and George looks at Phil.

         					PHIL 
(continues). 
When'll you make friends. Stop to quarrel, mother fucker.

         					GEORGE. 
I'll talk with wood than with him, with this blockhead. I advice 
you to do the some...look at this fool, don't he similar with a 
failure! He is not a failure, he is a psychopath with stupid mind 
which think worse than my shit.

         					ANDY. 
How you like over increase, mother fucker. So Phil?

         					GEORGE. 
Are you over increase, goat!

         					PHIL. 
Shut up, you the both.

         					GEORGE 
(to Phil). 
Fuck off, Phil. It is your fucking error.

         					PHIL. 
Well, you can shoot each other and release me from your present. 
I think, it'll be better for me.

         					GEORGE. 
I won't make you such pleasure, Phil.

         					PHIL. 
But I don't suppose. I think, you would be scared.

         					GEORGE. 
			You think very much, it spoils you.

         					PHIL.
It is everything I can do.

         					GEORGE. 
You could find more pleasure matter in this situation.

         					PHIL. 
What exactly?

         					GEORGE. 
Never trust to strange advice, try to use yours. If you are mistaken 
you'll blame yourself, not anybody who made you to do this error. 
In this case I can help you if you have hen brain.

         					PHIL. 
Never, George. Never. If you bitch, open your dirty mouth 
		(taking out the gun and points to 
		George's head),  
I should dirty my car with your brain. And Andy wouldn't like 
to clean the glasses, your black brain. 

         					GEORGE.
			What happened to you? Hide your gun, because Andy'll have 
to deal with my brain, but it is not pleasant to me. Well, put your 
gun on place, while we'll not lose our brain. 

         					PHIL 
(leaning back hide the pistols back). 
			Remember, you are nothing and don't say me what to do, in 
different way you will have to introduce with my friend. Do you 
understand everything? 

         					GEORGE. 
			You are amassed me. I haven't heard such speech for a long 
time.  I don't expect to hear from you.

         					PHIL. 
Must I take out my friend?

         					GEORGE. 
I think it will be good without him.

         					PHIL. 
Fine.

Silence.

24. INT.  POLICE CAR. HIGHWAY. DAY.  
Police car is moving. At the wheel is Mark. Moving some miles, the car stopped. 

         					MARK. 
(surprising). 
What the fuck! 
		(tries to start the car). 
Oh, come on. Shit. 
		(looks at the apparatus, hand shows 
		the petroleum is absent).  
Fuck, fuck.

Getting out of the car he strikes the back door with his leg.

         					MARK. 
(cries). 
Fuck, fuck.

Stops for a minute then strikes the front door, it is broken. Mark picks up the door and began to beat the glass, then he threw the door in side and leans back to the car. Lighting the cigarette he looks in sides. 

25. INT. JAGUAR. HIGHWAY. DAY.
 «Jaguar» is moving.   

         					PHIL. 
I remember she wanted to inspire passion, but nothing 
came out.

         					GEORGE 
(laughs). 
May be, you don't want!

         					PHIL. 
But this hour I had been waiting for a long time.

         					GEORGE. 
Then what happen, your cock saw her ugly face and it had 
heart attack. You specially were not ready.

         					PHIL. 
Fuck you.

         					ANDY. 
I think Negroes can't fuck. So George doesn't understand 
anything in this matter, he can only speak with his cock.

         					GEORGE. 
I think you must not be closed to women. It is very dangerous 
for them. The fools always have problems with something, 
suddenly the cock'll break, or will be lost in pants. Everything'll 
be able to happen. 

         					PHIL 
(to George). 
You begin again…

         					GEORGE.
...Don't put your nose, Phil in not your matters, OK? You don't 
like anything again…

         					PHIL. 
I don't like you.

         					GEORGE. 
Since when?

         					PHIL. 
Since that time when we were introduced. I didn't show it 
before, tried to control myself, but now I can't. Damn it, 
George, you had to understand it before, don't you understand?

         					GEORGE. 
I get to know your negative side more and more.

         					PHIL. 
I tried not to show them, but you guess what'll happen if to 
touch them.

         					GEORGE. 
It won't influence to me.

        				 	PHIL.
You didn't run with them.

         					GEORGE. 
I ran up with worse troubles and dangerous troubles.

         					PHIL.
You can't control yourself and it will influence to your life.

         					GEORGE. 
You nothing knows about my life. To try to know I don't advice 
you, Phil.

         					PHIL. 
Is it a threat?

         					GEORGE. 
It is bullshit.

         					PHIL. 
Why don't you shoot yourself!

         					GEORGE. 
Yourself! I don't guess anything, but I think it is a compliment.

         					PHIL. 
Have you ever given compliments? If it have ever been, let 
my eggs will be cut.

Pause. George is looking attentively at Phil then turns back.

         					GEORGE 
(to Andy). 
Why are you silent? 
		(turning and looks on the road).

         					ANDY. 
I don't want to prevent you; it is very seldom to see such 
performance.

         					GEORGE. 
But may be you want to see my cock! Or my ass? What you 
choose, cock or ass? Choose quickly, I can rethink.

Andy is silent.

         					GEORGE. 
Have you decided? 
		(looks at Andy in the mirror).

         					PHIL 
(pulls out a gun). 
Show me.

         					GEORGE. 
I have shown you 
(laughs).

         					PHIL  
(strikes George with gun).
 Don't you seem…

         					GEORGE. 
Ok, I am silent.

Phil puts the gun on the place. Several times they drive in silence. Suddenly the front wheel of this car is broken and the car runs into the tree. Silence. Nobody moves. Andy was the first who could get out of the car. Lying a little he came up to the car and put his head into the window. He looks at George, who lost consciousness, his face was in blood. Andy looks at Phil, who was sitting not moving.

         					ANDY.  
Phil. Are you OK?

Phil opens his eyes looks at Andy and asks.  

         					PHIL. 
Have we died?

         					ANDY. 
We, not. but George, I think is died.

         					PHIL 
(looking at George). 
Are you sure?

         					ANDY.  
Yes.

Phil opens the door and gets off the car. He comes up to the car and looks at it. Andy comes up to Phil.  

         					PHIL. 
Fuck.

         					ANDY. 
Yes.

They continues to looks.

26. EXT. HIGHWAY. DAY.
Ronny and David are staying near the curb.    

         					DAVID. 
Kindness in a man is stronger than evil and we must not forget 
about it.

         					RONNY. 
It is true, fellow.

         					DAVID. 
The people stopped to respect each other. Everybody think 
only about them selves. Now it is difficult to find help ness, 
it is easier not to find it.

         					RONNY. 
It is so, David. 

         					DAVID. 
Whom have you ever helped? 

         					RONNY. 
Well, at first to my parents.

         					DAVID. 
It is clear. I say about something except relatives.

         					RONNY. 
Friends. The closest person, of course.

         					DAVID. 
You didn't understand again. Has it happened to you when 
you helped to unknown people? What do you do? Do you pass 
by or decide to help him? 

         					RONNY. 
Do you ask this question me?

         					DAVID. 
But what?

         					RONNY. 
Look at me. You think, if I meet a man who needs help ness 
I'll push him and go away! 

         					DAVID. 
I didn't think about it. It seems you've understood me badly. 
Have you run into this situation?

         					RONNY.
 Many times.

         					DAVID. 
 I wanted to hear it from you.

         					RONNY. 
 You surprised me.

         					DAVID. 
 What?

         					RONNY. 
To ask foolish questions, don't you know?

         					DAVID.
 Foolish or not foolish, it is questions. 

         					RONNY. 
But if I'll be asked about light of my cock, what must I tell?

         					DAVID. 
It is enough to answer – I don’t know. It is answer too.

         					RONNY. 
Well, this is a fool argue. We spoil our nervous.

         					DAVID. 
Well, because "silence" sometimes makes me nervous. It's better 
o talk about something then to be silent.

         					RONNY. 
It depends on our topic.

         					DAVID. 
Sure.

Silence. Some minutes later «Chevrolet Camaro» 1995 year appears. It is moving by the cops with hight speed. 

         					DAVID. 
Fuck. I can't believe.

         					RONNY. 
Well, we'll be here for a long time.

Silence.

         					DAVID. 
Ronny.

         					RONNY. 
What?                    

         					DAVID. 
What is with that psychopath who killed the old women with 
spanner? We haven't heard about him for a long time.

         					RONNY. 
They found 18 bodies.

         					DAVID. 
18!

         					RONNY. 
			He is a psychopath. How can he kill defenseless old women? 
They can't defend them selves. He killed them with great pleasure. 
We haven't his photo. He works excellently. 18 bodies and none 
evidence.  I am sure he is a European. 

         					DAVID. 
I have heard a lot about it. It seems he stopped.

         					RONNY. 
I hesitate. He'll begin his hunting again.  

         					DAVID. 
We haven't run into this problem.

         					RONNY. 
This is exactly. 

         					DAVID.  
			FBI is looking for him? 

         					RONNY. 
Yes.

         					DAVID. 
Or they are stupid agents, but he is a professional.

         					RONNY. 
We don't need new bodies.

         					DAVID. 
They'll find out him, but when?

27. EXT.  HIGHWAY. DAY. 
Phil and Andy are going along the curb. Several times they are going in silence and smokes.

         					PHIL. 
Well, Andy, what do you think about?

         					ANDY. 
I don't imagine, really that our efforts are so.

         					PHIL. 
This is our work.

         					ANDY. 
Everything is more serious than I thought. To do we must  
work harder, must be hot.

         					PHIL. 
Everything is not so bad. Never stop, when to the aim only 
some steps. In such way you can show your cowardice and 
somebody can use by it. 

         					ANDY. 
You see, I am always followed by failure. George was right, I 
am failure. I tried to fight with this problem, and here I felt 
failure. Something is wrong with me? I asked myself many times:
"Why I? What is different between me and other people? Why 
was I chosen?" I had thought for a long time over these questions 
but I didn't find any answer... I was looking for them everywhere, 
but bad luck is stronger than me. What do you think about it?     

         					PHIL. 
Everything is difficult...I am not strong in this question. You 
should overcome yourself. You must fight, Andy. If you don't 
do it, it doesn't mean you'll have to put up with. 

         					ANDY. 
I am weak only at night during my sleeping, rest time I am 
very careful.

         					PHIL. 
In our deeds we must not be weak, because a Bullet will be in 
our heads.

Silence.

         					ANDY. 
When'll you finish with this dirty job?

         					PHIL. 
What do you mean?

         					ANDY. 
Nobody win every time.

         					PHIL. 
We are all in dirty. Every of us when came in this job knew about 
risk. Nobody stopped, nobody thought.

         					ANDY. 
Do you consider it'll finish badly?

         					PHIL. 
Everything has the end. It's not important bad or good.

Pause. 

					ANDY.
			Where did the time go?

					PHIL.
			It's common things.

					ANDY.
			To have the time of our life.

					PHIL.
			That's something to consider.

					ANDY.
			What's got you thinking?

                                           	PHIL.
			I've been wrestling with the question.

					ANDY.
			About our responsibilities?

					PHIL.
			Yes.

					ANDY.
			How do you feel about it?

					PHIL.
			Fine.

					ANDY.
			I see you are in a good mood.   
                         
					PHIL.
			If it is right for our.

					ANDY.
			Is better off staying where she is.

					PHIL.
			What do you propose to do about it? 
                                  
					ANDY.
			Things on my mind.   
              
					PHIL.
			I found another mistake.

					ANDY.
			What our schedules are so different? 
                         
					PHIL.
			You're reading my mind.

28. EXT.  «Chevrolet Camaro». HIGHWAY. DAY.
«Chevrolet Camaro» is moving. 

29. INT. «Chevrolet Camaro».  HIGHWAY. DAY. 
At the wheel is Ben. Near him is sitting Carla. Ben is brown-haired man, 32 years. Carla is brown-haired woman, 30 years.

         					BEN. 
I didn't like your behavior at Fred. It is time to change, Carla.  
Don't be bitch.

         					CARLA. 
Do you want to say I behave myself like a bitch?

         					BEN. 
Like last bitch.

         					CARLA. 
What do you offer? Repent?

         					BEN. 
Yes. Write down in bitches' club…there may be you'll study 
and go in right way.

         					CARLA. 
Fuck off, Ben.

        					BEN. 
Look at the right, dear.

         					CARLA.
Stop, Ben. It's enough for me yesterday evening, when you 
reproach me.

         					BEN. 
I'll tell you till you understand. Were you not 
ashamed?

         					CARLA. 
I don’t know what it is.

         					BEN. 
Say me better, you hate me?

         					CARLA. 
I don't know.

         					BEN. 
You don't love anything except money.

         					CARLA. 
Yes, I adore money best of all. Without money my life wouldn't 
have sense.

         					BEN. 
I don't understand you. Your manners, your 
actions, I was same too, but now I try to change.

         					CARLA. 
You love money more than I am. And I am not surprised.

         					BEN.
We all have such weakness. It's enough to reproach me. 

         					CARLA. 
Why have you got marriage if you can't live with me?

         					BEN. 
I thought, you'd change.

         					CARLA. 
Change! I am not going to change.

         					BEN. 
Your parents are guilty in everything.

         					CARLA. 
Well, you begin to blame my parents?

         					BEN. 
They didn't bring up you good, it is cause.

         					CARLA. 
What?!!

         					BEN. 
They made so you live not for sake of life but for sake of money. They 
pampered you, bought expensive things. But the most important I 
became like you are. Money spoiled you. You nothing see in life except 
money. I am sure when you look at my cock you see hundred dollars.

Carla laughs.

         					BEN. 
Because of money you became a bitch, don't you?

Carla is shrugging her shoulders and continuing to smile. 

         					BEN. 
They made so you to love only many. And you know I understood 
they the most disgusting creatures in the world. I would crush them 
like bugs. 

         					CARLA. 
You had thought about them not so bad before.

         					BEN. 
Yes, it is faithfully. It was before. Now I try to change. 

         					CARLA. 
You'll not be able to do. We have a weakness - money. As soon as 
you see a wad of money, you forget about everything. Don't say I 
am ready for everything for sake of money, because I know you 
are ready for more for sake of them. 

         					BEN. 
Only don't exaggerate, I hate it.

         					CARLA. 
You know, Ben. You don't differ from my parents. You have the 
same opinion. You think the same.

         					BEN. 
Don't try to compare me with them. It's better you to look at 
yourself. The only they left you is love to money. You are ready 
to take money from beggar.

         					CARLA. 
Don't smile me. I know you are ready to steal the death.

         					BEN. 
Who thought me? Aren't you? Isn't family?

         					CARLA. 
Leave my family.

         					BEN. 
Do you know who they are? Money maniac. 

         					CARLA. 
Don't be idiot 
(laughs).

         					BEN. 
It's only to laugh for you.

         					CARLA. 
Nothing will change you, Ben. You'll remain he was and I want.

         					BEN. 
I am not sure we'll live long together.

         					CARLA. 
If I want you'll be with me forever.

         					BEN. 
How? Say? I want to know.

         					CARLA. 
With money. It is the only thing we love and it'll always connect 
us together.

         					BEN. 
Stop talking.

         					CARLA. 
You can say it is very rude?

         					BEN. 
Shut up.

         					CARLA. 
What you said?

         					BEN. 
Shut up.

         					CARLA. 
It doesn't similar at rude. You can't cry at me.

         					BEN 
(cries). 
Shut up, bitch. I'm tired of you.

Carla laughs.

         					CARLA. 
It's better now 
		(laughs).   

Pause. Silence.

30. EXT. HIGHWAY. DAY.
Along the curb are going Phil and Andy.    

         					PHIL. 
Films and life, are two different things. They cannot be 
compared. In life when somebody shoots a bullet the director 
doesn't say: "Stop, it has shot". You'll not go to make up room 
to fuck a sexy actress. This won't be in life, but do you know 
what'll happen? You'll be sent to feet worms. After this you'll 
not offered a new role in a new film.  You'll become a snock 
underground world. If the films influence on you so bad, stop to 
see them. The are a lot good things, you can have a good time, 
but you see stupid films where there is not sense. I would advice 
you something but I don't know your interests.

         					ANDY. 
Well, you say serious things.

         					PHIL. 
Of course. I have seen a lot.

         					ANDY. 
Have you meet with problems too?

         					PHIL. 
Not always, I quickly found decision from any situation. 

         					ANDY. 
Why have you choose such life?

         					PHIL. 
Like you.

Phil looks back and stops. Andy looks too.

         					PHIL. 
Well, the cat is approaching. Lay on the road.

         					ANDY. 
Why?

         					PHIL. 
In any time they won't stop. Look, who they are.  

         					ANDY. 
Nobody know what kind of psychopath is, but if he pulls me?

         					PHIL. 
Trust me.

         					ANDY. 
No, I can’t.  

         					PHIL. 
Here I decide. You'll do what we need. Pretend you are died, while 
I don't appear. Is it clear?

         					ANDY. 
Well. But if something…

         					PHIL. 
You'll shoot me.

         					ANDY. 
I'll be body. How I’ll do it.

         					PHIL. 
They are approaching. Let you do 
		(go to the forest and hide behind the trees).

Andy lays down on the road.

31. INT. HIGWAY. DAY. 
«Chevrolet Camaro» is moving. In the car Ben and Carla are sitting. Ben driving the car. They move silence. 

         					CARLA. 
Nothing want to say?

         					BEN. 
We've discussed everything.

 Silence.

         					CARLA. 
What is the matter with you?

         					BEN. 
Nothing. 

         					CARLA. 
No. It is not so. 

         					BEN. 
Leave me, OK?

         					CARLA. 
How you want.

Silence. Ben is looking at the road and sees Andy is laying across the road. He stops the car near him.

         					CARLA. 
What has happened with him?

         					BEN. 
Now we'll know.

They come out of the car and approaches to Andy.

         					CARLA. 
He is dead?

         					BEN. 
I don’t know.

         					CARLA. 
Check then.

         					BEN. 
Why must I check!

         					CARLA.
 I am afraid of deaths.

         					BEN. 
It is not know if he is died, but if I begin to touch him it'll be seen 
I get my pawn son him. I don't want to look gay.

         				CARLA. 
I don't ask you to touch his cock.

Ben rushes Andy in back with his leg.

         					BEN. 
Hey, guy, what is the matter with you?

         					CARLA. 
Nobody answered?

         					BEN. 
He is died. 

         					CARLA. 
May be he has some many, he doesn't need them now.

They lean toward and check the pockets. Phil comes up to Ben, pointing the gun to his head.

         					PHIL. 
If you move I'll shoot your brain. Take out your hands and 
stand up slowly. 

Ben and Carla turn back and stand up very slowly. Phil steps back. Andy jumps out quickly, comes up to Carla and hits her in face. She falls dawn.

         					ANDY. 
Well, you want my money, bitch.

         					PHIL. 
                                               		(to Andy).
			Be silence.

         					BEN. 
He is right.

Carla stands up slowly.

         					ANDY. 
                                               		(to Carla)
I don't hear your answer.

 Andy hits her again and she falls dawn.

         					BEN. 
Stop.

         					ANDY. 
Have you said anything? 

Andy goes to Ben. 

        					PHIL. 
Stop, Andy.

Andy hits Ben in the jaw. Ben falls dawn. Andy hits him in stomach with his legs.

         					PHIL. 
Let’s go, Andy. We have got we want.

         					ANDY. 
You right.

Phil and Andy sits in the car (Phil at the wheel), and went away. Ben stands up slowly, comes up to Carla and helps he to stand.

         					BEN. 
Are you OK?

         					CARLA. 
No.	

         					BEN. 
It is because of you!

         					CARLA. 
What?!

         					BEN. 
Only don't deny, OK?

         					CARLA. 
Not to deny!

         					BEN. 
You needed the money. 

         					CARLA. 
But you looked for in his pockets.

         					BEN. 
I helped you.

         					CARLA. 
You name it help! But I think to look for in pockets.

         					BEN. 
You spoil my life.

         					CARLA. 
You think seriously! What a stupid man!

         					BEN. 
It is not pleasure to speak about it for me, but I think a couple 
minutes ago I stopped trust you.

         					CARLA. 
It was always. You have never trusted me. Behind my back you 
did everything you wanted, but I knew about it the last.

         					BEN. 
Didn't you think why I did so?

         					CARLA. 
Ben, Ben. I can't rely on you. When'll you become adult?

         					BEN. 
When you'll become cleverer!

         					CARLA. 
Jesus. You say like failure Stew.

         					BEN. 
You are mistaken. Stew isn't failure.

         					CARLA. 
What is he? I can't name him happy.

         					BEN. 
I need to drink.

         					CARLA. 
I wouldn’t deny too.

         					BEN. 
It's bad for you.

         					CARLA. 
It's useful for me. When I am drunken a little I don't feel your 
present.

         					BEN. 
Because the mind leaves you.

         					CARLA. 
It is not so.

         					BEN. 
It is not use to argue with you.

         					CARLA. 
You know it, Ben, but I don't understand only why you try to 
argue with me?

         					BEN. 
Fuck you, Carla.
 
32. INT. JAGUAR. DAY.
At the wheel of «Jaguar», was sitting George. Some time later he wake up and looks in sides.

         					GEORGE. 
What has happened?  Oh, fuck.

He gets out of the car very slowly and looks in sides. 

         					GEORGE. 
Well. Where are they? 
		(cries). 
Phil…Andy.

Turning round, he comes to the road and walks slowly, taking off his shirt and cleaning his face. Throwing his shirt, he is walking toward. 

33. EXT. HIGHWAY. DAY. 
Phil and Andy are going along the highway.   

         					PHIL. 
You must act with mind not with fist, do you understand?

         					ANDY. 
You have seen, damn it.

         					PHIL. 
Well, let's forget.

Pause.

         					ANDY. 
Why did you need to act such performance?

         					PHIL. 
This is my work.

         					ANDY. 
Why were you later?

         					PHIL. 
I wanted see what'll happen later.

        				 	ANDY. 
Look!!! 

            	PHIL.
Yes.

            	ANDY.
They tried to steal me, but you decided to look at this 
one! Any more else and I would shoot some of them.

         					PHIL.
Never use the gun when you can act without it. 
Understand?

         					ANDY. 
No. But I'll risk.

         					PHIL. 
Rick is a noble action, it must be appreciated. But sometimes it 
lets down. It's better not risk.

         					ANDY. 
I'll  try.

         					PHIL. 
Then any more body'll be.

                                                 	ANDY.
			Careful is my first rule. Though I am failure but in this case I 
am lucky.

         					PHIL. 
Don't price yourself.

         					ANDY. 
Damn it, Phil. What the fuck?

         					PHIL. 
You mistaken.

         					ANDY. 
Look, this my life and I must decide what to do. I don't deny 
your advice, but let me take last decision. OK?

         					PHIL. 
Let be so. But from that world I couldn't get out you.

         					ANDY. 
This is my problem.

  Pause.

         					ANDY. 
At this moment I am looking for Ray. If you see him, say me.

         					PHIL. 
Don't you forgive him?

         					ANDY. 
What would you do if you were in my place?

         					PHIL. 
I'd pull his ass.

         					ANDY. 
I dream about it.

         					PHIL. 
He is strong. Look, that won't be upside down.

         					ANDY. 
He is a sack of muscles. I know, how to act against such people. 

         					PHIL. 
I don't know anybody who could pull Ray's ass.

         					ANDY. 
This will be I.

Phil laughs.     

        				 	PHIL. 
I hope.

         					ANDY. 
I don't care damn for him. I am not going to wait when he comes 
for me. Ray is a wild psychopath.

        				 	PHIL. 
The idea you have in your mind is not good. I would at Ray. He 
has more chance. 

         					ANDY. 
What do you have with him?

         					PHIL. 
Well, it is not love. I have never liked him.  I try to be further from 
him. I advice you the same. 

34. EXT. HIGHWAY. DAY. 
«Chrysler Voyager» is moving.    

35. INT. «Chrysler Voyager». DAY.
Two drug addict are driving in the car. At the wheel is Chack, near him is sitting El. Behind them on the floor the negro is laying with tied hands and legs, his mouth is glued with plaster. Chack and El are bold. They are racists.

         					EL. 
Now I have understood.

         					CHACK. 
Nothing you understood.

         					EL. 
I has understood. Hell you.

         					CHACK. 
Explain then.

         					EL. 
She had not tits. Yes?

         					CHACK 
(laughs). 
But you think.

They laughs.

         					EL. 
What is good in her, Chack?

         					CHACK. 
Nothing. She is sick from everything. If she died and were in 
paradise she wouldn't live there more than ten minutes because 
she is sick from everything.

         					EL. 
But if this bitch will refuse from my suggestion?

         					CHACK. 
She'll hit on her ass 
		(pause). 
Why do you glue to her?

         					EL. 
The fact I want to lay on her.

         		CHACK. 
I thought, you wanted to fuck her. 

         					EL. 
I think about it too, blockhead.

         					CHACK. 
Now I hope only you will be able to ring her. Then, I'll try.

         					EL. 
Really? 
(laughs).

         					CHACK. 
Yes, damn it, really 
(laughs).

 Pause.

         					CHACK. 
No, such beauties don't exist in the world...I don't believe this bitch 
is the most beautiful. 

         					EL. 
But more beautiful than she is I didn't see.

         					CHACK. 
If she moves her leg slowly, it is exactly. 
		(laughs).

         					EL. 
But not everybody has a right to get there.
		(laughs).

         					CHACK.
We must have password and we'll get it soon. So, we'll show her 
what the sex with three is.    

         					EL. 
You dream very much, Chack. Why with three?

         					CHACK. 
Don't you like anything, El?

         					EL. 
I like everything, cretin. 

They laughs.

         					CHACK. 
Look, what is with our sleeping handsome fellow. He is silent for 
a long time. May be he is dead.

El sits up, climbs over back and leans above the Negro. 

         					EL 
(hits him). 
Wake up, blockhead.

The negro tries to say something through the plaster. 

         					EL 
(hits him).
What you said? Am I freak!
(laughs).

El goes on hit and laughs.

         					CHACK. 
This is not a ball, idiot.

         					EL 
(stop hitting). 
Ball! 		
(laughs).

The negro moans from pain.

         					EL. 
Shut your fucking mouth, bitch. 
 		(hits him).

         					CHACK. 
Come here, fool.

         					EL. 
Now. Let me torment him.

         					CHACK. 
Enough. Let him have a rest because toward a surprise is waiting 
for him.

         					EL. 
Really, surprise. 
(laughs).

They laughs. El sits on his place.

         					EL. 
Surprise? 
(laughs).

         					CHACK. 
Exactly, surprise 
(laughs).

36. EXT. HIGHWAY. DAY.
Near the curb are staying Ronny and David.  

         					RONNY. 
What do you know about Peter?

         					DAVID. 
Has he left this work and went to New-York. May be there he'll 
be lucky.

         					RONNY. 
You can be sure. Everything will all right. He is a clever fellow and 
the main he has risk imagination. I think this quality'll help him.

         					DAVID. 
I worry about his health. That disease will kill him. It's a pitty it 
happened to him.

         					RONNY. 
He'll be better.

         					DAVID. 
I hope.

Pause.

         					RONNY. 
Why did he do it? Didn't he live badly? 

         					DAVID. 
Something happened to him, because he didn't leave a good job.

         					RONNY. 
Apparently, his wife pressed him, that's why he left for New-York.

         					DAVID. 
May be. I don't know exactly. In general I wasn't interested in it.

         					RONNY. 
But you had to. May be he needs our help.

         					DAVID. 
He knows where we are.

         					RONNY. 
May be he has not enough courage to ask us.

         					DAVID. 
No. The matter is not in it.

         					RONNY. 
When did you talk with him last time?

         					DAVID. 
About two days ago. On the phone.

         					RONNY.
 What have you know?

         					DAVID. 
His last decision – leave for New-York.

         					RONNY. 
Did he leave his address?

         					DAVID. 
He said as soon as he found a good place, he would call. 

         					RONNY. 
It's may be for a long time. Let's not think about bad when we 
speak about our friend. But he certainly misses us.

         					DAVID. 
May be.

Silence.

         					RONNY. 
Look, is Cris drug addict?

         					DAVID. 
Yes. I thought, everything knew about it. Crisis a ball of nerves, 
he lives only on heroine. 

         					RONNY. 
It is news for me. 

         					DAVID. 
Now you have known about it.

 Silence.

37. EXT. HIGHWAY. DAY.
Along the curb is going Mike and speak by phone.

38. EXT.  HIGHWAY. DAY.   
George goes and smokes. Lizard is crossing the road. He took a gun and shoots. Bullets blow the lizard into pieces. He is looking at the lizard's remains and goes forward.  

39. EXT.   HIGHWAY. DAY.
Mark goes, looking back. He set fire to a cigarette and continues to goes. 

40. INT. HIGHWAY. DAY.
«Chrysler Voyager» is moving. Chack and El are sitting in the car. Chack is laughs. El too. Ronny and David are standing on the pavement in front of them.

         					CHACK 
(sees cops). 
      			Look, cops.    

         					EL. 
We are lucky, damn it.

         					CHACK. 
Yes, sure.

They laughs. Minivan moves near them and stops. Ronny and David stopping to wave come up to the car. El gets off the car with vinchester and kills them. Then he gets into the car and says.
	
         					EL. 
Let’s go. Wish them good night.

		CHACK.
Now is day.
      
They laughs. Minivan went away.

41. EXT.  HIGHWAY. DAY.   
George goes along the curb. Several time later minivan moves near them and stops. George runs to the car closes to the car from the right and put his head through the window.

         					GEORGE 
(to Chack).
 Shall you take me?

Back door is being opened. El gets out of the car very quickly with a baseball stick in his hand he hits George on the head, when he turned around.  George falls on the ground, loosing consciousness.

         					EL. 
We are lucky today
 	(laughs).

Chack laughs too. 

         					EL. 
Help me to take him into the car. 
(throws stick into the car).

Chack gets out of the car and approaches to El.

         					CHACK 
(looking at George). 
But he is a handsome man.

They laughs. They push him into the car.

42. EXT. HIGHWAY. DAY.
Mike is going. 
«BMW – 325» cabrio is approaches to him. At the wheel is Jassy. She is brown-haired woman, 25 years. 
Car stops near Mike. He sits in the car. Car went away. 

43. EXT.  HIGHWAY. DAY.
«Chrysler Voyager» is moving.   
In the car are El and Chack.
 
         					EL. 
Stop here. The place is suitable.    

Chack stops car near the curb. They get out of the car and looks around.

44. EXT. FOREST. DAY.   
George and Negro are sitting on the knees. Their hands are tied. George's mouth is glued with plaster. El and Chack are staying in front of them. El has a vinchester, Chack has George's gun.

        				 	EL. 
So, negros. Are you ready to go to the worms?

El and Chack laughs. The Negro is trying to say something. Chack shoots in his head. He and El laughs at together. George is trying to say something.

         					CHACK 
(to George). 
What you said?

         					EL. 
May be he prays.

        					CHACK. 
Exactly, he is praying.

They laugh.

         					CHACK.
 So, have you finished?

George is trying to say something.

         					EL. 
It seems to me - yes.

Chack shoots in George's head. They go in side and light the cigarettes.

45. EXT.  FOREST. DAY. 
El and Chack are going. They laugh. Suddenly bird's dropping falls on El's face. Chack begins to laughs loudly. 

         					EL. 
Creature 
(shoots in bird).

Chack laughs and shoots too. They shoot all bullets. El cleans his face. Chack laughs at him.

         					EL. 
Is it funny?

         					CHACK. 
Yes.

         					EL. 
Me too 
(laughs).

46. INT. HIGHWAY. DAY.
BMW cabrio is moving. In the car Mike and Jassy are sitting. 

         					MIKE 
(looking at Jassy). 
So, I decided to devote my life to advertisement. I have good results. 

         					JASSY. 
How long have you been working at this?

         					MIKE. 
Half of my life … and I am not going to stop.

         					JASSY. 
I can’t do anything for a long time. I am boring of this.  

         					MIKE. 
You are not alone.

         					JASSY. 
Really?

         					MIKE. 
It happened to me too…do you think, I am not boring from my work? 
You are mistaken. Sometimes I am sick. What to do? I must earn for 
living. 

         					JASSY. 
Are you married? 

         					MIKE. 
Five years. I am lucky. I have a wonderful wife. We want to have 
a child, but the only thing which spoils everything, I have a lot of 
affairs. I stay till night at work, so we must put away our dream 
about child. But I think everything'll change. I don't like to hurry 
events. Everything in time. Children can wait a little. Are you married?

         					JASSY. 
I have a boyfriend, but we didn't decide to married. May be it'll 
happen very soon. All my friends look forward to this event, but 
I don't hurry.  

         					MIKE.
			You are right. It's not worth of hurrying in such business. But 
on the other side in such way you can loose him. And he'll turn 
out with somebody in the church.

         					JASSY. 
O hold him near me every minutes. I'll not leave him with any
 bitch. 

         					MIKE. 
How now? Where do you hide him? In luggage rack?

They laughs.     

         					JASSY. 
Today, I had to leave him with my parents in order they could 
get to know him better...after this meeting he'll exactly hate me. 

         					MIKE. 
I have doubt about this. How he can hate such a beautiful girl, 
if she has ugly parents.

         					JASSY. 
You mistaken, they are not ugly. They have such character, they 
think all the world is against them.  Not everyone thinks like they 
do. They haven't always enough. This passed at me, but about Bill, 
I am afraid to imagine.

         					MIKE. 
He'll cope with everything.

    Pause.

         					JASSY. 
Is this a compliment a «beautiful girl»?

         					MIKE. 
May be. You see, I haven't done such compliments for a long time. 
I can forget.

         					JASSY. 
But your wife?

         					MIKE. 
She is full up.
 
         					JASSY. 
My boyfriend, gives me many compliments. About gifts, I don't 
know what to do with them. Soon, all my house'll be filled with his 
gifts, I cannot go to the toilet, how many they are. So I must go to 
my neibours, they are so funny. I try to invite them to me, but my 
boyfriend doesn't like they. He says they have much sense of humor 
and it is for surrounding people. Sometimes I imagine how his stomach 
explores of laughter and with hole in it he runs from neibours who 
follow after him trying to merry him. Didn't you try to imagine such
 things?

         					MIKE. 
Only when I was a small boy. What only I imagined. My brain 
worked better than a computer. Thought in that time there were 
not computers, but I am ready to agree, mine was the best. I have 
advantage over all my pears. This is what I have achieved now, it is 
right everything can go under cat's tail.

         					JASSY. 
What has happened?

         					MIKE. 
My car has been stolen with important documents. 
Without them I am nothing.

         					JASSY. 
Do something.

         					MIKE. 
I thought about this, but I worry it is late.

         					JASSY. 
Resolving is everywhere.

         					MIKE. 
But I haven't.

47. EXT.  HIGHWAY. CAR. DAY.
 «Chevrolet Beretta» is moving.   

48. INT. «Chevrolet Beretta». DAY.
At the wheel is sitting Hulk. He is brawn-haired man, 30 years.
Hulk is looking at the mirror of car. Behind him there is an empty road. He stops the car at the pavement. Hulk gets off the car, looks around and goes to the luggage rack. He opens the luggage rack, a body wrapping in black packet is laying there. He takes the body and pulls him in the forest. Pulling him far from the road he leaves him on the ground and comes back to his car. He takes a spade out of luggage rack and comes back to the body. Several minutes he looks at the body and then begins to dig a hole. Some hours later he sits down on the ground, lights the cigarette and smokes. 

49. EXT. HIGHWAY. DAY.
Along the curb is going Mark.     

         					MARK. 
I hate 
(pause). 
Hell…How I hate everything.

Lights the cigarette and smokes. 

50. EXT. FOREST. DAY. 
Hulk digs the hole. Some time later he finishes, throws the spade in side. He pulls the body to the hole and throws him into it. 

         					HULK. 
Here is this place, Silvia…welcome to a new house, bitch.

He takes a spade and buries the hole.

51. EXT. HIGHWAY. DAY.
Along the curb is going Mark. Seeing in a distance «Chevrolet Beretta», he runs to the car.

         					MARK. 
At long last.

Running to the car he stops and looks in sides. Seeing nobody is near he comes up to the car, looks inside, the keys in the lock of ignition.

         					MARK. 
Not bad.

As soon as he touches the door the shoot is heard.  Mark goes down on the knees, hiding behind the car and takes out the pistol.

         					MARK 
(astonished). 
What the fuck!

Hulk is hiding behind the trees not far from the car. He looks behind of the tree and cries.

         					HULK. 
Go away from my car.

Mark goes up and tries to know who shot. 

         					MARK. 
I don't agree with this one.

         					HULK. 
It's not clear to you. Go away.

         					MARK. 
Relax, friend. All is fine.

         					HULK. 
I am not friend you.

         					MARK. 
I need your car. Can you understand it?

         					HULK. 
Find anybody else.

         					MARK. 
I would do, but you are the only very close. I am not guilty. 

         				HULK. 
If you don't go away you'll be sorry about it, 
blockhead.

         					MARK. 
Try then to prevent me.

Mark goes up and shoots. Bullets get into the tree. Hulk shoots too. 

         					MARK. 
What is your name, guy?

         					HULK. 
But what?

         					MARK. 
I wish to know name the next body.

         					HULK. 
You are very self-confidence.

         					MARK. 
It helps me to survive in this world.

         					HULK. 
It's not surprise 
(shoots).

         					MARK. 
Do you remember Bob, nickname «Jesus», he was afraid of 
everything very much, he was not  self-confidence. He was 
caught by cops and  now...thought it is not important for you 
what happened to him 
(shoots).

        					HULK. 
Bob «Jesus» by nickname, something familiar. 
 		(shoots).

         					MARK. 
He was written a lot about. He was shown on TV.

         					HULK. 
I remembered. Why he is here?

         					MARK. 
I have said you 
(shoots).

         					HULK. 
I've forgotten.

         					MARK. 
You have a bad memory, may be it'll help you 
		(shoots and load the gun). 
What is your name?

         					HULK. 
I'll kill you 
(shoots).

         					MARK. 
I like it.

         					HULK. 
Why? 
(load the gun).

         					MARK. 
I must know your name.

         					HULK. 
Not today, friend 
(shoots).

         					MARK. 
Well. I tried 
(shoots).

         					HULK. 
Do you think, you are lucky?

         					MARK. 
Today is my day 
		(load the gun). 

         					HULK. 
It is not know yet.

         					MARK. 
The evidence will lie in front of you very soon.

         					HULK. 
Your body!

         					MARK. 
No, yours.

         					HULK 
(laughs). 
You are rather self-confidence.

         					MARK. 
It's my deficiency 
		(load the gun).

         					HULK. 
How do you live with it? 
		(shoots).

         					MARK. 
I don't complain. 
		(shoots). 
Answer on the question?

        				 	HULK. 
What? 
		(load the gun).

        					MARK. 
What the fuck you doing here?

         					HULK. 
I've rid of body.

         					MARK. 
Of wife, haven't you?

         					HULK. 
No, of her mother.

         					MARK. 
I am not surprised, but why do you tell me?

         					HULK. 
I am doubt you'll go to the police station, died don't speak…

         					MARK. 
They only listen.

         					HULK. 
Yes.

         					MARK. 
Do you consider I'll die?

         					HULK. 
Yes.

         					MARK. 
You are psychopath like I am. Self-confidence and risky.

They both jump out and shoot. Mark was well-aimed. The bullets got at Hulk's breast. 

         					MARK.
Sorry, guy, but I need a car. 

He sits in the car and went away. 

52. INT. HIGHWAY. DAY.
 «BMW» is moving.  

         					JASSY. 
It is very easy to say, Mike, it is great, but…

         					MIKE. 
What else?

         					JASSY. 
Well, I don’t know, I don't want to be importunate but I think 
your attitude is very free to all problems, but you have a lot of 
them, and  every day they become bigger and bigger, In fact, 
everybody has the same, but you have very many. It is clear I 
must know where they are from. It is always can be cleared, isn't?

         					MIKE. 
Yes, you are right, I must know a lot, don't worry about it. Everything 
will be all right.

         					JASSY. 
I want this, Mike, but I doubt.

         					MIKE.
If I don't doubt, why do you do it? On one hand I am indifferent to my 
troubles, they are not the first in my life, I had them before too. I could 
resolve them.

         					JASSY. 
I understood you, but I don’t think, some days'll be able to change 
something. 

         					MIKE.
It's time to decide. If my life'll change it means I want this one.

         					JASSY. 
You must not hope, you must not wait for anything. Nail it in your head 
and don't speak in vane.

         					MIKE. 
At the end I must decide, Jassy. How you can't understand the time doesn't 
stop. Everything changes and so quickly that it is not possible to stop. It's 
difficult not to notice.

         					JASSY. 
I don't deny this one.

         					MIKE. 
You act right.

         					JASSY. 
You should think and go on engage with your favorite job. You must 
not worry about failures.

         					MIKE. 
May be I should go to psychologist...in order he'll clean my brains? 

Pause.

         					JASSY. 
I can’t believe it. I try, but I can't believe.

         					MIKE. 
What can't you believe?

         					JASSY.
Your life is in one hair, but you treat to it so easy as if it is not your life. 
Don't you learn to live?

         					MIKE. 
Well, I can't choose. Don't you think I am mad?

         					JASSY. 
Something similar was in my mind, but I dismissed these thoughts. 
Well, you look like mad. It was difficult to convince you not to think about it.

         					MIKE. 
You see, nobody can help me. I have overcome it, because nothing will 
change and you'll not be able to help me.

         					JASSY. 
Well. Therefore it is right decision.

         					MIKE. 
Are you sure too?  

         					JASSY. 
Yes, I am sure.

         					MIKE. 
I'll do so.

         					JASSY. 
			It is the best decision, I would do the same.

         					MIKE. 
Oh, hell. I am sorry what happened to my life.

         					JASSY. 
Me too.

         					MIKE. 
But this is more reasonable decision from my situation.

         					JASSY. 
Yes, of course.

         					MIKE.
What wonderful life was it, work? Well. At the end I'll do how common 
sense says to me. I should change it but I am sure it won't be worse.

         					JASSY. 
Everything is like a complex process. But you could cope with it and 
take the right decision. I appriatiate this on in people.

  Pause.

         					JASSY. 
How do you like an idea to talk about advertisement? 
About its future?

         					MIKE. 
It sounds cool. Must we speak about it now?

         					JASSY. 
Naturally.

         					MIKE. 
In such case ask.

         					JASSY. 
If you don't want, I won't.

         					MIKE. 
In general I don't like to talk about my work, but I'll do exception. 
Well, what is your first question?

         					JASSY. 
How much is advertisement and what is its profit?

         					MIKE. 
Do you want to work with advertisement?

         					JASSY. 
  			No. It is simply interesting.

53. EXT.  «Chevrolet Beretta» . HIGHWAY. DAY.
 «Chevrolet Beretta» is moving. 

54. INT. «Chevrolet Beretta». DAY.
Mark driving a car and listens music. «Green day» is singing.

55. INT. HIGHWAY. DAY.
 «Chevrolet Camaro» is moving. 

         					ANDY 
(looks into the window). 
I wonder where the hell'll send us the next time.

         					PHIL. 
It's difficult to imagine.

Pause.
         					ANDY. 
I am sick of everything.

         					PHIL. 
Accustom, Andy. We often run into troubles and we must think about 
them seriously. Understand?

         					ANDY. 
Yes.

         					PHIL. 
You must see it by own eyes, because you'll not understand what it is. 
These affairs can be very serious. If you are not ready it means you are 
not for them.

         					ANDY. 
Life, is devilishly difficult.

         					PHIL. 
And dangerous. You have forgotten to say.

         					ANDY. 
Yes, you are right. 

         					PHIL. 
But we must not give up so simply. Time is changes. And so do people, 
and nothing good is in this.

        				 	ANDY. 
That's why I can't understand where the troubles are from so much.

         					PHIL. 
Sometimes a wife is angry with her husband and is ready to kill him, 
but sometimes a husband is angry with his wife and then buries her 
body somewhere in the park and so on. The kills points the gun to the 
cop and kills him. The cop points the rifle to the kills and cries - put 
the gun or shoots and only memory remains from the kills. In what 
sense is, you can ask? This is our life. It is good or bad we must live. 
The life flows like a river and we are like water - all humanity which 
exist on the earth.  The man sometimes tries to change his life. 
Somebody can, somebody can't. Many of men want rather much, but 
not everybody can.

         					ANDY. 
Fuck. You surprise me. How long have you kept it in yourself?

        				 	PHIL. 
We must treat seriously to serious things.

        				 	ANDY. 
Of course. Everything sounds not so bad, but what a hell such life?  

         					PHIL. 
You are not right.

         					ANDY. 
May be.

         					PHIL. 
To live on one hand is nice, but to die we always can 
		(looks at Andy).

At this time a Brad with a handgun is running on the road. They crush him. He flies over car's roaf, falls on the road and roles. Brad is brown-haired man, 32 years.

         					PHIL. 
Fuck. 
(stops the car).

         					ANDY 
Psychopath.

Car stops. They come out from the car and approaches to Brad.  

         					ANDY. 
Stupid. Who does so?

         					PHIL. 
He is not lucky.

         					ANDY. 
Sure.

They are looking at him for several times. Andy lights the cigarette and smokes. 

         					PHIL. 
Well, let’s driver.

         					ANDY 
(takes the handgun). 
Ok.

They come back to their car, get into and move. Some minute’s later Eddy comes out of the forest. He comes up to Brad's body, looks at him and then in sides.

56. EXT. BMW. HIGHWAY. DAY.
BMW is moving.  
Mike’s Jaguar is seen in front.

57. INT. BMW. HIGHWAY. DAY.
Jassy and Mike.

         					MIKE. 
Stop. It is my car. 

         					JASSY. 
OK.

Car stops near the curb. Mike comes out from the car and approaches to Jaguar.

         					MIKE 
(silence). 
What have they done with my car, curs?

He comes up to luggage rack and opens it. In the luggage rack there is a suitcase. Mike takes the suitcase, come back and gets into the car, putting the suitcase on the back seat. 

         					JASSY. 
Shall I move?

         					MIKE. 
Yes.

58. INT. HIGHWAY. DAY.
Police car is moving.    
At the wheel is sitting Eddy. Near him is sitting Johnny. Eddy is 37 years, brawn-haired man. Johnny is 35 years, brawn-haired man.

         					EDDY. 
Today after work I'll come home, open the beer's can and watch 
baseball.

         					JOHNNY. 
I have other plans.

         					EDDY. 
Didn't you finish with that kid?

         					JOHNNY. 
What do you want?

         					EDDY. 
Here what I'll say, Johnny.

The shot is heard. The bullet got into Johnny's head. The blood splashed Eddy's face and the car. Eddy brakes and stops the car. He looks at Johnny and gets off the car. He looks in the side where the shot was heard from and sees two hunters Brad and Bruce who are running away. Eddy runs after them.

59. EXT. FOREST. DAY.
Brad and Bruce are going. Both they have a handgun on the shoulder. Bruce - 30 years, brawn-haired man.

         					BRAD. 
Today I can’t come without booty.

         					BRUCE. 
This is not the first time.

         					BRAD. 
I have been unlucky for two weeks. I must kill that deer.

         					BRUCE. 
Nobody could.

         					BRAD. 
They shoot very badly.

         					BRUCE. 
But you also are not a professional.

         					BRAD. 
					(quiets)
Shut your mouth.

         					BRUCE. 
What?

They stops.

         					BRAD. 
Do you see him?

         					BRUCE. 
Where?

         					BRAD. 
Here he is 
		(points with hand). 
Near the road.

         					BRUCE. 
Now I see.

Brad takes off his handgun from the shoulder and takes aim at.

         					BRUCE. 
Now we'll see what a well-aimed you are.

         					BRAD. 
Be quiet. You'll frighten him.

The deer is looking at them.

         					BRAD. 
Fuck, it is looking at me.

Brad shoots. The deer jumps in side and runs away. The bullet flies close to deer's head, flies toward between trees in the road and gets into Johnny's head who is driving in a police car with Eddy.

         					BRUCE.  
Oh fuck. You killed the cop. Let's run.

They run away. Eddy is running after them. He had been running for a long time, and then he stopped and shoots. The bullet gets into Bruce's ass. Bruce falls on the ground but Brad goes on to run. Eddy runs to Bruce who is moaning from pain. 

         					EDDY. 
What the hell is going on?

         					BRUCE 
(moaning from pain).
 He shot in the deer. It happened accidentally.

         					EDDY. 
You call it accidentally!

Brad is running but suddenly he stops and looks back watching Bruce is talking with Eddy. Brad shoots. The bullet flies by Andy and gets into the tree. 

         					EDDY. 
This is not accidentally.

Eddy runs after Brad. Brad runs away. There is a long distance between them.
Brad stops and shoots. The bullets get to Eddy's shoulder. Brad runs further. Eddy looks at his wond and goes further. In some time Brad run in the road and he is crushed with «Chevrolet Camaro» where Phil and Andy are driving.

60. INT. HIGHWAY. DAY.  
Car is moving. At the wheel is sitting Mark.   
«Sum 41» is singing. Several minutes later he stops, gets off the car and looks in sides. He opens the zip and goes to toilet. Then he sits in the car and moves forward. 

61. INT. HIGHWAY. DAY.
Phil and Andy are moving in the car. Silence. Andy and Phil are smoking. They are approaching to «Chevrolet Beretta» and move to outdistance. Andy is looking at the driver and seeing Mark.

         					ANDY. 
This is Mark. 
		(takes the gun).

Mark looks through the window and seeing Phil and Andy. He switches the speed. Andy shoots. The bullets get into the laggage rack. Andy shoots again. The bullets break glass into tiny pieces. Mark turns and shoots. One of the bullets breaking the window gets to Phil's head. The car loses control, drives off the road and hits into the tree. The safe billows become in flated.
Mark switches the speed and drives on.

62. EXT.  CAR. DAY. 
Andy goes out of the car, looks at Phil, then in sides, goes to the road and slowly moves ahead.

63. INT. HIGHWAY. DAY.
«Honda Accord» is moving.  In the car are moving Grase and Chen. At the wheel is Chen. Near him is Grase. Chen is Chinese man, 30 years. Grase Chinese woman, 27 years.

         					CHEN. 
I have nothing against them, I didn't want they to present there.

         					GRASE. 
Understand please, Chen. He is my brother. This is his family. They have 
the same right to be at funeral as we have.

         					CHEN. 
It'll be disgusting to see him there.

        				 	GRASE. 
Listen attentively. My father died and we must be there.

         					CHEN. 
He can't come in the next day!

         					GRASE. 
You are like baby.

         					CHEN. 
Shall I not come?

         					GRASE. 
It will be looked very badly. My father respected you very much?

         					CHEN. 
I don't know what I shall do.

         					GRASE. 
The man die only once and you can tolerate a day. I don't ask you 
to meet with my brother every day.

        				 	CHEN. 
I am sure we'll fight again.  It happened when we 
saw each other last time.

         					GRASE. 
But you'll try not to meet with him, will you?

         					CHEN. 
It'll be not so easy.

         					GRASE.
I can't understand till this time why you did 
quarrel?

         					CHEN. 
It was long ago. We didn't like each other at 
once. Problem didn't disappear.

         					GRASE. 
You can't do anything, can you?

         					CHEN. 
No. Nothing.  

         					GRASE. 
But you'll try.

         					CHEN. 
This is he must try not I am.

         					GRASE. 
But so must you.

         					CHEN. 
I think nothing'll be done.

         					GRASE. 
What shall I do with you?

         					CHEN. 
I don’t know. I don’t know. 

64. EXT. HIGHWAY. DAY.
Along the curb is going Andy.  He smokes, looking at legs.

65. EXT. «Chevrolet Beretta». HIGHWAY. DAY.
Car is moving. In the car is Mark. «Placebo» is singing. «Honda Accord» is passed by, there Chen and Grase are driving. 

66. INT. «Honda Accord». HIGHWAY. DAY.           
Car is moving. Chen and Grase in the car. Silence. In front on the road Andy is staying closing the way to them. Chen stops the car, near Andy's feet.

         					CHEN. 
Strange psychopath. He is mad, isn't he? 
		(comes out from the car and goes to Andy). 
Do you decide to leave this world? 
		(stops).

         					ANDY.  
No.

         					CHEN. 
What the hell you climb under the wheels?

         					ANDY. 
I need your car but you can vanish
	 	(going to Chen).

         					CHEN. 
Don't come up to me, I have a black belt of carate.

         					ANDY. 
I have a gun of 45 calibers 
		(shoots in Chen's head).

Grase cries of horror, gets out off the car and runs to Andy, continuing to cry.

         					ANDY 
(points a gun to her). 
Don't cry. Bitch. 
(shoots in her head).

Grase falls dawn.

         					ANDY. 
Well, the family of caratists.

He sits in the car.

67. INT. FOREST. DAY.
Eddy approaches to Bruce, who has been lying on the ground.   

         					EDDY. 
Your friend was not lucky, he was crushed with the car.

         					BRUCE. 
You lie. You killed him.

Bruce takes the gun and shoots to Eddy's stomach. Eddy falls on the ground, holding for stomach. 
Pause. They both cry of pain.

         					EDDY. 
What the hell?  What the fuck you doing?

         					BRUCE. 
I hate cops who killed my friend.

         					EDDY. 
I did not kill him. He got under the car himself.

         					BRUCE. 
You lie.

         					EDDY. 
Fuck off.

Eddy takes his gun and shoots to Bruce's heart. Then he lies on the back and slowly dies.

68. EXT. «Honda Accord». HIGHWAY. DAY.
Car is moving. Andy smokes and listening to music. «Blink 182» is singing.

69. INT. «Chevrolet Beretta» HIGHWAY. CAR. DAY.
Mark driving in the car and listening music. «Sum 41» is singing. He is looking in the back mirror and sees behind him «Honda Accord».

         					MARK 
(seeing Andy at the wheel). 
Freak, are you alive!

Andy is approaching to him and tries to outdistance. Mark doesn't allow him. They moved about a 2 mile. Soon Andy is driving very close to Mark's car and hits it in side, trying to throw the car off the road. After some attemps he could throw the car off the road. «Chevrolet» turns upside-down. Andy stops sedan, gets off the car, takes a gun and goes to upside-down car. Holding the gun in front of him, Andy comes up to the car and looks inside. It is empty there. Andy looks quickly in sides. Mark's voice is heard behind him: "Aren't you looking for me?" 
Andy quickly turns back but Mark shoots to his chest. Andy falls, dropping the gun.

         					MARK. 
I liked, Andy.

Mark is looking at upside-down car, then at the sedan. Not thinking a long time he goes to sedan, gets into it and moves. 

70. EXT. HIGHWAY. DAY.
Ben and Carla are going, along the curb.  «Chrysler voyager» approaches to him.

71. INT. HIGHWAY. DAY.
Jassy and Mike are driving in the BMW.  

         					JASSY. 
I didn't know you had problem with health.

         					MIKE. 
I thought it needed time.

         					JASSY.
Everything has resolved. I have told. Enough about it.

         					MIKE. 
However my abilities are not constantly.

         					JASSY. 
I thought it was rubbish. One day everything will be finished.

         					MIKE. 
In general there is a guy…

         					JASSY. 
It'll not interest for me.

         					MIKE. 
Why'll not we be silent? I feel very soon we'll stop to understand 
each other.

         					JASSY. 
Do you want to treat yourself brains?

         					MIKE. 
Yes. I think it will be not so simple. But …

         					JASSY. 
You think, I'll not be able?

         					MIKE. 
I am afraid not.

         					JASSY. 
What a cause?

Mike is silent.

         					JASSY.
What’s up?

         					MIKE. 
Nothing.

         					JASSY. 
Have you swallowed your tongue?

         					MIKE. 
For some time - yes. 
		(pause) 
Everything is tangled. It is very strange.  
       
         					JASSY. 
Yes? What strange?

         					MIKE. 
No. It is not so. I'll make myself to believe in this.

         					JASSY.  
Sometimes I don't understand you. I want, but I can't.

         					MIKE. 
Many people don't understand me.

         					JASSY. 
You are such a strange man.

         					MIKE. 
I am not surprised.

         					JASSY. 
How do you live with this?

         					MIKE. 
			I don't know. 

Silence.

72. INT. HIGHWAY. DAY.
Mark is driving the car. Suddenly «Ford Mustang» moves close to sedan. Mark is looking at the driver and see at the wheel is Andy. Andy lifts armour-vest and shows it to Mark. Mark takes a gun. 

         					ANDY 
(cries). 
I am clever than you are.

Putting the armour-vest on the seat, Andy takes a gun which is between the seats and direct to Mark.  Mark presses on the brake. Andy does the same. When the car stopped Mark takes the gun and gets off the car. He quickly comes up to the car where Andy is getting off and shoots. Getting off the car Andy shoots too. The bullets Mark shot got to Andy's chest. Dead body of Andy is falling on the asphalt. Mark approaches to him and looks at the body.

         					MARK. 
			It didn't help you now.

Mark goes to the car and sits at the wheel.

73. INT. HIGHWAY. DAY.
 «Chrysler Voyager» is moving. At the wheel is sitting Chack. Close, tied to the seat is sitting Ben. Behind them, El is fucking Carla. She is crying, trying to run. El hits her and tries to undress her. 

         					EL. 
Come on, baby. One time. 
		(laughs).

         					CHACK. 
(looking in the mirror). 
I haven't seen such a cruel debauch.  
            	(to Ben). 
Look, you'll not see often on the TV.
            	(laughs).

Ben is silent and looks in the window. The cabriolet passed by, there Jassy and Mike are driving.  
                                        
                                                                     The end.