A man and woman meet for a last date – both of them by proxy…
Ah, life’s endless agonies. Childbirth. Root canals. Ending a relationship. Because when it’s time to say “I want out”, does anyone really want to be there? Not the one being dumped. Humiliating. And the dumpee? Awwwwkkkkwardd….
We’ve all been there and done that, on both sides of the equation. And once you’ve been through the wringer several times, you don’t want to experience it again.
But what other choice does one have? Put a happy face on a ruinous relationship, sing “fifty ways to leave your lover” with harmony, or…
Pay someone ELSE to end it.
And in an opportunistic society, that scenario’s not out of the question. Because when money’s involved, there will always be someone to do your bidding. Even if the task is crushing the soul of a soured sweetheart.
But what happens when mercenaries collide?
That’s the scenario of Last Date. A chance encounter at a bar; not between ex-lovers ending a doomed relationship – but between two paid stand-ins. Meeting on behalf of “Bonnie” and “Will”, Matt and Emily are experienced masters at their jilting craft. Having researched the relationship’s history, Matt and Emily know just what to say… Everything from “It’s not you, it’s me”, to “I know about that office affair.” On behalf of their clients, Matt and Emily face off across the table – for confrontations and drinks. Both are consummate professionals… But can these actors truly separate themselves from the play?
Dryly humorous – and deceptively simple – Last Date is the perfect match for directors who groove on social commentary. A script that skewers society on multiple levels: the eternal battle between men and women… and a modern world where anything can be bought or sold. Including the pain of a Last Date.
Budget: Very low budget. All that’s needed is a single diner or bar – and a few actors with good comedic timing.
About the writer: Richard Russell lives in North Carolina where he plays golf and writes. He has been writing since college when his short stories appeared in the university literary magazine. He loves writing screenplays, and THE CALL, written with his partner, Felice Bassuk, is one of their best. They have written an award-winning feature, THE KOI KEEPER, which they hope to see on the screen in the not too distant future. Richard has a trove of shorts and feature length screenplays and continues to add to the inventory. Writing remains the sole source of sanity in Richard’s chaotic world.
About the reviewer: Michael O’Farrell is a mathematician who worked on the Space Shuttle Program and now writes fiction.
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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.