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This screenplay may not be used or reproduced without the express 
written permission of the author.

TASK FORCE 666

Pilot

By

Eric McIntyre

 2nd DRAFT































ACT I
SCENE A


FADE IN:

EXT. STREET ALLEY - NIGHT

A black door opens on the side of the alley walls and a young, slim, 
attractive woman dressed in skimpy clothing and a jacket walks out. As 
the door opens we hear loud blaring music as well as a mix of voices 
and laughter. Behind the first girl is a second girl, a little rougher 
around the edges but still not ugly, she is also dressed skimpy, no 
jacket. The two are obviously strippers. They lean on the alley wall 
and the first girl lights a cigarette. She smokes during the 
conversation.

WOMAN ONE
Man, what was up with Russ tonight, girl.

WOMAN TWO
I don't know, but all I'm saying is, somebody better pull that stick 
out of his ass!

Both woman start laughing. We then hear breathing over top of the girls 
speaking. It dies down as Woman One talks again.

WOMAN ONE
I still can't believe the nerve of that man. I got a kid you know. And 
he's making me work all these extra hours.

WOMAN TWO
It's cause that other girl walked out, what's her name.

WOMAN ONE
Tiffany.

WOMAN TWO
Yeah, that's the one. It's all her fault.

WOMAN ONE
I know, girl, I know. My kid can't even make a meal, he's gonna be 
starving. 

WOMAN TWO
Russ is just so inconsiderate. The joint's empty, there's like two old 
fellows in there and one of them is passed out, drooling like a 
waterfall and he's still making us dance.

WOMAN ONE
Why can't he at least let a couple of us go on home?

WOMAN TWO
Like I said, girl. He's just inconsiderate. A big greedy jerk. He just 
making us dance for his own personal pleasure

They both laugh and we hear the breathing again. It stops.

WOMAN TWO
I think my break's almost over. I need something to eat.

WOMAN ONE
Get something inside.

WOMAN TWO
You're joking right. Not only will Russ be breathing down my back about 
how I'll be fat but the food tastes like crap.

WOMAN ONE
That's true. 

WOMAN TWO
Maybe if I'm desperate. (Eyeing the cigarette) Let me have a drag on 
that.

Woman One hands the cigarette to the Second Woman who takes a long drag 
from the cigarette. She hands it back to Woman One.

WOMAN TWO
Woo, I needed that.

WOMAN ONE
Russ screams at me for it but my smokes are the only things keeping me 
alive.

WOMAN TWO
Don't listen to him, girl. He just blowing hot air.

WOMAN ONE
Yeah, I know.

WOMAN TWO
I wish I could kick the living hell out of that skinny boy. Show him 
what I think he deserves. Then I'd lose my job, and I don't want to be 
living on the streets!

WOMAN ONE
I know. This pay barely makes it for me but I got Perry to worry about 
too. I have to do extra for some pocket cash. You know what I mean.

WOMAN TWO
Yeah, I understand. I was in that spot once. It's dangerous though.

WOMAN ONE
Yeah, but he means so much to me.

They continue talking but we can't hear it because of the heavy 
breathing. After about a minute or so the breaths turn into hisses, and 
then to snarls, like a hungry, carnivorous creature, ready to tear the 
flesh of any being at any moment.

The Black Door the women came out of suddenly bursts open and a skinny 
middle-aged man, RUSS, appears.

RUSS
Cindy, how long you been on break?

WOMAN TWO
I don't know.

RUSS
Too long. I saw you leave the dance floor twenty minutes ago. Breaks 
are fifteen minutes; get in here and start shaking it. (To Woman One) 
You got another five minutes. Your any longer it comes out of your 
paycheck, you hear.

WOMAN ONE (Nodding)
Yeah, I got it.

Russ and Woman Two enter back inside through the black door. Woman One 
stays outside to finish her cigarette. She shivers as if a sudden chill 
has just overwhelmed her.

Then we hear the snarls, which get louder by the second. They turn into 
growls! Loud, evil, ferocious growls.

Something swoops down from the sky hitting Woman One hard, knocking her 
backwards into the brick wall of the alley. She slams her head hard and 
becomes dazed.

We then see a large creature, in the shape of a man rise up. He is 
covered with a tight silvery fabric. It spans over his whole body, 
including his head. It is skintight but has a metallic look to it. It 
also displays his muscular and athletic build. He also has a long 
flowing purple cape. This villain is ANNIHILATION.

Annihilation slowly moves forward to Woman One. When he is kneeling 
beside her, he thrusts his fist into her gut. Her eyes widened and she 
gasps in horror and pain. A glowing orange energy than begins flowing 
up Annihilation's arm. He raises his head as if in pleasure. The orange 
energy begins to lose its glow and starts to fade. Annihilation 
releases his hand from the woman. He stands up and holds his open hand 
out in front him. It glows with the orange energy, but then it fades 
and slowly evaporates.

CREDITS ROLL 

During the credits, where the cast and crew are named there is an 
anonymous narrator who speaks.

NARRATOR (VO)
The World is Haunted
By a new Evil
The only one's who can stop it
Are Six Tormented Souls
Who become Unlikely Heroes
They Are TASK FORCE 666



ACT II
SCENE B


FADE IN:

INT. SECTOR X MAIN BASE - DAY

This office building looks like a normal 9 to 5 workplace. It is 
actually the station of one of the most prominent Spy Organization's in 
the world, SECTOR X.

A man walks down the hall by the cubicles. His stride is urgent and 
worried. He is a man in his early forties, balding with a thick 
moustache. He is average height and thin. He looks like he may be a 
runner. He is WALTER FYND. He walks up and into an office.

In the office there is a short, middle-aged man seated behind a desk. 
He has graying hair and beginning to get many wrinkles. He is also a 
little overweight. His name is TERRENCE GEORGE. He is the Director of 
Sector X.

GEORGE
Sit down, Fynd, I already know.

Fynd sits down across from George.

FYND
So you know the details?

GEORGE
No, just that it happened again.

FYND
Shall I fill you in, sir?

GEORGE
Yes, go ahead.

FYND
The demon, Annihilation, struck again last night. He stole the energy 
from a young girl, twenty-three, Martha Hendricks. 

Fynd tosses a folder onto the desk. George opens it up and it has a 
picture and a bio of the young girl we saw in the first scene.

FYND
She was a stripper, at a place called, Pleasure Heaven. You know it?

GEORGE (Annoyed at the question)
No, Fynd, I don't. (He holds up his hand to display his wedding ring) 
I'm married.

FYND
Yes, of course, sorry, sir.

GEORGE
It's fine, just be more careful about what you ask next time.

FYND
Yes. Anyways, the girl, Ms. Hendricks, died outside the strip joint, 
during her break last night.

GEORGE
Did they find her dead?

FYND
Yes, the demon took everything out of her.

GEORGE
How many is that now, Fynd?

FYND
Eleven.

GEORGE
What does the prophecy say he needs, again?

FYND
He needs the energy of twenty-five special people. Only a certain type 
of people have the correct energy needed for his power to grow. Which 
fortunately eliminates mass destruction in a populated area.

GEORGE
How's he finding them?

FYND
Just by deep concentration. He has like his own personal tracking 
system within his mind. He can locate any of the select sacrifices it 
just takes time.

GEORGE
Damn it! So there's now way to slow that down.

FYND
Not until we can locate him.

GEORGE (Unhappy)
Fine. What happened to those Agents we put on the case?

FYND
Two dead from the demon, one found delirious, the other four quit. I 
think it's time we put forth my Plan B.

GEORGE
I don't know. That puts the fate of this world in criminals hands, 
Walter.

FYND
I know. Besides not all of them our "criminals" per say. It's our only 
chance. If we can pay them off than they should work for us, and some 
will just go along for the ride.

GEORGE
What about our prisoner? What do we do for him?

FYND
We do have the shock bracelets. They can be used for not only him but 
all of the chosen members. 

GEORGE (Thinking)
Show me the portfolios.

Fynd stands and walks around the desk beside George. He drops a stack 
of 6 files on the desk. George opens the first one. He briefly looks at 
the files.

GEORGE
Are you going to be able to get all these people?

FYND
Just give me a few hours to locate them all and then we'll grab them.

GEORGE
Okay, Walter. I don't want anyone hurt in your recruiting. Do you 
understand?

FYND
Yes, sir.

GEORGE
And notify me when you're going in.

FYND
I wouldn't do it any other way, sir.

GEORGE (Waving him off)
Good. Now get to it.

SCENE C


EXT. DOWNTOWN STREET - DAY

A man is walking along the grimy walls of a downtown street. He is 
around forty or so. He looks rough from his years and has a rugged 
handsomeness to him. He is about average height and is a strong man. He 
wears jeans, a black tank top and a leather jacket. He has on a pair of 
black sunglasses. He is JERRY BARNES. He is a former undercover 
narcotics cop before he was suspended for drug use and suspected 
murder.

Barnes walks towards another man, BILLY GRAND, who is standing on a 
street corner with two other men. Grand is a drug dealer who Barnes 
became associates with when he first was undercover. Barnes still goes 
to him when he needs a fix. Barnes nods to MAN ONE.

MAN TWO
How you doing?

BARNES
Fine, you?

MAN TWO
Just fine, man, just fine.

GRAND (To the two men)
I'll catch you guys later.

Both men nod to Grand and then Barnes before leaving. 

GRAND
What, can I do for you?

BARNES
I need a fix.

GRAND
You know, I think you should lay low for awhile.

BARNES
What the hell are you talking about?

GRAND
I just think you should try to keep your nose a little cleaner.

BARNES
Screw off. Who are you, my guidance counselor?

GRAND
No, man, I just think...some stuff happened, that's all.

BARNES
What do you mean? What kind of stuff?

GRAND
Nothing man, just some guy was around earlier.

BARNES
What kind of guy?

GRAND
I don't know, just some dude in a suit.

BARNES
What did he want?

GRAND
I don't know, he didn't say.

BARNES
C'mon, Billy, don't make me beg. You know what I want.

GRAND
Alright, alright, he was just asking about you. Told me not to say 
anything.

BARNES (Worried)
That was it?

GRAND
That's all he said, nothing else.

BARNES
Did he say anything about an organization or anything?

GRAND
Nope. He knew who I was though.

Barnes sighs loudly.

GRAND
Think it's the police? Trying to dig up dirt on you?

BARNES
Maybe. What did you say?

GRAND (Nervous)
Nothing.

BARNES
I'm not stupid, Grand, what did you say.

GRAND (Nervous)
I told him where you lived. But that was all, I swear!

BARNES (Angry)
They're going to search my place.

GRAND
Have you got anything in there? 

BARNES
I'm cleaned out. That's why I came to you.

GRAND
Alright, what can I do?

BARNES
Nothing.

GRAND
Do you want a fix?

BARNES (Walking away)
No, I'm fine.


SCENE D


EXT. ACROSS THE STREET - DAY

Fynd and another man STEVE ULRICH are watching the scene.

ULRICH
Why don't we just go now? Get the guy, Barnes.

FYND
No, that's not what we're here for.

ULRICH
What do you mean?

FYND
Just wait.

We see Grand just standing on the corner for a few seconds. He pulls 
out his wallet and as if on cue a woman, very attractive, in her 
twenties, long brown hair runs across and snatches the wallet from 
Grand. The woman is AMELIA MILTON. She is a shape shifter.

FYND
Bingo.

Amelia runs away and Grand chases after her. After a few seconds Grand 
begins looking around. He cannot see Amelia anywhere.

GRAND
Damn it!

We then see a man holding the wallet. He is smiling as he eyes the 
contents.

We then go back to Fynd and Ulrich.

ULRICH
What happened? Where did the woman go?

FYND
She's there, watching him.

ULRICH
But I can't see her?

FYND
Of course you can't.

ULRICH
What? I don't see a woman who looked like her anywhere.

FYND
Who says she still looks like a woman?

ULRICH (In Shock)
Huh?

FYND
Doesn't matter. Call George, tell him I'm starting the recruitment.

ULRICH
Yes, sir.


SCENE E


INT. COFFEE SHOP - DAY

Amelia sits at a booth counting the bills from the wallet. A waitress 
comes by.

WAITRESS
More coffee?

AMELIA (Nodding)
Yes, thank you.

Fynd and Ulrich enter the coffee shop. Amelia sees them and scowls, 
trying to look away. The two walk up to her table.

AMELIA
I spotted you watching me on the street.

ULRICH
You spotted us?

AMELIA
You act surprised.

FYND
We are. We haven't encountered anyone of your caliber in awhile. 
Someone good enough to spot one of our agents is highly talented for 
sure.

AMELIA (Sipping her coffee)
Hmm, so what do you want?

FYND
We have a business proposition.

Amelia looks the two of them over.

AMELIA
You two don't look like the kind of people who have something to steal.

ULRICH
Oh, we're not.

Amelia smiles at the inexperienced agent.

FYND (A little embarrassed)
What he means to say is, that's not what we want you for...exactly.

AMELIA (Sarcastically)
And what do you want from me...exactly.

FYND
We need your abilities, and you skills.

AMELIA (Curious)
For what?

FYND
A special operation.

Fynd tosses a file onto the desk. Amelia picks it up opens it and reads 
over it for a few minutes. She begins chuckling.

AMELIA
You've got to be kidding me!

FYND
What's so funny.

AMELIA
This report! What are you guys, Supernatural Myths Defense?

ULRICH (Angry)
That's uncalled for!

FYND (To Ulrich)
Settle down. (To Amelia) What part do you think is funny?

AMELIA
The whole thing. (Reading from report) A demon named Annihilation, 
right. Who is crusading the city, (sarcastically) stealing the energy 
from citizens, um...right. The total number of humans he needs to drain 
the energy from is twenty-five, than he'll destroy our world.

FYND
Yes.

AMELIA
That's just a little unbelievable don't you think.

FYND
Most people wouldn't believe it if I told them you were a shape 
shifter.

AMELIA (Surprised, and Angry)
That's different.

FYND
How? Aren't you both just "Supernatural Myths" aren't you?

Amelia begins to pack up her bag and leave bills on the table.

AMELIA
I don't need this. I'm doing fine.

FYND
You're not Amelia. That score today was your biggest in awhile, wasn't 
it.

AMELIA
I told you, I don't want any of this.

FYND
You'll be paid.

AMELIA (Interested)
How much?

Fynd snaps his fingers and Ulrich hands him a cheque. Fynd hands it to 
Amelia who looks it over.

AMELIA
Wow.

FYND
I think that will be sufficient.

AMELIA
Depends on what I'm doing.

FYND
You're to be part of a elite team designed to bring him down. We call 
you TASK FORCE 666. I came up with it myself.

AMELIA
That is cheesy you know.

FYND
I thought it was quite clever.

AMELIA
I'm sure you did.

Fynd then reaches out and grabs the check, not pulling it away but 
establishing his hand there.

FYND
Yes or No, Amelia. You say No and I pull this cheque away.

AMELIA
Why me?

FYND
Your ability. You'll be able to get into any secure location you want. 
Plus, there is also your skills as a thief.

Amelia pulls the cheque away from Fynd.

FYND
You'll do it?

AMELIA
Yeah, for the cash.

FYND
Excellent, you've made the right choice.

AMELIA (Grinning)
I still think it's corny. 

FYND
That's not what matters, just as long as you do your job.

AMELIA
So who else is on the team?

FYND
We're in the process of bringing them in, now.



SCENE F


EXT. SIDEWALK BESIDE CAR - DAY

Fynd stands on the sidewalk beside a parked black car. Ulrich is in the 
driving position in the car and Amelia is in the back of the car. Fynd 
takes his cell phone out of his pocket and dials a number. He is 
calling George and we can hear both speakers throughout the 
conversation.

GEORGE
What d'ya want?

FYND
Hello, sir, this is Walter Fynd.

GEORGE (Stern)
I said I wanted to be there, Fynd.

FYND
Well not really, you just said...

GEORGE (Angry)
I don't care, I wanted to be there!

FYND (Pleading)
But you said you just wanted to be notified. I didn't know.

GEORGE
Alright, whatever. What's done is done.

FYND
Yes, I'm sorry, sir.

GEORGE
What went down?

FYND
We contacted the target, Amelia Milton.

GEORGE
And...

FYND
She agreed to do it the moment she saw the payment.

GEORGE
Perfect, round the others in.

FYND
Do you want to be a part of this?

GEORGE
No, I'll be fine.

FYND
And what should we do with the girl, Amelia?

GEORGE
Bring her down here. With the others, don't make it a choice. Just haul 
them down here so we can debrief the team, got it?

FYND
Yes, sir. I'll have them all in by tonight.

Fynd hangs up the phone and gets in the car. It drives off.


ACT III
SCENE G


EXT. MICK RICHARDS' HOUSE - DAY

Fynd and Ulrich with another two men, both dressed in suits are 
standing on the sidewalk across from his house. The other two men are 
both Agents of Sector X, AGENT PERRY and AGENT TREVOR. The house they 
are surveying belongs to MICK RICHARDS, an accountant who works from 
home. He is also burdened with being a werewolf.

AGENT PERRY
So who is this guy?

ULRICH
Mick Richards, he works as an accountant from his home. Thirty years of 
age, no spouse or children.

AGENT TREVOR
What's he got to do with us?

FYND (Bluntly)
He's a werewolf.

AGENT PERRY
Oh, god! 

AGENT TREVOR
We'll be mangled.

FYND
Unless he's a trained killer, probably not.

ULRICH
You only have too worry when the moon is full. He won't change any 
other time.

Both the Agent's seem very relieved.

FYND
But still keep your eyes open.

Fynd pulls out his handgun and the other three men follow suit.

FYND
Let's go.


SCENE H


INT. MICK RICHARDS' HOUSE - DAY

The front door bursts open and the men rush in. Agent Perry is in the 
front and as he barrels into a living room he encounters a man, MICK 
RICHARDS, watching the television. Agent Perry fires a shot and a dart 
hits Richards in the neck. It is only a tranquilizer so he does not 
die.

FYND
Ulrich, get him and let's go. We still have three more before the day 
is done. This was the easy one.

Ulrich picks up the limp body of Richards and carries him out the door 
as him and the other men exit the house.


SCENE I


EXT. ABANDONED FARMHOUSE - DAY


The men are on the front porch in front of the door. 

FYND
No before we head on in here, just a question, anybody got a cross on 
them?

Agent Trevor Holds out a silver cross hanging around his neck.

AGENT TREVOR
I do.

FYND
Hold onto that for dear life my friend.

AGENT PERRY
Vampires don't come out in the day.

FYND
Who said that?

Ulrich kicks down the door and we continue into the interior of the 
farmhouse. It is in ruins and there is no decorating whatsoever. It is 
completely barren. 

ULRICH
Cozy, real cozy.

AGENT TREVOR (Looking through a door)
Come here it's downstairs.

CONTINUE TO:

Stairs leading down to a cellar. The men cautiously walk downwards, 
step by step, guns held in front of them.

AGENT PERRY
This is creepy.

FYND
Shut up!

As they reach the bottom of the stairs they see a single coffin in the 
middle of the room. The rest is bare.

ULRICH
Gotcha!

FYND (Whispering)
Ulrich, Perry pick up the casket and let's get the hell out of here. Be 
gentle, if you wake him up, heads will roll. Literarily. 

Ulrich and Agent Perry go over. They each grab a handle on either side 
of the coffin. As they are about to lift it upwards the lid bursts open 
and a young man jumps out grabbing Agent Perry by the neck. 

The man is average height and average build. He is very handsome with 
short spiked hair that has a bit of a purplish tinge to it. His eyes 
are blood red though and he has two large gleaming fangs. His name is 
AMBROSE. He is a vampire.

AMBROSE
I'll kill him!

He snarls loudly.

FYND
Shoot him!


Agent Trevor shoots Ambrose in the neck. Ambrose seemingly unharmed 
throws Agent Perry away and walks toward Agent Trevor. As he gets 
closer his steps get slower and drowsier. The drug is obviously 
beginning to take effect. Agent Trevor holds up the silver cross.

AGENT TREVOR
Stay away, you monster!

Ambrose covers his face with his hands and hisses wildly.

FYND
Shoot him again!

Ulrich shoots Ambrose with another tranquilizer hitting him in the 
shoulder. Ambrose struggle to remain conscious but after a moment he is 
beaten and collapses to the floor.

FYND
Hurry up. Get him out of here!

The men carry Ambrose outside and are about to put him in the backseat.

FYND
No, throw him in the trunk. We can't take any chances. There can be no 
casualties on this assignment.

AGENT PERRY
Who'll take this guy in?

FYND
Trevor. He has a cross for protection.

AGENT TREVOR
Yes, sir.

FYND
I'll call it in. You'll have to meet us at the last address. Our next 
guy won't be as difficult to take down but we need as much help as we 
can get for the finale.

Fynd pull out his cell phone and calls George.

GEORGE
Yeah.

FYND
We've secured Ambrose, I'm sending Trevor with him.

GEORGE
Alright, so you're heading over to...the guy, Frank's house?

FYND
No, we're bringing in Barnes now.

GEORGE
Oh yeah, I forgot to tell you. I sent some men over to bring that guy 
in. There's only Frank left, The Bounty Hunter.

FYND
What? You expect only three of us to bring him down?

GEORGE
How hard is it? He's a trained killer, your trained operatives, it's 
three against one.

FYND (Pissed)
Three trained men against a superhuman.

GEORGE
You took down a vampire how hard can this be?

FYND
Sir, you're putting us at too big a risk. You said you wanted no 
casualties.

GEORGE
Listen, Walter, stop your blabbing and take a chance will you?

FYND
If anyone is fatally harmed in this...

GEORGE
I'll handle it. Now just do it!

Fynd hangs up the phone.

FYND
Change in plans. (To Ulrich) Take us to Frank's house.

ULRICH
But sir, with just the three of us, that's like suicide.

FYND
I already know.


SCENE J


INT. GUN SHOP - DAY

The three men, Fynd, Ulrich and Agent Perry enter the gun shop. A 
skinny, dirty looking man sits behind the counter.

FYND
Is Darren Frank around?

CASHIER
Oh he's out back shooting.

FYND
Thanks.

CONTINUE TO:

The men outside, walking towards a strong, muscular black man. He is 
about average height. This is DARREN FRANK. He is practicing his 
shooting at a shooting range.

FYND
Darren Frank?

FRANK (Turned towards them)
Whose asking?

FYND
We work for Sector X, a government agency.

FRANK
I don't like government agencies.

FYND
Most bounty hunters don't.

FRANK (Tough)
What's that supposed to mean, punk?

FYND
You know exactly what it means.

FRANK
I think it's time for you folks to leave.

FYND
Then you're coming with us.

FRANK
I don't think you know who you're talking to.

FYND
Oh, I'm aware. (He pulls his gun out) You're either going to come with 
us willingly, or you're coming with us the hard way.

FRANK (Smiling) 
I choose...hmm, it's tough when I'm up against you morons. I think I 
choose the hard way.

FYND
So be it.

Fynd pulls the trigger and a dart races out, soaring at Frank, who 
quickly flies upwards as the shot whizzes away. He seems to hover in 
the air.

ULRICH (On the Flying Ability)
That's handy.

Agent Perry pulls out his gun to shoot but Frank swoops down grabbing 
the gun away. He moves so fast you can barely see him. They turn around 
and Frank is levitating again. He takes the stolen gun and snaps it in 
half.

ULRICH
Now how are we supposed to take him down?

FYND
You're asking me.

FRANK
What is it you blokes want?

FYND
Just a job offer, Darren, that's all.

FRANK
What's the pay?

FYND
Is that all you think about?

FRANK
Just shut up and talk.

FYND
Fine. All I can say is it's more than reasonable.

FRANK
I don't care. I want numbers.

Fynd pulls out a check from his pocket and holds it up towards Frank.

FYND
Your vision should be able to read that.

FRANK
I can read it fine.

FYND
And what do you think.

FRANK
It will do, I suppose. Depends on what you want me to do.

FYND
When you come with us you'll be debriefed.

FRANK
If I think the pay is adequate for the job I might just join.

FYND
Trust me, you won't be disappointed.


SCENE K


INT. SECTOR X MAIN BASE - DAY

Fynd is entering the office when Agent Trevor calls out to him.

AGENT TREVOR
Hey, Walter, did you get the dude?

FYND
Damn right we did. Just some smooth talking.

AGENT TREVOR
I bet.

FYND
How are the others we brought up handling?

AGENT TREVOR
Oh just great. We had to put garlic around everyone so the bloodsucking 
freak wouldn't go berserk and bite there neck off.

FYND
Sounds fun.

AGENT TREVOR
Oh boy, is it ever.

FYND
You seem more relaxed.

AGENT TREVOR
Well I'm not down there supervising.

FYND 
Yes I guess your right. But seriously, you look like you have more life 
in you.

AGENT TREVOR
I probably do. Catching supernatural beings 24/7 isn't exactly the most 
luxurious job in the world. Any break I get is well savored.

FYND
You should take some time off; spend it with your family. Especially 
your kid.

AGENT TREVOR
Yeah, I probably will. After this whole Annihilation thing. By the way, 
Walter, I'd like to thank you. I hear you recommended Perry and I for 
this and it will probably get the higer ups to notice us finally.

FYND
You've got to do the job first.

AGENT TREVOR
Yeah, I know, I know.

FYND
Don't sweat it. Ulrich, Perry and you are the best agents in the field. 
(Jokingly) Besides me of course.

They both laugh.

FYND
Anyways, I've got to see the boss.

AGENT TREVOR
Alright, I'll see you at the debriefing.

CONTINUE TO:

George's office where Fynd enters. George is shuffling through some 
papers and he looks up at Fynd.

GEORGE
Walter, long day I suppose.

FYND
Yep, for sure.

GEORGE
So you brought that guy, Frank in?

FYND
Yes, sir.

GEORGE
See, what did I tell ya? I told you, didn't I?

FYND
Yes, you were right, sir.

GEORGE
Brains are more important than brawn.

FYND
I'm sure that's why you're here.

George just smiles.

GEORGE
So what can I do for you?

FYND
I need you authorization to bring in the final member.

George looks confused for a minute before he realizes what Fynd means.

GEORGE
Here, I'll write you a pass.

FYND
No, sir. You know it has to be you personally there.

GEORGE
Well that's a bugger. These procedures must be put in effect though. 
Just let me get my jacket.

George opens up the closet in his office and pulls out his coat.

GEORGE
There we go. Well we're off.


ACT IV
SCENE L


INT. SECTOR X SECURE CENTER - 

Fynd and Walter move through the halls made of highly strong steel 
quickly. Neither speaking to the other. They both know where to go. We 
watch them through some turns of the steel corridors until they come to 
a bolted door at the end of the hall. Two armed guards stand outside.

GEORGE
We want to speak with the creature. Possibly bring it out of here.

GUARD ONE
Sir you must be authorized.

George holds out an I.D. card.

GEORGE
My name's Terrence George. I'm the Director of Sector X.

GUARD ONE
That's all sir.

He moves and unlocks the deadbolt before moving to a small button 
system on the side. He punches in a few numbers, then allows it to scan 
his face, before punching in more numbers. A lock on the door CLICKS.

GEORGE (To Fynd)
Have your weapon ready.

GUARD ONE
We have snipers from the walls, sir.

GEORGE
Not that I have any doubt in your security here, but this is just for 
extra comfort, that's all. We don't know if the extraterrestrial is 
hostile or not.

Guard One nods slightly.

The Men, Fynd and George slowly open the metal door before cautiously 
stepping inside.

The room is completely black except for a shadowy figure in the corner. 
This is the alien Xgar (pronounced Ex-Gar). He has a raspy voice.

XGAR (Angry)
What do you want? Why do you torment me? Locked in this cage.

GEORGE
Xgar, we need you calm.

XGAR
For what? For some sort of your sick torture?

FYND
Do you want out?

XGAR 
You're taunting me. You'd never let me out. My companion told you we 
were taking over, and we were! The three of us were going to destroy 
this planet and claim it as our own. As a replacement for our dying 
planet. It's too late though. Our species is dead. There is no point in 
taking over the world, no purpose. You must understand that we were not 
hostile creatures. But our resources were failing and the oxygen was 
depleting and we needed some place to claim. Your home world was the 
perfect specimen.

GEORGE
Xgar...

XGAR
Yes, you've heard it all a thousand times, I know. But this is the only 
chance I have to speak out and be heard. All these days I am imprisoned 
here without a soul to relate to. Do you know what that can do to a 
person? It can drive them insane. But I myself am too advanced. I 
refuse to begin conversing with myself, or creating a fantasy world. I 
just blank out society and I don't think, don't move and I just do 
nothing.

FYND
I sense you're looking for adventure.

XGAR
Congratulations, I suppose they label you as the genius, correct? You 
probably have some fancy title in front of your name and why? Because 
you can tell people what they think after they tell you already. What 
is the name for these people?

FYND
Psychiatrist?

XGAR
Yes exactly. Are you one of those? Come to tell me how I think?

FYND
No, I work for Sector X.

XGAR
Oh, then you're just another disgrace. Locking me up.

FYND
I've come, to maybe let you out.

XGAR (Interested)
Yes, and how would you do that? (Then Sarcastically) Without me 
wreaking havoc on the world, of course.

Fynd holds up a metallic bracelet type object. It has buttons flashing 
on its silver base.

FYND
This will keep you in line. You do what we tell you, you get out of 
this chamber. We let you out and you misbehave, this will kill you.

XGAR
You underestimate me. You must think I cannot disable your petty 
device.

FYND
No we never thought that. If you touch this, outside of the arm it's 
on, for more than three seconds your shocked. Keep your hand there, 
you'll be killed.

XGAR
Perhaps, I could fix it to my liking in three seconds?

GEORGE
Listen Xgar, just make up your mind.

FYND
It's doubtful you could change the settings anyways. It's some of our 
best technology on the bracelet.

XGAR
What am I to do?

FYND
You're going to be part of a group, designed to take out a new threat 
to society.

XGAR
Why do you want me? I'm just an alien freak.

FYND
No, we need your advancement in technology, the mind, in everything.

XGAR
So you need me?

FYND
Yes, we need you.

XGAR (Obviously pleased)
Excellent, the humans have finally come to realize my worth.

GEORGE
Just give us an answer. We don't have all day.

XGAR
You don't have all day? How can you not have all day? Were some hours 
taken away from you? Did they steal some time?

GEORGE (Angry)
We don't need your sarcasm, Xgar, just an answer.

XGAR
Yes, I'll do it. Just to be free of these steel walls I've been 
confined to for so long. To walk freely again. To have a purpose!

FYND
Good. You've made the best choice.

XGAR
When do we leave? I'm itching to be out of here.

FYND
We leave now, just after I put the bracelet on you. Give me your hand.

We see a green hand, with only three fingers move out from the 
darkness. Fynd reaches out and places the bracelet on his wrist.

XGAR
Could you make it looser?

FYND
Not a chance.

GEORGE
Let's get out of here.

CONTINUE TO:

The steel corridors as Fynd and George drag Xgar along. Xgar is in a 
full suit/bag so we still can't see what he looks like. 

Guard One opens his mouth to say something but George gives him a cold 
look, saying "SHUT UP!"



SCENE M


INT. SECTOR X HALLWAY - 

Fynd stands outside a black door in a blank hallway. He stands with 
Ulrich directly across from him. Ulrich is moving his feet 
uncontrollably. He is obviously very nervous.

FYND
What's wrong with you? C'mon you've gotta get your head in the game.

ULRICH
I know, it's just...

FYND
Just what, man? You brought all these guys in.

ULRICH
I was never in a room with them all at once.

FYND
Toughen up. That guy Richard's been in there for three hours. He 
doesn't know half the stuff you do.

ULRICH
He's a werewolf.

FYND
Not 'till the full moon. You know that. He's just a normal Joe Blow 
now.

ULRICH
Yeah...I know. Just some jitters. No problem.

Fynd slaps Ulrich on the shoulder encouragingly.

FYND
Trust me, you'll be fine. If you really can't take it walk out of 
there. Don't worry 'bout me. I can handle it.

Fynd pats his holster.

FYND
I got this for protection. With real bullets this time.

Ulrich nods as if to ensure himself that this was something he could 
achieve. This was something he could do.

ULRICH
Alright, I got it.

FYND
You ready?

Ulrich nods.

ULRICH
Yeah.

FYND 
Then let's get this show on the road.

Fynd walks through the door throwing it open.


CONTINUE TO:

Inside the room from the black door. The six to-be members of TASK 
FORCE 666, Amelia (Shape Shifter), Jerry (Former Cop), Mick (Werewolf), 
Ambrose (Vampire), Darren Frank (Superhuman) and Xgar (Alien) all sit 
around on various chairs. The chairs are plastic folding chairs and 
made cheap. The members look uncomfortable.

Xgar still is covered up. He has on all black and gloves covering all 
parts of his body. He has on a black mask that covers his face. The 
gloves have only three finger slots. The head also seems much bigger 
than that of a regular human. More rounded.

The members are set up variously but they all have a string of garlic 
around there necks. All except, Ambrose who sits off by himself, unable 
to be near his garlic bearing associates. 

FYND
Well it looks like were all accounted for.

AMBROSE (Pissed off)
What the hell is going on? You've locked me up with these crazy people 
for hours. I'm tired of it. I should kill you all.

FYND
I'm sure you'd love that, Ambrose. However you may have noticed the 
precautions we took.

AMBROSE
A cross on the door, garlic on the necks. You've got it all to keep my 
trapped.

FYND
We don't want any casualties.

AMBROSE
Blah, blah, blah. Just get to the point. Why are you dragging us here?

FYND
Well, first I'll introduce myself. My name is Walter Fynd, I'm the Head 
Coordinator for this team. You all are now, TASK FORCE 666.

AMBROSE
Oh did you come up with that yourself?

FYND (Ignoring Ambrose)
You've all been carefully selected to help us fight a renegade demon, 
Annihilation, who is threatening all of mankind. Annihilation has begun 
to steal the energy from select sacrifices with the right type of 
energy needed. He has many tools and the manpower to defeat any human 
formed arsenal, which is why we need you folks.

AMBROSE
Well it looks like you did a good job finding non-humans. The Goth and 
myself are the only freaks here.

Ambrose is referring to Xgar as the Goth. He is dressed in all black.

FYND
You're quiet wrong. There is only one human in the room, excluding 
Agent Ulrich and myself. The rest of you are evolved forms. 

AMBROSE
Well I don't see it. Why don't you fill me in Bosley?

FYND (Smiling)
Very well. (Gesturing to Amelia) Amelia Milton, shape shifter.

Amelia than changers her face to Ambrose's to show her gift.

FYND (Continued/Gesturing to Frank)
Darren Frank, Bounty Hunter with superhuman powers. He can lift immense 
weights and has the ability to fly. (Gesturing to Barnes) Jerry Barnes, 
former cop. He's here for his detective abilities. Barnes is the only 
human on the squad. (Gesturing to Richards) Mick Richards, as normal as 
he looks, he's a werewolf.

AMBROSE
Is that why you have me? To keep him under control?

BARNES
What the hell are you talking about?

RICHARDS (Without looking up)
Ambrose is here to control me in my wolf state. All vampires have 
complete power over any werewolf when it's changed. They can make it do 
whatever it wants, good or evil.

FYND
I see you two have figured it out.

AMBROSE
What about the Man in Black?

FYND
Xgar is an extraterrestrial we found in the Roswell incident of 1947. 
He and two others came down looking for a replacement for there 
depleting home world. Their mission failed when they crashed. One died 
on impact the other two we secured here at Sector X. The Military 
stated it was just a weather balloon because we told them to. Anyways 
one of the two survivors died, so we are left with Xgar. He's the only 
one of his kind left.

AMELIA
Neat.

BARNES
So we're any of the autopsy photos real?

FYND
Yes but with the number of them out there that little mistake was 
easily overlooked by the public. Luckily...

AMELIA
How did the other one die?

XGAR
Yhtu (Pronounced Eat-Two) died because of an overload on oxygen. We 
were not used to this kind of breathing air when we came. Our lungs 
were not capable for it and he died. Listen, I'd prefer to move onto 
the mission.

AMBROSE
Can we see what you really look like.

FYND
Ambrose that's uncalled for. He doesn't want to talk about it so...

AMBROSE
I didn't ask you. I asked Xgar. 

XGAR
I'd prefer I keep the mask on.

Ambrose is about to protest.

FYND
Ambrose, Shut it. We have to get back to the matter at hand. This 
demon, Annihilation as abilities beyond any of you. He's intelligent, 
ferocious and evil.

AMBROSE
Yeah, but what's he do?

FYND
He's draining the power from citizens of our city. Once he has twenty-
five sacrifices he'll be able to destroy MANKIND!

AMELIA
And we're going to stop him.

FYND
Yes, but first we need a confirmation from all our members. Only 
Amelia, Frank, and Xgar have all committed themselves. What do you 
others say.

BARNES
How do we get paid?

FYND
Yes, always with the money. 

Fynd pulls a cheque out of his pocket and holds it up to them.

BARNES
I'm in.

RICHARDS
I guess I can do it. As long as he (looking at Ambrose) doesn't do 
anything twisted when I'm changed.

FYND
He won't. You'll all be equipped with arm bracelets that will ensure 
you do exactly what you're supposed to. Ambrose, what do you say.

AMBROSE
No, this is stupid.

FYND
Then I'll have Ulrich take you away where you will be killed with a 
wooden steak unless you want to join.

AMBROSE
You're blackmailing me! You can't do this.

FYND
Why not? The whole thing will be erased as soon as it's completed.

AMBROSE
So I have to join?

FYND
Yes.

Ambrose groans and show is displeasure.

FYND
Oh, yes, by the way, well you're working for us you can't kill to feed.

AMBROSE
Then I'll die!

FYND
We'll provide you with a blood source.

AMBROSE
No, I prefer the hunt.

FYND
While there is always the steak in the heart bit.

AMBROSE (Reluctantly)
Fine, but only to keep my life.

FYND
Good, you're a valuable asset.

BARNES
When do we get paid?

FYND
Half now, half later. This cheque is for half your fee. Cash it 
whenever you want. If you would all kindly, reach out your hand I'll 
hand you your payment and place our tracking device.

RICHARDS
Which does what?

FYND
Tracks you, and keeps you in line. You break a rule and it kills you. 
You try to take it off and you'll be shocked. If you ignore that 
warning it will fatally injure you.

Fynd goes around handing the cheques to Barnes, Frank, Richards, one at 
a time, placing a bracelet on everyone excluding Xgar as well.

BARNES
Do we have a leader?

FYND
I will be a home base coordinator but Amelia will be your command in 
the field. She was the first to join, and so far is the only one I 
trust.

AMELIA
So listen to me, and we'll get along fine.

RICHARDS
When do we start...this mission?

FYND
Tonight. He has a companion prowling the streets. Annihilation is 
trying to conceal all the energy in a way that it can be used. It takes 
a deep mode of concentration. The companion IGRON is a trained fighter, 
a creature from Hell.

AMELIA
So we're supposed to take him out, tonight?

FYND
Yes. One of our Agents put on the mission was able to put a tracking 
device on the creature before he met his gruesome demise.

FRANK
How do we kill it, the creature, Igron?

FYND
How do you kill a human?

FRANK
Just like that.

FYND
Yes, the host body will die but the demon spirit will survive and be 
forced back down to Hell, where it'll be tortured violently.

AMELIA
Is it the same for Annihilation?

FYND
No, Annihilation doesn't have a host body but instead powered up a 
sufficient creation to work in. If you kill it than you've killed the 
demon itself.

FRANK
So are all these guys, working for the Devil?

FYND
At this point...we have no idea. Everything I just told you is 
everything I know.

AMBROSE
The sun set's in an hour.

AMELIA
How do you know?

AMBROSE
I'm a vampire, I know these things.

FYND
Then you're ready. Follow Ulrich here, he'll suit you up. I'll be in 
the control room, overlooking your every action. The bracelet and I 
will make sure you behave.

Fynd turns to go. When he is in line with Ulrich.

ULRICH
Thanks a lot.

FYND
Don't worry about it. You'll handle them.

ULRICH
Before they handle me?


ACT V
SCENE N


INT. CONTROL ROOM -

We are in a control room with many monitors. Workers operate computers 
and a large screen portrays a map of the city with a small RED X moving 
across the streets, slowly. This RED X represents IGON, the demon 
companion of Annihilation.

George is overseeing the control operation. He stands in the middle 
surveying all the monitors. We can see various monitors. One shows 
Ulrich leading TASK FORCE 666 down a hallway towards a round door. He 
punches in a code and it slides open.

We then see them enter a room in another monitor. It filled with 
bulletproof vests, weapons etc. all the necessary equipment needed for 
an operation of this kind.

Fynd then enters the control room.

GEORGE (To Fynd)
I see you've done your job well.

FYND
Yes, this plan should work.

GEORGE
We'll see what happens tonight first. 

FYND
Of course, but the bracelets should keep them in line.

GEORGE
Depends on who wants to live or not.

FYND
I suppose. They all have there own personal reasons. Xgar wants the 
adventure, Frank needs a worthy opponent, the rest for the money. 

GEORGE (In Agreement)
Yes, money is a powerful tool.

FYND
They all seem fine, except Ambrose gives me a chill.

GEORGE
His life his hanging in the balance. Trust me, he'll perform.

We see the group getting suited up in the monitor.

GEORGE
What kinds of firepower are they packing?

FYND
Nothing special. A handgun. This is not a high risk or particularly 
difficult mission. Just lets them get a feel for what's up ahead.

GEORGE
What if something goes wrong?

FYND
Then we better pray Annihilation shows us mercy.


SCENE O


INT. PREPARATION ROOM -

We are now in the room displayed on the monitors. The members are 
suiting up and preparing for what lies ahead. As Frank is looking over 
the equipment he snorts in disgust.

ULRICH
What's wrong with you?

FRANK
What kind of weaponry is this? A lousy handgun. You're sending us 
against a demon and this measly piece of junk is our only protection?

ULRICH
I think your overestimating you enemy.

FRANK
You can't overestimate anything. My motto is BE PREPARED. That motto 
has saved me many times.

ULRICH
Just look at it this way, if you can't kill IGRON with just that 
handgun you aren't worthy of a spot on TASK FORCE 666. Are you not 
deserving of your spot?

FRANK
I'm worthy. Don't get all in a fluff, man. Just I wish you guys could 
just try to expect a bit more of your opponents. Maybe that's why all 
your Agent's got killed by this guy.

ULRICH (Stern)
The reason our Agent's were killed was not because of there 
incompetence but because of the skill of their opponent. Now suit up 
and shut up.

Frank returns to getting ready.

The group has a heavy, bulletproof vest, a headset, a side holster and 
a handgun to assist them on the mission. Once they all have their 
standard equipment on each member begins to customize.

Ambrose put a trench coat on, covering the bulletproof vest. Richards 
put on a jean jacket. Frank puts on a brown leather jacket. Barnes puts 
a sweatshirt over top. Amelia and Xgar are the only ones who stay with 
only the standard equipment.

AMELIA
We're ready.

ULRICH (Pointing to an exit door)
Fynd will contact you via the headset. He'll give you directions.

Amelia sticks her hand out to form a cheer.

AMELIA
C'mon guys we need a cheer.

AMBROSE
This is what happens when you put a woman in charge.

AMELIA
Just shut up and stick your hand in.

The group all puts their hands into the middle.

AMELIA
Okay, just TASK FORCE 666, okay. Ready?

The group chants altogether except for Ambrose who just stands 
watching.

GROUP
TASK FORCE 666!


SCENE P


EXT. DARK ALLEY - NIGHT

The group turns into the shadowy alley, appearing cautious. There is 
barely any light except for a single street lamp, which casts an eerie 
glow over everything. As Amelia converses with Fynd she speaks into the 
headset and Fynd back from the control room.

AMELIA
This is the right street?

FYND
That's what it says here.

Amelia curiously looks around, puzzled by the IGRON'S absence.

AMELIA
I've looked left and right and there is nothing here.

AMBROSE 
Perhaps you should look up.

Suddenly a shadowy figure flies down and kicks Richards, causing the 
man to fly away. The moon is not lit so he is still in human form.

The figure than soars away and lands about fifty meters away from the 
group. This is IGRON, the demon companion to Annihilation. Igron is 
about average height, with a mop top of blonde hair and a physically 
fit body.

IGRON
So you've come for me.

AMELIA (To Barnes)
Check on Mick, and stay with him. 

She turns to Igron.

AMELIA
Yeah that's right, we're here for your head.

IGRON
You, my head? They honestly think a pitiful band of humans like you can 
defeat a demon like me?

Amelia changers her face to that of Igron's.

AMELIA (With Igron's face)
Who said we were humans.

Igron takes a step back, obviously shocked at this encounter. He then 
steps forward again, his eyes becoming darker, his face twisting with 
rage. Just as he his about to speak his eyes change completely to 
black.

IGRON
Very well, I will still defeat you.

Igron runs forward at Amelia jumping up and performing a jump kick at 
her, connecting directly with her face. All in the same air motion he 
spins in the air and kicks Xgar across the cheek, sending them both 
sprawling to the ground.

As Igron lands he lashes out at Amelia with a long, reptilian type 
tongue licking her face. Amelia is disgusted and grabs the tongue 
pulling hard. Igron's eyes show he is worried as he tries to pull away.

We then see Frank pull out his handgun to shoot Igron.

Igron sees this too and uses his tongue to whip Amelia at Frank, 
knocking them both backwards.

Now Igron and Ambrose are the only ones left standing.

AMBROSE
Know, it's my turn. Are you ready to die? 

IGRON (Grinning)
You have to catch me first.

Igron then propels himself into the air at about the height of the 
surrounding buildings.

AMBROSE
Like that's hard?

Ambrose flies up after Ambrose squaring up with him in the air.

We then see Amelia who is receiving a message from Fynd.

FYND
What happened? What the hell is going on?

AMELIA
It's him!

FYND
Who? Igron?

AMELIA
Yeah we found him.

FYND
What's happening right now.

AMELIA
Ambrose is kicking his ass.

Frank then sits up. He looks up at the furious battle above.

Ambrose and Igron are viciously attacking each other throwing punches 
and kicks at each other in mid air. Each of them has a blocking 
maneuver for every attack.

Then Igron gets a side kick free and connects with Ambrose directly in 
the chest sending him falling backwards and towards the ground below.


SCENE Q


INT. CONTROL ROOM -

Fynd his anxiously staring at the monitors before him. The large screen 
shows a cluster of BLUE O's representing TASK FORCE 666 and a single 
RED X representing Igron.

GEORGE
Is something the matter, Walter?

FYND
No, well...I don't know.

GEORGE (Nervously)
What do you mean you don't know?

FYND
They're in a battle, that's it. What the outcome has been so far is 
beyond me.

GEORGE
Well find out, Fynd.

FYND
Yes, sir.

George moves away and Ulrich walks up to Fynd.

ULRICH
Sir?

FYND
Yes, what is it?

ULRICH
One of them said something before the mission.

FYND
What do you mean.

ULRICH
Frank, he said that he didn't think we were prepared.

Fynd is only half listening it seems.

FYND
Yeah.

ULRICH
Well did we prepare them enough, really? Did we know everything we 
could have about this guy?

FYND
I don't know. From what we found, it shouldn't be this hard for them.

Then in a violent outburst aimed at nobody in particular.

FYND
WHAT THE HELL IS GOING ON IN THERE!

GEORGE
That's what you're supposed to know, Walter.

Walter turns and gives him a cold, icy look.


SCENE R

EXT. DARK ALLEY - NIGHT

Ambrose is falling downward but he catches himself and hovers for a 
moment before soaring back up at Igron.

Frank watches as this unfolds. He then stands and prepares to take off.

AMELIA
What are you doing?

FRANK
I'm going to help him.

Frank flies up and hard at Igron hitting him in a football style tackle 
and sends him knocking backwards. Frank holds on as the two of them 
glide away. As they begin to descend Igron sends a sharp elbow into 
Frank's back causing Frank to let go.

Igron then flies up and tries to speed away but Ambrose quick to react 
grabs him by the leg and pulls him downwards onto a building top. The 
two begin fighting like before, countering every attack the other has 
to offer. It is a stylish mix of KUNG FU and STREET FIGHTING.

Ambrose punches for Igron who grabs the fist and twirls Ambrose so that 
his back is too Igron. Ambrose then grabs Igron by the neck, his arms 
stretching over his shoulder and pulls Igron up flipping him over 
Ambrose's head and slamming hard into the cement rooftop.

Igron then does a backwards somersault and kicks him in the face on the 
maneuver. Ambrose staggers backwards and has Igron fall onto his chest 
he lashes out with his feet, tripping Ambrose to the ground.

With Ambrose down Igron pulls out a curved, deadly, sharp and 
glimmering knife. He twirls it around his fingers.

IGRON
A worthy opponent indeed.

AMBROSE
I'm more than just that.

IGRON
I'm afraid not. You and your companions are weak beings, fighting 
against something you cannot overcome. What do you say to that?

Ambrose spits on Igron's leg.

IGRON
Yet another display by your species childish behavior. I hope you enjoy 
your stay up above.

Ambrose grins wide, revealing his fangs.

AMBROSE
I'm not going to heaven. So I guess I'll see you in Hell!

Igron stabs down at Ambrose's head attempting to stab him. Ambrose 
rolls away, dodging three near fatal swipes. Ambrose then kicks upward 
knocking the knife away.

Ambrose then lunges at Igron and bites him in the arm. Igron lets out a 
howl as he clutches at the wound. Ambrose clings on as Igron wrestles 
him away. Finally able make Ambrose release his teeth he stares down at 
the inflicted wound. A greenish, yellowish gooey liquid resembling 
blood oozes out.

IGRON
I'll kill you for that.

AMBROSE
I doubt it.

We then see Frank soaring at Igron pulling out his handgun and firing 
three shots. We go into slow motion as the bullets tear through the 
air, each hitting Igron in the back, sending him sprawling to the 
ground.

AMBROSE (To Frank)
Nice shot.

FRANK
Lucky I had you covered. He was going to kill you!

AMBROSE
I had it covered.

FRANK
Yeah, right.

Ambrose walks over to the fallen blade of Igron. He picks it up and 
walks back to Igron. When he reaches the Demon he lifts his head and 
places the blade at Igron's throat.

AMBROSE
I told you, you were going to die.

Igron says nothing but just lets blood drool from his gaping mouth.

AMBROSE (CONTINUED)
And now I'm going to murder you with your own blade. How ironic.

Ambrose mercilessly slits Igron's throat and the head drops. A shadowy 
mist floats up from the body and dissolves quickly.

Ambrose stands licking the blood of the blade.

FRANK (Gesturing to the Knife)
What are you gonna do with that?

AMBROSE
I'll keep it. As a souvenir.

The men float down to the ground. Where Amelia and the rest of the 
group stand waiting.

AMELIA
So I guess we did it, eh?

AMBROSE
Did you ever doubt it?

FRANK
How's Mick? 

RICHARDS
I'm fine. Just got winded.

FRANK
I sure hope you turn into a wolf soon, man. Maybe than you'll do 
something.

AMELIA
Hey, I don't want people putting down others.

FRANK
Oh, sorry, Captain.

A voice comes over Amelia's headset, it is Fynd.

FYND
Are you guys alright?

AMELIA
We're all fine, and Igron's dead as a doorknob.

FYND
You did it! Nice work, team!

AMELIA
Was no problem.

She clicks off the headset and we see the group, all standing in a 
group, Amelia at the front, Barnes and Richards at her side, then Xgar 
and Ambrose behind them. Frank hovers above them.

We then rapidly zoom out until they are only shadows on a misty 
background.

FREEZE FRAME

ANONYMOUS VOICE (VO)
A seemingly unstoppable Evil
A group of gifted but trouble souls
Bound together for the greater good
A Vampire
A Werewolf
A Shape Shifter
A Superhuman
A Former Cop
An Alien
They are:
TASK FORCE 666


END OF EPISODE 
 
 

 




 

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