F#2Final Draft, Inc. Final DraftlFFFF000000060002000177AA00000000007B000000002000110000001-7EFB67000480048-24F198B200C4-1888C949A064006474198B268FFFF01060A00000100000045000000010208B4084014F70198B2202096038E008197F70198B70000020000209200000000208B,Fade in: Ext. Los angeles -- from the air -- night THE CITY OF LOS ANGELES, ITS LIGHTS STRETCHING ENDLESSLY IN EVERY DIRECTION. FILM TITLE: RUNAWAY GIRL SUPER: 1987 JUMP CUT TO: Int. Ben and elaines bedroom -- NIGHT CLOSE ON BEN: His eyes are open and he is thinking hard about something. He glances at a clock in a night table. 4:30 in the morning. PULL BACK TO REVEAL: ELAINE, next to BEN. Sleeping. BEN Are you awake? ELAINE (no response) BEN I was thinking about what happened tonight. ELAINE (no response) BEN (shaking her) Elaine! ELAINE What? She is finally awake and not in a good mood, a pretty woman in her early forties. BEN turns on the lamp on his side of the bed. BEN Well, I was thinking about what happened at the party tonight. (a beat) Are we really doing whats best for our daughter? The SOUNDS of a CAR PULLING INTO THE DRIVEWAY and A DOOR SLAMMING somewhere downstairs are heard. ELAINE Jesus... What time is it? BEN About four-thirty in the morning. ELAINE Well talk to her in the morning. BEN I think that it would be better if-- ELAINE Its four-thirty in the morning, for Gods sake. Im tired. Go to sleep. BEN OK. He turns off the lamp and tries to sleep but cant. INT. KITCHEN -- MORNING. We are in the kitchen. BEN and ELAINE are at the table. We can see that they both had a rough night in their faces. They have already finished breakfast and are sitting silently, not talking to each other anymore than its necessary. BEN is pretending to read the newspaper while ELAINE plays with her HANDS. They are waiting. CLOSE ON ELAINES HANDS: They are inpatient and nervous. ANGLE ON: MARIE, as she comes in. A pretty girl. 18. She doesnt say a word to her parents and acts as though they are not there. ELAINE (with false enthusiasm) Good Morning, dear. Marie Whats so good about it? WE follow her through the kitchen. She grabs a glass of, go to the fridge and fills it to the brim with ORANGE JUICE. She drinks it in a silent rage, as if provoked by her parents mere presence. BEN and ELAINE watch silently as she drinks it. She finishes the juice and puts the empty glass in the sink. ELAINE Honey, your father and I want to talk to you. MARIE I dont have time. Ill be late for school. BEN (sternly) Now, listen young lady, your mother said we wanted to talk to you and that is exactly what we are going to do, so you listen to us and you listen to us good. MARIE Fine! Have it your way then. She sits down in the table facing her parents. She doesnt look straight at them but focuses her attention outside the window. ELAINE Sweetie, you have to change... No man will want to marry you if you keep acting like that-- MARIE (cutting across her) And who said that I wanted to get married? BEN We have been through this already. Ryan is a very nice guy, Im sure you and him can be happy together. MARIE No we cant. He is a complete idiot. He is inconsiderate, conceited and -- and-- ELAINE But think about it. Youll have a great life. A beautiful house, children... wouldnt that be wonderful? MARIE Whats the point of having a nice house and a beautiful family if you are not happy? I cant do it. I just dont love him. They continue talking but MARIE is not listening, and neither are we. CLOSE ON: Two BIRDS outside the window. MARIE is watching them while her parents speak. She is not listening, her attention is focused on the two birds. They fly about a tree branch freely while chirping monotonously. MARIE watches them silently, an expression of longing on her face. BEN (V.O.) Marie... Marie, are you listening? BACK TO MARIE, BEN, AND ELAINE MARIE Yes. BEN And about last night... DISSOLVE TO: Int. halls and stairwell -- night (flashback) MARIE is walking down the stairs. She looks beautiful in her fine dress. Halfway down the stairs, she is greeted with a round of applause. She smiles at the party guests but we can see that she is not really pleased by their presence. They watch as MARIE descends from the last few steps, and greet her. MR. JOHNSON Hey -- theres our beautiful princess. Ms. JOHNSON We are all very proud of you dear. MARIE Thank you very much, Mr. And Ms. Johnson. MS. JOHNSON You are so adorable. MR. JOHNSON (V.O.) Marie! MARIE (to the Johnsons) If you will excuse me... MR. JOHNSON By all means. MR. JOHNSON makes a short bow, takes MARIES hand and kisses it. MARIE walks away politely although not pleased in the slightest. She walks towards a small crowd of people and joins the conversation. MR. HOPKINS I was telling George here about your great performance in Romeo and Juliet. You were incredible! MARIE Thank you. But you dont have to lie, my performance was not all that good. MR. HOPKINS What are you talking about? You were amazing! RYAN Hey princess-- He kisses her. Meet RYAN, MARIES boyfriend. 20. Cocky and Conceited. MARIE pulls away almost right away, rather startled by his sudden appearance. MARIE What are you doing here? I thought you were in New York. RYAN Things at the corporation went a lot better than we expected, so I came home earlier. He tries to kiss her again. She pushes him away gently. Not here. Int. halls and stairwell -- later (flashback) A couple hours have passed. BEN is chatting with a group of friends while ELAINE sits in one corner, not looking too happy. She is being kept company by a senile old lady who just keeps on talking and talking about nonsense, to which ELAINE nods blankly [dialog on separate document]. CLINK! -- CLINK! -- CLINK! -- RYAN Everyone, can I please have your attention? The room falls quiet. RYAN (CONTD) I have an announcement to make... (beat) I am proud to announce that Marie and I have decided to get married! MARIE (a mixture of rage and shock) What? But none hears her. The room had exploded into a sea of applause and cheering. The guests congratulate them over and over again. ANGLE ON MARIE: She cant take it. Clearly, she knew nothing about the engagement until now. She is incomplete dismay but the guest take it as excitement and congratulate her over and over again [dialog on separate document]. MARIE Honey, can I have a word? RYAN Sure. MARIE In private. RYAN Right. Int. kitchen -- same (flashbacK) ANGLE ON: The door. It blasts open and RYAN is pushed in roughly by MARIE. We hear the muffled SOUNDS of CONVERSATION in the other rooms. RYAN Whats the matter with you? MARIE (with rage) When did we decide to get married? RYAN Well, I was thinking and I decided that I want to expend the rest of my life with you. MARIE Without asking me? RYAN Well-- MARIE You didnt even bother to stop and think about what I want? RYAN I just want whats best for you. MARIE (with a fake sweetness in her voice) Whats best for me? That is so sweet... (beat) Lets celebrate our engagement then... She grabs a bottle of champagne from nearby and hands RYAN a glass. She fills it up and fills a second one for herself. RyaN To us. MARIE To us. WHAM!! -- She smashed the bottle of champagne on his head, The broken glass from bottle hits the floor with a loud clatter while -- RYAN Falls hard. Blood and champagne all over his nice suit. MARIE Storms out of the kitchen without a word into the living full of startled guests. Dissolve TO: Int. Maries room -- day (Present) The room is a mess. Clothes are strewn all over the floor and bed. Elaine is grabbing and stuffing as much as she can into a suitcase. Int. dining room -- day MARIE places a letter on top of the dining table and goes off dragging her suitcase. I/e. Garage/driveway -- day MARIE is walking through the garage, she throws the suitcase on the passenger seat of BENS RED 1967 ALFA ROMEO, which looks as though it is still brand new despite its years. She opens the garage door and drives out into the driveway and stops about halfway. She takes one last look at the house and then drives away. Int./ext. alfa romeo/freeway -- day The car, is moving speedily on the highway. MARIE is driving while she listens to loud 1980s rock music (may be the Rolling Stones or something like that), her hair flowing freely in the wind. She is happy at last. 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(O.S.) (O.C.) (CONT'D) (SUBTITLE)OsTTR CUT TO: FADE IN: FADE OUT. FADE TO: DISSOLVE TO: BACK TO: MATCH CUT TO: JUMP CUT TO:FADE TO BLACK.QsTSI^INTEXTI/ESHE CAN'T TAKE IT&"MEETING HALL -- NIGHT -- FLASHBACK-)HALLS AND STAIRWELL -- NIGHT -- FLASHBACKCLEARLY, SHE KNEW NOTHING ABOUT THE ENGAGEMENT UNTIL NOW. SHE IS INCOMPLETE DISMAY BUT THE GUEST TAKE IT AS EXCITEMENT [DIALOG ON SEPARATE DOCUMENT].ROOM -- SAME -- FLASHBACK!MARIE'S ROOM -- DAY (PRESENT)LIVING ROOM -- DAY GARAGE -- DAYRsTST DAY NIGHT AFTERNOON MORNING EVENING LATER MOMENTS LATER CONTINUOUS THE NEXT DAYe-mCRO9INTINT. Scene Heading01119EXTEXT. Scene Heading01128I/EI/E Scene Heading0113@DAY - DAY Scene HeadingAction0114DNIGHT - NIGHT Scene HeadingAction0115HSUNRISE - SUNRISE Scene HeadingAction0116DMAGIC - MAGIC Scene HeadingAction0117GCONT continuing ParentheticalDialogue0118JINTER interrupting ParentheticalDialogue0119$0110GCUTTOCUT TO: Transition Scene Heading1111EFADEINFADE IN:Action Scene Heading1112KFADEOUT FADE OUT. 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