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CELTIC ECHOES
PILOT: MEMORIES
FIRST DRAFT

WRITTEN BY ALAN GEARY

























EXT. IRELAND - BATTLEFIELD - 1368 - DAY

Fade In.

CAPTION: IRELAND - 1642

Thunder cracks in a dark and stormy sky. Rain beats heavy over the dead 
and wounded bodies of soldiers from a battle that took place earlier.

A banner waves in a strong breeze, the rain-washing the blood and dirt 
away from the image of a black beast on a golden background.

JERYD, a young and helpless soldier stands alone, cold, wet and wearing 
a torn light green soldiers' uniform. He looks down at his left side 
and sees a darkened blood stain on his tunic. He feels the blood and 
remembers getting the wound as we hear the slash of steel into flesh in 
the background.

JERYD (v.o)
We all have a destiny. Some of us never find it
or do but don't live to fulfil it. There comes a
time when we must focus on what is sacred to us.
This is when the quest begins.

He looks around and sees the dead lying around him, some calved in 
several pieces. He hears the soft moans and cries of the wounded and 
then looks up at the rain as it beats down, soaking his skin even more.

EXT. NEW YORK - STREET - PRESENT DAY - DAY

CAPTION: NEW YORK - PRESENT DAY

JERYD now looks down from looking up at the sky and sees the busy 
traffic flowing on his left side. People rush around wanting to get out 
of the crowds and to their chosen destinations. The rain beats down 
heavy and we notice that JERYD is one of the few that don't carry 
umbrellas with them.

GARETH (from behind)
You finished?

JERYD quickly turns round and we see two other people, his brothers 
standing, waiting. GARETH stands on the right and THOMAS on the left. 
They smile at him and GARETH moves forward to place a hand on JERYD'S 
right shoulder.

GARETH
Come on, lets get out of this rain.

JERYD nods and they all walk away and into the crowd.

INT. NEW YORK - CAFÉ - DAY

JERYD sits at a wooden table with his back turned. He wraps his hands 
round a small mug of thick looking coffee and stares deep into it. 

GARETH and THOMAS both stare at him from opposite worryingly. THOMAS 
takes a sip from his mug and then places it back down on the table as 
GARETH tips sugar into his from a small glass shaker.

THOMAS
Something wrong Jeryd?

JERYD
No why?

THOMAS
You seem a little off lately.

JERYD
I'm fine.

GARETH
Thomas, leave the poor boy alone. If he says
nothings wrong then nothings wrong.

JERYD
Thank you Gareth.

GARETH
He can't help it if he's a miserable sod.

JERYD gives GARETH a scornful look and goes back to staring at his 
coffee. THOMAS tries to stop himself from laughing and ends up snorting 
as he drinks his coffee.

GARETH (quietly)
I mean you'd think after living several hundred
Lifetimes he'd cheer up a little.

A man from behind them, sitting by the counter lifts his head as he 
overhears their conversation. His name is SETH, also an immortal like 
GARETH, THOMAS and JERYD. He turns to face them and we see a long scar 
going down his right cheek and over his eye, leaving only a white 
eyeball inside the socket.

JERYD
Not too loud Gareth, someone might find out.

THOMAS
They wouldn't believe us if they did.

JERYD
And what if they are one of Jeremiah's men?

GARETH
Then we'll give them a good old-fashioned beating.

THOMAS smiles and SETH turns back round to the counter to finish his 
breakfast.

EXT. NEW YORK - STREET - DAY

The three brothers walk side-by-side down a small side street. We hear 
each of them laugh as if one of them has just told a funny joke. They 
are each dressed in black trousers or jeans and long black coats, 
buttoned up to try and keep the rain from wetting their clothes.

A slightly long way behind them we see SETH turn the corner. He now 
wears a long black coat, also buttoned up. He walks slightly faster 
than the other three and we notice that he is trying to catch up with 
them. He gets a little closer and moves in to try and grab their 
attention.

SETH
Excuse me?

As if knowing SETH was behind them they draw a broad sword from within 
their coats, spin round and point it at SETH'S throat. Each brother 
grins at him as if welcoming him to his death and pushes him into the 
ally wall where they pin him.

JERYD
Told you to keep your voice down.

SETH
I'm not here looking for trouble Jeryd.

JERYD
How do you know my name spy?

SETH
I'm no spy.

THOMAS
All of Jeremiah's men say that.

SETH
I don't even know who this Jeremiah is.

JERYD
Who are you?

SETH
My name is Seth. I've been sent here to watch over
you, sort of guardian if you will.

GARETH (to JERYD)
You know him?

JERYD
Never seen him before.

GARETH
Who sent you?

SETH
A woman from Ireland. She didn't give me her name
just said she was a princess.

JERYD puts his sword down and slides it back into its scabbard inside 
his coat. He then buttons his coat back up and places his hand over the 
other two swords, pushing them down and away from SETH'S throat. The 
other two brothers put their swords away and look at JERYD as if 
awaiting an answer to a question not asked.

JERYD (to SETH)
You'd better come with me.

INT. IRELAND - COTTAGE - NIGHT

We move slowly down a dark and damp corridor. Just by a small door 
further down the corridor we see part of the roof has caved in to let 
the rain in, forming small puddles along the floor around the area.

We turn into a largish darkened room. Candles placed around the sides 
by the walls light it dimly. In the centre of the room we see an old 
fashioned wooden chair turned towards the fireplace where the flames 
flicker high in the background.

A man walks up to the chair from behind and kneels in front to kiss a 
hand. He stands again and bows. His name is TERYK, a French man. 
JEREMIAH sits in the chair and stares at the flames as they lick at the 
wood inside the fire, producing smoke that rises high into the chimney.

JEREMIAH
Look at me, reduced to live in hiding and for
what?

TERYK
It is for your own protection master.

JEREMIAH
Protection from what? I can't be harmed anyway
and no one dare challenge my strength.

TERYK
Still we cannot be too careful.

JEREMIAH
What of your search Teryk?

TERYK
We still haven't located the Princess Caitlyn
but sources suggest we are close.

JEREMIAH
Good. I want her found soon she is the only link
to the sacred and their whereabouts.

TERYK bows again and leaves through the only entrance to the room, 
leaving JEREMIAH alone to watch the flames once more.

INT. NEW YORK - APARTMENT - DAY

Thunder now crackles in the stormy sky and JERYD looks out of a large 
window. He turns from it and walks further into the open apartment, 
hands in pockets. 

SETH sits at a dining table further at the back of the room. GARETH 
sits opposite but there is no sign of THOMAS.

JERYD
You said you were sent to protect me.

SETH reaches into his coat pocket and GARETH gets up to stop him just 
in case it was a trap.

SETH
Its ok.

He gingerly produces a small envelope from his pocket and hands it to 
GARETH who opens it and unfolds a letter from inside. He reads a few 
lines and then hands it to JERYD who walks up and collects it from him.

JERYD (reads)
Dear Jeryd, as you know the signs have become
known clearly to you and as you also may know it is
time for you to carry out your destiny. I have
sent Seth to help you on your quest. Be careful
my love, your journey will be perilous. Yours
eternally, Caitlyn.

He folds the letter back up and stares into space as if day dreaming.

GARETH
What signs?

SETH
Have you noticed him to act weird lately?

GARETH
A little, thought it was nothing so I took
no notice of it.

SETH
Jeryd is going through a few changes that only he
can sense. He's remembering things that were long
forgotten, seeing the future and the death of many,
just as it is written.

JERYD leans against the arm of a small armchair and closes his eyes 
tight as if remembering something that causes him pain. A tear forms 
from his right eye and slides down his cheek slowly, it is closely 
followed by another.

EXT. IRELAND - 1642 - NIGHT

CAPTION: IRELAND - 1642

Cheery musicians huddled together in a small area at the back of the 
scene play music. Various people dance happily to the music and we see 
JERYD and THOMAS standing at the side, watching closely.

They are both dressed smartly in bright green tunics and grey trousers. 
In JERYD'S left hand we see a jug of mead, THOMAS stuffs a remaining 
amount of pie into his mouth and chews quickly.

JERYD smiles as he stares past the dancers and over at a girl sitting 
on a fairly large rock. She claps her hands to the beat and laughs when 
one of the dancers, drunk, falls over onto his back and laughs.

THOMAS
What you lookin' all starry eyed for?

JERYD
Look Tom, isn't she beautiful?

THOMAS looks over at the girl and smiles, realising what JERYD was on 
about.

THOMAS
That be the Princess Caitlyn. Fairest of the fair
she be. Watch out though brother.

JERYD
Why?

THOMAS
She's niece to the one man you truly hate.

JERYD
And why would that stop me?

THOMAS
Tread carefully Jeryd, just remember he was the
man that killed our father.

JERYD
I don't think she had anything to do with that
Tom.

THOMAS appears to be drunk as he turns and picks up a jug of mead from 
a wooden table them.

THOMAS
She might of, you never know.

JERYD
You're just drunk.

GARETH
Not drunk enough.

As he says this he walks up to them from behind our view. He turns 
round to look at the crowds of dancing people and leans back against 
the wooden table next to JERYD.

THOMAS
Go and talk to her.

JERYD
A minute ago you said be careful she's dangerous,
now your sayin' go talk? Make your mind up man.

GARETH
Ignore him, he's drunk again.

JERYD'S gaze returns to CAITLYN. As if sensing that he was looking at 
her she turns to his direction, stares deep into his eyes and smiles 
sweetly. THOMAS leans onto JERYD'S shoulder, gaining his attention.

THOMAS (breathes)
Go to her.

After breathing this into JERYD'S face, THOMAS then falls onto the 
floor and begins to giggle at the two brothers' feet. 

JERYD looks to GARETH for help but GARETH just shrugs as if to say 
'don't ask me, make your own decisions.' Finally, GARETH opens his 
mouth to speak.

GARETH
Don't be such a coward and go.

JERYD looks back at the rock and sees that CAITLYN has left. He stands 
up and looks around but he can't see CAITLYN anywhere, he realises he's 
too late.

EXT. IRELAND - 1642 - NIGHT

JERYD waits by a tree, deep within a small forest. We hear singing 
coming from within the bushes and realise that JERYD is waiting for 
GARETH.

JERYD begins to whistle a cheery Irish tune and walks around in a small 
area as he waits. From behind we see CAITLYN creeping up. A small twig 
snaps under her feet and JERYD sharply turns around, ready to draw his 
sword and strike. He stops himself immediately when he sees who it is.

CAITLYN
I'm sorry I didn't mean to intrude.

She turns to go and JERYD quickly grabs hold of her right hand to stop 
her from leaving.

JERYD
Please don't leave Princess.

CAITLYN turns back to him and they look directly into each other's eyes 
for a short moment before finally smiling at each other.

CAITLYN
How did you know I was a Princess?

JERYD
I was informed earlier me lady.

CAITLYN
Please call me Caitlyn.

JERYD reaches down and kisses her hand softly. As he looks up at her he 
smiles and says...

JERYD
Jeryd McClaghlan at your service.

EXT. IRELAND - 1642 - FOREST - NIGHT

We now join JERYD and CAITLYN as they walk hand in hand, slowly down a 
forest path towards a small village of huts and small cottages.

CAITLYN (sadly)
I suppose you also know that my uncle is the
Lord of these lands?

JERYD (nods)
Aye, but I don't see that bothering me.

CAITLYN stops and turns to face him, looking up into his eyes 
curiously.

CAITLYN
Oh? And what if you're wrong?

JERYD places his left hand around her waist and pulls her into him.

JERYD
Let me worry about that.

They move into each other and kiss slowly and softly.
Fade Out.

INT. IRELAND - 1642 - CASTLE - DAY

It is now the next day and we see CAITLYN walk happily down a flight of 
stone steps. She walks into a large banqueting hall and stops dead on 
the spot as soon as she sees JEREMIAH sitting alone at the end of a 
large table.

He places his knife and fork down onto the table by the sides of a 
large metal plate and looks up at his niece. He smiles and then 
gestures to the seat next to him for her to sit.

JEREMIAH
Good morning.

CAITLYN walks over to the chair and sits uncomfortably next to her 
uncle as he goes back to his breakfast.

CAITLYN
Morning uncle.

JEREMIAH
Enjoy yourself last night?

CAITLYN looks at him suspecting the worse and watches as her uncle just 
simply carries on with his breakfast of bacon and eggs.

JEREMIAH
What did you talk about with that McClaghlan boy?

CAITLYN (angry)
You had spies follow me again?

JEREMIAH
I am simply looking out for you my dear. Wouldn't
want anything bad to happen to you now would I?

CAITLYN
Why would you care so much if it did?

JEREMIAH (ignoring the question)
I have a little job for you my dear.

EXT. IRELAND - 1642 - COTTAGE - DAY

JERYD stands at the top of a ladder tying and repairing the thatch on 
the roof of a cottage. THOMAS stands at the bottom holding the ladder 
still for his brother.

JERYD
Had a dream about her last night.

THOMAS
I still think you should be careful with her.

JERYD
She's not like that tyrant of an uncle. She's
different. She's kind, gentle and I'm absolutely
crazy about her.

THOMAS
Just be careful ok.

JERYD
I can take care of myself Tom.

JERYD hears a twig snap outside and a dog bark. He draws his sword and 
holds it ready to fight just in case he has to. THOMAS looks at him 
puzzled.

THOMAS
What is it?

JERYD
Stay here.

JERYD edges towards the window and suddenly ducks down for cover as a 
rock crashes through, breaking through the thin wooden beam in its 
centre.

JERYD gets up from the floor and runs through the front door. Outside, 
waiting for him is a man dressed entirely in black. He wears long black 
trousers, a black tunic and a black hood that covers his face. He draws 
a long sword and moves into a short fighting stance.

THOMAS moves to the doorway and watches his brother protectively as he 
moves opposite the 'black fighter' and also moves into a stance, ready 
to do battle.

The 'black fighter' charges at him sword held high. JERYD steps 
backwards and blocks the oncoming blow made from the fighter. The 
'black fighter' spins round and thrusts his sword down to block a 
parrying swing made by JERYD.

The 'black fighter' quickly spins all the way round to face his 
opponent and as he does so he swings the sword round with him, knocking 
JERYD off balance. JERYD turns, opening his side for attack. The 
fighter takes the opportunity and slices a cut across the top of his 
right arm. JERYD winces in pain and stumbles back slightly, out of 
range from any other attacks.

From the doorway THOMAS grabs his own sword and moves back to the 
opening in the cottage as the fighter charges at JERYD once more

THOMAS
Jeryd! Catch!

JERYD looks to THOMAS quickly and THOMAS throws the sword over to him. 
JERYD catches it by the hilt just as the fighter makes the swing. He 
blocks it and parries with the other sword but the fighter is too quick 
and he blocks the oncoming swing.

The fighter quickly thrusts his sword, aiming at JERYD'S chest. JERYD 
jumps back and knocks the sword away to the left with his right sword. 
He lands and twists to block another swing, and then quickly parries 
with the right and then the left but both are blocked.

The fighter swings to the right and misses then thrusts forward as 
JERYD backs away again. He knocks the fighter's sword aside with the 
right and stabs him in the right arm with his left. The fighter winces 
softly and then backs away.

JERYD moves forward to attack more but the fighter moves back to get 
further away. The fighter then goes weak down one side as blood drips 
through the wound and down his arm, showing red on his hand. He turns 
and flees quickly leaving JERYD and THOMAS alone.

A crowd gathers behind, gasping at what they saw and wondering what it 
was all about. THOMAS looks directly at JERYD who looks back confused 
by what was going on.

INT. IRELAND - 1642 - CASTLE - DAY

We see the back of the 'black fighter' now with hood by his side. Long 
brown hair, tied up behind his head can be seen. He stands in front of 
JEREMIAH who sits at a table, looking angry with the fighter.

JEREMIAH
You failed to kill the sacred one. You failed me.
If this happens again I will be forced to kill
you. Make sure you don't fail again, now go.

The fighter bows and places the hood back over his head. He then turns 
and leaves the room leaving JEREMIAH to himself. He looks at a wooden 
jug that sits on the table alone. In a sudden fit of rage he picks it 
up, screams with anger and throws it at the door where the fighter has 
just exited.

INT. IRELAND - 1642 - COTTAGE - NIGHT

JERYD, GARETH and THOMAS sit around a small wooden dining table in the 
kitchen of the cottage. JERYD sits opposite GARETH and THOMAS sits next 
to each of them at the table's end.

JERYD
I don't understand it. Why would Jeremiah send
men to kill me?

GARETH
Maybe you forgot to pay your taxes?

THOMAS
I paid that last week. Maybe it has something to do
with father.

JERYD
I was never close to him. Gareth was the one he 
favoured. I just don't understand why he's after
me all of a sudden.

GARETH
Maybe he's bored.

THOMAS
Or maybe this has something to do with spending
time with Caitlyn. I told you to be careful.

GARETH
I doubt it has anything to do with her.

THOMAS
Well that's the only thing I can think of.

Someone knocks on the door and JERYD gets up to open it. The door 
swings open and standing outside is IOAN, a close friend of the family.

JERYD steps aside to let him enter and IOAN steps inside. JERYD closes 
the door slowly behind him and goes back to his seat at the table.

IOAN
I just heard. Is everything all right?

JERYD
Yes I'm fine Ioan, thanks for asking.

IOAN
Well you know I have to check seein' as I did
promise your father I'd take care of you all.

JERYD
We're tryin' to figure out why Jeremiah would
come after me like that. We can't figure it out.

IOAN
Jeremiah's had an ancient grudge on this family for
generations. Now you're the eldest of the family
he has moved the blame on to you.

THOMAS
What ancient grudge?

IOAN moves forward and sits at the other end of the table. JERYD gets 
up and pours the man a jug of mead. IOAN holds it up and gestures a 
thank you then gulps some of it down before carrying on.

IOAN (thinks)
I think it was your father's father's father,
yea that's the one. He stole some land that really
belonged to him anyway from the Gallowen family
and ever since then the families wanted it back.

GARETH
So this land was originally ours, but then taken
Away by the Gallowens and then taken back by our
Great grandfather and that's why their family hates
Us?

IOAN
The very same.

JERYD (to THOMAS)
Told you Caitlyn had nothin' to do with it.

EXT. IRELAND - 1642 - CASTLE GARDENS - DAY

Stones lay on the ground, cutting between the gardens of the castle to 
form a path where JEREMIAH and CAITLYN both walk down side-by-side. 
CAITLYN admires the plants and various flowers and wildlife around the 
path and JEREMIAH looks on uninterested.

CAITLYN
Why does the sacred one have to be destroyed?

JEREMIAH
Because if he's not then my plans will be ruined
and all I've worked for pointless and wasted.

CAITLYN
What will happen when he is gone?

JEREMIAH
I will be able to rule for eternity.

INT. IRELAND - 1642 - CASTLE - DAY

The doors to the banqueting hall fly open and JERYD storms in. At the 
far end of a large table, sitting in the centre of the room, JEREMIAH 
eats alone. He jumps up, startled slightly by the intrusion and stares 
up at JERYD wonderingly. 

Two guards run after JERYD from behind and grab him from either side to 
stop him from going any further. He struggles to get free but their 
grip on him is too strong and he is forced to stay.

JEREMIAH (to guards)
Let him in.

The guards let go as JERYD barges through and up to the table. JEREMIAH 
gestures to a chair by the left side of him and pours some mead into a 
jug for him as JERYD moves round and sits at the table.

JEREMIAH
What brings you here young McClaghlan?

JERYD
You sent a masked assassin to kill me this morning,
I wanna' know why.

JEREMIAH
I sent no assassin Jeryd. 

JERYD
Then why was I attacked by one of your men?

JEREMIAH
My most humble apologies, I had no idea. If you give
me his name I'll make sure he's punished for his actions.

JEREMIAH sees a figure in the shadows behind him in the corner of his 
right eye. He picks up his jug of mead and downs the contents. As he 
does so he gestures secretively with his fingers as his right hand 
grips the jug tightly.

JERYD
You know very well I don't have his name Gallowen.

JEREMIAH
How dare you use my family name in such a manner?
I am your Lord and this is how you treat me.

From the shadows the 'black fighter' charges at JERYD. JERYD senses 
this and quickly jumps up onto the table to dodge the swing made at his 
head.

JEREMIAH moves away from the table as the fighter jumps up, ready to 
fight again. JEREMIAH, as if cowardly moves away from the table 
entirely and out of the room, leaving the two to fight as JERYD draws 
his sword from its scabbard.

JERYD
Gallowen you coward!

JEREMIAH ignores the comment and instead it is answered by a thrust 
from the fighter's sword. JERYD counters the thrust with a swing down 
but misses as the fighter steps back to dodge.

JERYD advances and jumps down from the table. He quickly turns and 
blocks another swing to the left made from the fighter who is still up 
on the tabletop. He counter attacks with a thrust and then jumps down 
from the table to move round his opponent, swords touching at the tip.

JERYD knocks the tip of the fighter's sword and the fighter clashes his 
against it to try and knock JERYD off balance. JERYD swings left to 
right and then back, each attack blocked and then thrusts the sword 
forward. The fighter moves to let the blade slide under his arm and 
holds it there. He then uses the hilt of his sword to hit JERYD in the 
nose, then quickly lets go of JERYD'S sword so that JERYD can move 
backwards, blood dripping from his nose. 

The fighter then uses this time to attack and charges quickly forward. 
He swings down to strike at JERYD'S shoulder and quickly JERYD blocks 
the attack, still moving backwards in retreat.

The fighter then thrusts forward, using all of his body to move into 
JERYD. JERYD pushes him back and then quickly swings his sword to 
attack but it is blocked.

INT. IRELAND - 1642 - CASTLE CORRIDORS - NIGHT

JERYD moves back into the corridors of the castle. The 'black fighter' 
jumps down from the banqueting hall and clashes his blade against the 
stone wall. 

The fighter moves from the wall and swings down at JERYD'S head. JERYD 
blocks it and the fighter swaps hands and swings the sword down again. 
JERYD quickly blocks, knocks the blade up and thrusts into the open 
space only to find air as the fighter quickly jumps back.

JERYD lurches forward and thrusts again but the fighter moves backwards 
quickly, knocking the tip of JERYD'S sword away. JERYD then swings 
round to the left and the fighter's sword blocks the parrying attack.

JERYD thrusts once more and the fighter jumps backwards again, hitting 
the stone wall behind him. JERYD then quickly moves forward and pins 
him to the wall by placing the blade across his throat. 

The fighter freezes in his spot and JERYD rips the hood off him to find 
to his surprise and shock that it isn't a man at all but CAITLYN. She 
turns away, ashamed of what she has done and we see a tear form in her 
right eye.

CAPTION: TO BE CONTINUED

END OF EPISODE

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