This screenplay is copyrighted to its author. All rights reserved. This screenplay may not be used or reproduced without the express written permission of the author.
CAPITAL GAMES
by
Ash Quadir
333 New Castle Lane
Swedesboro, NJ 08085
856-467-2758
ashquadir@hotmail.com
FADE IN:
EXT. WASHINGTON D.C. - NIGHT
The monuments glow like beacons in the night. The brightest
building is the White House in the distance.
EXT. WHITE HOUSE - NIGHT
The great mansion is awash in light.
INT. WHITE HOUSE - PHILIP TATE'S OFFICE - NIGHT
PHILIP TATE'S hands tremble as he tries to type a letter on
the computer. He's a haunted man in his mid forties with
deep sunken eyes and sweat on his brows. He reaches into a
drawer and takes scorching gulps of whisky from a hidden
cache. Nerves calmer, he finishes the letter and prints out
a copy. He signs it and places it in an ENVELOPE, which he
seals and places under a paper weight on his desk.
Tate walks across the room on wobbly legs and removes TWO
MANILA ENVELOPES from a safe hidden behind an oil painting.
He faxes the contents of the first envelope, half a dozen
sheets. The contents of the other envelope are fed trough a
shredder into a TRASH BASKET OVERFLOWING WITH SHREDDED PAPER.
Tate places the first envelope in his BRIEFCASE and puts on
his overcoat, fumbling with the buttons. He pauses to pick
up a FRAMED PICTURE of his wife and son from his desk.
Kisses it on the verge of tears.
Tate puts the picture back and walks out of his office into...
HIS ASSISTANT'S OFFICE
TATE
Tessa, are you still here?
TESSA (O.S.)
Right here, Phil.
TESSA HARRIS, a fresh-faced and captivating young woman in
her mid-twenties, steps out of the copy room.
TESSA
Calling it a night, Phil?
TATE
Did you... did you mail the package
for me?
2.
TESSA
Yup, FedEx. This afternoon.
(notices Tate's frail condition)
You look flushed. Are you all right?
TATE
Just... ah... tired, that's all.
We're all burning too much midnight
oil.
TESSA
Tell me about it.
(extends a sheet of paper)
Here's the itinerary for your
campaign swing with Mrs. Remington
tomorrow.
Tate suddenly gives Tessa a fierce hug, startling her.
TATE
Thank you. Thank you so much.
You're so much better than all of them.
Tate quickly leaves the room before his emotions overwhelm
him. Tessa watches him go, confused, still holding the
itinerary in her hand.
INT./EXT. PHILIP TATE'S VOLVO - NIGHT
Tate's blue Volvo pulls out of the White House through the
gates. The GUARDS wave to him from the guardhouse, but he
doesn't notice. He's gripping the wheel fiercely, totally
focused on the road ahead.
Tate doesn't notice the car that starts to follow him.
He completes a semi circle and stops outside of the north
fence of the White House. He cuts the ignition and removes
two objects from the glove compartment:
A PAIR OF HANDCUFFS AND A GUN
Tate slips the gun into his coat pocket and snaps one end of
the cuffs around his left wrist. He attaches the other cuff
to the handle of his briefcase.
EXT. OUTSIDE OF WHITE HOUSE FENCE - NIGHT
Tate abandons his car and walks across Sixteenth Street to
Lafayette Park. A brisk autumn wind stirs up small tornadoes
of dried leaves.
He pauses at the equestrian statue of General Jackson and
glances back at the White House. He stares at a second floor
window where the light is still shining.
3.
A brief flash of anger crosses his face.
Tate abruptly looks away and walks into the park. He doesn't
notice the MAN WEARING A TRENCHCOAT following him.
EXT. LAFAYETTE PARK - NIGHT
Tate is seated on a park bench, the briefcase next to him
still attached to his wrist. He's weeping openly now. With
trembling hands, he pulls out the GUN and pushes it deep into
his mouth. There is agony and fear on his face.
Suddenly, there is the muted sound of a COUGH from nearby.
Tate glances around nervously. Sees nothing. Closes his
eyes and abruptly pulls the trigger.
Tate's head jerks backwards as bits of flesh and brain matter
explode out through the back. The chunks spread out like
shrapnel. His body recoils and falls off the bench into a
crumpled heap, trapping the briefcase beneath him.
Before the reverberations of the gunshot die away, a MAN IN A
TRENCHCOAT darts out from behind a tree. He turns over
Tate's body with his hands and tries to take the briefcase;
but it's handcuffed to a dead body now. Suppressing a cough,
he takes out his own gun and shoots the cuffs off.
Suddenly the briefcase snaps opens.
MAN
Shit!
He quickly snaps the briefcase shut before the papers are
blown away by the wind. Taking a last look at Tate's dead
body, he flees with the briefcase.
EXT. HOOVER BUILDING - DAY
FBI headquarters - the house that J. Edgar Hoover built - is
huge and imposing, taking up an entire block.
INT. HOOVER BUILDING - QUINCE'S OFFICE - DAY
SPECIAL AGENT BRUCE DEXTER is seated across the desk from
ASSISTANT FBI DIRECTOR ORSON QUINCE. Dexter's in his late
thirties, ruggedly handsome with a weariness about him.
QUINCE is in his fifties, a grizzly bear with a brisk manner.
QUINCE
I take it that you've seen the
coverage on Philip Tate's suicide?
DEXTER
It's dominating the headlines, sir.
4.
QUINCE
Well, it's our headache now, Bruce.
DEXTER
(surprised)
I thought D.C. Metro was investigating
the death? It's under their
jurisdiction.
QUINCE
Philip Tate was no ordinary man. He
was the First Lady's Chief of Staff.
His suicide happened right in front
of the White House. God only knows
what the public reaction would have
been if he had shot himself inside of
that damn house. It would have been
a nightmare for the Remington
Administration.
Quince chuckles morbidly. Dexter sees no reason for humor.
DEXTER
It couldn't have happened at a worse
time with the election less than
three months away.
QUINCE
The Remingtons are probably shitting
in their pants right now. Nobody's
more obsessed with public image than
they are. But our job is not public
relations. Our job is to investigate.
(relishing the thought)
This is no ordinary suicide. I feel
it in my bones.
DEXTER
What makes you say so, sir?
QUINCE
Tate had a briefcase attached to his
wrist with handcuffs when he died.
Somebody shot the cuffs off and took
the briefcase.
DEXTER
The news didn't report that.
QUINCE
The White House did its best to keep
it under wraps.
DEXTER
Was Tate murdered?
5.
QUINCE
No. The suicide looks kosher. Tate
blew his brains out. There were no
signs of a struggle, and the only
prints on the weapon were Tate's own.
There was also powder burns on his
right hand, so all of that checks
out. As far as physical evidence...
there was one thing that raised the
MPD's eyebrows. They found a cough
drop near a tree only a few feet away
from the body.
DEXTER
Could they have belonged to Tate or
somebody else? Lafayette Park's a
busy place.
QUINCE
The MPD doesn't think so. The mucous
on the cough drop didn't match Tate's
DNA. Someone obviously followed Tate
into the park, shot off the briefcase
and fled with it. That someone could
have mistakenly dropped the cough
drop. We have to find out who this
person was and why he stole that
briefcase - and recover it if
possible. I also want to know why
Tate took his own life and if
somebody or something drove him to do
so.
(pushes a file across
his desk to Dexter)
That's where you come in. You're
investigating Tate's suicide.
DEXTER
I'm in the middle of the Sanchez case -
QUINCE
It's been reassigned. As of this
moment, Tate's suicide is all that
you have to be concerned with from
now on. You'll be working on it
exclusively and nothing else.
(his flinty eyes
captures Dexter's
own, challenging him)
Do you have any objections?
Dexter tries to hide his displeasure.
6.
DEXTER
No, sir. I'm just a little surprised
that you would pick me for such a
critical assignment - and that you're
doing it personally. This is... not
normal.
QUINCE
Don't worry about what's normal. I
picked you because you're damn good
at what you do. You've had an
outstanding record going back to your
days at our Philadelphia office. You
were a star at Quantico. You get to
the bottom of all your cases. Period.
DEXTER
Thank you, sir.
QUINCE
(clears his throat)
Am I to understand that you're
leaving the Bureau at the end of this
year?
DEXTER
That's my plan.
QUINCE
May I ask why?
DEXTER
My father passed away recently and
left me a bread and breakfast on
Nantucket Island. I'm going to try
to run it.
QUINCE
(flabbergasted)
You're going to be an innkeeper?
DEXTER
I'd like to give it a try.
QUINCE
Most of our agents usually dedicate
their careers to the Bureau. I hope
you're not disillusioned with this
line of work?
7.
DEXTER
(there's something
more, but Dexter
gives a stock answer)
No. I never regretted joining the
Bureau... but I have family obligations.
QUINCE
(eyes Dexter closely)
It wouldn't have to do with the
incident last year?
DEXTER
(lying)
No, sir.
QUINCE
Well, that's your choice. It's a
free country. But until the end of
this year, I want your full attention
on this case and to the Bureau.
You're not to gloss over anything.
Seize every bit of evidence, no
matter how slim and scrutinize it.
Study it from every possible angle.
You're to direct all your energies to
this case. But -
(stresses his words)
And this is very important. I want
you to be as discreet as possible.
Beat the bushes and turn every stone;
but do it quietly. There's to be no
talk about this case with anyone
outside of this office and that means
anybody: family, friends, or other
Bureau employees. A total blackout
on information. Do I make myself clear?
DEXTER
Is this supposed to be a covert
assignment?
QUINCE
I never said that. Just do things
quietly without drawing any attention
to yourself, myself or the Bureau.
Make sure the fucking press doesn't
get wind of your investigation.
DEXTER
I don't usually work on these type of
cases alone. John Rosenberg's always
been -
8.
QUINCE
Justin Maldetto's going to be your
partner on this case. You'll be
Special Agent in charge.
DEXTER
(clearly displeased)
Justin?
QUINCE
He's already been briefed.
DEXTER
Sir, John and I -
QUINCE
I know you two have a great track
record for working together, but
Maldetto will be helping you out this
time. He's more suited for this
case. We need a field agent, not
somebody stuck behind a computer all
day.
Dexter's not too happy but holds his tongue.
Quince presses a buzzer on his desk and SPECIAL AGENT JUSTIN
MALDETTO walks in a moment later. He's in his mid thirties
with thick shoulders and no neck to speak of.
MALDETTO
(pats Dexter on the
back a little too hard)
Hey, Bruce, how you doin'?
(takes a seat)
It's been ages.
DEXTER
(stiffly)
Justin.
MALDETTO
Looks, like we'll be partners. I
gotta tell you -
QUINCE
Exchange your pleasantries later.
(leans forward,
places his hands on
the table)
Let me reiterate to both of you. I
want you to find out why Philip Tate
killed himself.
(MORE)
9.
QUINCE (CONT'D)
Find out who followed him to the park
and stole his briefcase and why. I
want to know what was in there. Find
out if there's any connection with
the White House - any connection at
all. No one should be immune from
your scrutiny.
EXT. VIRGINIA ROAD - DAY
A SILVER FORD CROWN VICTORIA drives through a tunnel of trees
sporting early autumn colors.
MALDETTO (V.O.)
You must be really excited about this
case?
DEXTER (V.O.)
What makes you say that?
INT. DEXTER'S CAR - CONTINUOUS
MALDETTO
Listen, this is high profile. There
was a fucking suicide right in front
of the goddamned White House! You
can't get any bigger than that. We
crack this case, and we're talking
about promotions.
Maldetto gestures with his hands like an Italian as he talks.
The cigarette he's smoking is filling up the car with a
bluish haze.
DEXTER
In case you haven't heard, I'm
quitting the Bureau at the end of the
year.
MALDETTO
No shit?
DEXTER
Scout's honor.
MALDETTO
Why?
DEXTER
Personal reasons.
10.
MALDETTO
It's gotta be that incident with that
girl. I heard the shit hit the fan
that day. Did you really -
DEXTER
(abruptly)
If you don't mind, let's focus on
this case.
Dexter turns away from Maldetto and stares at the road ahead,
almost like he's reliving something painful.
MALDETTO
Sure, sure. Hey, I understand. You
had to make a tough decision.
Maldetto takes a deep drag of his cigarette. Dexter glances
at him, irritated.
DEXTER
Could you put that out, please?
Maldetto takes the cigarette out of his mouth. Blows a smoke
ring in Dexter's direction.
MALDETTO
Come on, just crack the window. I
gotta have this, or I'll have
caniptions.
DEXTER
Sounds like an addiction.
MALDETTO
It's only a fucking cigarette. It
won't kill you. That's all a load of
crap anyway.
DEXTER
If you believe that, I have a bridge
to sell you in Brooklyn.
MALDETTO
That supposed to be a joke? You're a
funny guy.
Maldetto takes another drag and lets out a deep, RASPING laugh.
EXT. TATE HOUSE - DAY
The Crown Victoria pulls into the winding driveway of an
elegant two story house with columns. Dexter and Maldetto
get out. Maldetto looks up at the house and whistles.
11.
MALDETTO
Fucking politician's are livin' in
style. Shit, I'm a public servant
too, but I can't afford a place like
this.
DEXTER
Run for office then.
Dexter heads towards the front door. Maldetto grounds his
cigarette into the driveway and hurries to catch up.
The door is opened by a VERY TALL YOUNG MAN, about college
age. He lets them inside.
INT. TATE HOUSE - LIVING ROOM - LATER
Dexter and Maldetto are seated with PAT TATE in a tastefully-
furnished living room. She's a very tall, thermometer-thin
woman in her forties whose eyes are red-rimmed from crying.
DEXTER
We want to thank for taking out the
time to speak to us. We know this
must be a very difficult time for
you. Please accept our deepest
sympathies.
PAT
Thank you. I already answered some
questions for the police. Why is the
FBI involved now?
Dexter tries to answer her, but Maldetto cuts him off.
MALDETTO
Your husband was part of the White
House staff. That automatically
makes the investigation of his
suicide the FBI's jurisdiction.
Dexter exchanges a glance with Maldetto over the obvious lie,
but doesn't contradict him.
DEXTER
Mrs. Tate, we'll try to make this as
brief as possible and not retread
questions you've already answered.
PAT
I understand you have a job to do.
I'll try to answer everything I can.
Dexter takes out a pad and pen. Maldetto mimics him.
12.
DEXTER
I understand that your husband left
you a note...
PAT
(nodding)
I found it... afterwards. He left it
on the table in his study the morning
he -
Pat's voice breaks. She is close to tears and gripping her
hot coffee tightly, seeking warmth. She glances at a
portrait on the mantle over the blazing fireplace. It's a
family portrait of her and her husband and their son, the
young man who opened the door for them.
PAT
It really hasn't sunk in yet that
Phil's gone. Why would he take his
life in such a way? I keep wondering
if it's my fault. What could I have
done to prevent it? Why didn't he
reach out to me? You have all these
regrets afterwards... Only it's too
late to do anything about it.
Dexter hands her a tissue which she daubs her eyes with.
PAT
Thank you. I'm sorry. Yes, the
note. The police made a copy.
Dexter withdraws a sheet from a folder he carried in with him.
DEXTER
There's a sentence here that your
husband wrote -
PAT
Phil said that he never understood
how far all of this would go.
MALDETTO
Yeah. You know what he meant by
that? What's he talking about?
PAT
I honestly don't know.
MALDETTO
Are you sure he wasn't talking about
work?
Dexter glances at Maldetto in surprise.
13.
MALDETTO
I mean, what else could he really be
talking about?
DEXTER
Mrs. Tate, we don't want to put words
in your mouth...
PAT
No, it's all right. You have a
point, Mr. Maldetto. I've wondered
that myself. Phil never talked about
his his work at the White House.
Though it wasn't always this way?
DEXTER
How so?
PAT
When Phil worked at Roche and
Wilson - that's a law firm in D.C. -
he was a different man. He used to
be a corporate attorney there before
he became Chief of Staff for the
First Lady. Back then he would at
least mention some of the clients he
represented or the cases he was
working on.
(takes a sip of coffee)
Thing changed when he started to work
at the White House. He clamped up
totally. Especially these last few
months...
DEXTER
Don't you think working at the White
House required some level of secrecy?
PAT
Phil didn't work for the CIA or the
President. He worked for the First
Lady. Mr. Dexter, Phil and I have
been married for over twenty years.
He used to be my best friend. But
since he started to work at the White
House, my husband didn't belong to me
anymore. He was married to his
work -
(bitterly)
- the work the First Lady gave to
him. Her work ruled his life!
MALDETTO
Do you think the First Lady drove him
to commit suicide?
14.
Dexter glances at Maldetto sharply.
PAT
No. No, I didn't say that. I - it's
just that he was under so much
pressure...
(imploringly)
I need you to find out the truth for
me, please. I need to know why Phil
would do such a thing. My husband
and I had a good life. He loved my
son David and I immensely. He had
every reason to live. Something
terrible drove him to take his life.
Please find out what.
EXT. TATE HOUSE - LATER
Dexter angrily confronts Maldetto as they walk back to the car.
DEXTER
You lied to her in there. Tate's
suicide is not really under our
jurisdiction. We can't just -
MALDETTO
You're missing the big picture, Bruce.
DEXTER
What the hell are you talking about?
What big picture?
MALDETTO
(chuckling)
Oh, I'll leave it to you to figure
that out.
Maldetto flashes Dexter an enigmatic smile and gets into the
car.
EXT. GEORGETOWN APARTMENT BUILDING - DAY
It's a trendy neighborhood with the requisite Starbucks on
the corner. The Crown Victoria squeezes into a parking space
along the street.
MALDETTO (V.O.)
Damn, even his secretary lives in
style.
INT. TESSA'S APARTMENT - LATER
The three are seated around a table in the small breakfast
nook nursing coffees.
15.
Dexter takes his pad and pen out. Maldetto again follows his
lead. Tessa's wearing round glasses that make her look sharp
and studious. Her face is unadorned, accentuating her
natural beauty.
DEXTER
Ms. Harris -
TESSA
Please call me Tessa.
DEXTER
All right. Tessa -
Maldetto quickly extends his hand to Tessa.
MALDETTO
Hi, I'm Justin.
Tessa shakes his hand cautiously.
TESSA
Nice to meet you, Justin.
Dexter rolls his eyes and extends his hand to Tessa.
DEXTER
I guess I better let you call me
Bruce then. Nice to meet you, Tessa.
Tessa shakes Dexter's hand, amused.
DEXTER
Now, that we've crossed that hurdle,
Tessa, how many years did you work
for Philip Tate?
TESSA
Almost four years. I was a
Congressional intern before he hired
me. He really gave me a big boost in
my career. I'll always be in his debt.
DEXTER
Why don't you take me back to the day
he died. Tell me what you can remember.
TESSA
We put in long days. Where should I
begin?
16.
DEXTER
Start in the morning when you came
into work. Tell me if it was any
different from any other day. Do you
remember anything he said or did that
might have been different, or that
indicated he was having some problems?
Anything at all that sticks out in
your mind.
TESSA
Well... there was a phone call that
really seemed to affect Phil that day.
MALDETTO
Who called?
TESSA
I don't know. The call came around
ten in the morning. I heard Phil
shouting through the door. This was
rare. I knew he was under a lot of
stress lately, but he was a very
gentle man and almost never raised
his voice to anyone; but here he was
having a very heated argument with
someone.
DEXTER
You don't screen his calls?
TESSA
I do. Now that I think of it, it
must have been an internal call.
Those go through directly to him.
MALDETTO
So somebody from inside the White
House called and riled him up.
TESSA
I suppose so; but I can't say who.
Dexter jots a few things down. Maldetto mimics him.
DEXTER
How did Mr. Tate behave the rest of
the day?
TESSA
He seemed withdrawn... clearly
depressed. When I asked him if
something was wrong, he told me that
he was just under the weather. He
said the same thing before he left
the office that night. And -
17.
Tessa cuts herself short, clearly distressed.
DEXTER
Was there something else?
TESSA
I thought Phil had been drinking that
night. In fact I'm sure of it. I
smelled it on his breath.
MALDETTO
Did he hit the bottle a lot?
TESSA
This was so unlike Phil...
DEXTER
Did he drink at the office before?
TESSA
That was the third time this month I
smelled alcohol on his breath.
MALDETTO
So, he had a drinking problem?
TESSA
(shaking her head)
You have to understand, the election
is just around the corner. Everybody
is working extremely hard at the
White House. Phil was under a lot of
stress. He... he - maybe I should
have realized there was something
wrong!
Tessa looks very distressed; she's fighting to keep her
emotions under control.
DEXTER
Take your time.
Tessa exchanges a warm look with Dexter that Maldetto notices.
He appears a tad jealous.
TESSA
(takes a sip of coffee)
There's one more thing. I heard the
sound of a lot of documents being
shredded that day.
DEXTER
I would think that's common in any
office?
18.
TESSA
Documents are shredded at the White
House all the time. But what made it
unusual was that I heard it going on
in Phil's office all day long. It
was like he was trying to get rid of
all of his files.
MALDETTO
Maybe he was getting rid of evidence.
TESSA
(confused)
What kind evidence are you talking
about?
DEXTER
(frowning at Maldetto)
I believe Justin's just speculating.
Maldetto obviously doesn't agree, but doesn't argue the point.
MALDETTO
Do you know what your boss was
carrying in his briefcase when he
left that night?
TESSA
The police asked me the same question.
I guess it was work-related papers.
Why do you ask?
MALDETTO
We have our reasons.
TESSA
Was the briefcase missing? Is that it?
Tessa's sharp. Dexter cuts in before Maldetto reveals too
much.
DEXTER
We're not at liberty to discuss the
details of the case.
TESSA
You're being as vague as the police
were. Is there something else going
on? Is that why the FBI has become
involved now?
DEXTER
I can't really talk about all of
that, Tessa.
19.
Tessa nods sullenly in understanding.
TESSA
This is not an easy time for any of
us at the White House. Phil spent
more time at the office with us than
at home. He was family.
MALDETTO
Is there anything else you can tell us?
TESSA
I've told you everything I can think
of.
DEXTER
Just jog you memory. Take your time.
You may have overlooked something...
Tessa takes a long moment to think. Takes another sip of
coffee.
TESSA
There is one thing...
MALDETTO
What is it?
TESSA
The night Phil died - as I was on my
way out - the First Lady came down to
the East Wing with Scott.
DEXTER
Scott?
TESSA
Scott Traybek. He's a Secret Service
agent on her detail.
MALDETTO
What time was it?
TESSA
Around 10pm.
DEXTER
That was about an hour after the
suicide.
MALDETTO
What the hell was she doing down
there so late?
20.
TESSA
I don't know. She didn't volunteer
any information. It was a real odd
time for her to be down there.
That's the only reason I'm mentioning
it.
MALDETTO
(clearly suspicious)
Yeah, odd isn't it?
Dexter glances at Maldetto but says nothing.
INT. TESSA'S APARTMENT - LATER
The interview's over. Tessa is showing Dexter and Maldetto
out.
DEXTER
We want to thank you for taking the
time out to talk with us.
TESSA
If you need my help - anything -
don't hesitate to ask me.
Dexter hands her his business card.
DEXTER
Please give me a call if you think of
anything else.
Maldetto quickly takes his own card out, writes a number on
the back and gives it to Tessa.
MALDETTO
I put my home number on the back.
You can call me there too.
Tessa takes the card; but it's obvious that she's going to
throw it away. She doesn't seem too fond of Maldetto.
MALDETTO
(suddenly)
Hey, Tessa, what do you do for fun?
TESSA
Excuse me?
MALDETTO
Do you wanna grab some cheeseburgers
sometime?
Tessa exchanges a glance with Dexter that Maldetto misses.
They share a quick smile.
21.
TESSA
Um... I'm sorry, but I'm really busy
right now. I practically live at the
White House. Thanks for asking.
Maldetto shrugs, clearly disappointed. He and Dexter are
about to walk out the door.
TESSA
Mr. Dexter, you're going to interview
the First Lady, aren't you?
DEXTER
(turning around)
Maybe.
EXT. STREET - LATER
Dexter and Maldetto are walking back to the car.
MALDETTO
Man, what a babe! What I wouldn't
give to get into her pants.
DEXTER
I guess cheeseburgers didn't cut it,
huh? Keep working on those lines,
Casanova.
Dexter gets into the car, laughing.
INT. BAR - NIGHT
The watering hole is busy with the evening crowd. Dexter
DIGS into a greasy steak with gusto. He's seated across a
booth from JOHN ROSENBERG, who is in his fifties with a
middle-aged paunch and a jolly disposition.
ROSENBERG
Are you really going to eat that?
DEXTER
(mouth full)
Uh-huh.
Rosenberg is eating a salad with a side order of carrot sticks.
ROSENBERG
Listen, you're headed for a bypass.
Take my word for it, it's not fun.
Dexter extends a piece of steak to Rosenberg with his fork.
DEXTER
You really should try this.
22.
Rosenberg makes the sign of the cross. Dexter shrugs and
plops the steak into his mouth.
ROSENBERG
Stop trying to kill yourself. You
know it wasn't your fault.
Dexter washes the steak down with a gulp of beer.
DEXTER
What are you talking about?
ROSENBERG
You don't seem to give a damn about
yourself since that girl died.
DEXTER
(distressed)
What is it with you people Can't I
move on? Next subject, please.
ROSENBERG
All right... so what's your new case
about?
DEXTER
Can't talk about it, John. Assistant
Director's orders. He assigned me
this case personally.
ROSENBERG
Are you serious?
Dexter nods.
ROSENBERG
Citizen Quince himself is involved!
Impressive. This is a first. This
case must be big. Throw me a bone
please.
DEXTER
My lips are sealed.
ROSENBERG
I'm not asking you to say a thing.
Just eat a carrot stick if I'm close.
DEXTER
I hate carrots.
Rosenberg holds one out to Dexter anyway.
23.
ROSENBERG
Come on, we've worked together for
years. Just because I got ditched -
DEXTER
I tried to get you on board. No
dice. Got stuck with Justin.
ROSENBERG
He's got the I.Q. of a beef jerky!
He's an ass kisser.
DEXTER
He's already getting on my nerves.
ROSENBERG
If you ask me, Maldetto's there to
keep an eye on you. I've never heard
of Quince taking a personal interest
in a case. He's always trying to
schmooze with the big wigs. It's
gotta be big.
Dexter shrugs.
ROSENBERG
So, this case you're working on -
it's about Philip Tate's suicide,
isn't it?
Dexter is reluctant to answer.
ROSENBERG
Come on, humor me. My lips are
sealed. You're going to end up
asking me for help in the end anyhow.
Is that a yes?
Dexter smiles a little. He takes a bite of the carrot stick
and nods slowly.
ROSENBERG
Ah-hah, I knew it!
INT. BAR - LATER
Dexter's steak is finished. There's one last carrot stick
left on the plate. Rosenberg points to it.
ROSENBERG
See, I knew I'd get you hooked.
DEXTER
I've told you way too much. I'm
risking my job, John.
24.
ROSENBERG
Give me a break, you're quitting
anyway. So, what's next?
Dexter picks up the last carrot. Takes a bite.
DEXTER
I'm gonna interview an old girlfriend.
EXT. WHITE HOUSE - DAY
The great lawn in front of the mansion is still a verdant
green but autumn has crept up onto the trees.
INT. WHITE HOUSE - OUTSIDE OF FIRST LADY'S OFFICE - DAY
Dexter is being led to the First Lady's office by Tessa.
There's already a casual familiarity between them.
TESSA
So you took my advice and decided to
interview the First Lady.
DEXTER
(amused)
I didn't know it was advice?
TESSA
Where's your partner?
DEXTER
My shadow wasn't invited. Are you
disappointed?
Tessa shakes her head "no" vigorously.
TESSA
Let me see if Mrs. Remington is ready.
Tessa knocks on the First Lady's office door and goes in. A
moment later she emerges and holds the door open for Dexter.
TESSA
Go right in.
Dexter salutes Tessa and walks in.
INT. WHITE HOUSE - FIRST LADY'S OFFICE - DAY
The FIRST LADY, KATHERINE (KAY) TOBIAS REMINGTON, greets
Dexter warmly with a big smile and great big hug. In her mid
thirties, she's got the sex appeal of Marilyn Monroe and the
classic looks of Jackie Kennedy.
25.
FIRST LADY
It's great to see you, Bruce! How
long has it been?
DEXTER
Fifteen years.
FIRST LADY
That is entirely too long for a
reunion!
(appraises Dexter)
You look great.
DEXTER
(rakes his fingers
through his hair)
Oh, I don't know about that. There's
a few gray up here.
(appraising the First Lady)
You're the one who looks terrific,
Mrs. Rem -
FIRST LADY
Shut up! Don't call me that. I
won't have it - especially from you.
I'll always be Kay to you. Do I make
myself clear?
Dexter is pleased and nods.
The First Lady takes a seat behind a stylish antique desk.
Dexter grabs a chair in front of the desk.
FIRST LADY
How are you? I hope life's been
treating you well?
DEXTER
I'm hanging in there.
(glances around the
plush surroundings, impressed)
It seems like you've fulfilled your
dreams. Didn't you write in your
high school year book that you wanted
to be married to a President someday?
FIRST LADY
Actually I wrote that I wanted to be
President.
DEXTER
Right. You were always very ambitious.
Dexter glances at the huge pear-shaped diamond on the First
Lady's finger. She notices.
26.
FIRST LADY
Who's heart did you conquer? Are you
married?
DEXTER
I've been divorced for three years.
FIRST LADY
I'm sorry to hear that. Do you have
any children?
Dexter shakes his head "no."
FIRST LADY
(smiling coyly)
Are you seeing anyone?
DEXTER
No one serious since the divorce.
FIRST LADY
Good lord, three years and you don't
have a woman in your life! Are you
trying to be a monk?
DEXTER
I don't know. But if a monk seeks a
clean life without complications and
serenity... tell me where to sign up.
But I don't think this is the town
for that. I've been looking for an
excuse to leave for years.
FIRST LADY
How long have you been in D.C.?
DEXTER
Ten years.
FIRST LADY
We've been in the same city for a
decade and we've never even met! You
did a capital job of avoiding me.
DEXTER
We don't necessarily travel in the
same circles anymore, Kay.
FIRST LADY
I don't consider our years at
Princeton together a footnote in our
lives, Bruce.
It's obviously a touchy subject to Dexter.
27.
DEXTER
You dropped out of my life suddenly
the last semester we were there. I
thought it was pretty clear to me
that you didn't want me around
anymore. After all these years, I
still don't know what happened
between us. What made you run away?
FIRST LADY
(regretful)
You deserved better. I'm truly
sorry, Bruce.
DEXTER
I'd settle for an explanation.
The First Lady shifts uncomfortably in her seat for the first
time. She skirts the subject for some reason. Suddenly
focuses on the business at hand.
FIRST LADY
I was informed that you had some
questions for me?
DEXTER
I have to remind myself this is
supposed to be an interview and not a
reunion.
(takes out his pad
and pen)
I have a few questions about your
Chief of Staff's suicide.
FIRST LADY
I just wish all of this media frenzy
around Phil's death would end! It
comes at the worst possible time. My
husband and I have been swamped with
questions about his suicide. I have
to be honest with you, you wouldn't
be sitting here if your name wasn't
Bruce Dexter. That's the only reason
I agreed to this interview.
DEXTER
I appreciate it. I'll try to be as
brief as I can.
(opens up his pad)
Could you tell me how you came to
know Philip Tate?
28.
FIRST LADY
Phil and I used work at the same law
firm in D.C. We worked well together
there, so I asked him to come and
work at the White House with me.
DEXTER
Would you say you two were good friends?
FIRST LADY
He was like a brother to me - and a
wonderful advisor. His loss is a
great blow to me.
DEXTER
Did you two ever argue?
FIRST LADY
We agreed to disagree, but it was
never personal.
DEXTER
Did you call him on the morning of
his suicide?
FIRST LADY
(wary)
What do you mean?
DEXTER
Did you call him that morning and
have an argument with him?
The First Lady takes a moment to choose her words carefully.
FIRST LADY
Phil was my Chief of Staff. We
exchanged phone calls at least a
dozen times a day. I'm sure I called
him that morning, but we didn't have
any arguments.
Dexter nods and jots a few notes down.
DEXTER
Do have any idea why he took his life?
FIRST LADY
I don't know. It came as a terrible
shock.
DEXTER
His wife speculated that he wasn't
coping very well with the pressures
of work.
29.
FIRST LADY
(miffed)
Pat said that? That's ridiculous!
My husband's the leader of the Free
World. He has the weight of the
world on his shoulders. Fifty-two
President's before him held the same
post. Not one of them committed
suicide because of the pressure. If
you ask me, Phil's marital problems
probably drove him over the edge.
DEXTER
Pat Tate indicated that they had a
close relationship.
FIRST LADY
Do you think she'd admit to having
marriage trouble? Pat resented Phil
for working here. She didn't like
the hours he kept and pressured him
constantly to quit. But Phil knew he
was playing an important role for his
country. He even admitted to me that
the strife with his wife was making
him terribly depressed. Frankly, I
really don't see the reason for the
FBI to get involved in a simple
suicide.
(looks Dexter
directly in the eyes)
What aren't you telling me, Bruce?
Dexter shifts uncomfortably in his chair. The First Lady has
a persuasive voice and a penetrating stare.
DEXTER
I'm just trying to fill in a couple
of blanks. That's all.
(writes a few more
notes down)
Did Philip Tate work on anything
sensitive? If so, would he carry it
home with him in his briefcase?
A brief shadow crosses the First Lady's face.
FIRST LADY
I'm the First Lady not the President.
We don't deal with nuclear secrets in
the East Wing. The most sensitive
thing Phil was working on here were
proposals on health care reform - and
that's no big secret.
30.
DEXTER
Would it be safe to assume that he
wouldn't carry anything confidential
home with him?
FIRST LADY
Asked and answered, Bruce.
Dexter sees she's a little upset and decides to take a
different tack.
DEXTER
You've been known to sit in on
cabinet meetings with the President.
Some even consider you the most
powerful woman in the world.
FIRST LADY
I'm flattered; but perceptions are
subjective and don't hold the weight
of fact.
DEXTER
I have to remind myself that you used
to be a lawyer.
(pauses, takes a deep breath)
Kay, why were you down in Philip
Tate's office only an hour after his
death?
FIRST LADY
(sharply)
Who told you that?
DEXTER
I'm not at liberty to say.
FIRST LADY
(frowning)
It was Tessa. She told you, of course.
DEXTER
What were you doing down there so
late? Wasn't it an odd time for you
to be down there?
FIRST LADY
(choosing her words carefully)
Phil was scheduled to go on a
campaign trip with me the following
morning.
(MORE)
31.
FIRST LADY (CONT'D)
He was supposed to make some changes
to a speech that I was to give at a
homeless shelter. I waited, but he
never sent the speech to me. I tried
to call him, but I couldn't find him.
I needed that speech back, so I went
down to his office to get it myself.
The First Lady pulls a sheet of paper from the center drawer
and hands it over to Dexter
FIRST LADY
I inadvertently took this with the
speech. If you're looking for clues,
this may be one.
Dexter reads the note carefully.
DEXTER
Do you know what this is about?
FIRST LADY
I'm not sure. But I can point you in
the right direction. Go check the
Congressional Records Office.
EXT. CAPITOL BUILDING - DAY
Dexter and Maldetto are walking up the steps of the Capitol
Building. Maldetto's complaining bitterly to Dexter about
something, moving his hands animatedly. We can't quite make
his words out.
INT. CONGRESSIONAL RECORDS OFFICE - LATER
Dexter and Maldetto walk through a door marked: CONGRESSIONAL
RECORDS OFFICE. Maldetto's lips are still moving.
MALDETTO
... I don't like getting shafted for
an interview - especially when it's
at the White House.
DEXTER
Give it a rest. It's not my fault.
MALDETTO
What I don't get is whey she would
only agree to see you?
Dexter ignores Maldetto and approaches the POMPOUS-LOOKING
MAN behind the counter. He's wearing a bow tie and bookish
glasses.
32.
DEXTER
Hi, do you keep records for all
Congressional employees here?
POMPOUS-LOOKING MAN
That's correct. We have thousands of
people working on the Hill. However,
I don't see your ID, and I don't
recognize you. Do you work here?
DEXTER
No. But -
POMPOUS-LOOKING MAN
Then I don't see how I can possibly
be of service to you. Our files are
not for public access. I only serve
government employees.
Maldetto suddenly reaches over the counter and grabs the guy
by the front of his shirt. He shoves his badge into his face.
MALDETTO
F. fucking, B.I. buddy, capice? You
gonna help us now?
Pompous-looking man nods meekly.
INT. HOOVER BUILDING - QUINCE'S OFFICE - DAY
Dexter and Maldetto are seated in front of Quince's desk.
DEXTER
The memo the First Lady gave to me
led us to the Congressional Records
Office. We looked up a woman named
Sally Russell and discovered that
Tate was there himself for the same
reason only a week before he died.
QUINCE
What did you find out?
DEXTER
The clerk was only able to tell us
that she used to work for Senator
Vance - the Vance who's running for
President -
QUINCE
I'm aware of who he is. What else
did you find out?
Quince looks suddenly disturbed for some reason.
33.
DEXTER
Nothing. Somebody replaced Sally
Russell's files with blank sheets.
QUINCE
(almost relieved)
Really?
MALDETTO
Somebody stole her records.
QUINCE
Do you think it was Tate?
DEXTER
He was the last person to see her
files. The clerk was convinced he
took them. I would like to do a
search through the FBI databases on
Sally Russell -
QUINCE
That won't be necessary.
DEXTER
(surprised)
I don't understand. Why -
QUINCE
I really don't see where this will
lead you to. It's a wild goose chase.
MALDETTO
(smugly)
I told him the same thing.
DEXTER
Tate went to the record's office for
a reason. The First Lady seemed to
think that it was important -
QUINCE
So you're taking her advice now? I
didn't realize she still had
influence over you?
DEXTER
I'm not sure what you're talking
about, sir?
QUINCE
The fact that she used to be your
girlfriend shouldn't make a
difference, Bruce.
34.
Maldetto's eyes grow wide in shock. Dexter is surprised and
distressed that Quince knows.
QUINCE
Yes, I know your history together. I
don't sit in this seat because I have
my head up my ass. I make it a point
to know my agent's backgrounds well.
Bruce, I thought you were professional
enough not to let your judgment from
getting clouded. I hope I didn't
misjudge you?
DEXTER
That was a long time ago. You told
me to leave no stone unturned.
QUINCE
Rocks. Not useless pebbles. I'm
suspicious about any clues given to
you by Katherine Tobias Remington our
esteemed First Lady. Get back to
work. I still have the utmost faith
that you'll crack this nut. Don't
get distracted by tangents.
Dismissed, Dexter rises to leave the office, holding back
suppressed anger. Maldetto's about to follow him out.
QUINCE
Justin, stay. I'd like to have a few
words with you.
Dexter exchanges a tense glance with Maldetto and walks out.
INT. WHITE HOUSE - PHILIP TATE'S OFFICE - NIGHT
Tessa seals up another box containing Philip Tate's things.
A half a dozen are already filled and stacked. There's a
wistful look on her face.
She passes the FAX MACHINE and pauses. Then on sudden
impulse she presses a button and retrieves the transmission
log. She regards the printout and sees a transmission time
that reads:
9:05 PM.
Next to it is a fax number and the number of pages faxed.
Tessa's eyes grow wide as a realization hits her.
She rushes out of the office.
35.
EXT. WHITE HOUSE - NIGHT
A VW Jetta pulls out of the White House gates and speeds off.
Tessa is behind the wheel.
A moment later, a car with dark windows pulls out of the
gates and starts to follow her.
INT. DEXTER'S APARTMENT - NIGHT
Dexter walks in with his groceries. His bull dog, BRUTUS,
instantly starts to BARK and lick his legs. Dexter sets the
bag down on the counter of the eat-in kitchen and lets the
dog leap up into his arms. He holds Brutus close to his face.
DEXTER
(baby talk)
How's daddy's little boy doing? Huh?
You hungry?
The bulldog starts to lick Dexter's face.
DEXTER
(baby talk)
I got something special for you tonight.
Brutus BARKS and leaps away.
Dexter puts his gun down on the counter and notices the
FLASHING RED LIGHT on the answering machine. He pushes the
message button. There's a BEEP then the message.
TESSA
(on the answering machine)
Hi, Bruce, this is Tessa Harris.
It's around ten pm. I called your
office, but you weren't there. So I
tried your cell phone but I couldn't
get through. Maybe you're out of
range.
Dexter checks his cell phone. He frowns. The battery's
depleted.
TESSA
(on the answering machine)
Anyway, I tracked your home number
down. Phil transmitted a fax from
his office right before... right
before he took his life. He sent
several pages over to the Washington
Post. I think it's important. I'm
sorry I couldn't wait, but I'm on the
way over there right now. Maybe the
fax is still over there.
36.
Dexter checks his watch. It's a quarter after ten. He
snatches his gun and rushes out the door.
Brutus barks behind him, angry at not being fed.
EXT. WASHINGTON POST BUILDING - NIGHT
There are a handful of lights on in the building. Tessa
checks the front door. It's still open. She walks in.
INT. WASHINGTON POST BUILDING - LOBBY
No one seems to be around. Tessa walks up to the front desk
and RINGS a bell. No answer. She rings it again.
JANITOR (O.S.)
Hold your horses!
A heavyset JANITOR emerges out of a hallway pushing a mop and
a bucket.
JANITOR
Lady, we're closed.
TESSA
Is everybody gone?
JANITOR
Nope. There's some folks burning the
midnight oil for the early edition.
TESSA
I need to see somebody in the Sunday
Magazine section.
JANITOR
Those fellas left already. That
office is closed.
Tessa eyes the KEY RING hanging at the janitor's waist.
TESSA
Can you get in there?
JANITOR
(full of pride)
I'm the sanitation engineer, ain't I?
TESSA
I need to recover a fax I sent by
mistake. It's extremely important.
JANITOR
(shaking his head)
No can do.
37.
TESSA
Please -
JANITOR
Which ear don't you hear outta?
Tessa digs through her purse and brings out her WHITE HOUSE
ID. She holds it out to the janitor for his inspection.
JANITOR
(impressed)
You work at the White House?
TESSA
(nods)
This is a matter of national security.
I have to get the fax back tonight.
(conspiratorial whisper)
It belongs to the President.
JANITOR
Remington?
Tessa nods.
JANITOR
(whistles)
Why didn't you say so in the first
place? Follow me.
INT. WASHINGTON POST BUILDING - SUNDAY MAGAZINE SECTION
Tessa is busy rifling through a STACK OF PAPERS next to the
fax machine. The lights are dimmed. There's nobody else
around. The janitor's standing guard at the door.
JANITOR
Lady, White House, Black House or
Green House. I don't care. You
gotta hurry up. I could lose my job
for this.
Tessa's hands are moving frantically through the pile of faxes.
JANITOR (O.S.)
You have one more minute!
Tessa's through the pile but hasn't found what's she looking
for. She looks frustrated. Then her eyes come to rest on a
SHEET OF PAPER sticking out from the bottom of another pile.
It's got the WHITE HOUSE SEAL on it. She instantly pulls it
out and looks at it. Bingo. It's the fax sent by Philip
Tate. Tessa grabs the entire fax and heads for the door.
38.
JANITOR
Sayonara, I'm locking -
TESSA
I'm done.
Tessa breezes out of the office with the FAX in her hands.
EXT. STREET - NIGHT
Tessa walks briskly back to her car with the FAX in her hands.
She seems pleased with herself. There's a jaunt to her steps.
Somebody COUGHS behind her.
Tessa glances back nervously. Notices a MAN IN A TRENCHCOAT
following her but can't make out the face in the darkness.
Tessa picks up her pace. Looks back again. The man is
rapidly closing the gap.
Tessa begins to run.
INT. DEXTER'S CAR - NIGHT
Dexter is gunning down the street when he glances out the
window and sees a woman being chased by a man. He does a
double take. It's Tessa. They're running in the opposite
direction.
Dexter slams the brakes on with a SCREECH and makes a vicious
U-turn.
EXT. STREET
Tessa is out of breath. Her pursuer is almost upon her.
A horn suddenly BLARES. Tessa glances to the street. There
is a silver Crown Victoria keeping pace with her.
Tessa suddenly stumbles and goes down.
Her pursuer is instantly on top of her. He snatches the FAX
out of her hands and runs away.
INT. DEXTER'S CAR
Dexter watches the man flee. He sees Tessa get up. She
appears to be all right. He guns the car and chases after
the FLEEING MAN IN A TRENCHCOAT.
The man tries to cut across the street -
But Dexter is already there.
39.
The man hits Dexter's car with a THUD. His body rolls over
the hood and falls onto the ground. But he's up and running
again.
Dexter jumps out of his car and starts to chase the fleeing
man, who is limping now. Dexter starts to gain on him.
The man turns onto a street. Dexter is on his tail.
Suddenly the man turns around and points a gun. BANG! BANG!
BANG!
Dexter ducks and weaves. The bullets miss.
The man cuts onto another side street. Dexter makes the same
turn - but the man's disappeared. Dexter pauses briefly to
catch his breath. Tries to find the man -
A SHADOW suddenly leaps out of a doorway and tackles Dexter.
They land on top of a car hood and roll off onto the street -
barely missing a car that swerves at the last second, BLARING
its horn.
Dexter's head hits the hard ground first, dazing him. His
assailant is straddling him. Raise his fist to strike -
Dexter suddenly bucks and throws him off. But as he ties to
rise, the man lands a solid kick to the side of his head.
Dexter GRUNTS in pain as the pavement rushes up suddenly and
meets him with a SMACK.
Dexter lays still. Stirs a moment later. Rises slowly to
his feet with a GROAN.
TESSA (O.S.)
Bruce, watch out!
Dexter turns abruptly to see GLARING WHITE HEADLIGHTS coming
towards him. He jumps out of the way a split second before a
car whizzes by.
EXT. COFFEE SHOP - NIGHT
Dexter and Tessa are seated at a table near the window.
DEXTER (V.O.)
If you wanted action, you should have
joined the FBI. Why didn't you wait
for me?
INT. COFFEE SHOP - CONTINUOUS
Dexter and Tessa a sipping cups of java. There's a bruise on
the side of Dexter's face.
40.
TESSA
Phil sent the fax Monday - four days
ago - just before... before he killed
himself. Bruce, he got one of the
numbers wrong and sent it to the
Sunday Magazine section by mistake!
It's almost Sunday, I thought -
DEXTER
You should have waited. You almost
got both of us killed. For what?
You lost the fax. Did you even see
what it was about?
TESSA
I didn't get the chance.. but, I did
manage to save your life, though.
DEXTER
But our man got away.
Tessa writes a license plate number on a NAPKIN and slides it
across to Dexter. He looks at the number then regards her
with questioning eyes.
TESSA
I caught the license plate number
when he tried to run you over.
(smiles a little)
So, are you still angry at me?
EXT. TRAYBEK'S HOUSE - NIGHT
A BLACK CROWN VICTORIA pulls into the driveway of a small
rancher behind a car that's already parked there, blocking it.
Justin Maldetto steps out and glances across the street. He
notes the SILVER CROWN VICTORIA pulling up along the curb.
Checks his gun and approaches the front door of the rancher.
INT. DEXTER'S CAR - ACROSS THE STREET - NIGHT
Dexter watches Maldetto ring the front door bell. SCOTT
TRAYBEK, a tall, square-jawed man in his thirties - answers
the door. He and Justin exchange a few words. Traybek steps
aside and lets Justin in, closing the door behind him.
Dexter loosens the GUN at his waist and waits.
The wait isn't long. There's the sudden BLAST of a gunshot
from the rancher.
41.
EXT. TRAYBEK'S HOUSE
Dexter jumps out of his car and starts to run across the
street towards the rancher.
The front door suddenly bursts opens. Traybek runs outside
brandishing a gun.
As soon as he sees Dexter, Traybek raises his gun and shoots.
It's a wild shot and misses. He tries to shoot again but his
gun jams.
Dexter raises his own gun and has Traybek in his sights.
It's an easy shot.
SMASH CUT:
Dexter has taken cover behind a car. He has his gun pointed
at a TEENAGE GIRL in front of an ethnic grocery store across
the street. She has her gun pointed at an FBI AGENT
bleeding on the ground from a shotgun wound to his gut.
Nearby is a BALD MAN lying dead in a pool of blood.
The fallen FBI agent struggles to rise and reach the gun that
is only a few feet away.
The girl is about to pull the trigger. Dexter has to take
the shot or the agent will be killed. There's absolute agony
on his face.
There's a sudden GUNSHOT.
SLAM CUT BACK TO PRESENT:
Traybek staggers as a bullet slams into his left shoulder.
An oncoming car is unable to stop in time and side swipes
him. Traybek tumbles to the ground and lays still.
Maldetto limps onto the scene. He's got a gunshot wound to
the thigh but still managed to take the Traybek down. He
hobbles over to Dexter and grabs him roughly by the collar,
shaking him hard.
MALDETTO
What the fuck happened? You had a
clear shot!
Dexter snaps out of his daze, but doesn't answer.
INT. HOOVER BUILDING - CORRIDOR - DAY
Dexter tries to keep up with Quince as he walks briskly to a
meeting.
42.
DEXTER
Justin should be out of the hospital
tomorrow, but he'll be out of action
for at least a week.
QUINCE
What's the status on Traybek?
DEXTER
He's still holding on, but he's in a
coma.
QUINCE
So no fucking peep out of him unless
he wakes up. Did you find the fax at
his house?
DEXTER
No. We found nothing incriminating
there.
QUINCE
That doesn't mean he's not a criminal.
He stole that fax sent by Tate.
That's one strike against him. What
do you think the other one is?
DEXTER
(confused)
Sir?
QUINCE
Do I have to spell it out for you,
Bruce? Traybek works on the First
Lady's Secret Service detail. What
does that tell you?
Dexter doesn't state the obvious.
QUINCE
Looks to me like there's a vacancy on
her Secret Service detail.
EXT. TATE SHORE HOUSE - DAY
A car pulls up to the driveway of a quaint shore house
nestled along Chesapeake Bay. Sailboats are running and
tacking in the distance. Gulls are SKWAKING overhead.
Pat Tate steps out of the car with a small suitcase and walks
up the gravel pathway to the door. She sees a FEDEX PACKAGE
on the steps and picks it up.
Her eyes open wide in surprise when she sees the return
address. The package was mailed to her from the White House.
43.
It was sent by Philip Tate.
INT. TATE SHORE HOUSE - LIVING ROOM - MOMENTS LATER
Pat tears open the package. It contains a THICK SHEAF OF
PAPERS and a handful of MICRO CASSETTE TAPES. She rifles
through the papers quickly. The White House seal flashes by.
The contents hit her hard. She collapses into a chair in
disbelief.
EXT. WHITE HOUSE - DAY
An American flag snaps in a stiff breeze atop the great mansion.
INT. WHITE HOUSE - CORRIDOR - MORNING
Dexter stands guard outside the Presidential Suite. He's a
cyborg in a dark suit. Stiff and immobile at his post.
He's a Secret Service agent.
On the other side of the door is, AGENT RAYMOND DOBLER, tall,
black and thirty.
The door suddenly opens. The First Lady steps out and starts
to walk briskly down the hallway towards the elevator. She
doesn't even glance back. Dexter and Dobler fall into step
behind her.
They reach the elevator and step inside. Just before the
door closes, the First Lady glances to her right and sees
Dexter - and is totally shocked.
INT. WHITE HOUSE - EAST WING - MORNING
Dexter and Dobler try to keep pace with the First Lady, who
is make a beeline for her office. She looks upset.
They pass Tessa at her desk along the way. Tessa stands up
in surprise when she sees Dexter.
Without pausing, Dexter follows the First Lady to her office
and and opens the door for her. She suddenly stops.
FIRST LADY
(commandingly to Dexter)
Inside. Now.
She walks in without waiting for a response.
INT. WHITE HOUSE - FIRST LADY'S OFFICE - MOMENTS LATER
The First Lady SLAMS the door shut and turns on Dexter, eyes
flaring.
44.
FIRST LADY
How on earth did you get on my detail?
DEXTER
I'm not supposed to leave my post.
FIRST LADY
I don't give a damn. How does an FBI
agent become a member of the Secret
Service all of a sudden? Can you
please enlighten me?
DEXTER
We go through a lot of the same
training. I just went through
additional training in Beltsville,
Maryland to be on your detail.
(takes out his earpiece)
Besides, there was a vacancy on your
detail left by Scott Traybek. I'm
sure you're aware of what happened to
him.
A quick shadow passes the First Lady's face, but she's not
mollified.
FIRST LADY
I was never informed about this
change. I should have been consulted.
DEXTER
The White House doesn't have
jurisdiction over the Secret Service.
We answer to the Treasury Department.
FIRST LADY
Do you expect me to believe that? I
think you still answer to Orson
Quince. How on earth does that man
get so much power?
Dexter doesn't say a word. Stands statue still.
The First Lady comes face to face with him.
FIRST LADY
Why are you really on my detail, Bruce?
DEXTER
My job is to protect you -
FIRST LADY
- and spy on me for Quince. Are you
supposed to be undercover? Because
your motives are as plain as day to me.
45.
DEXTER
I'm here for your safety. I take
that responsibility seriously.
FIRST LADY
Good.
(pokes him in the
chest with a finger)
Then you better be prepared to take a
bullet for me.
INT. WHITE HOUSE - VERMEIL ROOM - DAY
Dexter stands stiffly nearby while the First Lady gives an
interview to a reporter, pointing out various portraits of
former First Ladies.
EXT. D.C. STREET - DAY
Dexter, in dark shades, runs along side the Presidential Limo
as it crawls down the street lined with people waving flags
and banners.
The President and First Lady wave to the crowd from inside
the limo.
EXT. HOTEL - DAY
Dexter hops out of the Presidential limo and holds the door
open.
PRESIDENT BILL REMINGTON, tall, silver-haired and a fit sixty
steps out with the First Lady. She's two decades younger
than her husband, but they make a classy couple. They smile
and wave to the crowd. Camera crews and photographers jostle
to get the best shot.
The First Lady shrewdly takes advantage of the photo op and
wades into the crowd to shake peoples' hands. They
absolutely love her. Secret Service agents scramble to hold
them at bay so they don't overwhelm her.
INT. HOTEL - LATER
Dexter is among the phalanx of Secret Service agents vigilant
at their posts around the perimeter of a stage.
The First Lady is speaking with passion from a podium. Her
voice rings loudly over the speakers. The President stands
to the side, proud.
46.
FIRST LADY
- no intentions of packing our bags
and moving out of the White House.
You don't change horses in the middle
of the stream. Give us four more
years, and we'll show you what we're
made of!
The crowd WHOOPS and CHEERS.
INT. WHITE HOUSE - THIRD FLOOR CORRIDOR - NIGHT
President Remington walks into the Presidential Suite.
The First Lady is a step behind. She exchanges a tense
glance with Dexter before following her husband inside,
SLAMMING the door shut behind her.
Dexter and Dobler take their posts outside the door and
freeze into statues again.
EXT. OLD EXECUTIVE OFFICE BUILDING - PARKING LOT - NIGHT
The Old Executive Office Building, shaped liked a gray multi-
tiered cake looms in the background. Behind it, the White
glistens like a jewel in the night.
Dexter is about to open his car door, when he hears the sound
of footsteps on the blacktop behind him. He spins around
instantly, hand at his gun.
Tessa steps out of the shadows.
TESSA
I know you're supposed to be quick on
the draw, but relax, it's only me.
Dexter puts his gun back into his shoulder holster and offers
her a smile.
TESSA
Parking's at a premium around here.
Since I'm low on the totem pole, I
have to walk all the way across the
street every day in these godforsaken
things.
(takes her heels off)
How was the first day on the job?
DEXTER
My joints are stiff and my feet ache,
but I think I've perfected the zombie
stare.
Dexter gives Tessa a zombie-like stare.
47.
TESSA
(chuckles)
You change hats fast. FBI agent one
day, Secret Service the next. I've
never seen that happen before.
DEXTER
There's always a first time.
Tessa gets into her VW Jetta, which happens to be parked next
to Dexter's Ford. She slides the window down.
TESSA
Remember, if you need any help - you
only need to ask.
(waves and starts to
drive off)
But it'll cost you lunch!
INT. WHITE HOUSE - OUTSIDE OF PHILIP TATE'S OFFICE - NIGHT
Tessa DRUMS her fingers on the desk impatiently. She's
waiting for someone.
Dexter finally walks in. She's rises, expecting him.
TESSA
What took you so long?
DEXTER
I was relieved late. Everyone gone?
TESSA
(nods)
The cleaning crew's gonna come in
soon. How long do you need?
DEXTER
Ten minutes tops.
Tessa points to Tate's office door.
TESSA
That's Phil's office. I'll keep
watch out here.
Dexter goes briskly to the door and opens it.
TESSA
You owe me lunch, you know?
Dexter smiles and walks in.
48.
INT. WHITE HOUSE - PHILIP TATE'S OFFICE - NIGHT
Dexter closes the door behind him. He doesn't turn on the
lights. Takes out a flashlight and shines it around the room.
The office is mostly empty. The cardboard boxes are gone.
The walls are unadorned, with only the furniture remaining.
Dexter begins a systematic search of the room. He goes to a
pair of filing cabinets and pulls out each of the drawers.
They're all empty but he slides his hands beneath each one.
Finds nothing and looks behind the cabinets themselves.
Finds nothing.
Dexter taps the walls lightly for hollow sounds and even
looks inside the open safe which he finds empty.
He proceeds to the desk and again removes every side drawer
and gives each a thorough inspection. He finds nothing but
has difficulty removing the center drawer. He gets down on
his knees and peeks underneath the the desk. He shines his
flashlight onto the bottom of the drawer. The beam reveals:
A SMALL BLACK WIRE ATTACHED TO A MINIATURE MICROPHONE.
INT. SEEDY BAR - NIGHT
The place is grimy and clogged with cigarette smoke. It's
packed with a blue-collar crowd.
Maldetto hobbles over to the booth on a single crutch and
takes a seat across from Dexter.
MALDETTO
(referring to the crutch)
Do you know how hard it's to take a
piss now?
DEXTER
You coulda picked a better place than
this.
MALDETTO
The Big Guy told me to pick a place
away from the Washington crowd. This
joints just the ticket. Besides,
they serve great cheeseburgers here.
Beats that shit at McDonald's - and
they let you smoke.
Maldetto lights up a cigarette and takes a deep drag.
DEXTER
Citizen Quince's getting nervous
about this operation?
49.
MALDETTO
Who said that? I didn't say that.
You're supposed to be a fucking
Secret Service agent now. It doesn't
look good if you're reporting back to
FBI headquarters.
(takes a large bite
out of his
cheeseburger; talks
with his mouth full)
What have you got?
Dexter places a SMALL CONTRAPTION onto the table attached to
a miniature microphone.
DEXTER
I found this under Tate's desk. He
pulled a Nixon. He was secretly
taping conversations.
EXT. OUTDOOR CAFE - DAY
It's a crisp, bright fall day. Dexter and Tessa are having
lunch outside. The place is packed.
TESSA
Why do you think I'm working in the
White House? It's not for the pay
certainly. I'm trying to earn my
stripes. I definitely wouldn't mind
working there in a different capacity
someday.
DEXTER
You sound like you want to be
President someday.
TESSA
I really believe that half the
problems of the world could be solved
if more women were in positions of
power.
Dexter takes a slow sip of his iced tea.
DEXTER
It could be just as bad with the
wrong woman in power...
TESSA
That doesn't mean we should stay home
barefoot and pregnant. America needs
to cultivate the female mind and then
maybe this nation will reap a
bountiful harvest.
50.
DEXTER
You sound like an idealist. Let's
give you a podium and a mike.
TESSA
No, I'm a realist with ideals.
That's different.
DEXTER
Do you ever settle for average?
TESSA
Not if I can help it.
DEXTER
(chuckles)
It's funny, you know, you kind of
remind me of Kay.
TESSA
Kay?
DEXTER
Katherine Tobias Remington. The
First Lady of the United States. You
remind me of her.
TESSA
(intrigued)
Care to explain?
DEXTER
Let's just say that the First Lady
and I have a history together.
(takes a slow sip of
his drink)
We dated each other for a couple of
years at Princeton.
Tessa drops her salad fork with a loud CLANK. There is
disbelief in her eyes.
TESSA
You never mentioned this before.
DEXTER
I don't get my jollies by publicizing
it. Kay was just as ambitious as you
are now when she was in college.
She was a career-driven woman with
goals and a whole lot of ambition.
She never settled for average and was
always chasing after brass rings and
prepared to shatter every glass ceiling.
51.
TESSA
She wanted power.
DEXTER
Goes without saying.
TESSA
They say power corrupts, you know?
INT. WHITE HOUSE SITUATION ROOM - DAY
The President is seated at a table surrounded by members of
his cabinet, including the First Lady. Dexter stands guard
quietly along the wall nearby.
Cabinet members include, CHIEF OF STAFF FRANK COLLINS, a
sober man with a no-nonsense manner and ADMIRAL JAMES FOWLER,
CHAIRMAN OF JOINT CHIEFS, a bulldog with close-cropped silver
hair.
FIRST LADY
Since we can't seem to shake this
economy out of its doldrums before
November, and no amount of mud is
sticking to Vance, it's time for some
bold actions.
(to Fowler)
How many times has Iraq violated the
no-fly-zones this month?
FOWLER
Seven, including yesterday. Our
birds have seen increased military
exercises in Southern Iraq recently -
a stone's throw from the Kuwaiti
border. Saddam's been quietly
building up his troops down there.
It's making the Kuwaitis nervous.
FIRST LADY
I think we need to settle this Saddam
issue once and for all. If we
attack, will we get Coalition support?
FOWLER
The British and Germans for sure. We
probably can get France on board with
a little arm twisting. I know the
American public will support it.
They've been screaming to get
Saddam's ass since 9-11. I've been
bitching about a preemptive strike
for months myself.
(MORE)
52.
FOWLER (CONT'D)
(glances at Collins
with a sour expression)
Just couldn't get the support.
COLLINS
We won't get Middle East support.
There's a lot of anti American
sentiment over there right now. A
preemptive strike on Iraq will rile
up that region even more than it
already is. We need to make friends
over there.
FIRST LADY
(indignant)
This is not meant to impress your
friends! This is not a night club
act! Without bold moves, were going
to lose this election. I'm not about
to let that happen. We worked too
goddamned hard to get here!
(briskly, to MAXINE
WANG, an AIDE
standing nearby)
What's the latest tracking results,
Maxine?
MAXINE
President Remington is down another
five points. He's trailing Senator
Vance by fifteen percentage points now.
FIRST LADY
(glances around the
table, challenging everybody)
Do I need to say more? An attack on
Saddam will be popular with the
voters. That's all that should
matter right now. A war with Iraq
will give Bill the shot in the arm
that he needs.
(pauses for effect)
If he and I are out of job come
November, so are all of you...
Collins still looks unhappy. Turns to the President for
support.
COLLINS
Mr. President?
53.
PRESIDENT REMINGTON
I think my wife has a point there,
Frank. You're missing the big picture.
We're trying to win an election here.
Let's do it.
(to Fowler)
How soon can we get this ball rolling?
FOWLER
We were ready yesterday, sir.
PRESIDENT REMINGTON
You have your marching orders. Hop
to it.
The First Lady smiles triumphantly. Catches Dexter's eye.
MAXINE
Mr. President, does that mean you'll
cancel the swing through Texas?
COLLINS
Texas is Vance territory. It's a
very important piece of real estate
for us. You can't cancel Texas, Mr.
President.
FIRST LADY
Let my husband fight the war. I'll
handle Texas.
EXT. ANDREW'S AIR FORCE BASE - DAY
A magnificent 737 sporting the Presidential colors lifts into
the sky like a great blue-winged eagle.
EXT. AIRPORT - DAY
The First Lady steps out of the plane as a large crowd CHEERS
over the sound of a Marine band. Secret Service agents flank
her - Dexter right behind her - and more are distributed
around the airport, some carrying Uzis. An armored limousine
is waiting for her on the tarmac.
The First Lady smiles and waves to the crowd as she descends
to the TARMAC, where she is greeted warmly by the TEXAS
GOVERNOR and a HOST OF OFFICIALS.
EXT. AIRPORT - TARMAC - LATER
As the First Lady and her entourage make their way towards
the waiting limousine, another limousine pulls up and SENATOR
CLAYTON T. VANCE steps out. He's a tall Texan in a cowboy
hat, sixty-five and reminiscent of LBJ.
54.
Vance's plane is waiting nearby, but as circumstances will
have it, he and the First Lady have crossed paths at the
airport. The crowd watches the unexpected meeting with bated
breath. Reporters try to press forward to get better angles.
Vance has no choice. He comes and greets the First Lady.
Their smiles are forced; it's clear that there's no love lost
between them.
VANCE
(tipping his hat)
Glad you could visit my state, Kay.
Didja ya leave that husband of yours
behind to tend the House?
FIRST LADY
The President is busy fighting a war,
Senator.
VANCE
He's been dallyin' around for years
now on the Iraqi issue. Picked a fine
time to make him look more
Presidential and score a coupla votes.
Did ya goad him into it?
FIRST LADY
You flatter me, Senator. I don't
have that kind of power.
VANCE
Sweetheart, I think you do. I'm just
glad I'm not runnin' against you.
(laughs)
Or maybe I really am. You've always
been a tough cookie, sugar. Working
for you must be murder - makes some
folks take their lives for some
reason.
(tips his hat, spares
a quick glance at Dexter)
Watch yourself now.
Vance walks away chuckling, followed closely by his entourage.
The First Lady looks away from Vance to Dexter. She hadn't
missed the glance that Vance had given him.
EXT. RODEO - DAY
The arena is filled to capacity. Down on the dirt floor are
a host of cowboys on horseback. In the shutes, wild broncos
and angry bulls stir restlessly. The American and the Texas
state flags are prominently displayed everywhere. Blending
in among the crowd inconspicuously are SECRET SERVICE AGENTS.
55.
But the agents flanking the First Lady are in their dark
suits, Dexter and Dobler among them.
A PORTLY ANNOUNCER steps up to a microphone.
ANNOUNCER
Folks hold onto your hats, we've got
a very special guest with us today.
She flew all the way down from D.C.
to visit us humble folks down here in
the Lone Star state. I'm honored to
introduce... the First Lady of these
United States!!!!
The First Lady stands up in the luxury box and waves to the
crowd. She's wearing a wide-brimmed hat and decked out in a
cowgirl outfit. She looks cute as hell. CHEERS fill the
arena as a band starts playing patriotic music.
The First Lady approaches the microphone.
FIRST LADY
How ya all doin'?
CROWD
Good!!!
FIRST LADY
I'm sorry to say my husband could not
be with us tonight, because - as some
of you may know - he's too busy
rastlin' up a no good cowpoke named
Saddam Hussein!
The crowd WHOOPS and HOLLERS their approval.
FIRST LADY
Now, I told my husband, Bill, you
have a war to fight, I should be by
your side. He wouldn't hear of it.
He said, Kay, the brave men and women
of this country fought and died so we
could live our lives as usual. He
said Texans won't stop the party
because Saddam's itchin' to get his
butt whipped again. He told me
there's no good reason why I
shouldn't got to Texas and have some
fun. Was he wrong?
CROWD
No!!!!
56.
FIRST LADY
So, are you ready to see some ropin',
ridin' and rustlin' today?
CROWD
Yes!!!
EXT. OUTDOOR RALLY - DAY
Dexter is at his post in front of a raised podium vigilantly
scanning the crowd: children on parents' shoulders, people in
lawn chairs, the disabled in wheelchairs. People from all
walks of life have come out to see the First Lady. Banners
and flags are flapping in the breeze.
The First Lady is speaking from the podium, her voice booming
over the loudspeakers, washing over the sea of faces before
her. They are galvanized by her; hanging on her every word.
FIRST LADY
Years ago, before we were married, I
ran into my husband on the steps of
Capitol Hill. I was immediately
impressed by him. He promised me
with the greatest confidence that he
would be President someday...
(beat)
Now, back in those days - as
circumstance would have it - I was
working for Senator Vance as an
intern. But after meeting Bill, I
knew a man with vision when I saw
one. I immediately hopped across
the hallway and hitched my horse to a
winner.
(beat)
My husband and I had goals. We made
a commitment to dedicate ourselves to
public service and do everything we
could to better this great nation of
ours. Now, I won't deny that the
last fours years have been a bumpy
ride for some - but look at the rest
of the world. We are still the
richest and most powerful nation on
earth. Our people are still the most
prosperous. If America sneezes, the
rest of the world catches a cold.
There is still only one man that can
guide this country through rocky
shoals into an ocean of prosperity.
(MORE)
57.
FIRST LADY (CONT'D)
That man is my husband Bill Remington.
Now, we're half way there and, with
your support, the President and I
hope to lead this nation into its
greatest glory. America's best days
lie ahead with the Remington
administration. My question to you
is - are you with us?
CROWD
Yes!
FIRST LADY
Are you with us?
CROWD
Yes!!
FIRST LADY
I can't hear you!
CROWD
Yes!!!!!
INT. HOTEL BALLROOM - NIGHT
Dexter stands at his post, scanning the crowd of party
faithful dressed in their finest.
The First Lady looks radiant as usual on the stage. A GIANT
AMERICAN FLAG hangs behind her, flanked by a GIANT SMILING
BANNER OF THE FIRST LADY AND THE PRESIDENT.
FIRST LADY
Senator Vance is promising you the
world, but what has he done for Texas
lately? I'll tell you - not a whole
lot. Senator Vance has the worst
track record of any Senator in the
last thirty years when it comes to
the environment. Why, he didn't even
put up a fight when oil companies
wanted to use this beautiful state as
a dumping ground for toxic wastes.
Now, does a man like that deserve to
be your President?
CROWD
No!
58.
FIRST LADY
A good Senator fights for dollars to
bring back to his state. Texas is
the third largest state in the union
with one of the lowest allocations of
Federal aid. Who is to blame? I'll
tell you. Senator Clayton T. Vance.
Now, I ask you, does a man like that
deserve to be your President?
CROWD
No!!
FIRST LADY
I pledge to you tonight that when
President Remington is reelected,
Texas will figure prominently on his
agenda. He will not forget Texas or
the glorious, hard-working citizens
of this state. Thank you and God
bless you all!
Dexter and Dobler clear the way as the First Lady leaves the
stage to RESOUNDING APPLAUSE.
INT. HOTEL CORRIDOR - LATER
Dexter and Dobler escort the First Lady to her suite. She
briefly locks eyes with Dexter - an enigmatic stare - before
she disappears into her room.
TWO SECRET SERVICE AGENTS approach. One is TOM WALSTON.
WALSTON
Shift's over, boys. Nightingale wow
the crowd as usual?
DOBLER
And how. Laid it on thick.
They all chuckle. Dexter and Dobler depart as the two new
agents take their posts outside of the First Lady's suite.
DOBLER
She's always giving you these stares
and smiles. I'm convinced she's
sweet on you.
DEXTER
(chuckles)
You've got a wild imagination, Ray.
Goodnight.
Dexter and Dobler part ways at an intersection in the hallway.
59.
INT. DEXTER'S HOTEL ROOM - NIGHT
Dexter sits up on the edge of his bed and starts to rub his
temples. He has a headache. He locates his travel bag and
digs out a bottle of aspirin... to discover it's empty.
Dexter sighs in frustration. He gets up and heads for the
door.
INT. HOTEL CORRIDOR - MOMENTS LATER
Dexter turns a corner and bumps into a BEARDED MAN who is
wearing glasses and has long hair peeking out of a cap.
The Bearded Man brushes past Dexter without pausing to
apologize and heads directly for the First Lady's suite.
Dexter turns into a another corridor, but out of curiosity,
he peeks back around the corner and watches the Bearded Man
approach the First Lady's suite.
There is a brief exchange with Walston; then something
unusual happens. The door opens slightly. The First Lady
say something to the agents. Walston nods, quickly pats the
Bearded Man down, and lets him inside.
EXT. SKY - DUSK
The 737 sporting the Presidential colors pushes in an out
clouds as the sun starts to dip below the horizon.
INT. PLANE - NIGHT
Dexter takes a seat next to Walston. Other agents are
catching some shut eye in adjacent seats. Walston is reading
a magazine. Pauses to regard Dexter.
WALSTON
Howdy, Bruce. Nightingale asleep?
DEXTER
(nods; glances at the
sleeping agents)
Having problems sleeping?
WALSTON
No. Slept all day long.
DEXTER
Right, you were guarding Nightingale
last night. By the way, Tom, who was
that guy who visited her last night -
the bearded guy?
Walston looks away from his magazine to Dexter.
60.
WALSTON
Somebody named Brian Donovan.
DEXTER
I didn't see him on any roster.
WALSTON
Nightingale informed us at the last
minute. We didn't even have the time
to do a background check - but she
wanted to see him anyway.
DEXTER
Did he seem kinda of familiar to you?
WALSTON
Now that you mention it, yeah. Just
can't remember where I've seen him
before...
Walston shrugs and goes back to reading his magazine.
EXT. D.C. STREET - DAY
A silver Crown Victoria drives through a canyon of government
buildings.
DEXTER (V.O.)
Come again?
INT. DEXTER'S CAR - CONTINUOUS
Dexter's at the wheel. Maldetto's in the passenger seat next
to him.
MALDETTO
(very upset)
Traybek fucking escaped!
DEXTER
How the hell did that happen?
MALDETTO
As he was being transferred out of
the hospital to the slammer, a couple
of ambulances came back with some
victims of a fire. The fucking boys
scouts protecting him had their heads
up heir asses. Traybek made a run
for it as they we're taking him out.
They lost him in the confusion.
DEXTER
When did this happen?
61.
MALDETTO
Two days ago. Here's the kicker.
While the cops were looking for him
outside, Traybek snuck back into the
hospital. They think he stole some
scrubs and walked out later. Fucking
amateurs!
DEXTER
You know this might explain something...
MALDETTO
What?
DEXTER
This guy visited the First Lady in
Texas. I could swear he looked like -
Dexter's cell phone RINGS. He answers it.
DEXTER
Hello.
(listens)
I just got back.
(listens)
When?
(listens)
I'm coming right now.
Dexter drops the cell phone and makes a sudden U-turn.
EXT. UNION STATION - DAY
The Crown Victoria SCREECHES to a halt in front of the
restored train station with the barrel-vaulted roof. Dexter
and Maldetto get out and run towards the entrance. Maldetto
can walk again but he's got a slight limp.
Tessa is waiting at the revolving doors. Maldetto's eyes
become saucers when he sees her.
MALDETTO
What the hell is she doing here?
DEXTER
Save it for later.
Dexter and Tessa rush inside without looking back.
INT. UNION STATION
Maldetto limps into the station, pauses to rub his bad leg.
Dexter and Tessa are already moving.
62.
TESSA
She said she'd be down in the food
court.
Dexter and Tessa make a beeline for the escalators leading
down.
Maldetto tries to catch up but can't keep up with his limp.
MALDETTO
Slow down!
INT. UNION STATION - FOOD COURT
Dexter and Tessa struggle through the crowd on the escalator
and make it down to the food court. Maldetto's still stuck
near the top.
They pause to look around. The food court is packed with
the lunch crowd. They don't see the person they're looking
for and start to press through the people, vigilantly
scanning the crowds.
INT. UNION STATION - FOOD COURT
Maldetto reaches the bottom of the escalator. He scans the
crowd but doesn't see either Dexter of Tessa.
MALDETTO
Shit!
INT. UNION STATION - FOOD COURT
Tessa suddenly points.
TESSA
Over there!
Dexter looks to see where she is pointing to.
On the other side of the food court, a WOMAN emerges out of a
hallway leading to the trains. She's wearing a wide-brimmed
hat - but it's unmistakably Pat Tate. She has a PACKAGE in
her hands and is scanning the crowds furtively.
Dexter and Tessa start to press their way towards her.
Pat spots them and waits for them to come to her. She
glances to her left. Suddenly looks afraid - and starts to
run back the way she came.
Dexter spots a BEARDED MAN wearing a baseball cap pushing his
way towards Pat.
SMASH CUT:
63.
A Bearded Man wearing a cap walks into the First Lady's hotel
room.
SLAM CUT BACK TO PRESENT:
It's the same man. Dexter's certain. He starts to push
people out of his way to get to Pat before the Bearded Man
does.
INT. UNION STATION - METRO ENTRANCE
Pat whizzes by Maldetto and goes into the hallway leading to
the trains. Maldetto realize who she is immediately.
As the Bearded Man tries to pass, Maldetto tackles him to the
ground. They start to exchange punches. In the heat of
battle, the Bearded Man's false hair and beard are dislodged.
It's Scott Traybek.
Maldetto struggles to get his gun out, but Traybek suddenly
knees him in the groin. Maldetto GRUNTS in pain and falls
back. Traybek's off again.
Maldetto recovers and fires off a quick shot at Traybek's
fleeing back. The bullet misses but SHATTERS A GLASS DOOR.
There are SCREAMS of panic. Pandemonium erupts as commuters
scramble for cover.
Pat glances back at the sound of the gunshot -
Stumbles to the ground. As she tries to recover, Traybek
rushes up and grabs her. He tries to wrest the package out
of her hands, but Pat manages to twist away. She runs, still
clutching the package.
Traybek recovers. Shoves people aside and follows.
As Maldetto struggles back to his feet, Dexter and Tessa run
past him. They spot Pat desperately trying to press ahead of
passengers to get onto the train. Traybek is right on her
heels.
Pat makes it inside the train.
Traybek is aboard only a few steps behind her.
Dexter and Tessa watch Pat frantically trying to make her way
into the next compartment as Traybek struggles to catch up to
her.
A WHISTLE BLOWS.
Dexter barrels through commuters and surges ahead. He almost
reaches the train - but is a split second too late. The
doors close.
64.
Dexter tries to physically pull the doors apart, but the
train starts to move, picks up speed quickly. He runs along
side the train, can see Pat inside. Traybek's almost upon her.
Pat glances at Dexter in desperation - just as the train zips
into the tunnel and disappears.
INT. SEEDY BAR - NIGHT
Dexter and Maldetto nurse beers at the bar.
DEXTER
You need to go a little easy on the
gun there. It was crowded in the
train station. You're lucky you
didn't hit anyone.
MALDETTO
(massaging his thigh)
I owe that asshole a bullet.
Maldetto takes a deep drag of his cigarette and purposely
blows a smoke ring into Dexter's face.
MALDETTO
At least I don't freeze up like a
fucking novice when I have to take a
shot.
Sparks fly in Dexter's eyes. But he doesn't swallow the
bait. Takes a slow sip of his beer to check his anger.
DEXTER
Anything new on Pat Tate or Traybek?
MALDETTO
Nada. Witnesses saw them get off at
the next station. Some guy said he
spotted a woman fitting her
description jump into a cab and get
away. Traybek may have tried to
follow her. We can't confirm.
DEXTER
Did you try to call her at home?
MALDETTO
No dice, so I called her son David at
Harvard. He said that she left him a
message shortly after his father's
suicide saying that she'd be away for
a while and not to worry.
65.
DEXTER
I guess she didn't leave any number
where she could be contacted?
MALDETTO
Nope.
DEXTER
Strange behavior.
MALDETTO
I'm wondering how the hell did
Traybek know that Tate's wife was
going to be at Union Station?
Dexter takes TWO ROUND OBJECTS out of his pocket and places
them on top of the bar. They're metallic, smaller than dimes.
DEXTER
He bugged our phones. Tessa's and
mine.
MALDETTO
(impressed)
This guy's no amateur. He's for
real. Are you sure Traybek was the
guy who visited the First Lady in
Texas?
DEXTER
I'm pretty certain it was. He was
wearing the same disguise.
MALDETTO
This is good.
(slams his fist into
his palm, excited)
We're going to nail her pretty little
ass!
DEXTER
With what? You still don't have any
solid evidence. Unless you're
talking about what Pat Tate was
carrying in that package?
Maldetto skirts the question for some reason.
MALDETTO
Speaking of amateurs, you weren't
supposed to involve anyone. Quince
is going to have a fit. Why the hell
was Tessa at the train station?
66.
DEXTER
In case you weren't paying attention,
Pat Tate left a message on her phone
asking her to meet her there. She
kept her word and called me. I
wouldn't call that involved.
MALDETTO
You just make sure she keeps her
pretty little nose out of our
business. Stay away from her.
DEXTER
You sound like a jealous boyfriend.
I didn't know you guys had a
relationship?
MALDETTO
She wishes. She's a stuck up bitch.
DEXTER
It must have been the cheeseburgers.
Try offering her cheese steaks next
time.
MALDETTO
You like busting my balls, don't you?
DEXTER
(smiling coyly)
You want an honest answer?
INT. RESTAURANT - NIGHT
Dexter and Tessa are having diner at a restaurant near the
water. Through the window, moonlight ripples on the waters
of a harbor.
Dexter watches as Tessa take a bite of her cheeseburger. She
appears to relish the taste.
TESSA
Mmm, you were right. This is good.
DEXTER
I was afraid you were going to shoot
me down when I asked you out for a
cheeseburger.
TESSA
Really?
DEXTER
You shot down a certain partner of
mine.
67.
TESSA
It depends on who's asking me.
DEXTER
(raises his beer
bottle to toast)
This is nice.
TESSA
(toasting with her
own beer bottle)
Perfect.
EXT. WASHINGTON HARBOR - NIGHT
Dexter and Tessa are strolling along a path near the water.
They are not holding hands yet - but they could be easily be
mistaken for a couple in love.
It's a chilly night. Dexter places his jacket over Tessa's
shoulders. They take a seat on a bench nearby.
Dexter drinks in the monuments in the distance.
DEXTER
(sighing)
This town is so beautiful at night,
but I still can't wait to leave this
place.
TESSA
(surprised)
You're leaving?
DEXTER
I'll by leaving the FBI at the end of
the year.
TESSA
Why? Where are you going?
DEXTER
Nantucket. My father passed away
recently and left me a bread and
breakfast. It's nestled against a
hillside and overlooks the ocean. It
has a billion dollar view.
TESSA
That sounds nice.
DEXTER
I've found my slice of heaven on
earth. I need to get away from this
place.
68.
TESSA
You sound like you don't like
Washington.
DEXTER
This place is like Salem. If there
isn't a lynching of somebody every
twenty-four hours, a lot of people
are not satisfied. I want to wake up
in the morning and take a deep breath
of fresh air without the stink of
corruption. This town is full of
ridiculously ambitious people without
any morals.
TESSA
Gee, I'm ambitious, but I never
considered myself immoral or ridiculous.
DEXTER
I'm sorry. I didn't mean to insult
you. I -
TESSA
It's all right, I can forgive you for
almost anything after that fantastic
cheeseburger.
They share a smile, but Tessa detects there's something more.
TESSA
It's not just urban angst is it,
Bruce? I can see it on your face.
Dexter's smile turns into a deep frown.
DEXTER
(softly)
A few months ago, I was backing up an
agent who was investigating the owner
of a ethnic grocery store with
suspected ties to a Middle East
terrorist network. We approached him
while he was opening up his store in
the morning. He happened to be with
his daughter - she worked in his
store. Her father panicked, pulled
out a gun and took a shot at us
before we had a chance to announce
who we were. My partner was hit in
the gut but managed to take him down.
(MORE)
69.
DEXTER (CONT'D)
The daughter grabbed her father's gun
and took a shot at me, but I managed
to take cover behind a car across the
street. She thought we were the
bad guys.
(voice breaks)
She was terrified. She wouldn't
believe me when I showed her my badge.
She was going to shoot my partner. I
couldn't get her to put her gun down.
I had her in my sights. I - I took
her out.
(bitterly)
I didn't join the Bureau to kill kids!
Tessa reaches out and places her hand over Dexter's.
TESSA
You're too hard on yourself. You had
no choice.
DEXTER
It doesn't take away the guilt. When
I close my eyes at night, I see that
girl's face... The shock in her eyes
as she died. She was so young.
Dexter closes his eyes. Keeps them closed for a long time.
When he finally opens them, he meets Tessa's gaze. There is
the sheen of tears in both of their eyes.
Their attraction is palpable. They lean forward at the same
time and kiss. It's a tender kiss filled with passion.
DEXTER
(husky with desire)
Come home with me tonight.
Tessa nods and rises with Dexter. They start to walk back
the way they had come.
A DARK FIGURE steps out from behind a tree. It's impossible
to make out who it is. He watches Dexter and Tessa walk away.
INT. APARTMENT HALLWAY - NIGHT
Dexter and Tessa are holding hands like lovers. They
exchange a kiss and look eager to get inside - but come up
short in sudden surprise when they discover TWO SECRET
SERVICE AGENTS standing outside of Dexter's apartment. It's
Tom Walston and Ray Dobler.
WALSTON
Howdy, Bruce.
70.
DEXTER
What's going on, fellas?
DOBLER
We're on duty, buddy.
DEXTER
(confused)
What are you talking about?
The agents smile knowingly.
WALSTON
(pointing to the door)
Just go inside, you'll find your
answer in there.
INT. DEXTER'S APARTMENT
Dexter and Tessa walk into the apartment and receive massive
jolts.
The First Lady is sitting casually on the sofa with a glass
of wine in her hands. She sets it down and approaches them.
FIRST LADY
Bruce, I hope you don't mind that I
made myself comfortable?
Dexter nods wordlessly.
The First Lady spares Tessa a glance.
FIRST LADY
(with a hint of jealousy)
Apparently I'm interrupting something.
You two were out on a date.
DEXTER
Mrs. Remington -
FIRST LADY
Didn't you agree to call me Kay?
We're not strangers, you know?
Tessa frowns. Dexter doesn't miss the look
DEXTER
You must have stopped by for a reason?
FIRST LADY
(suddenly serious)
Yes, I really need to talk to you.
(glances at Tessa)
Alone. Please.
71.
DEXTER
Can't we wait -
TESSA
It's all right. I'm sure this must
be important. Otherwise Mrs.
Remington wouldn't have shown up so
unexpectedly.
FIRST LADY
You're very understanding, Tessa.
I'll see you tomorrow then.
Officially dismissed. Tessa gives Dexter a perturbed look
and walks out of the apartment.
FIRST LADY
(a tad jealous)
I really had no idea that Tessa and
you had become so close so quickly.
Are you two dating now?
DEXTER
We're good friends.
Dexter takes his jacket of and hangs it up in the closet.
DEXTER
How did you get in here?
FIRST LADY
I hope you don't mind, but we took
some liberties. One of the agents
picked the lock. I didn't realize
that you were going to be out.
DEXTER
I guess this must be really important
for you to go through so much trouble
to meet me here?
The First Lady nods and takes a seat on the living room couch.
Dexter follows her into the room; but doesn't immediately sit
down.
DEXTER
(glancing around)
Where's Brutus?
FIRST LADY
(confused)
Who?
DEXTER
Brutus. My dog. Where is he?
72.
FIRST LADY
Oh. One of the agents is taking him
for a walk. He was barking so loudly
when I came inside. I hope it's all
right?
Dexter shrugs and takes a seat across from the First Lady.
DEXTER
What can I do for you, Kay?
The First Lady pours Dexter a glass of wine and gives it to
him. He holds it, not taking a sip.
FIRST LADY
Taste the wine.
Dexter takes a sip.
FIRST LADY
Do you like it?
DEXTER
(takes another sip)
It's... very good.
(glances at the bottle)
That's not mine.
FIRST LADY
I took the liberty of bringing
something from the White House wine
cellar. That vintage is at least a
hundred years old.
Dexter says nothing. The First Lady glances around the
apartment.
FIRST LADY
You're still tidy. You're one of the
few men I know with so many good
habits. That's one of the things
that always appealed to me about you.
She looks directly at Dexter. It's a captivating stare with
a lot of sex appeal.
Dexter shifts uncomfortably. The First Lady is a knockout in
her tight-fitting dress and blouse. He takes another sip of
his wine and clears his throat.
DEXTER
I'm sure you're not here to flatter
me. What's going on, Kay?
73.
FIRST LADY
(sighing)
I'm exhausted, Bruce. I've dreamt
about being in the position I am for
as long as I can remember, but you
never really think about all the
work, all the pressures that you have
to deal with... or the difficulties...
She glances at the TV which is on mute. A newscaster is
going over the latest polls. The President is still trailing
Vance by fifteen percentage points. The program switches to
a beaming Vance.
Dexter doesn't miss the look of hate that crosses the First
Lady's face at seeing Vance.
DEXTER
I'm sure you need a lot of help to
achieve your goals. You can't do
everything alone, can you?
The question hangs between the two of them. The tension is
thick enough to slice with a knife.
FIRST LADY
I can tell that you're angry at me.
Please don't -
DEXTER
Kay, who's Brian Donovan?
FIRST LADY
(abruptly)
I think you already know. That's the
reason I'm here. Bruce, I know you
have your suspicions. I'm here to
tell you that you have it all wrong.
DEXTER
Brain Donovan and Scott Traybek
aren't the same person?
FIRST LADY
They are.
DEXTER
Scott Traybek didn't steal the fax
sent to the Washington Post by Philip
Tate?
FIRST LADY
I wouldn't put it past him.
74.
DEXTER
Traybek didn't bug my phone?
FIRST LADY
I wouldn't know.
DEXTER
Well, he did. You didn't know that
he was chasing after Pat Tate at
Union Station? That he may have
taken her life for all I know. You
don't know any of this?
FIRST LADY
I know he isn't a good man. That's
why -
DEXTER
What if he's not acting alone? What
if you've been orchestrating his
moves all along?
The First Lady rises angrily.
FIRST LADY
Don't you dare! You can't burn me at
the stake before you hear my side of
the story. Will you just hear me out
first?
Dexter nods silently. The First Lady takes a seat again and
a sip of wine to calm herself.
FIRST LADY
You should understand yourself now
that a Secret Service agent sees and
hears many things that are supposed
to be private.
(takes a deep breath)
You see, Scott Traybek was
blackmailing me...
Dexter's clearly shocked. He isn't sure whether to believe
her.
DEXTER
This is coming out of left field.
Why would he blackmail you?
75.
FIRST LADY
Knowledge is power in this town.
Scott Traybek's been around long
enough to understand that - and abuse
it.
(beat)
I know I should have told you this
before... but minutes after Phil took
his life, Scott Traybek came to me at
the White House. He admitted to
following Phil across the street to
Lafayette Park.
DEXTER
Why was he following him?
FIRST LADY
I think that will become clear once I
tell you the rest.
DEXTER
Philip Tate's briefcase was missing.
Did Traybek take it?
FIRST LADY
I believe so. He was carrying a
briefcase with him when he came to
see me.
DEXTER
Did you see what was inside?
FIRST LADY
No, but he threatened me with its
contents. You already know that Phil
and I used to work at the same law
firm. I started out as his assistant.
We were corporate attorneys and dealt
with a lot of big firms like oil,
insurance and tobacco companies.
They all had deep pockets. I
assisted Phil to interface with
lobbyists who prowled the Hill on
behalf of many of the companies we
represented. We were their legal
advisors. The cogs that drive this
town are special interests.
Relationships and money rule. The
rules of the game dictated that we
cut corners sometimes...
DEXTER
You bribed people.
76.
FIRST LADY
We never used that term, but you have
to understand, one hand washes the
other in this town. Sometimes your
hands get dirty even when you're
trying to keep them clean...
DEXTER
Did you break the law?
The First Lady takes a long time to answer.
FIRST LADY
I tried to make a point not to, but I
wasn't in charge then. Phil was. He
did some things that I later found
out crossed the line.
DEXTER
How does Traybek fit into all of this?
FIRST LADY
This all happened years ago. Phil
and I thought we had left that
chapter in our lives behind. But
Scott Traybek overheard a conversation
that I had with Phil discussing our
work at Roche and Wilson. Phil was
concerned about it leaking out to the
press and hurting my husband's
chances for re-election. At the
time, I told him not to worry about
it. Nobody would find out, and
besides we hadn't done anything
illegal. But Phil finally admitted
that he had. That he had bribed some
lobbyists and Washington fatcats.
Scott heard all of this. He was
resourceful. He did research. He
dug up all of this info about our
work at Roche. He admitted to
bribing a clerk there and getting our
files...
(beat)
He threatened Phil directly days
before his suicide. He wanted a lot
of cash or he would torpedo his
career.
(beat)
I think that's why Phil took his
life. He wasn't able to handle the
pressure. He couldn't face the music.
It was his way out of his nightmare.
(beat)
With Phil gone, Traybek's cross hairs
fell on me.
77.
Dexter takes a moment to digest all of this. His face shows
that he is starting to waver but still has some lingering
doubts.
DEXTER
How do you explain why Traybek stole
that fax sent to the Post or why he
tried to ambush Pat Tate?
FIRST LADY
The only answer I can give you is
that the fax was Phil's revenge. He
was trying to torpedo Scott Traybek's
career.
DEXTER
You wait until now to tell me all of
this. Why should I believe you? You
lied to me when I interviewed you.
FIRST LADY
Don't you see? I felt backed into a
corner. A man very close to me had
just committed suicide. Then I'm
being blackmailed by a man who is
supposed to protect me. Then out of
the blue, you come along to
investigate me. Too many things had
been laid at my doorsteps all at
once. I panicked. My first instinct
was to deny, deny, deny.
(voice rising)
I used to be a lawyer. Attorneys by
training aren't forthcoming. They
tell nothing, give away little, and
generally plead the alternatives.
Denial is always the first course of
action for us.
(very emotional now)
Do you know what it's like living
inside a fish bowl? Even the
smallest slip is viewed as a
conspiracy. It's the price I pay for
being First Lady.
(voice falls to a whisper)
I lose sleep at night thinking about
you investigating me. I'm almost
afraid of you now.
The First Lady's last words sting Dexter. His tone softens.
DEXTER
You don't have to be afraid of me.
I'm not out to get you.
78.
The First Lady slides closer to Dexter. Places a hand on his
leg.
FIRST LADY
You say that to me now, but I still
know you carry a badge. How can I
forget that? Even with our history
together, it's a barrier between us.
Dexter is aware of their proximity. He's clearly attracted
but uncomfortable. Moves back slightly.
DEXTER
You'll only create more barriers if
you hide things from me. I would
rather trust you than not. Don't lie
to me again.
FIRST LADY
You have my word. I won't.
EXT. GOLF COURSE - DAY
Dexter, Maldetto and Quince are teeing off at the green.
Maldetto takes his shot and shanks it right.
MALDETTO
(slamming his wood on
the green)
Shit!
It's Dexter's turn. He tees up, takes a moment to aim and
lets it rip. The ball sails true down the green and rolls to
a stop about 300 yards down the fairway.
Maldetto looks angry. Quince is impressed.
INT. GOLF CART - LATER
Quince is behind the wheel. Dexter is seated next to him.
Maldetto is in a separate cart bringing up the rear.
QUINCE
That's the biggest bunch of crap I've
ever heard! Do you expect me to
believe this horseshit?
(locks gazes with Dexter)
Wait a minute. No, the real question
is do you?
DEXTER
She sounded convincing, sir.
79.
QUINCE
She's the best godamned actress
around. She should get an Academy
award. Did you see her performance
at the her mother-in-law's funeral
last year? I don't for one minute
believe that Traybek's trying to
blackmail her.
DEXTER
If we don't entertain the possibility -
QUINCE
It's a crock of shit!
DEXTER
(abruptly)
What are we trying to accomplish
here, sir?
QUINCE
Excuse me?
DEXTER
Maybe I'm stepping out of line, but
your personal involvement in this
case surprises me. I thought I was
assigned to get to the bottom of
Philip Tate's suicide. You appear to
be undeniably convinced of the First
Lady's guilt without even entertaining
thoughts about any other possibility.
When I was assigned to this case, you
never told me that it was going to be
a witch hunt.
Quince brings the cart to a hard stop.
Maldetto nearly crashes into his rear, but swerves just in
time and manages to get stuck in a ditch.
QUINCE
(steely voice)
I'm not in the habit of mincing words
or getting into pissing matches with
my agents. If anyone's judgment
should be called into question, I'd
question yours. You used to fuck
this woman.
(beat)
Up until now, you've had an exemplary
record. But maybe you don't give a
shit anymore, since you're leaving
the Bureau. Do you want to be pulled
off, Bruce - is that what you want?
80.
DEXTER
No, sir. I'd like to know as much as
you what's going on. I expect to get
to the bottom of this, if you don't
mind.
INT. WHITE HOUSE - EAST WING - DAY
Tessa is about to walk past the First Lady's office, carrying
a stack of paper work. She suddenly pauses and stares at the
door. Gears start to move in her head.
The decision is made. She looks around to make sure no one
is coming and quickly slips into the room.
INT. BOSTON CHILDREN'S HOSPITAL - DAY
The First Lady is speaking from a podium.
Dexter is standing at his post on her right.
DOCTORS and NURSES flank the First Lady. Her audience is a
sea of reporters and patients, many who are in wheelchairs.
FIRST LADY
... health of our citizens is of
paramount concern. My husband is
committed to providing affordable
health insurance for every man, woman
and child in this country. This
matter is close to my heart, and I
pledge to you today that when he is
re-elected, it will not be forgotten.
Thank you and god bless.
There is RESOUNDING APPLAUSE from the audience.
FIRST LADY
Now, I'll take some questions.
BLOND WOMAN (O.S.)
Mrs. Remington! Mrs. Remington!
A TALL, THIN BLOND WOMAN presses forward. She is in her mid
forties and wearing shades that take up most of her face.
Her enthusiasm captures the First Lady's attention.
FIRST LADY
(smiling)
Since you're so eager, by all means,
please ask away.
81.
BLOND WOMAN
Mrs. Remington, what is the real
reason your chief of staff committed
suicide last month?
FIRST LADY
I beg your pardon?
BLOND WOMAN
Did you have anything to do with
Philip Tate's suicide?
FIRST LADY
Ma'am, I'm here do discuss health
care. This is not an appropriate
topic -
BLOND WOMAN
Isn't it true that the FBI is
currently investigating you?
The room becomes very silent, except for the whirring of
cameras and the television crews jostling to get a better
view of the scene which is being carried live to a national
TV audience. All eyes are focused on the First Lady.
Dexter glances at her. They make eye contact. She looks a
little nervous.
Dexter shifts his gaze to her accuser. He looks at her with
interest. She appears familiar to him.
FIRST LADY
You're mistaken. I cooperated fully
and answered all of the FBI's
questions. They are not investigating
me. While Philip Tate's death was
regrettable, it was a suicide. There
is no evidence to dispute that. Now,
I'd like to get back to -
BLOND WOMAN
Philip Tate committed suicide for a
reason. You share responsibility for
his death. Why are you participating
in a cover up?
That blistering accusation is the final straw.
OFF TO THE LEFT
Hidden from view, the Remington CAMPAIGN MANAGER tries to
head off a crisis. He speaks to a Secret Service agent. The
AGENT speaks into his walkie talkie.
82.
Dexter hears orders in his ear piece, speaks into his wrist
mike to acknowledge.
BLOND WOMAN
You owe me an answer! What are you
trying to hide?
The First Lady looks suddenly pale. Grasps the podium to
hold herself steady.
FIRST LADY
This is for the record. This woman's
accusations are totally false. I
don't know what she is talking about.
I - I'm terribly sorry, but I'm
feeling suddenly ill. You'll have to
excuse me. Thank you.
The First Lady leaves the podium. Reporters try to press
forward, shout a barrage of questions at her, drowning out
the blond woman's continued accusations. They are held back
as Dexter and the other agents on her detail flank her and
quickly usher her out of the room.
INT. WHITE HOUSE - FIRST LADY'S OFFICE - DAY
Tessa busily rifles through the First Lady's desk. She
checks the stacks of papers on top. Finds nothing. Check
side drawers. Nothing there as well. Tries to open the
center drawer. It's locked.
She glances at the LETTER OPENER in the pen holder on the
desk. A moment's hesitation. She gives into the temptation
and, with a little effort, she's able to pick the lock on the
drawer. She starts to look through the contents inside.
Discovers a PICTURE and takes a look at it.
It's a PICTURE of Dexter and the First Lady as young students
at Princeton. They are wearing Princeton jerseys and
embracing in front of a large college building, smiling,
clearly in love.
INT. BOSTON HOTEL ROOM - DAY
Dexter steps out of the shower and places a towel around his
waist. His muscular body ripples. He walks out of the
bathroom into the...
BEDROOM
He is about to sit down on the bed. Stops when there's a
KNOCK on the door.
He answers it to discover the First Lady standing outside of
his hotel room. She looks upset. Two agents accompany her.
83.
Walston and Dobler. Dexter makes eye contact with them
before wordlessly letting her inside.
INT. WHITE HOUSE - FIRST LADY'S OFFICE - DAY
The picture has upset Tessa. She puts it back in the drawer
and takes out a MANILA ENVELOPE. She takes a peak inside and
dumps the contents onto the desk.
NEWSPAPER CLIPPINGS spill out.
INT. BOSTON HOTEL ROOM - DAY
The First Lady is seated on Dexter's bed. He is still
standing. She glances at the television, where there is
breaking news.
ANCHOR
(on the TV)
... today at the Boston Children's
Hospital, the First Lady was
confronted by a woman with startling
accusations. Is the First Lady being
investigated by the FBI and is she
somehow responsible for her late
chief -
The First Lady abruptly turns off the TV with the remote.
Dexter sees how drawn she looks.
DEXTER
(concerned)
Are you all right?
FIRST LADY
They smell blood. They're going to
try to crucify me. Do you see what
you've done to me, Bruce? You're
destroying everything I worked for.
That bastard Quince must be thrilled.
DEXTER
I'm only doing my job, Kay.
FIRST LADY
Your job? Is it your job to be
somebody's lackey? That woman
ambushed me!
(looks at Dexter accusingly)
Tell me, who was she?
84.
DEXTER
I don't know. She looked familiar...
but I can't place her. As far as I
know, the FBI had nothing to do with
this.
(eyes the First Lady suspiciously)
She levied some serious charges
against you. Was any of it true?
FIRST LADY
Do you think I made up everything I
told you the other night at your
apartment?
DEXTER
It's hard to ignore that woman. She
seems to know -
FIRST LADY
She's wrong!
(hurt)
You still don't trust me, do you?
Dexter doesn't say anything. The First Lady pours herself a
scotch from the min bar and sits back down on the bed. The
glass trembles in her hands as she takes a sip.
FIRST LADY
You... you still think that I'm
hiding things from you, don't you?
Well, you're right. There's...
there's one more confession I have to
make...
(beat)
When you first interviewed me at the
White House, you wanted to know why I
dropped out of your life so suddenly
during our last semester together at
Princeton... Well, there was a
reason... I was pregnant, Bruce.
(beat)
I had an abortion.
(beat)
The child was yours.
INT. WHITE HOUSE - EAST WING COPY ROOM - DAY
Tessa starts to make copies of the NEWSPAPER CLIPPINGS.
INT. BOSTON HOTEL ROOM - DAY
Dexter looks stunned. The color has drained from his face.
DEXTER
Tell me it's not true.
85.
FIRST LADY
(nods)
I found out around Christmas of our
senior year. That's why I broke up
with you and moved off campus... Why
I avoided you the rest of the school
year. I couldn't let you see me in
my condition.
DEXTER
Condition? How long could it have
taken you to kill my child?
FIRST LADY
That's not fair! You don't know how
many months I debated. How painful
the decision was. I - I almost
waited too long...
Dexter rises abruptly and pours himself some scotch. Downs
it in one gulp and sits back down on the bed, as far away
from the First Lady as possible.
She glances at Dexter and sees the accusing look on his face.
FIRST LADY
Please don't do this to me! You have
to hear me out first.
DEXTER
There is nothing you can say to me
that will change the past. You had
an obligation to tell me what
happened. I just can't believe that
you kept this secret from me all
these years. How could you?
FIRST LADY
Oh, god, you don't understand!
Bruce, we made a terrible mistake.
At that time in our lives, we weren't
ready for the responsibility of a
child. We had careers to think about.
It would have meant giving up - I
couldn't give up my dream to go to
law school. I just couldn't -
DEXTER
Is that all you ever care about -
your damn career?
86.
FIRST LADY
You weren't ready to be a father. A
baby would have ruined your ambitions
as well. I couldn't allow that to
happen.
Dexter tries to get up to get another drink. The First Lady
grabs his hand. He doesn't resist and sits back down. She
moves closer.
FIRST LADY
Please don't hate me. It was the
hardest decision of my life to have
that abortion. I felt so guilty
about not telling you... I had to
live with this secret for so long.
It's bean eating me up inside...
(sincere)
Believe me, under different
circumstances, I would have loved to
have a child with you... to be your
wife. But all my life, I aspired to
be somebody. I - I just couldn't
give up my dreams.
DEXTER
You're married to a President.
You're the First Lady of the United
States. You're rich and famous.
(bitterly)
How could I have given you all of that?
FIRST LADY
You don't understand my anguish. I'm
almost forty years old. I've... I've
never even changed a diaper. Don't
you think I wanted to know how it
felt to give birth to a child... To
hold one in my arms... I -
The First Lady's voice breaks. Tears streak her eyes.
FIRST LADY
I paid a price.
(beat)
There were complications during the
abortion.
(beat)
I can never have any children.
The First Lady's tears come unchecked now. She leans over
and embraces Dexter. After a moment's hesitation, he puts
his arms around her. There are tears in his eyes as well.
87.
INT. WHITE HOUSE - FIRST LADY'S OFFICE - DAY
Tessa closes the door behind her and quickly goes to the
First Lady's desk to put the manila envelope back. As she
closes the drawer -
The door suddenly opens. A woman steps inside.
Tessa freezes. It's Maxine Wang, the First Lady's aide.
MAXINE
(surprised)
What are you doing in here?
TESSA
(nervous)
Maxine... hi.
Maxine notices Tessa's position behind the desk. She glances
at the LETTER OPENER lying on top of the desk.
MAXINE
Can I help you with something?
Tessa picks up the folder containing the copies she had made,
as well as the paperwork she had brought in with her before.
TESSA
No... I was just leaving. I was
trying to look for a file I gave to
Mrs. Remington, but I think she took
it to Boston with her.
Tessa starts to walk to the door.
MAXINE
(points to the folder
in Tessa's hand)
What are those, then?
TESSA
Oh... these are mine. I just brought
them in with me. Bye, Maxine.
Tessa quickly walks out of the office. Maxine watches her
go. There is a look of suspicion in her eyes.
EXT. BOSTON PARK - DUSK
A blond woman wearing shades sits down on a park bench. She
looks miserable. She pulls off her glasses. Before we can
make out her face, she buries her face in her hands and
starts to sob.
88.
EXT. OLD EXECUTIVE OFFICE BUILDING - PARKING LOT - NIGHT
Dexter spots Tessa as she's about to enter her Jetta.
DEXTER
(shouting)
Tessa, hold up!
She stops. Dexter walks over to her.
DEXTER
Hey, how are you?
(notices the box in
her hands)
What's going on?
The passenger door is open. Tessa puts the box down on the
seat.
TESSA
Today was my last day working at the
White House.
DEXTER
You're changing jobs?
TESSA
(ashamed to admit it)
I was fired.
DEXTER
(surprised)
Why?
TESSA
Probably because of this.
Tessa takes a MANILA ENVELOPE from the box and gives it to
Dexter.
TESSA
I did some digging through the First
Lady's office while she was away at
Boston. She didn't say in so many
words, but I think she found out.
DEXTER
You shouldn't have done that. You're
not Nancy Drew. This is my
investigation.
89.
TESSA
(sarcastic)
Really? Are you still investigating
her? I thought it was becoming a
reunion for you!
DEXTER
What are you trying to say?
TESSA
I've seen how you look at her. You
can't keep your eyes off of her.
DEXTER
I supposed to be protecting her!
TESSA
Right, of course. How could I forget?
(softly)
You know, I thought we had something
together...
DEXTER
I never said we didn't. Tessa, I - I
care a lot about you.
TESSA
Only me?
Dexter is silent.
TESSA
I'm fooling myself. How can I expect
to compete with the First Lady?
DEXTER
She's a married woman!
TESSA
So, you can keep an open mind about
her?
DEXTER
Yeah, I think I can. But in my book,
a person's innocent until proven
guilty.
TESSA
What about that woman in Boston who
accused her of covering things up
about Phil's suicide? It doesn't
make her look innocent in my book.
90.
DEXTER
For all we know that woman could have
been a nut. Give the woman a break.
You can't just crucify somebody -
TESSA
I can't believe it, you're defending
her!
DEXTER
(suddenly angry)
What is it with you people? Why are
you all trying to pin everything on
her?
TESSA
Have you ever thought maybe it's
because she's guilty?
Tessa gets into her car and drives away, leaving Dexter to
ponder this thought.
INT. VW JETTA - NIGHT
Tessa is gripping the wheel tightly, miserable and hurt. She
looks into the rear view mirror.
Dexter is still standing, holding the manila envelope,
watching her go.
There is the sheen of tears in Tessa's eyes. She pulls onto
the main road and drives away.
EXT. TIDAL BASIN - DAY
Dexter releases Brutus. The dog bounds into a nearby field
and starts to frolic.
He and Rosenberg are seated on a bench near the water.
Rosenberg is feeding carrots sticks to a group of ducks, who
are snapping them up greedily.
DEXTER
I didn't know ducks ate carrots?
ROSENBERG
That's because people have never
tried it. Look at them, they love
the stuff!
Rosenberg tosses a few sticks a few feet away. The ducks
stampede towards them.
91.
ROSENBERG
(chomping on a carrot)
You look good in that suit...
classier than a funeral director.
What can I do for you, good buddy?
DEXTER
John, I need your help.
ROSENBERG
Ah-hah, I told you so! I knew you'd
come crawling back to your old partner.
DEXTER
(amused)
Please don't tell me I have to beg?
ROSENBERG
No, you just have to have a room
ready for me scott free every year
when you take over that bread and
breakfast in Nantucket.
DEXTER
You don't even have to negotiate for
that. I'll serve you breakfast in bed.
ROSENBERG
In that case, maybe I need to ask for
something more.
DEXTER
(sober)
Maybe you want to hear me out first.
ROSENBERG
(suddenly serious)
What do you need?
Dexter takes several sheets of paper out of the MANILA
ENVELOPE he has brought with him. He spreads them out on the
bench. They are photocopies of NEWSPAPER CLIPPINGS. One
title reads in bold letters: SENATOR'S KILLED IN CAR CRASH.
Rosenberg picks up the top sheet and scans the article.
ROSENBERG
Juicy stuff. Says here, before she
died, Sally Russell used to work for
Senator Vance as his aide -
92.
DEXTER
- and Vance happens to be running
for President. I came across her
name before. I brought it to
Quince's attention, but he steered me
away. Now that her name's come up
again, I have no intentions of
ignoring it a second time.
ROSENBERG
You're keeping this from Quince and
Maldetto I gather?
DEXTER
(nods)
I would advise you to keep quite
about this meeting.
ROSENBERG
It appears that something's rotten at
the Hoover Building.
DEXTER
You mean someone. I'm starting to
question the Assistant Director's
motives about assigning me to
investigate Tate's suicide. He's
pushed me towards every shred of
evidence remotely suggesting the
First Lady's guilt and steered me
away from every clue pointing to Vance.
ROSENBERG
He's obviously a biased son of a bitch.
Dexter takes out a newspaper from his jacket and places it
down on the bench.
INSERT NEWSPAPER PHOTO: Senator Vance is waiting to tee off.
One of his golf buddies is Quince.
DEXTER
I didn't realize how chummy Quince
and Vance are.
ROSENBERG
Why wouldn't they be? Vance is the
head of the Appropriations Committee.
He butter's Quince's bread and
spreads his jam. Vance controls the
purse strings to the FBI. It's no
secret how ambitious Quince is. I
don't think he's happy with the word
assistant in his title.
93.
DEXTER
So, if Vance is elected President -
ROSENBERG
He could appoint Quince Director and
drop the Assistant title like he's
been itching to. Now ponder that
deep thought and maybe things will
start to fall into place for you.
DEXTER
I've already done that, and I don't
like being somebody's lackey. I'd
like to know what Sally Russell has
to do with Tate's suicide. Can you
help me out?
ROSENBERG
(smiling broadly)
What are friends for?
EXT. TIDAL BASIN - DAY
POV HIGH-POWERED BINOCULARS
On the other side of the Tidal Basin, Dexter and Rosenberg
rise from the bench, shake hands and depart.
A man lowers the binoculars.
It's Scott Traybek.
INT. TESSA'S APARTMENT - NIGHT
Tessa is lying on her couch, depressed, hugging a teddy bear.
DEXTER
(on answering machine)
... pick up the phone. Come on,
Tessa, we have to talk! Just hear me
out, please.
(beat)
Tessa, are you there? Tessa?
Tessa glances at the phone but doesn't answer it. Dexter
finally hangs up.
A moment later, the phone RINGS again. Tessa doesn't pick it
up. It rings until the answering machine turns on.
TESSA
(on answering machine)
This is Tessa Harris. I'm not home
right now. Please leave a message.
94.
PAT
(on answering machine)
Tessa, this is Pat Tate. I needed to
talk -
Tessa quickly reaches over and grabs the phone.
EXT. HOOVER BUILDING - DAY
The big granite building looms like an impregnable fortress.
INT. HOOVER BUILDING - CORRIDOR
Rosenberg cautiously approaches an IMPOSING STEEL DOOR at the
end of the corridor and takes out a HIGH QUALITY BLACK AND
WHITE DIGITAL HEADSHOT OF ORSON QUINCE from an envelope. He
glances back nervously and positions Quince's right eye in
front of the lens of A WALL-MOUNTED CAMERA next to the door.
Red LED lights move around the camera lens as it takes
snapshots of the iris. Moments later, the picture is
recognized as Quince.
CAMERA VOICE
Access granted.
The door slides open. Rosenberg quickly steps inside.
EXT. 9TH STREET
A silver Crown Victoria pulls into a spot along the street.
A blue Chevy with tinted windows quietly pulls into a space a
few spots behind.
INT. HOOVER BUILDING - COMPUTER ROOM
The room is full of computers and flat screen monitors.
Rosenberg is seated in front of one of them. He's the only
person in the room. He looks tense, nervous.
There is a small video-conferencing camera attached to the
computer.
ON THE MONITOR: A SCREEN POP UP SAYS "PLEASE IDENTIFY YOURSELF"
Rosenberg clicks on the "IDENTIFY" button with his mouse and
the camera turns on. Rosenberg tries to position Quince's
right eye in front of the camera lens. He looks at the
computer screen which shows the video image of the eye a
little off center. Rosenberg adjusts the picture, the camera
takes a snapshot and Quince is recognized.
CAMERA VOICE
Access granted.
95.
Rosenberg smiles in triumph, starts to type away.
ON THE MONITOR
A picture of a young blond woman in her twenties. Pretty.
Innocent-looking.
Replaced quickly by...
VARIOUS NEWSPAPER CLIPPINGS
A POLICE REPORT
A HAND WRITTEN LETTER
A COMPLAINT REPORT
Rosenberg's struck paydirt. He takes a CD out of a PLASTIC
CASE and quickly inserts it into the CD-ROM drive and starts
to copy files. In a moment it's done.
Rosenberg reaches for the CD.
Behind him the door suddenly SLIDES open.
Rosenberg freezes in fright.
INT. DEXTER'S CAR
Dexter checks his watch. Glances at the cell phone lying on
the seat next to him. Looks out the window at the Hoover
Building a few blocks away.
DEXTER
(impatient, under his breath)
Come on, John.
INT. HOOVER BUILDING - COMPUTER ROOM
A TALL BLACK MAN steps inside.
ROSCOE
(surprised)
John?
Rosenberg releases a tense breath.
ROSENBERG
Hey, Roscoe.
ROSCOE
What's up, buddy? I've never seen
you in these parts before.
96.
Rosenberg casually grabs the CD from the drive but then
notices the DIGITAL HEADSHOT OF QUINCE lying in plain view.
He casually places the CD on top of it.
ROSENBERG
Just... just looking up some data.
ROSCOE
They actually gave you access to this
place? You must be moving up in the
world.
Rosenberg forces a chuckle.
ROSENBERG
Afraid so.
Rosenberg casually grabs the PHOTO and CD and puts them back
in the envelope. He gets up and starts to head towards the
door.
ROSENBERG
It was good to see you again, but -
(glances at watch)
I'm running late for a meeting.
Gotta run.
Roscoe nods. Rosenberg heads out of the computer room into...
THE CORRIDOR
The metal door slides shut behind him. Rosenberg starts to
walk briskly.
ROSCOE (O.S.)
Hold it, John!
Rosenberg freezes, terrified. Turns around slowly.
ROSCOE
(holding out a
plastic CD case)
You forgot this, buddy.
Rosenberg releases a breath and manages a smile. He takes
the plastic CD case.
ROSENBERG
Thanks.
Rosenberg turns around and starts to walk away briskly.
Roscoe shrugs at his odd behavior and goes back into the
computer room.
Rosenberg takes out his cell phone and dials a number.
97.
INT. DEXTER'S CAR
The cell phone RINGS. Dexter answers it right away.
DEXTER
Hello.
Dexter listens. Nods. In the next instant he's out the door
and walking briskly towards the Hoover Building.
Behind Dexter, Scott Traybek steps out of his blue Chevy.
INT. HOOVER BUILDING - CORRIDOR
Rosenberg passes an intersection in the corridor. Glances to
his left. Spots somebody coming towards him.
It's Justin Maldetto.
MALDETTO
(shouting)
Stop!
Rosenberg panics and starts to run.
EXT. STREET NEAR THE HOOVER BUILDING
Dexter walks briskly through the crowds. His cell phone
RINGS. He answers it.
DEXTER
Hello.
Listens. Then suddenly starts to run.
HALF A BLOCK BEHIND
Traybek watches Dexter running away. He suddenly knocks a
passing bicyclist down and jumps onto his bike.
EXT. HOOVER BUILDING
Rosenberg rushes out of the front doors and pauses on the
sidewalk to catch his breath, still clutching the CD in his
hand.
He glances back.
Maldetto rushes out.
Rosenberg begins to run again.
98.
EXT. 9TH STREET
Dexter dodges an obstacle course of VENDORS and TOURISTS.
Tries to run across the street. Dodges a few cars. Horns
BLARE. Another SCREECHES to a halt as Dexter rolls over the
hood. He makes it across the street -
As a passing BICYCLIST passes by in a blur and knocks him
down to the ground.
EXT. PENNSYLVANIA AVE
Rosenberg runs like he has never run before. He is panting
like a Saint Bernard. Glances backs over his shoulder.
Maldetto's limping but gaining on him. He can't shake him off.
Rosenberg becomes careless. Steps out onto the street, still
looking back -
There's the BLARE of a horn.
The SCREECH of brakes.
The terrible THUD of an impact as a TOURIST BUS SMACKS into
Rosenberg.
EXT. PENNSYLVANIA AVE
Dexter watches a bus SCREECH to a halt down the block
A passing TOURIST SCREAMS.
EXT. PENNSYLVANIA AVE
Maldetto reaches Rosenberg's body. He's a bloody mess. His
face is unrecognizable and his skull has split open.
Maldetto spots the SHINING CD laying in the pool of blood.
Smiles. Picks it up triumphant.
His glory is short-lived. A passing BICYCLIST snatches the
CD out of Maldetto's hands - knocks him on his ass - and
speeds away.
Dexter arrives on the scene. He watches the BICYCLIST
disappear into the crowds. Looks down to see Rosenberg's
dead body. Falls to his knees in anguish.
EXT. WATERGATE BUILDING - DAY
A taxi pulls up to the building. A BEARDED MAN with long
hair peeking out of a cap gets out and walks inside.
99.
INT. WATERGATE BUILDING - CORRIDOR
A Bearded Man in glasses approaches two SECRET SERVICE AGENTS
who are standing guard outside a door. They appear to be
expecting him. Pat him down and allow him inside.
INT. WATERGATE - APARTMENT
The bearded man takes his glasses and cap off. It's easy to
identify him as Scott Traybek now. He hands a CD over to the
First Lady.
FIRST LADY
Is this the only copy?
TRAYBEK
Yes. It has what you've been looking
for.
The First Lady takes out a CHECK from her purse and hands it
over to Traybek.
FIRST LADY
(looking triumphant)
Thank you, Scott. You've been a
great help.
Traybek looks at the sum on the check and smiles.
TRAYBEK
I'm finally done then.
He turns to leave.
FIRST LADY
Scott -
TRAYBEK
(turns around)
Yes?
The First Lady takes out a LARGE POCKET KNIFE and extends it
to Traybek.
FIRST LADY
I heard you were a fan of hunting.
Call it a parting gift.
Traybek is surprised but takes the POCKET KNIFE from her
purse and unfolds the blade. As he studies the sharp blade -
The First Lady suddenly SCREAMS.
Traybek looks at her in surprise.
100.
FIRST LADY
(shouting)
Help me! Help!
Traybek realizes what's happening. Without thinking, he
approaches the First Lady in anger, still holding the pocket
knife -
TRAYBEK
You bitch!
Suddenly the door burst opens and TWO SECRET SERVICE agents
rush inside with guns drawn.
FIRST LADY
(shouting)
He's going to kill me!
The agents fire at the same time. Two bullets slam into
Traybek's chest. He looks at the First Lady, astonished by
the betrayal and falls back dead.
INT. DEXTER'S APARTMENT - DAY
Dexter nurses a beer on his couch. Empty bottles are strewn
all around him. He hasn't shaved. He looks like a mess.
Brutus nudges his leg, worried.
Dexter ignores him. Grabs the cordless and dials a number.
INT. TESSA'S APARTMENT - SAME TIME
The phone keeps RINGING. Nobody answers it. The answering
machine turns on.
TESSA
(on answering machine)
This is Tessa Harris. I'm not home
right now. Please leave -
The person calling hangs up.
INT. DEXTER'S APARTMENT - SAME TIME
Dexter SLAMS the phone back into its cradle in frustration.
He grabs the remote and turns on the TV.
ANCHOR MAN
(on the TV)
... this just in. Moments ago, there
was apparently an attempt on the
First Lady's life by a former Secret
Service agent at the Watergate Hotel.
(MORE)
101.
ANCHOR MAN (CONT'D)
The agent has been identified as
Scott Traybek. We go live -
Dexter suddenly sits up captivated.
EXT. WHITE HOUSE - NIGHT
The lights are on upstairs at the great mansion.
INT. WHITE HOUSE - PRESIDENTIAL SUITE - NIGHT
The President enters to find the First Lady brushing her
luxurious hair at a vanity. She turns to him, continues to
brush her hair.
FIRST LADY
Hello, darling.
The President pecks his wife on the cheek and gets down to
business.
PRESIDENT REMINGTON
Collins told me that you're going to
make a very big announcement at the
Renaissance Hotel tomorrow. You've
even announced it to the press. What
are we talking about here, Kay?
The First Lady takes a sheaf of papers from the dressing
table and hands it over to the President.
FIRST LADY
Take a look at these.
The President starts to study the papers keenly.
FIRST LADY
That's a printout of information that
was on a CD I recovered.
When the President finishes perusing the papers, he looks at
his wife in disbelief.
PRESIDENT REMINGTON
This is... this is fabulous. Where
did you get it?
FIRST LADY
(smiles enigmatically)
Let's just say I've been very busy.
I've had to dodge a lot of bullets
lately, Bill.
(pause)
What should I do?
102.
The President passionately kisses the First Lady.
PRESIDENT REMINGTON
Hell, honey, you've just won me
another election. Make the speech.
INT. HOOVER BUILDING - NIGHT
Quince and Maldetto watch the news on a plasma TV hanging on
the wall.
ANCHOR
(on the TV)
... tomorrow the First Lady was
scheduled to make a speech on gun
control at the Renaissance Hotel.
However, undisclosed sources say that
the First Lady will make some earth-
shattering revelations about Senator
Vance, the Republican nominee for
President. The Senator's office has
denied -
Quince harshly turns the TV off.
MALDETTO
We're fucked. What are we going to do?
The door suddenly opens. Senator Vance strides in. He looks
livid.
VANCE
Orson, I hope to high heaven you have
plan. She's gonna crucify me tomorrow!
QUINCE
(calmly)
Have a seat, Senator.
EXT. TATE SHORE HOUSE - DAY
A VW Jetta pulls up to the driveway. Tessa steps out of the
car.
A woman comes out of the house and approaches her. It's Pat
Tate.
EXT. DEXTER'S APARTMENT BUILDING - DAY
Dexter approaches his car. He's dressed for work as a Secret
Service agent.
A BLACK LINCOLN TOWNCAR stops across the street and pulls
down its dark windows. It's Orson Quince.
103.
QUINCE
Hello, Bruce. Off to work?
DEXTER
(taking his shades off)
That's right.
QUINCE
Hop in, I'll give you a ride.
DEXTER
(surprised)
Sir?
QUINCE
Let's talk. Hop in.
DEXTER
I'm gonna be late -
QUINCE
(stern)
Inside, Bruce. That's an order.
EXT. WHITE HOUSE - DAY
The First Lady steps out of the East Wing. The President is
on the steps. He smiles at her and gives her the thumbs up
sign. The First Lady smiles back and enters the waiting
limousine.
The motorcade pulls away.
EXT. POTOMAC BRIDGE - DAY
A black Lincoln towncar crosses the bridge, driving away from
the Capital.
DEXTER (O.S.)
Where are you going? You're going
the wrong way.
INT. LINCOLN TOWNCAR - CONTINUOUS
Dexter looks at Quince for an answer. Quince focuses on the
road ahead, hands firmly on the steering wheel.
QUINCE
This was your last case. You could
have followed orders and walked
quietly off into the sunshine like
you wanted to.
DEXTER
What are you talking about?
104.
QUINCE
Don't patronize me. You godamned
know what I'm talking about! That
bitch has you under her spell, like
she has the whole godamned country.
Dexter decides to drop pretenses.
DEXTER
Did you expect me to put blinders on
and go any direction you pointed to?
I'm not Maldetto.
QUINCE
Of course you aren't. But in some
ways he's smarter than you are.
He'll reap the rewards for following
orders.
DEXTER
What rewards are those?
QUINCE
He's bound to rise quickly in the FBI.
DEXTER
Is that what's going to happen when
you become director? Is that what
Vance promised you?
Quince glances at Dexter, smiles.
QUINCE
I take back my words. You are
smarter than Maldetto. Too smart for
your own damn good.
DEXTER
You need Vance in the White House.
You're doing everything you can to
get him there. The First Lady stood
in your way. You wanted to use me to
take her down.
QUINCE
Take my word for it. She's no
fucking saint.
DEXTER
Neither are you!
QUINCE
You've figured everything out, have
you?
105.
DEXTER
No. What does Sally Russell have to
do with all of this?
QUINCE
I'm sure that's what your First Lady
wants to tell the world today at the
Renaissance. Only she's not going to
get the chance.
DEXTER
What the hell are you talking about?
QUINCE
Think, man. You've figured
everything else out.
A panicked look crosses Dexter's face as the truth become
apparent. He glances out the window. The Lincoln has
crossed into Virginia.
DEXTER
Orson, where the fuck are you going?
Quince takes out a GUN with a SILENCER from his jacket.
QUINCE
Sit tight. We're going for a ride.
EXT. RENAISSANCE HOTEL - DAY
The First Lady's motorcade pulls into an UNDERGROUND GARAGE.
INT. LINCOLN TOWNCAR - DAY
QUINCE
Take out your gun.
Dexter doesn't make a move. He stares daggers at Quince.
Quince places the muzzle of his gun at Dexter's temple.
QUINCE
Take out your goddamned gun!
Dexter reluctantly obeys.
INT. TATE SHORE HOUSE - DAY
Tessa reads the last page and puts the papers down next to
the DOZEN MINI CASSETTE TAPES strewn all over the table.
Everything's clear to her now. She regards Pat Tate.
Pat Tate gives her a copy of the Washington Post.
106.
INSERT HEADLINE: "FIRST LADY TO MAKE STARTLING REVELATIONS
TODAY AT THE RENAISSANCE HOTEL".
Tessa nods wordlessly. She gathers the tapes and papers into
a PACKAGE and heads for the door.
INT. RENAISSANCE HOTEL - GRAND BALLROOM - DAY
The First Lady takes the podium. Behind her is a large
banner with the SEAL OF THE PRESIDENT.
The room is packed with the PRESS and INVITED GUESTS. Her
speech is going to be carried live to a national TV audience.
FIRST LADY
Although I was originally scheduled
to speak about gun control today,
there is a matter that has pressed
itself onto center stage. I would
like to talk about the past and what
happened ten years ago....
INT. LINCOLN TOWNCAR - DAY
Dexter holds his gun out to Quince.
QUINCE
Throw it out the window.
Dexter reluctantly obeys.
EXT. STREET - CONTINUOUS
Dexter's gun hits the pavement and goes off.
A bullet strikes the car behind the Lincoln. The driver
loses control of his car. Swerves left into the oncoming
traffic. An SUV tries to swerve out of the way -
And strikes the black BLACK LINCOLN, spinning it around.
INT. LINCOLN TOWNCAR - CONTINUOUS
Quince hastily tries to regain control of the car with only
one hand. The other is holding the gun.
Dexter reaches for the weapon. Quince fires. The front
WINDSHIELD SHATTERS.
The towncar has spun around and is going against the flow of
traffic. Quince somehow manages to weave through the traffic
with one hand. At the same time, he's trying to take another
shot at Dexter.
107.
Dexter lunges and tries to wrest the gun out of Quince's
hand. But Quince's grip is like a vice. They begin to
struggle for control of the weapon.
EXT. RENAISSANCE HOTEL - DAY
A small motorcade pulls up to the front of the building.
A PAIR OF SECRET SERVICE AGENTS hop out of the Lincoln
limousine.
Senator Vance steps out next.
Maldetto comes out last.
Maldetto's pretending to be the Senator's bodyguard.
Unbuttons the front of his suit - it's possible to see the
GUN in his holster - and falls into step behind the Senator
and his detail as they make their way into the hotel.
EXT. HIGHWAY - DAY
The Lincoln towncar is swerving erratically down the highway,
going the wrong way. It gashes the guardrail on the left in
a SHOWER OF SPARKS, then swerves a hard right into the path
of an oncoming VAN -
Which manages to swerve out of the way by inches, BLARING ITS
HORN.
The towncar continues to turn and manages to fall into the
traffic pattern again.
EXT. HIGHWAY - DAY
The VW Jetta zooms down the highway.
It whips by a sign declaring: DOWNTOWN D.C. 20 miles.
INT. LINCOLN TOWNCAR - DAY
Dexter struggles against a headlock that Quince has managed
to get him into. The wind is whipping fiercely in their
faces through shattered windshield.
Quince tries to turn the gun and aim it at Dexter for a shot.
Dexter's eyes lock onto the door handle. He suddenly reaches
over and pulls it. The door flies open.
Quince is startled. Dexter pulls back suddenly and is free.
As Quince tries to take a shot - Dexter ducks and pushes
Quince's body hard.
A shot goes off, SHATTERING the right passenger side window.
108.
Quince is hanging half way out of the car. He's dropped the
gun but somehow managed to hold onto the steering wheel with
his right hand.
His feet's off the pedal, but the cruise control has been
inadvertently set. The towncar guns ahead.
Dexter shows no mercy. He starts to pry each finger off the
wheel, one by one. There is a look of desperation in
Quince's eyes.
Suddenly the last finger is off the wheel.
Quince's body flies out of the car and hits the pavement.
Rolls. And is promptly run over by a passing BUS.
INT. RENAISSANCE HOTEL - GRAND BALLROOM - DAY
FIRST LADY
Today, I'd like to tell you a few
things about my husband's opponent
Senator Vance. The story starts on
the Hill, as so many things do in
this town. Ten years ago, I used to
work for Senator Vance. He -
VANCE (O.S.)
Now, hold on a cotton pickin' minute!
I'd like to have my say, if you don't
mind?
The crowd suddenly parts near the entrance to the ballroom.
Vance strides in with his entourage, Maldetto among them.
INT. LINCOLN TOWNCAR - DAY
Dexter is behind the wheel now. He pushes the car towards
the Capital with a determined look on his face.
INT. RENAISSANCE HOTEL - GRAND BALLROOM - DAY
Vance stridently walks towards the First Lady, who is
standing behind the podium with a shocked look on her face.
Vance's two Secret Service agents trail him.
Maldetto, however, quietly detaches himself and presses his
way through a thicket of people and disappears.
Vance stops in front of the podium. The First Lady's own
Secret Service agents keep a wary eye on the situation but
don't stir.
The CAMERA CREWS press closer to capture everything on film.
109.
VANCE
(shouting)
Am I to understand that you came here
to defame my good name today?
FIRST LADY
Good name? Senator, what have you
done to maintain this good name? Who
have you hurt?
VANCE
Now that's the pot callin' the kettle
black.
(turns and speaks
directly into the cameras)
If we're talkin' about ambition here,
I'm guilty. But I didn't drive a man
to death with my shenanigans!
FIRST LADY
(shouting)
No, you only killed someone!
EXT. RENAISSANCE HOTEL - DAY
A black Lincoln SCREECHES to a halt. Dexter jumps out of the
car and runs into...
THE HOTEL
He spots a sign in the lobby stating: FIRST LADY SPEECH -
GRAND BALLROOM.
An arrow points the way.
Dexter starts to run in that direction.
INT. RENAISSANCE HOTEL - GRAND BALLROOM
Maldetto approaches the rear exit of the ballroom, where a
Secret Service agent is stationed. He flashes a badge
identifying him as belonging to Senator Vance's detail. The
agent lets him through.
Maldetto steps into a dimly lit SERVICE CORRIDOR, which is
empty. He approaches a set of stairs nearby. An arrow on
the wall points upward and has the words "PROJECTION ROOM"
written on it.
Maldetto loosens his Uzi and starts to climb the stairs.
INT. RENAISSANCE HOTEL - OUTSIDE OF THE GRAND BALLROOM
Dexter rushes towards the METAL DETECTORS stationed in front
of the entrance to the ballroom.
110.
Secret Service agents draw their weapons, suddenly alert.
Walston and Dobler are there. The agents stand down when
they see Dexter.
WALSTON
Bruce, what's going on?
DEXTER
(out of breath)
Nightingale... she's in trouble.
Walston's instantly alert.
WALSTON
(into cuff mike)
All posts, report status. How is
Nightingale?
Walston listens to the radio traffic in his ear piece.
WALSTON
Bruce, everything's a O.K. She's
just in a shouting match with Senator
Vance.
DEXTER
(points to the
ballroom, surprised)
Vance is in there?
DOBLER
Uh-huh. Old coot showed up
unexpectedly.
DEXTER
I have to get in there, Ray. She's
in trouble!
WALSTON
Are you -
DEXTER
Yes!
WALSTON
All right, let's go.
They all pivot to run into the ballroom.
TESSA (O.S.)
Bruce!
Dexter turns around.
111.
It's Tessa.
INT. RENAISSANCE HOTEL - CORRIDOR
Maldetto approaches a door marked "PROJECTION ROOM". There
is a Secret Service agent posted outside. He's instantly
alert when he sees Maldetto, but Maldetto smiles back at him
and takes out his badge and hands it over.
As the Agent starts to inspect it, Maldetto whips out his Uzi
and slams the but against the man's temple. He goes down
instantly.
Maldetto knocks on the door. A YOUNG MAN answers. Maldetto
knocks him unconscious with his gun before he has a chance to
utter a word. Maldetto drags both men inside and closes the
door.
INT. RENAISSANCE HOTEL - GRAND BALLROOM
The First Lady stands tall on the podium. She's possessed by
a self righteous attitude.
FIRST LADY
Senator, tell us how Sally Russell
really died?
Vance suddenly looks scared. He scans the ballroom and
locates the window at the back near the ceiling where a
projector is peeking out. It's displaying the Presidential
Seal on a huge screen hanging behind the First Lady.
FIRST LADY
Senator, I think the public is
entitled to the truth after so many
years. Sally Russell's family needs
closure. What did you have to do
with her death?
Vance ignores her. He spots somebody in the projection room
and nods imperceptibly.
FIRST LADY
(shouting)
Senator, why won't you answer my
questions?
Vance turns back towards the First Lady. Casually takes a
step sideways, leaving an unobstructed view of the podium.
VANCE
Now, see here, I'm not going to stand
still -
112.
FIRST LADY
Senator, did you kill -
A bullet suddenly strikes the podium. Wood shatters. The
First Lady has the presence of mind to duck behind the
podium - just before the teleprompter shatters as another
bullet strikes.
There is sudden BEDLAM. SCREAMS erupt. People rush to take
cover or run out of the ballroom. Cameramen and photographers
jostle to capture everything on film, risking their lives.
AGENTS brandish their weapons and rush to protect the First
Lady.
A STEADY BURST OF GUNFIRE ensues. Several of the agents
rushing towards the First Lady suddenly go down.
INT. RENAISSANCE HOTEL - OUTSIDE OF THE GRAND BALLROOM
The sound of GUNFIRE suddenly erupts from the ballroom as
Tessa approaches Dexter with a PACKAGE in her hands.
Dexter draws his gun and rushes through the metal detector
setting it off.
Agents and policemen follow. They rush toward the ballroom,
trying to swim against a tide of fleeing people.
A STEADY BURST OF GUNFIRE is heard, followed quickly by the
sound of SHATTERING GLASS and TERRIBLE SCREAMS.
Just as Dexter makes it into the...
GRAND BALLROOM
There's another burst of gunfire and another CHANDELIER
crashes to the ground, crushing a few people.
Dexter spots fallen agents around the First Lady. She's
standing under the last chandelier. Gunfire suddenly strikes
it. Glass shatters and falls like rain. The chandelier
starts to sway unsteadily -
Dexter runs towards the First Lady. Leaps. Grabs her and
takes her out of harms way an instant before the chandelier
CRASHES to the floor in a SHOWER OF SPARKS.
DARKNESS FILLS THE BALLROOM
More people scream. There is the sound of people bumping and
tripping over each other.
The gunfire pauses for a few seconds. There is the sound of
muted sobbing, but nothing else.
113.
Suddenly, the darkness is interrupted by the MUZZLE FLASH of
an Uzi from the back of the ballroom. People start to panic
and SCREAM again.
INT. RENAISSANCE HOTEL - CORRIDOR
Maldetto rushes down the stairs and approaches the back exit
into the ballroom. The agent stationed at the door is gone.
He looks inside and sees only darkness. He quietly slips
inside.
INT. RENAISSANCE HOTEL - GRAND BALLROOM
The emergency lights suddenly kick on.
Dexter helps the First Lady rise to her feet. She has cuts
on her face and arms, but is otherwise all right. He's got
similar injuries.
The surviving Secret Service agents try to make it to the
First Lady, fighting against the tide of people who are still
trying to make a mass exodus out of the ballroom.
Dexter spots Senator Vance in the fleeing crowd. Flanking
him are his own agents - and Maldetto. Maldetto's trying to
blend in, but the SMOKING UZI gives him away.
Agent Dobler is near the door. Dexter points to Maldetto and
shouts.
DEXTER
Ray, stop him!
Dobler spots Maldetto and rushes to obey. But Maldetto
raises his Uzi and shoots him down.
Secret Service agents reach the First Lady and, forming a
cocoon around her, whisk her out of the ballroom through the
rear exit.
Dexter rushes to help Dobler, who is on his knees.
Maldetto fires at Dexter.
Dexter leaps to the side and rolls. Comes back onto his
knees, gun pointed at Maldetto. But Maldetto has a hostage.
It's Tessa. She's still holding the PACKAGE in her hands.
Dexter watches helplessly as Maldetto starts to back away
towards the ballroom's main exit with her. If he takes a
shot, Tessa's certain to be hurt.
Dexter gets back to his feet and starts to walk slowly
towards Maldetto. He locks eyes with Tessa. She's looks
scared but determined.
114.
Suddenly Dobler tries to rise and take a shot. Maldetto's
quicker and guns him down. Before Dexter can squeeze off a
shot, Maldetto's got his gun at Tessa's back again.
Dexter grips his gun tighter. He's bleeding and sweating but
looks determined. A faraway look comes over his eyes.
FLASH CUT BACK TO PAST:
A TEENAGE GIRL is pointing a gun at a fallen FBI AGENT.
She's about to pull the trigger. Dexter is quicker and
squeezes off a shot. The girl goes down.
SLAM CUT BACK TO PRESENT:
Dexter sees that Tessa is trying to tell him something with
her eyes.
She suddenly twists, strikes Maldetto in the face with the
PACKAGE and runs for cover.
Startled, Maldetto's Uzi goes off. He misses badly.
Dexter has a clear shot now. He doesn't hesitate and pulls
the trigger.
A red dot blossoms on the center of Maldetto's forehead. His
eyes open wide in surprise before he collapses dead.
Just behind him, Senator Vance looks surprised and startled.
He tries to slip away, but Dexter runs forward and apprehends
him.
INT. DEXTER'S APARTMENT - DAY
Dexter is lounging on his couch watching the evening new.
The headlines are all about the assassination attempt on the
First Lady. Brutus is snoozing on the La-Z-Boy.
The door bell RINGS. Brutus barely lifts his head at the
sound. Dexter get up an opens the door.
It's Tessa.
DEXTER
Hey.
Dexter steps aside and lets her inside. He looks glad to see
her but Tessa has a serious expression on her face.
DEXTER
What can I do for you?
Tessa is carrying the same PACKAGE she had carried to the
Renaissance Hotel with her.
115.
TESSA
I just came by to give you something.
DEXTER
Come on, have a seat.
They take seats across from each other on the couch. The
First Lady appears on the TV. She's holding a press
conference at the White House.
FIRST LADY
(on the TV)
Even the attempt on my life won't
deter me from revealing the truth
about Senator Vance and what I
believe to be his direct involvement
in Sally Russell's death. Sally and
I used to be aides for the Senator a
decade ago. She was beautiful, smart
and ambitious. She was destined to
shine.
(beat)
Sally caught the Senator's eye and,
on several occasions, I witnessed him
making unwanted advances on her.
Sally confessed to me the Senator's
behavior made her feel very
uncomfortable and that he would not
stop despite her protests. Sally
filed sexual harassment charges
against the Senator and brought his
behavior to the attention of the
authorities. But the Senator has
powerful allies in this town -
chiefly the late Assistant Director
of the FBI - Orson Quince, who wiped
out all records of her complaints.
Sally then decided to approach the
press - but she was never able to.
(suddenly emotional)
Sally lost control of her car on the
way to work ... the brakes failed...
she was killed. The police reports
for the accident mysteriously
disappeared. Records of her
complaints ceased to exist. Orson
Quince again abused his authority on
the Senator's behalf. Time passed.
The Senator seemed to think Sally was
forgotten.
(voice rising)
But I didn't forget! All these
years, I suspected the Senator's hand
in Sally's death.
(MORE)
116.
FIRST LADY (CONT'D)
I vowed never to give up and bring
her murderer to justice. The Senator
put as many roadblocks in my way as
he could manage. He has done
everything he can do to bring my
husband and myself to ruin - but I
have persevered and have finally been
able to acquire convincing evidence
that will show that the Senator had
ample motives to hurt Sally -
(slams a STACK OF
PAPERS onto the podium)
- that he did everything he could do
to hide this proof! Senator Vance
is a murderer!
TESSA
(disgusted)
She's making herself look like a
saint. She sickens me.
Dexter turns the TV off and glances at the package in Tessa's
hands.
Tessa opens it, revealing a thick sheaf of papers and micro
cassette tapes.
TESSA
Pat Tate gave me these. They used to
belong to Phil. She found it at
their shore house days after his
suicide. He mailed them to her the
day he took his life. She's been
trying to help you, Bruce...
DEXTER
She tried to give me this package at
Union Station.
TESSA
(nods)
She was also the woman in Boston who
made those accusations against the
First Lady. Pat had a blond wig on
to hide her identity.
(points to the
contents of the box)
This gave her ample proof of how
corrupt she really is.
DEXTER
Why did she wait till now to give it
to you?
117.
TESSA
Phil was a reluctant accomplice in
the First Lady's schemes... Pat
thinks he got in over his head...
couldn't handle the pressure
anymore... the deceit... couldn't
escape the First Lady's clutches or
schemes... he had to find a escape...
so he took his life. Pat tried to
protect her husband's reputation as
long as she could...
(beat)
Bruce, the First Lady is no better
than Vance. She's cut from the same
cloth. She was actively bribing
lobbyists during her days as a lawyer.
She's schemed her way into the White
House. She was paying Traybek to
gather evidence about Sally Russell -
not just out of the goodness of her
heart - but to take Vance down so she
could remain the First Lady. She's
ruthless.
The revelations sober Dexter. There's a mixture of regret
and anger on his face.
TESSA
I hope this evidence is enough to
convince you.
(softly)
She had your heart in the past... I
wonder if she still has it?
(looks into Dexter's eyes)
You saved her life the other day. Do
you have the courage to take her down
now?
Dexter is quiet for a long moment. Tessa bristles at his
silence and gets up to leave.
TESSA
You're still in love with her!
As Tessa turns to leave, Dexter reaches out and grabs her
hand, stopping her.
DEXTER
You're wrong.
Dexter pulls her down to him and starts to kiss her. Tessa
instantly melts into his arms and returns the passion.
118.
EXT. WHITE HOUSE - DAY
Storm clouds hang threateningly over the mansion, prophetic
of bad things to come.
INT. WHITE HOUSE - OVAL OFFICE - DAY
Dexter strides into the oval office carrying a PACKAGE.
The First Lady swivels around in a big leather chair. She's
sitting behind the massive desk belonging to the President as
if it's her throne. She rises when she sees Dexter.
FIRST LADY
(smiling)
Bruce, how are you? I'm so glad to
see you. I never got to thank you
for saving my life.
The First Lady tries to embrace Dexter but he steps back.
DEXTER
Why don't you sit down. Enjoy the
glory of that seat while you can.
The First Lady look stricken and sit back down slowly.
FIRST LADY
Bruce, what's -
DEXTER
You made your speech even after the
attempt on your life. You don't let
anything stand in your way, do you?
FIRST LADY
Justice had to be served. I did it
for Sally. Senator Vance -
DEXTER
Is as corrupt as you are! You
orchestrated his demise.
FIRST LADY
That's a lie!
DEXTER
You're a lie!
(disgusted)
What happened to you? I feel so
sorry for you, Kay.
Dexter comes to the desk and stands tall over the First Lady.
119.
DEXTER
Do you think you're the President?
Do you really think you've won?
FIRST LADY
My husband and I have worked very
hard to get where we are. He doesn't
begrudge me this seat.
DEXTER
Philip Tate recorded his conversations
with you.
FIRST LADY
(startled)
What?
DEXTER
You knew he was weak and you
railroaded him into helping you.
You're responsible for his suicide.
FIRST LADY
That's not true. Scott was
blackmailing him! He panicked.
DEXTER
This whole mess goes back to you,
Kay. You even managed to shut
Traybek up permanently. Do you like
having so much blood on your hands?
FIRST LADY
No, no, no. You don't understand. I -
DEXTER
Stop lying!
Dexter unceremoniously dumps the contents of the package onto
the desk. MICRO CASSETTE TAPES spill all over, including a
THICK SHEAF OF PAPERS.
DEXTER
Those are yours to keep. I have the
originals. Listen to them to your
heart's desires. You should find the
documents an interesting read too.
(with some satisfaction)
The world is about to find out how
corrupt you really are.
Color drains from the First Lady's face. She stands up and
tries to reach out to Dexter.
120.
FIRST LADY
Please, don't do this -
DEXTER
(stepping back)
Don't touch me. You're a murderer!
Dexter starts to walk towards the door. The First Lady
follows after him.
FIRST LADY
It got out of control. I didn't mean
for people to get hurt!
Dexter's at the door. The First Lady rushes over and grabs
his arm.
FIRST LADY
(hysterical)
I used to love you! Please, don't
betray me!
Dexter shakes her off.
The First Lady falls onto the floor.
Dexter walks out of the room, SLAMMING the door in her face.
EXT. NANTUCKET ISLAND - DAY
SUPER: NANTUCKET ISLAND
A SUV drives along a coastal road. Gulls cartwheel in the
sky. The ocean THRASHES against the coastline. The
cloudless sky is a brilliant blue.
REPORTER #1 (V.O.)
On the heels of the sensational
revelations about Senator Vance comes
earth shattering revelations about
the First Lady herself...
REPORTER #2 (V.O.)
... secret tapes kept by the First
Lady's former Chief of Staff reveal a
systematic conspiracy to defame the
Republican nominee for President, as
well as documents that reveal shady
dealings with lobbyists during her
days as a lawyer...
REPORTER #3 (V.O.)
... the big question is how much did
the President know and was he involved?
121.
REPORTER #4 (V.O.)
Corruption has reached the highest
circles of the government. While
murder charges against Senator Vance
have shattered his bid for the White
House, it now seems all but certain
that the First Lady's shady
activities have ended President
Remington's bid for another term as
well...
REPORTER #5 (V.O.)
... charges will be filed against the
First Lady. Once hailed as the
reason for her husband's victory four
years ago, the First Lady's unethical
activities are now being cited as the
cause of the likely collapse of the
Remington administration...
The SUV goes around a bend in the road and comes upon -
A QUAINT VICTORIAN NESTLED ALONG THE HILLSIDE NEAR THE OCEAN.
The SUV enters the long circular driveway and parks. A sign
declares it: GULL'S COVE, BREAD AND BREAKFAST.
Dexter and Tessa step out of the car. He presents the place
with a flourish of his hand. She smiles.
Hand in and hand, they approach the bread and breakfast
together.
FADE OUT.
THE END
Return to SimplyScripts.com