THE DESTINY THEORY
                            by                        
                        Carey Abney 

                                    

FADE IN:                                             EXT. DOWNTOWN PHILADELPHIA-DREAM SEQUENCE-DAY
JUDE MARTIN, a fledgling insurance salesman in his late twenties, is walking down Market Street during afternoon rush hour. Above the fray, a booming voice is shouting from a homeless man standing head and shoulders above everyone.
HOMELESS MAN
I am the Prince of this Kingdom, and here is truth: Everything you need to succeed is within you. 
(looks at Jude)
And with this power, control your destiny!
Jude is alarmed at the familiar looks the men exchange.   He lowers his gaze to the man's bare feet which are ironically beautiful, and shining like the sun.       
His focus is broken by the sound of screeching tires.     He pivots to see a taxi run a red light and collide with a bus. 
An explosion results and a little girl standing just yards away is nearly killed in the blast.
In a flash, Jude sweeps her away to a safe distance, throwing his body over hers as a shield from the falling debris.  Amid the pandemonium, a woman is frantically shouting a girl's name. 
WOMAN
"MIRANDA, MIRANDA!" 
He hears a tiny voice speak from beneath his body.
 (O.S.)
That's my mommy.
Jude rolls over and the girl's head pops up.
JUDE
You're, Miranda?
END DREAM SEQUENCE:

INT. JUDE'S BEDROOM-DAY
Jude awakes seconds before his alarm sounds and remains in bed for a few moments.
JUDE
That was amazing.
He hops out of bed and gets ready for work.
CUT TO:
INT. SKYLINE RESTAURANT-DAY
Jude is in his after-work hangout having a meal.         He's sitting by a window and facing the entrance.       
A waitress walks to his table, late twenties, pleasant demeanor but she looks rushed. 
WAITRESS
How is everything?
JUDE
Oh, everything's fine. The food is delicious as usual.
WAITRESS
Can I get you anything else?
JUDE
No, I'm fine really.
WAITRESS
Okay, well I'll write out your check.
She hands him his check.
JUDE
Thank you. Excuse me, today is my first time seeing you, how long have you been working here?
WAITRESS
Actually, this is my first day.

JUDE
Oh okay, well I hope everything goes well for you.
He pulls out his wallet and finds a twenty dollar bill.   He hands it to her with a smile.
JUDE
Keep the change.
WAITRESS
Well thank you. This has turned out to be a good first day after all.
JUDE
My pleasure, um?
He looks for a name tag on her uniform but it's missing.
WAITRESS
(sees him searching)
Oh I'm sorry. They haven't     made a name tag for me yet.              I should've told you my name  first, I'm Miranda.
He's stunned for a moment and she picks up on it.
MIRANDA
Is everything okay, would you prefer a different name?
JUDE
No no, don't mind me.  Everything's fine.           That's a pretty name.
MIRANDA
Okay, well have a good day.
JUDE
You too.
Miranda throws him a puzzled look over her shoulder as she walks away.
Jude sits for a bit completely puzzled. Minutes later, he spots Miranda in regular clothes. She's carrying a book bag and hurrying toward the entrance. 
Because he can't figure out what to say, he wonders if he should stop her at all. He finally pulls the courage out of himself.
JUDE
Hey, Miranda!
Still in motion she looks at Jude. He raises a hand to speak but no words will come out. She slows her pace.
MIRANDA
I'm really sorry but I gotta go or I'll be late for class.
JUDE
Of course, um. I just wanted to tell you that you did great for your first day.
MIRANDA
Thank you, I really do appreciate your compliment--
Suddenly, screeching tires are heard outside and the two look across the street to see a cab smash into the side of a bus. 
The resulting explosion shoots debris everywhere. Chunks of it are flying at the restaurant. Miranda sees it shooting toward her but she's frozen. 
Seconds before impact with the restaurant's windows, Jude tackles her onto the floor.
CUT TO:
INT. CONTINENTAL RESTAURANT-NIGHT
Jude and Miranda are having coffee. Except for their minor scrapes, the two appear healthy.
MIRANDA
I've never experienced anything like that before. When I saw the explosion I just froze.           
		MIRANDA (CONT’D)
I honestly could not move.       If it wasn't for you I would've--
JUDE
--I'm just as surprised as you.   I never saw anything like that before either. I--
A vision of the explosion from Jude's dream appears in his mind. Miranda notices he's somewhere else and comments:
MIRANDA
You know, every time you space out like that, something crazy happens.
JUDE
What? Oh I'm sorry. I don't mean to be bad company. A lot's been happening lately.
MIRANDA
Like what?
JUDE
Well--
A woman's voice is heard calling Miranda's name:
 (O.S.)
Miranda, Miranda!
Jude looks around and sees everyone minding their own business. He looks at Miranda who is snickering.
JUDE
What's so funny?
Still laughing, she pulls her purse from beneath their table. She reveals the source of Jude's confusion--a cell phone.
(CELL PHONE)
Miranda, Miranda!

MIRANDA
(still laughing)
I set up my mother calling my name as my ring tone. We're really close; she's all I've got.
JUDE
Oh, well that's nice.
Miranda answers the phone.
MIRANDA
Hello? Oh hi, Dr. Lee.  
(listens)
Well have you seen the news yet, about an accident downtown?
(listens)
Yeah that's the one.
(listens)
I would have had I caught that bus. 
(looks at Jude)
But I was held up. 
     (listens)
Okay, Dr. Lee. Thank you so much and I'll see you at the next discussion. Bye bye.
She puts away her phone.

That was my psych professor,    Dr. Lee. Excellent teacher...    he really knows his stuff.
CUT TO:
INT. JUDE'S BEDROOM-NIGHT
Jude is standing at his window gazing at the constellations. 
JUDE
What's happening to me?
His concentration is broken when he hears his girlfriend, ALLISON BARNES, late twenties, call him:                                                                        

ALLISON
Jude, come to bed. You're always gazing at those stars. Even superheroes need to sleep.
He looks at Allison falling back to sleep.                He then gives a pensive glance to his side of the bed.      
Jude
No nightmares, please?
CUT TO:
INT. SMITH FAMILY HOME-NIGHT
JACOB SMITH, aged 8, is reading a children's book in his room.  
In the beginning of the story that Jacob is reading, a cowboy is getting pulverized nonstop by a bad guy. 
Unable to stomach the beating any longer, Jacob flips to the last page of the book. 
He smiles when he sees the triumphant cowboy standing over a tied-up bad guy. He then flips back to the cowboy taking a beating.
JACOB
(to the cowboy)
If you knew what I knew, you wouldn't quit--
His fun is interrupted by a loud crash of glass breaking. Fear washes over the little boy as he hears his parents shouting. 
He closes his book and curls up under the covers to wait out a familiar scene in the Smith household.
CUT TO:

INT. JACOB'S BEDROOM-NIGHT
Jacob's mother, CAROLINE, early thirties, enters his room and turns off the light. She gently rubs his cheek to wake him. 
CAROLINE
You okay honey?
JACOB
Yeah, I'm okay mommy.
CAROLINE
You know, your father and I are just going through a rough time right now. It happens with every couple, baby. But don't worry, we'll be fine.                                                                           
JACOB
But BOBBY'S parents don't fight. I know because I sleep over there a lot.
CAROLINE
I'm sure his parents have their share of problems too, baby.
JACOB
But his mother never has any scars on her face.
Caroline struggles to maintain her composure              as tears begin streaming down her face. 
He feels teardrops fall on fingers.
		I’m sorry, Mommy.
He hugs his mother, kisses her cheek, and she winces a little in pain.
CAROLINE
Gently baby.
CUT TO:

INT. GLADSTONE INSURANCE AGENCY-DAY
Jude is busy placating an upset client on the phone.      He glances at CLARE, associate agent in her fifties, who is oddly frozen in her chair.  
He follows her eyes and is equally shocked by what she sees. A very tall man in his early fifties, exquisitely dressed, is standing at the front desk. 
His entrance was a stealthy one because Jude didn't hear the chimes that usually ring when the door opens. 
CLARE
Can I help you, sir?
Flashing a perfect smile he replies:
MAN
Thank you, but I'm actually here to see, Jude.
Jude and Clare shoot each other surprised looks,        then he motions to the man to please wait and have a seat.
JUDE
(hanging up the phone)
I apologize for keeping you waiting, sir. I'm Jude Martin, it's a pleasure to meet you.
Jude walks over and the two men shake hands.
MAN
Good afternoon, Mr. Martin.     I'm RICHARD CRANE.
Jude is eye level with Crane's chest where he notices the pendant for his necktie. 
It's a beautiful sky blue bird with a long, curved beak. Crane notices him admiring it.
CRANE
It's called an IBIS, very special to the ancient Egyptians.      It's been in my family for a very, very long time. Sort of an heirloom.
JUDE
It's beautiful.
CRANE
You have good taste, Mr. Martin.
JUDE
So how did you hear about our agency, Mr. Crane?
CRANE
In the paper. I saw your advertisement and I just so happened to have been pricing rates for my new Bentley.
JUDE
Wonderful, well let me take a little of your information and I'm sure we can get you a great deal.
MOMENTS LATER:
After negotiating a couple of quotes,                    the two men spark up a casual conversation.
CRANE
So how long have you been selling insurance, Jude?
JUDE
Almost two years, Mr. Crane.
CRANE
Richard, please.               Call me, Richard.
Jude nods agreeably.
CRANE
Do you enjoy what you do?
JUDE
Well yes, I like it.
CRANE
Is it fulfilling?
Clare looks at Crane suspiciously, then returns to her work. Jude notices her but Crane remains focused on him.
JUDE
There's a lot to learn about the business, but overall it is fulfilling.
As if looking into his soul, Crane replies:
CRANE
I am involved in numerous business ventures, Jude. I do not obligate myself to just one career because I too would be unfulfilled.
Jude is speechless. At that moment, the owner of the agency, MR. DAVID GLADSTONE, early sixties, charges out of his office in what resembles a rescuing attempt.
Jude notices Gladstone and introduces the two men.      They shake hands and Gladstone begins his query.
GLADSTONE
So, Mr. Crane, were we able to help you out?
CRANE
Yes, Jude gave me some great prices.
GLADSTONE
Wonderful, let's get a policy written up for you--
CRANE
--uh well, I have to weigh out my options before I can make a final decision.
GLADSTONE
Of course, well come back and see us whenever you're ready.
CRANE
I am certain I will return.      As my father used to say,
He shakes Gladstone's hand and looks at Jude.
		CRANE (CONT’D)
"To ensure success, one must have an eye for the future." 
Crane leaves and Gladstone mumbles something of a berating nature about him. But Jude is still hanging on Crane's last words.
CUT TO:
EXT. GLADSTONE INSURANCE AGENCY PARKING LOT-DAY
Jude gets into his car, an old Chevy Beretta on its last wheel. He notices a piece of paper stuck under his left windshield wiper and grabs it. 
HIS POV:
It's a business card with a black face and gold letters. The header reads: CRANE ENTERPRISES, 1720 MARKET ST.      On the reverse side is written: NEXT FRIDAY, 7PM, THE O'RYAN CONFERENCE ROOM.
CUT TO:
INT. ALLISON'S APARTMENT-NIGHT
Allison's place is much nicer than Jude's.               The furniture is practically brand new. 
ALLISON
So he just left his business card on your windshield?
(she smiles)
That's aggressive. He might as well have left you a job application. 
JUDE
Yeah, it's weird.
ALLISON
Weird, why do you call an opportunity like this, weird?
JUDE
It's just odd, that's all.     This guy comes out of nowhere and 

		JUDE (CONT’D)
starts talking to me about careers and the future.
ALLISON
That's what normal people tend to talk about, Jude--careers, the future--important things.
JUDE
I know, but everything has been happening so fast. I'm afraid to sleep, and that dream--
ALLISON
--Oh no, not the dream again.
JUDE
What do you mean, "not the dream again?" I'm telling you about what's happening to me and you don't even care. Something is not right. 
ALLISON
What?
JUDE
No, I mean--I don't know what the hell is goin' on.
ALLISON
You sound deranged, like one of those babbling bums on the street.
A vision of the homeless Prince pops into Jude's mind. 

Listen Jude, I know you're under a lot of stress right now. But maybe good things are coming and you're just afraid of success. I watched my father and my brothers become failures. I don't want you to share their fates.
Jude shaking his head gets up to leave.

ALLISON
Now where are you going?      Don't tell me--to your degenerate friend so you can get drunk--typical.
He closes the door behind himself without looking back.
CUT TO:
INT. RODNEY'S BASEMENT-NIGHT  
RODNEY CARTER, late twenties, and an old high school buddy of Jude is sitting at his computer rolling up a "J". 
The basement which is also his bedroom is filthy.        But it's the marquee hangout for family and friends.  
The two men share a bottle of Seagram's Gin.            Jude still has on his necktie but his shoes are off.
RODNEY
(takes a swig)
Fuck that bitch! I don't know why you put up wit dat shit.
He passes the bottle to Jude.
JUDE
(takes a swig)
She's not a bad person.       She's just intensely focused.   She had a bad childhood--dad was an abusive alcoholic, couldn't keep a job. She just doesn't wanna live like that ever again.
He takes another swig. This one really burns.

I can't fault her for that.
RODNEY
Fuck that bitch! She know I can see through her fake ass.     That's why she don't like me.

JUDE
(takes swig)
She don't like you 'cause she thinks you're a bad influence on me--
RODNEY
--Muthafucka, you be asking me to drink with you!  Matter of fact, gimme my bottle.
He snatches the bottle before Jude touches it to his lips again.
Talkin' 'bout I'm a bad influence. I knew you long before yo' ass got all corporate.
Rodney pulls from beneath the clutter surrounding his computer what looks like a piece of paper. 
He flings it like a frisbee toward Jude's face,          who catches it single-handed. 
He's pleasantly surprised at the picture of Rodney and himself as bare-faced teenagers 10 years ago.
JUDE
We took this picture when I first moved out here, after my parents divorced.
FLASHBACK TO:
INT. MARTIN FAMILY HOME-NIGHT
A five year old Jude is scared awake from his sleep by a loud shout. 
Then glass breaks and he hears a hard slap.              His mother is crying as his father shouts louder.    
Then he hears footsteps make their way to the rear of the house and out the back door. 
LATER:
Red and blue lights are flashing through his bedroom window and swirling on the walls. 
He hears voices talking, then his mother ROBIN, late twenties, calls him.
ROBIN
Jude, honey come downstairs. Hurry up!
He hops out of bed and runs downstairs in his underwear.  He cringes when he sees four huge policemen standing in his living room. 
He looks at his mother who's trying hard to maintain her composure. He looks around for his father but can't find him. 
He jumps when one of the towering officers calls his name.
OFFICER #1
Jude, Jude you okay, buddy?
JUDE
(nodding)
Uh huh.
OFFICER #2
Has anybody hurt you, Jude?
JUDE
Na uh--
ROBIN
--He's fine, nobody's hurt him.
The officers flash disbelieving looks at each other.     Fed up, one of them asks:
OFFICER #3
Ma'am, do you wanna press charges? We can pick him up right now.
ROBIN
(shaking her head)
No.
OFFICER #4
Are you sure?
ROBIN
I'm sure.
Disappointed, the officers file out the front door.     Jude turns to his mother and asks:
JUDE
Mommy, where's daddy?
ROBIN
He went for a walk, honey.      
She hugs him and kisses his forehead.

Back to bed, you got school tomorrow.
BACK TO PRESENT:
INT. RODNEY'S BASEMENT-NIGHT
A teardrop slips from Jude's eye snapping him            out of his sad nostalgia. 
He glances at Rodney to see if he notices.               Not likely, he's engrossed in internet porn. 
Jude discreetly wipes his eyes.
JUDE
Yo, pass that bottle, man.
CUT TO:
INT. JUDE'S BEDROOM-DAY 
Jude wakes up with a major hangover. 
JUDE
No dreams, thank God.
He glances at his clock and is shocked he didn't hear the alarm. He darts around the apartment getting ready for work. 
CUT TO:
INT. GLADSTONE INSURANCE AGENCY-DAY
Jude shuffles into work thirty minutes late and the unwelcoming atmosphere is palpable. He looks at Clare who is on a personal call and manages a smile.
JUDE
Morning.
She looks at him over the rim of her glasses.
CLARE
David wants to see you in his office.
He tries to pull himself together on the way to his boss' office. He knocks on the door.
GLADSTONE (O.S.)
Come on in, Jude.
Jude walks into the office and sits down. He grips the arms of the chair and waits for his scolding.

How long have you been working here, Jude?
JUDE
Almost two years, sir.
GLADSTONE
Two years--well I personally have noticed some wonderful changes you've made in that time. And I'm proud of you.
JUDE
Thank you, sir.
GLADSTONE
But it hasn't all been good.
JUDE
I know, sir.
GLADSTONE
This is the fifth time         this month you've been late.    You're averaging more than     once a week.
JUDE
I know, sir. I have no excuse for my--
GLADSTONE
--You look terrible, is that the same shirt you wore yesterday?
Jude looks down at his shirt feeling embarrassed.

Oh yeah, and that flashy hot shot who came waltzing in here filling your head up with that pompous garbage is a liar. He just wants you to be his flunky. I'm preparing you for business ownership--being your own man. That's fulfilling.
CUT TO:
EXT. BASKETBALL COURT-NIGHT
The court is swarming with people. The games are as serious as those seen on television. 
Jude and Rodney are involved in a game of horse: whoever misses a shot has to take a shot of gin. 
Rodney just missed and Jude is at the free throw line attempting to get his good friend drunk before him. 
He shoots--and the ball is deflected by another basketball. 
They look at each other dumbfounded, then Rodney notices the culprit.
RODNEY
Behind you.
Jude turns around and sees standing well beyond the half court line, a little boy wearing an Iverson Sixers jersey. 
It's Jacob Smith all by himself.

Hey you little bastard.       Shoot at your own basket--
Jude whips around and shoots an angry look at his friend.

JUDE
--Shut up, don't talk to the kid like that. 
(to Jacob)
Hey kid, you gotta strong shot. Can you do that again with your feet planted?!
Jacob nods a yes. Jude picks up a ball and passes it to him. 
Lemme see?
He shoots from the same spot and it's all net.          Even Rodney is impressed. 
MOMENTS LATER:
An older gentleman in his early forties jogs over to them.
MAN
I saw that shot you made, youngster. How long you been playin' ball?
JACOB
About six months.
Speechless, the three men look at each other marveling at the boy's talent.
MAN
You need to come to the court more often--everyday so you can practice.
JUDE
When do you come to the court?
JACOB
I usually come on Fridays, but my mom let me come today too.
RODNEY
Yeah Jude, take him under your wing...be his big brother.
MAN
You can start a junior league team and build it around him.
He points at Jacob.
RODNEY
Yeah, coach!
MAN
Seriously, what's up?
Jude sticks his hands in his pockets and ponders.         He feels Crane's business card and pulls it out.
HIS POV:
NEXT FRIDAY, 7PM...
JUDE
I'm sorry but I can't do it.
Everybody is disappointed, even Rodney.
MAN
Well if you change your mind, let me know. We gotta slot for one more team.
The man jogs away. Jude hustles to a ball on the ground and attempts to brighten the mood. He dribbles over to Jacob.
JUDE
Let's play some one on one?
JACOB
(shaking his head)
No thanks.
JUDE
Come on, man. I wanna see that shot again.
He grabs Jacob's arm and the little boy shouts with pain.
RODNEY
Damn man. Don't kill him just 'cause he don't wanna play wit' you.
Ignoring the derision, he slowly lifts Jacob's sleeve and is horrified at what he sees. 
HIS POV:
There's a huge bruise on the little boy's arm.
JUDE
Who did this to you?
JACOB
Nobody, I fell off my bike.
JUDE
So the flat ground was able to wrap completely around your arm and bruise it?
Jacob jerks away from Jude.
JACOB
I fell off my bike.
A car's horn beeps and breaks the tension. All three look toward the direction it came from. It's Jacob's father, LEONARD, early thirties, waiting in his car. Jacob looks up at Jude.
JACOB
I gotta go.
He grabs his basketball out of Jude's hands and runs off. Jude searches for something encouraging to say.
JUDE
Hey kid, keep practicing!
CUT TO:
INT. JUDE'S APARTMENT-NIGHT
Jude is in his best suit, a gray double-breasted number from Today's Man, with the complementary power-blue necktie. 
As he walks outside he's stunned by what's apparently waiting for him. 
A chauffeur, superbly dressed is standing in front of a pearl white, stretched Cadillac Escalade. He walks toward the man.
CHAFFEUR
(tipping his hat)
Good evening, Mr. Martin
(opens the door)
Mr. Crane sent me to escort you to The Gathering.
JUDE
The gathering...you mean the interview?
CHAFFEUR
No, sir...The Gathering.
He motions with his hand for Jude to get into the vehicle.

If you would, Mr. Martin.
CUT TO:
INT. CRANE ENTERPRISES CORRIDOR-NIGHT
Jude is being led by a different escort down an empty, dark-carpeted hallway to the O'RYAN CONFERENCE ROOM. 
The two huge guards by the door look more like they are for keeping people inside of the room, rather than outside. 
The double doors are opened and Jude is awestruck at what he sees. 
The conference room which looks more like a banquet hall, is occupied by a number of beautifully clad socialites. 
Their opulence is emitting shockwaves. As he enters the room, he notices that the walls and floors are polished marble. 
In the center of the room, the floor boasts an artist's expert depiction of an aerial view of the Great Pyramids. 
Directly above it, the constellation ORION is displayed on the ceiling, shining as bright as its prototype in the heavens. 
Jude's gaze is fixed on the masterpiece above him when he hears:

CRANE (O.S.)
Riveting isn't he?
The voice snaps Jude out of his hypnosis. He gives a confused look to Crane.
CRANE
(looking up)
Orion, The Hunter. Both feared and admired, even by the gods.
JUDE
Why did the gods fear him?
CRANE
(still looking up)
Because his aim is true--always.
JUDE
Why is Orion positioned directly above the pyramids?
Crane smiles to himself as if he's been anticipating this moment. He looks Jude straight in the eyes.
CRANE
A very, very long time ago,     the ancient Egyptians lived between the sky and the earth.
He points to Orion.

As Above,
He points to the pyramids on the floor.

So Below.
He places his index finger in the middle of Jude's forehead.
As Within,
He directs Jude's gaze toward the windows and the world outside.
So Without, understand?
JUDE
I imagine so.
CRANE
Then you do understand.        It's almost time.            Follow me, Jude.
JUDE
Time for what?
CRANE
The toast.
JUDE
Is led to the other side of the room where he sees everyone filing through another pair of massive doors. 
Entering a smaller room, he sees the most amazing contraption he's ever beheld in his life. 
Suspended in mid-air are two enormous glass pyramids, one on top of the other. 
The top pyramid is positioned upside down, so that the apexes of both are close enough to almost touch. 
Even more phenomenal is the fluorescent-gold sand flowing from the top pyramid, down into the bottom pyramid like an hourglass. 
The sands empty through the base of the bottom pyramid into a marble fountain built right into the floor. 
The glowing liquid created by the mixture of sand and water is the room's only source of light. 
CRANE
Jude, welcome to the inner sanctum. Consider yourself very privileged to be here.
CUT TO:
INT. INNER SANCTUM-NIGHT
Servers are using diamond-studded gold ladles to fill champagne glasses with the glowing liquid, which are being passed out to every guest. 
Everyone is forming a circle around the fountain.      Crane regally stands holding his glass in the air       with his right hand. 
All are gazing at the pyramids with illuminated faces.
CRANE
Water, is the primeval matter from which all life was created. Reality is an illusion: The cosmic veil blurring the vision of ordinary men, with the sands of time. Together, they form the key which unlocks the secrets of the universe: The true nectar of the gods. As Above...
The entire party raises their glasses and repeat Crane's words in unison.
PARTY
As Above,
CRANE
(lowering his glass)
So Below.
PARTY
(lowering their glasses)
So Below.
CRANE
(touches his forehead)
As Within,
PARTY
(still mimmicking)
As Within,
CRANE
(pointing at the pyramids)
So Without.
PARTY
So Without.
They all drink, everyone except Jude. He observes the elated reactions from the guests after their initial sips. 
They appear euphoric. Crane notices he isn't drinking and clandestinely converses with a beautiful young socialite. 
She immediately makes her way over to Jude and asks:
GIRL
First time here?
JUDE
(stunned by her beauty)
Yes, yes I'm on an interview if you can believe it.
GIRL
You're very tense, you should relax. You're among friends-- peers.
JUDE
I wouldn't say that. Looking at the guest list, I'm a little low on the food chain.
GIRL
No you're not.
JUDE
No?
GIRL
No. I'll tell you what you are.
JUDE
Okay, tell me.
GIRL
You're home. Now toast with me.
Jude feels oddly comforted by her affirmation. The two lock eyes as she guides his drink to his lips by doing the same with her own. 
He's surprised that the drink is odorless but when it touches his tongue--it's mind blowing. Every cell in his body seems to vibrate.
Flashing before his eyes are classical renditions of the gods, then he collapses.
CUT TO DREAM SEQUENCE: 

INT. MOUNT OLYMPUS-DAY
Jude observes members of the great pantheon peering into the human epoch through a majestic pool. 
CUT TO:
INT. EGYPTIAN ROYAL PALACE-DAY
He then looks up to find himself standing behind the Pharaoh and his queen, who are overlooking a sea of their prostrate worshippers. 
Suddenly, a large shadow looms over Jude from behind.      A dark hand touches his shoulder. 
He turns to see a beautiful pendant of a shiny blue ibis at eye level, hanging by a gold necklace on a man's bare chest. 
He raises his head to see the face of its bearer then....
CUT TO:
EXT. ATLANTIC CITY BEACH-DAY
It's a beautiful morning and Jude is looking out at a calm gray ocean. He notices that the tide is extremely low, almost non-existent. 
The sun is beginning to rise but there's an aberration on the horizon. 
Its panoramic colors are being eclipsed by a swelling dark figure--like a huge wall being constructed along the horizon. 
Jude's eyes widen as the realization dawns on him.         A woman sunbathing nearby points and shouts:

WOMAN
It's a tidal wave!
CUT TO:
THE TIDAL WAVE
Reaches the shoreline in a flash. People scramble everywhere. Some snatch up their children; others abandon their families. 
But Jude is exhibiting a strange calmness amidst the terror. The water wall impacts engulfing land, buildings, and people trying to escape. 
Within minutes, Atlantic City is a lake. The upper floors of its hotel casinos are protruding above the surface like the tips of icebergs. 
Miraculously, Jude rises out of the water like Poseidon. 
CUT TO:
JUDE
Is walking on the surface of the water peering down below at the remnants of a city. He's looking around completely awestruck. He hears a loud buzzing sound....
END DREAM SEQUENCE:
INT. JUDE'S BEDROOM-DAY
He awakes in his bed, drenched in sweat. He then shuts off his alarm and heads for the shower.
CUT TO:
INT. LIVING ROOM-DAY
Jude is sitting on his couch with a bowl of cereal in one hand and the T.V. remote in the other. 
He's flipping through channels and catches the word "wave" being said repeatedly. 
He finally rests at a channel and is stunned at what he sees: A news reporter broadcasting from inside of a helicopter hovering over a partially submerged casino.
REPORTER
(looking into camera)
The situation is simply devastating here in Atlantic City. The degree of damage is impossible to gauge at the moment. Some say 5 billion; some say 50 billion dollars worth of property damage has been caused by the tidal wave that struck the coast of Atlantic City, just before sunrise early this morning. And the numbers are rising exponentially.
From rooftops, people flail their arms at the helicopter in cries for help.

The loss of human life resulting from the tidal wave is difficult to calculate. Authorities report the number of people missing as being in the thousands.          We expect those numbers to increase as well. 
(click)
Jude turns off the T.V. and sets his bowl on the table.   He drops his head into his hands and cries.
JUDE
(shaking his head)
God, not again.
CUT TO:
INT. JUDE'S APARTMENT BUILDING CORRIDOR-DAY
Jude is on his way to work when he decides to check his mailbox. He sorts through his envelopes and pauses at a certain one. He sets his briefcase on the floor.
HIS POV:
The sender is Crane Enterprises. 
JUDE
Opens the envelope suspiciously and peers inside.         He does a double take and his mouth drops.
HIS POV:
He pulls a check out of the envelope that states,       "Pay to the order of Jude Martin: Twenty Thousand Dollars and 00/100 cents."
Jude finds the nearest wall and leans against it to keep from collapsing.
JUDE
What the hell is this for?
Still befuddled, he glances at his watch and realizes he has to hurry off to work. 
He places the check back in his jacket pocket and runs out of the building. 
He returns a minute later to retrieve his briefcase and gives it another try.
CUT TO:
INT. GLADSTONE INSURANCE AGENCY-DAY
Physically, Jude is at work, but his mind is everywhere else. 
He's shocked when he feels something hit him on the top of his head then land on the floor beside him. 
He looks down and sees a bottle cap. Then he looks up at his co-worker.
CLARE
Hey, Isaac, I didn't have an apple so I hit you with the closest thing I could find to get your attention. What's with you today? I've been calling your name for the last five minutes.

JUDE
I'm fine, I just got some stuff on my mind.
CLARE
You must've had some weekend.
Jude gestures to himself as if her comment is the understatement of the century.

Whatever is goin' on with you, I'm sure it's nowhere nearly as bad as those poor souls suffering in New Jersey. My God, I mean...we go down there every summer. And my brother and his wife lost everything.
With every word, Jude's anguish increases. He's almost sunk down completely in his chair when he hears the chimes sound as a client strolls into the agency. 
CLIENT
What the hell is goin' on in A.C., are nine more plagues on the way?!
Jude is miserable.
CUT TO:
INT. LACY'S BAR & GRILL-NIGHT
Jude is sitting at the bar with a row of empty shot glasses in front of him. 
He's using them to construct a pyramid. The bartender switches to the news channel.
The reporter who's familiar to Jude, is standing at the front gate of the White House.
REPORTER
Progress is being made regarding the facilitation for the reconstruction project in  Atlantic City. Business magnate, Richard Crane, 
Jude pauses to look at the T.V.
		REPORTER (CONT’D)
owner of Crane Enterprises, has secured the government contracts providing funding in the billions to his company. Crane has been reported as saying: 'I am grateful to this administration for trusting me with a task of such paramount responsibility.'
Jude continues building his pyramid.

Crane continued with this assurance: 'Out of chaos, order can be created. We will begin by rebuilding the coastline, and raise our efforts to the stars.'  A very powerful and inspirational message to a city weakened at its core.
Jude places the capstone on his pyramid.
CUT TO:
INT. JUDE'S APARTMENT-NIGHT
An inebriated Jude staggers to his bedroom, peeling off his clothes along the way. He flops onto his bed and passes out.
CUT TO:
INT. BEDROOM-DAY
Jude's eyes open seconds before his alarm buzzes.         He manages to sit up on the edge of his bed.            He's rubbing his temples.
JUDE
No dreams, thank God.
He gets ready for work.
CUT TO:

INT. GLADSTONE INSURANCE AGENCY-DAY
Jude is talking on the phone in sotto voce, still rubbing his temples.
JUDE 
Baby, I haven't seen Rodney in days--
ALLISON
--That's not the point, Jude. You have a drinking problem, and it's hurting both of us.
JUDE
I know, honey. That's why I wanna see you tonight...so we can work this out--together.
ALLISON
There's nothing to work out--
JUDE
--Dinner tonight at Le Bec Fin on me.
ALLISON
Since when did you become able to afford Le Bec Fin?
JUDE
I took your advice and went to that job interview.
ALLISON 
(beat)
Be in front of the restaurant at seven o'clock sharp--you better make reservations.
JUDE
Thank you so much, honey.      I'll see you...
(click)
tonight.
Jude hangs up and rises from his desk.

JUDE
Be right back, Clare.         Gotta use the bathroom.
CLARE
Okay.
CUT TO:
INT. BATHROOM-DAY
Jude locks the door and reaches into his pants pocket.    He pulls out a miniature bottle of Seagram's Gin, takes a seat on the toilet, and cracks the government seal. 
He puts the open bottle to his nose and breathes in the aroma, exhaling with a pleased smile. In one gulp the contents are emptied.         
Jude replaces the cap tight and puts the empty        bottle back in his pocket. After rinsing out his mouth,       he flushes before exiting.      
He hears Clare screaming through the phone at a client,   and hurries back to his desk.
CUT TO:
EXT. LE BEC FIN-NIGHT
Jude has arrived thirty minutes early. While waiting for Allison, he's looking up at the stars. 
Orion is positioned very low in the sky. Jude can almost reach out and touch it. 
He's distracted by a familiar voice and a very familiar comment.
ALLISON
Still gazing at those stars,      I see.
JUDE
I'm glad you decided to come.
ALLISON
It's not everyday someone offers you Le Bec Fin.
JUDE
Come on inside, our table is waiting.
Allison, impressed, strolls inside as Jude holds the door for her.
CUT TO:
INT. LE BEC FIN-NIGHT
The couple is at an excellent table. Jude thanks the waiter as he finishes refilling his wine glass.        
ALLISON
Can you take it easy? We just sat down less than thirty minutes ago and that's your third refill.
JUDE
I'm sorry, honey. I'll sip slower. So how've you been? I missed you.
ALLISON
Then why haven't you called? I was worried about you; I thought you'd gotten in some kind of trouble with Rodney.
JUDE
No, no I've just been sorting out some stuff in my head.
ALLISON
Well, what about the interview, how'd that turn out?
JUDE
It went well. Things are looking good.
ALLISON
So what exactly will you be doing? What kind of benefits package did they offer you? 
JUDE
Well, we haven't gotten that far yet.
ALLISON
What, well did you get the job or not?
JUDE
I got paid.
ALLISON
So you did get the job?
JUDE
More like a bonus.
ALLISON
Really, how much?
JUDE
Twenty thousand dollars.
ALLISON
What--wow they mean business.    So when do you start?
JUDE
That's what I've been tryin' to tell you. The whole process is weird. The interview was like some party with a bunch of rich people.
ALLISON
Oh, that's just power broking. They were probably testing you; seeing how you handle yourself in their environment. You gotta be able to think like them. 
JUDE
Think like them?
ALLISON
Yeah, like a wolf, a hunter.
(beat)
You obviously passed the test,   or you wouldn't have gotten that bonus. 

JUDE
Baby, this was a lot more      than some petty mind game.             I experienced some weird shit this weekend. I'm thinking about giving the money back--
ALLISON
--What...why? Have you considered the fact that our financial security is tied up in that money?
JUDE
It just doesn't feel right.
ALLISON
What is your problem? Why don't you want to be normal--live a normal life? You don't want success, but you do want to drink.
Jude becomes despondent at this point.
JUDE
The drinking helps me sleep.
(takes a sip)
ALLISON
Oh, the dreams again, right.    Get over it, everybody has bad dreams. You think you're special?
JUDE
No, just dangerous.
ALLISON
Yeah, to yourself most of all.
JUDE
Not hardly.
ALLISON
This is a waste of time.        I'm leaving, Jude. Call me when you start living in the real world.
She walks out of the restaurant leaving Jude at the table. He sips his wine and realizes the glass is nearly empty.
JUDE
(raising a hand)
Waiter?
The waiter hustles to his table and gives Jude another refill. 
Jude slips him a hundred dollar bill. The waiter's eyes widen with delight.

Keep 'em comin'.
The waiter nods agreeably.
CUT TO:
EXT. PARKING GARAGE-NIGHT
Jude is stumbling to his car and searching for his keys.  He reaches the driver side door and pulls the keys out of his pocket. 
He accidentally drops them on the ground and bends down to pick them up. 
HIS POV:
While he's feeling around the ground for his keys,       Jude sees two feet appear in front of him. 
They aren't shining. 
Jude looks up and sees a large man in his mid-thirties posted in front of him.
MAN
You lose something?
JUDE
My car keys.
MAN
So just buy another car, I know you can afford it.

JUDE
(rising from the ground)
I don't want any trouble--
MAN
--Shut up!
The man punches Jude in the face. The impact knocks him onto his car and he slides down to the ground. 
The crook kicks him hard in the gut. He then reaches down and fumbles through Jude's pockets. Jude tries to speak.
JUDE
Listen, you don't wanna know me--
MAN
--What, you think I'm scared of you?
He punches Jude in the face again, where he's bleeding badly. He kicks him in the gut once more before taking off. Jude curls up on the ground in pain.
HIS POV:
On the ground a couple of feet away from him, Jude sees his car keys. He smirks at the coincidence.
CUT TO DREAM SEQUENCE:
EXT. ALLEY-NIGHT
From above, we look down on two men negotiating a drug deal. 
One of the men, nicknamed SHARK, is Jude's attacker from earlier tonight. 
The other man is a short, small-time dealer named HORACE.
SHARK
The fuck you mean five hundred?  It was two fitty last week.

HORACE
Look, baby...product ain't cheap. The man makin' it harder for me to git it to you, so I gotta tax my clients. It's business, baby.
SHARK
Fuck business, I need my shit.
HORACE
Look baby, you got the c-note a day heron addiction. But you got more month than money. I can't do nothing for you--
A noise is heard further down the alley. The men become suspicious.
HORACE
That might be the cops.
Shark turns to flee and bounces off of something that knocks him to the ground.
HIS POV:
Looking up, he sees a tall dark figure with glowing yellow eyes, towering over him. 
His jaw drops...he's terrified. Horace is frozen at the sight of the menace, too. 
The creature swipes its claws across Shark's face, exposing bloody clumps of tissue. 
Another swipe and his arm lands on the ground a few feet away. It then attacks Horace, tearing into him. 
MOMENTS LATER:
Chunks of human remains are strewn about, with bloodied- hundred dollar bills scattered around. 
From above, the elements create a macabre portrait.
END DREAM SEQUENCE:

INT. JUDE'S BEDROOM-DAY
Jude jumps up from his sleep terrified and covered in sweat.
JUDE
(shaking his head)
What the fuck is this shit?
His alarm goes off and Jude, annoyed, knocks it across the room. Minutes later he climbs out of bed and gets ready for work.
CUT TO:
INT. GLADSTONE INSURANCE AGENCY-DAY
Jude is checking his breath as he leaves the bathroom.    He enters the main office area and all eyes turn on him. 
Two men are standing at the front desk and they aren't buying insurance. Mr. Gladstone is the first to speak.
GLADSTONE
Jude, these gentlemen are here to see you.
MAN#1
DETECTIVE VINUTO, Homicide.
(flashes his credentials)
This is my partner,       DETECTIVE ROSS.
(flashes his)                
DETECTIVE VINUTO 
We need you to come down to the station to answer a few questions.
JUDE
Wha--what's the problem, officers?
DETECTIVE VINUTO
We'll talk at the station.      Get your things...let's go.
Jude is ushered outside and placed in the backseat of an unmarked vehicle. 
CUT TO:
INT. POLICE STATION INTERROGATION ROOM-DAY
Jude is sitting in a chair petrified as Detective Vinuto gives him the third degree.
DETECTIVE VINUTO
You mean to tell me you never saw this guy before?
The cop slams a mug shot of Shark onto the table in front of Jude.
JUDE
(looks at the picture)
I...I never saw him before.
DETECTIVE VINUTO
What about this guy?
He slams a mug shot of Horace on the table.
JUDE
N...no, I don't know him.
Vinuto is boiling. He looks back at Detective Ross who hands him a folder.
DETECTIVE VINUTO
Maybe you'll recognize 'em better from these photos. Then you can tell me how your wallet ended up with their severed body parts.
He opens the folder and slams it on the table revealing gruesome scenes of a homicide. 
Jude sees the photos and is horrified. He puts his hands over his mouth but it's too late--he throws up all over himself. 
The cops jump back in disgust.
DETECTIVE VINUTO
Aw shit, take this guy downstairs and hose him off.
Keeping a safe distance, Detective Ross escorts Jude out of the room. 
CUT TO:
INT. POLICE STATION CORRIDOR-DAY
Detectives Vinuto and Ross and their superior,       CAPTAIN DAY, scrutinize Jude through a two-way mirror.  He's dressed in a prisoner's jumpsuit.
DETECTIVE VINUTO
Captain, this guy ain't no killer. He blew chunks the second he saw those photos.
CAPTAIN DAY
He could be protecting somebody. He's in over his head.
DETECTIVE VINUTO
Covering for somebody, maybe. But he's definitely in some deep shit.
DETECTIVE ROSS
His wallet was found at the scene.
CAPTAIN DAY
That makes him an accessory.
(O.S.)
That may not be all together correct.
The men pivot to see who the contradiction came from.   It's MATT PANILLA, mid-forties, well dressed and holding a brief case. 
DETECTIVE VINUTO
I think I speak for all of us when I say, aw shit.

MATT
(extending a business card)
Matt Panilla, attorney for    Crane Enterprises. Since Jude Martin is a business associate   of Mr. Crane's, I'll be his representation. Captain, may I speak with you in private.
The Captain snatches Matt's card but doesn't look at it.
CAPTAIN DAY
Yeah sure, my office is down the hall.
The two men start walking away.
DETECTIVE VINUTO
Hey Cap, what is this?
Captain Day doesn't reply nor looks back. 
MOMENTS LATER:
The detectives see Matt and Captain Day walking toward them. Matt looks triumphant--the Captain doesn't.          A sullen look washes over Vinuto and Ross.
CAPTAIN DAY
Let him go.
DETECTIVE VINUTO
Cap, wait a minute we--
CAPTAIN DAY
--Don't argue just let him go--
DETECTIVE VINUTO
--How the fuck can this guy just strut in here and get a murder suspect off in 20 minutes?!
DETECTIVE ROSS
This is bullshit, Cap!
The Captain is speechless. Suddenly, a young man walks up holding a bag.
DETECTIVE VINUTO
(to the young man)
Who the fuck are you?
MATT
Another associate of Mr. Crane.
DETECTIVE VINUTO
Oh shit, more royalty. Don't forget to curtsy, everybody.
CAPTAIN DAY
(shoots a stern look at Vinuto)
Vinuto...
DETECTIVE VINUTO
Sorry, Cap...so what's in the bag?
MATT
Clothes for, Mr. Martin.
CUT TO:
INT. MATT'S LIMOSINE-DAY
Matt is pouring champagne for himself and Jude who is wearing a very sharp suit.
JUDE
(taking his glass)
So how'd you know I was in jail?
MATT
(sips)
Mr. Crane's assistant alerted my office.
JUDE
(offs his in one gulp)
How'd he know I was in jail?
MATT
Mr. Crane is quite resourceful, which is a benefit to his associates, as you have certainly noticed.

JUDE
But how did you get me released?
MATT
(refilling Jude's glass)
I'm a defense attorney; it's what I do.
JUDE
How long have you been working for Crane?
MATT
Mr. Crane recognized my talent ten years ago and graciously rewards me for it.
(beat)
You've been rewarded for your talent, haven't you?
The two men share a knowing look, then Jude turns away to peer out of the window. Matt smiles at the back of his head.
JUDE
(polishes off his second drink)
Those men...I didn't mean to...I'm a good person.
MATT
Ordinary men are good or bad.     You are extraordinary. That's why Mr. Crane is going to great lengths to protect you, and nurture your talent.
JUDE
Great, the father I always wanted.
MATT
Civilization is destroyed by insolence.
He pulls an envelope out of his briefcase and hands it to Jude.
But it's fortified by obedience.
Jude opens the envelope and his eyes widen. 
JUDE
This check says fifty thousand dollars.
MATT
Consolation for your distress.
The limo slows to a halt and Jude looks around confused. He looks at Matt.
MATT
You're home.
CUT TO:
EXT/INT. GLADSTONE INSURANCE AGENCY-DAY
Jude arrives to work in his brand new Ford Mustang.       He hops out wearing another expensive suit. He strolls into the office and is met by Clare's cold stare.
CLARE
David wants to see you in his office.
She gives him a distasteful head-to-toe look as he passes. He knocks on his boss' door.
GLADSTONE (O.S.)
Come in, Jude.
MOMENTS LATER:
Jude is clearing out his desk and placing his belongings  in a cardboard box. As he walks out of the door,            Mr. Gladstone comes hurrying out of his office toward him.
GLADSTONE
Jude, wait a minute.
Jude stops and turns around. His former boss walks up closely and looks him in the eyes. 

Remember what I told you about being your own man. It's the ultimate fulfillment. 
JUDE
(nods)
I will.
He turns to leave and Mr. Gladstone places a hand on his shoulder. Jude pauses, then slips out the door.
CUT TO:
INT. SKYLINE RESTAURANT-DAY
Jude let's sugar trickle through his fingers as he prepares himself a cup of coffee.
 MIRANDA (O.S.)
Like the sands of time slipping through our fingers.
He looks up and is pleased to see Miranda standing above him with a smile.

Long time no see, Jude right?
JUDE
Yeah wassup?
MIRANDA
Nothing much, still bussin' tables as you can see.
JUDE
It's an honest living;          you should feel good about that.
MIRANDA
You're not doing too bad yourself. Look at that suit-- very sharp.
JUDE
Know somebody who needs one,      I got six more at home just like it.
MIRANDA
	(beat)
Hey what's wrong, Jude?

JUDE
Believe me, you don't wanna know my problems.
MIRANDA
I'm a psych major, remember? This'll be good practice for me. My break's starting anyway.
She sits down across from Jude and folds her hands together on the table. 

You helped me once, let me return the favor?
JUDE
(looks her in the eyes)
Okay, my dreams are coming true.
MIRANDA
Okay, and how is that a problem?
JUDE
You don't understand. My dreams are literally coming true.
MIRANDA
You mean that your subconscious dreams are manifesting in your conscious reality?
JUDE
Not just my reality--yours too, everybody's...the real world. 
MIRANDA
Well Jude, most people would love to see their dreams come to life--
JUDE
--Even if they're dangerous?
MIRANDA
Dangerous how, has someone been hurt?
JUDE
Been watchin' the news lately?
MIRANDA
Of course, everyday.
JUDE
Do you gamble?
Within seconds, Miranda's relaxed facial expression becomes firm.
MIRANDA
Jude, you want me to believe that a natural disaster which caused billions of dollars in damage, and claimed countless lives was dreamt up by you?
JUDE
I'm not asking you to believe anything. You wanted to know my problem.
MIRANDA
(shaking her head)
This is way outta my league.
JUDE
Out of your league, how do you think I feel? 
MIRANDA
You're either crazy or getting morbidly amused at my expense-- or both. Either way, I don't like it. Mental problems are not something to joke about. You insult me and my profession--
JUDE
(gently grabs her arm)
--I need help, I don't know what's happening to me.
She notices the sincerity in his eyes and relents.
MIRANDA
You're serious aren't you?
(he nods)
I know somebody you can talk to.
CUT TO:
INT. PROFESSOR RAYMOND LEE'S OFFICE-DAY
Professor Lee, early sixties, is listening intently as Jude divulges the recent events in his life. 
Miranda is sitting quietly, wide-eyed with amazement at what she's hearing. 
PROFESSOR LEE
And these anomalies began when this Richard Crane entered your life?
JUDE
Yes.
PROFESSOR LEE
Tell me about him, Crane.
JUDE
He's very powerful, and very resourceful. 
The professor sits up in his chair.
PROFESSOR LEE
The first meeting you attended at his office, The Gathering you called it?
JUDE
Yes, that's what the chauffeur called it.
PROFESSOR LEE
You said there were paintings on the floor and ceiling.
JUDE
Yes, Orion was on the ceiling and the pyramids were on the floor. 
PROFESSOR LEE
And you said he wears a unique pendant--an ibis.

JUDE
Yeah, yeah he told me it's a family heirloom.
PROFESSOR LEE
Jude, the ibis was very symbolic in the ancient Egyptian culture. It represented one of their chief deities--Thoth.
JUDE
Thoth...sounds weird.
PROFESSOR LEE
Yes well, he was an extremely powerful god, Chief General of Ra, father of the gods. He was believed to have taught the secrets of the universe to men through great wisdom, and boundless magical powers.
JUDE
So what does all of this have to do with me?
PROFESSOR LEE
Jude, the paintings that you saw give a vivid example of the relationship between men, and their gods in times of antiquity.
JUDE
Relationships with gods?
PROFESSOR LEE
Yes, you see many historians believe that a very, very long time ago, the ancient Egyptians lived between the sky
(points to the ceiling)
and the earth. 
(points to the floor)

Jude's memory is triggered.

JUDE
As Above, So Below.
PROFESSOR LEE
Correct. Before the veil of modern thinking was cast over men's minds, they not only worshipped their gods, but they walked with them. A privilege of course reserved for the most worthy.
JUDE
And Mr. Crane believes in this stuff?
PROFESSOR LEE
You were at the ritual, you saw the hourglass.
JUDE
An hourglass?
PROFESSOR LEE
Yes, the two pyramids, one inverted and placed on top of the other; the recital of the sorcerer's maxim, "As Above,     So Below...As Within,            So Without." They're timeless traditions handed down through the ages. Pythagoras, Bacon, Sir Isaac Newton…were all students of the mysteries created by Thoth.
JUDE
Listen, I don't care about any of that crap. I just want my life back.
The professor glares at his insolence.

PROFESSOR LEE
Thoth was said to have written our reality, past-present-and future, and placed it in a three- dimensional plane for us to experience. What you perceive as your life, is simply an illusion perpetuated by your own consciousness. The Egyptians called it the duat--or duality. The balance of consciousness and subconsciousness.
JUDE
The duality.
PROFESSOR LEE 
Yes.
JUDE
And the gods told them about this duality?
PROFESSOR LEE
Precisely.
JUDE
So what the fuck does all this scientific bullshit have to do with me? I just sold insurance for a living--
MIRANDA
--Jude.
PROFESSOR LEE
(to Miranda)
It's okay, he's obviously under a lot of stress. Jude, hear me out. I know that what you're experiencing is quite overwhelming.
JUDE
You think?
The professor ignores his sarcasm.
PROFESSOR LEE
But consider the magnitude of what you possess. The sheer power to manipulate reality is remarkable. You've stumbled upon a gift that kings have depleted their entire treasuries to obtain--
JUDE
--What?
PROFESSOR LEE
Instead of rejecting it, embrace what the gods have given you--
JUDE
--There's an entire city under water, and you want me to embrace that?!
PROFESSOR LEE
The same catastrophe befell the Atlanteans, and they were far more advanced than us. But you have the opportunity to lead mankind to a new Golden Age--
JUDE
--You're sick--
MIRANDA
--Jude, please?--
PROFESSOR LEE
--Mastering your power is like learning to ride a bike, right now you still need practice-- nurturing, but in time--
JUDE
--Everyone'll be dead.
The room falls silent.

Miranda said you could help me.

PROFESSOR LEE
How many people do you think would actually listen to you without having you committed? You certainly wouldn't tell the police. 
(beat)
Jude, I'm trying to help you.       But cynical, destructive behavior will only make matters worse.
JUDE
I don't know what to do, I can't sleep, I lost my job. I'm hurting so many people.
The professor reaches into his desk drawer and pulls out a bottle of pills.
PROFESSOR LEE
Jude listen, we can get you through this, but you have to take the first step. Now I have some medicine that can calm your nerves.
He reveals the bottle of pills to him.

I'm going to give you just a few that you can take whenever you feel anxiety come over you.    
He opens the lid and drops a few red-colored gel capsules into Jude's hand.
JUDE
What are they?
PROFESSOR LEE
Methaqualones, better known as quaaludes. 
Jude tenses up.

Don't worry, I didn't give you enough to become an addict. Miranda, fetch him a glass of water will you?
MIRANDA
Sure.
She leaves to get his water.
PROFESSOR LEE
Jude, I'm going to give you my home phone number and address.
He writes his information on the back of a business card and hands it to Jude.

I want you to contact me whenever you need someone to talk to.
JUDE
Thank you, sir. Look I'm sorry about my outburst. I just--
PROFESSOR LEE
--It's okay, Jude. All of this is new to you. We'll get you through this. You know the old adage:  Rome wasn't built in a day.
Miranda returns with a glass of water. 
MIRANDA
Here you go, Jude.
He pops a pill and washes it down. All three share smiles of relief.
CUT TO DREAM SEQUENCE:
EXT. GIZA PYRAMID-DAY
Jude is facing the Giza Pyramid and watching in awe as the sun rises behind it. The capstone is illuminated when it's kissed by the sunrays. 
Through squinting eyes he sees a large eagle flying out of the radiant capstone. As the eagle draws closer, it shape shifts into a massive, black winged-bull. 
The bull charges toward Jude with its hooves barely touching the ground. He doesn't flee. 
Instead, Jude furrows his brow in defiance and charges toward the bull. In a flash, the two clash in a collision that shakes the earth. 
He clutches the bull's horns and begins pulling.         The horns start to glow as they tear from the flesh.  
He rips the horns out of the bull’s skull and a great howl resonates throughout the desert. Jude triumphantly raises the glowing horns of power to the heavens.
LIKE A VIKING
He presses both horns to his head, one on each side.     The horns magically hold fast, and their radiance engulfs Jude's body in a cocoon of light.
MOMENTS LATER:
The cocoon erupts in a sunburst and Jude, now the size of a giant, stands shining as a true god with eye sockets black and deep as the night sky. 
He then raises his right hand to the sky and it instantly changes from day to starry night. 
With a voice like crashing waves he proclaims:
JUDE
As Above,

The stars begin to tremble and he drops his hand in a sweeping motion.

So Below.
Amazingly, the stars fall from the heavens to the earth like a meteor shower. 
As the stars hit the ground, they raise up into shining beings as well. 
Jude's mighty horns whirl around leaving trails of light, as he's surveys his gleaming army. 
Surrounding Jude, they look to him eager for conquest.    He points toward the pyramids and shouts.
JUDE
To the east!
CUT TO:
EXT. A HILLSIDE OVERLOOKING A VALLEY-NIGHT
An imperious Jude and his radiant battalion are posted along the hillside. Jude is glaring down at the city within the valley.
JUDE
Palestine...
Jude spreads his pair of glorious wings and raises both arms. He drops his arms toward the city below and shouts.

Attack!
CUT TO:
INT. ROYAL PALACE-NIGHT
Amid the horde of shining demons terrorizing their captives, Jude approaches two massive doors. 
From the other side of the doors, light is streaming through the crevasses, intensifying in brightness. 
There's an explosion, and the doors along with the walls disintegrate revealing Jude in all his majestic glory. 
Just then, the King of Palestine bolts out of his closet toward the bedroom window. But he's quickly cut off by Jude, and the King cowers before him.
JUDE
Is it not customary to kneel before your god?
The King kneels, and Jude raises his right arm which shape shifts into a glowing sword.
KING
But why?
JUDE
The sands have run out, and have taken your glory with them.
With that he beheads the King.
CUT TO:
INT. JUDE'S LIVING ROOM-NIGHT
Jude, Rodney, and two strangers, a man and woman are sitting at a table playing cards.
JUDE
(to the woman)
It's your turn to throw out, um. I'm sorry, I don't know why I keep forgetting your name.
WOMAN
(with a Spanish accent)
That's okay, it's MARTA.
JUDE
Marta, right. It's your turn.
RODNEY
(to Marta)
I won't forget your name, baby.
Marta smiles at Rodney.
MARTA
Luis, it's your turn.
LUIS
You sure?
MARTA
Yeah! You always follow me.     You know that.
LUIS
Right, right.
(throws out a card)
Rodney then throws out his card.
JUDE
Anybody need that ace?
No one makes a request for it so Jude scoops it up.       He then lays down his hand.
Good because I win.
All three grimace and throw in their cards.
END DREAM SEQUENCE:
INT. JUDES'S BEDROOM-DAY
He wakes up drenched with sweat. He looks at his clock and panics.
JUDE
Oh shit I overslept.
He motions to get out of bed then freezes.

Shit, I don't have a job anymore.
He lies back down in bed and looks at the ceiling.          A puzzled look appears on his face.
HIS POV:
He sees a bright light shining on the ceiling.          Jude looks around for the source of the light. 
He looks back at the ceiling and realizes the light is moving when he moves. 
He looks down at his feet which are covered under his sheet.
HIS POV:
As he pulls the sheet back, the room lights up and he sees his feet shining like the homeless Prince from his dream.
He stumbles out of bed and heads to the closet.            In his suit jacket he finds the capsules given to him by Dr. Lee. He runs to the bathroom and pops two pills. 
Sticking his mouth under the sink faucet, he gulps some water to wash them down. He then stumbles out of the bathroom and picks up his suit jacket. 
Jude pulls out a business card and a cell phone.          He dials a number. Through the phone he hears a voicemail recording.
VOICEMAIL
You've reached Dr. Raymond Lee. I'm sorry I can't take your call right now--
(click)
Disappointed, Jude ends the call. Suddenly, the doorbell rings.
JUDE
Allison?
He throws on some pants and shoes then hurries to the door as the bell rings nonstop. 
He opens the door and is surprised to see Rodney standing in the hallway. 
He's smiling from ear to ear holding a gallon of orange juice in one hand, and in the other a bottle of Seagram's Gin.
RODNEY
Wassup man? I called your job and they said you got the boot. So I came over to cheer you up.
He invites himself inside. 

Get dressed, we're going out tonight.
From Jude's bedroom he hears:

Yo man, lemme get a few of these suits, you livin' like Trump back here?!
Jude closes his door.
CUT TO:
EXT. SOUTH STREET-NIGHT
Jude and Rodney are supporting each other as they stagger down the crowded street. 
The two stand out in their expensive suits; they're turning heads. 
Rodney catches a beautiful latino woman admiring him as he walks pass her so he does an about-face. 
Jude nearly falls when his human crutch ditches him.      He turns around and laughs when he sees Rodney talking to the woman.
JUDE
Of course.
He makes his way back to Rodney.
MOMENTS LATER:
The three of them are conversating and Rodney is feeling up his new friend. Their fun is interrupted by a short latino man.
MAN
Wassup Marta?
Jude is snapped out of his drunken haze when he hears the woman's name. He finally realizes who this pair of strangers is.
JUDE
Wait, I know you two.
They pay him no mind but just stand and glare at each other for a couple of minutes.
MARTA
I told you to leave me alone. You're always followin' me and I don't like it, you know that.
JUDE
Yeah, that's right. Oh shit I dreamt about both of y'all last night.
MAN
So is this your new boyfriend?
MAN'S POV:
He sees Rodney's hand rubbing her leg.

MARTA
He is a friend who I am having a conversation with.
MAN
I guess he likes talking with his hands. 
JUDE
Yeah, yeah I remember. We were all laughin' and playin' cards. And your name is...wait, don't tell me--Luis!
The man, woman, and Rodney simultaneously whip their heads around to Jude and peer at him eerily.
MARTA
How'd you know his name?
LUIS
Yeah man, you a cop or somethin'? How you know my name?
RODNEY
Shit Jude, you know this dude?
JUDE
(to Rodney)
I've been having these crazy dreams and--
LUIS
--Fuck dat! That's my girl--
MARTA
--I'm not your girl, Luis--
RODNEY
She don't look like she wanna be your girl no more, mano.
Jude finally ascertains the seriousness of the situation.
JUDE
Wait a minute, everybody just calm down. We can work this out.
Luis pulls a gun from his waist and raises it in the air. The rest of the group freeze in fear.
LUIS
You two are dressed for a funeral...bueno.
He points the gun at Rodney's face and fires.           Marta screams and South Street becomes chaotic. 
People are trampling upon each other in attempts to flee from harm. Amid the fray, Jude and Luis are staring at each other.
LUIS
Bet you didn't see that in your dream.
Jude looks down at his best friend and the blood oozing out of his head. 
He feels sick. He cups his hands over his mouth but it doesn't help. He throws up on himself.
MARTA
Is hysterical. She slowly backs away and runs out of sight. Luis chases after her.
JUDE
Is left sitting on the ground, cradling his dead friend in his arms. He can't stop crying.
JUDE 
(to Rodney)
It wasn't like this in the dream. You were laughing; everybody was laughing...
CUT TO:
EXT. SOUTH STREET-NIGHT
Jude is still sitting on the ground and holding Rodney. He hears footsteps approaching.

HIS POV:
He sees two pairs of shoes on the ground. Jude raises his gaze and sees Detectives Vinuto and Ross smiling down at him. 
DETECTIVE VINUTO
Well Mr. Martin, we meet again.   I gotta give it to ya, you play your cards well. You're always the last man standing...ace.         By the way, nice suit.
CUT TO:
INT. POLICE STATION-NIGHT
Jude is sitting in the same interrogation room from his last visit. He's wearing a prisoner's jump suit.        He's tired and can barely keep his eyes open.     
Captain Day, Detective Vinuto, and Detective Ross are standing in the hallway doing their usual scrutinizing of him through a two-way mirror.
DETECTIVE VINUTO
Captain, I'm tellin' you this guy is into somethin' deep. 
CAPTAIN DAY
I hear ya, Vinuto.  But this guy's representation is top shelf. They play golf with Supreme Court Justices--
(O.S.)
--And we always let them win.
The three men pivot to see Matt Panilla standing behind them. He's looking sharp as usual.
MATT
Captain Day, may I speak--
CAPTAIN DAY
--I know, I know.
The two men walk off to Captain Day's office.     Detectives Vinuto and Ross flash familiar looks at each other, disgusted at the expected outcome.
CUT TO:
INT. MATT'S LIMOSINE-NIGHT
Matt is pouring champagne into glasses for Jude and himself. He hands Jude a glass and he promptly refuses it. Matt sets it down and sips his own.
MATT
I'm sorry about your friend.
JUDE
No you're not.
MATT
Believe it or not, I know how it feels to lose someone.
JUDE
I don't think you've felt anything for anybody in a long time.
MATT
Jude, I've been where you're at, I know it's confusing. But trust me, it will all make sense if you give yourself time. You'll understand your power and why you were chosen.
JUDE
Just why was I chosen--why me?
MATT
Because a Golden Age is on the horizon. And we're ushering in a new civilization--a glorious kingdom. And you're the Prince.
JUDE
I think I will have that drink.
MATT
Now you're getting with the program.
Matt leans down to pick up Jude's glass of champagne. Suddenly, Jude grabs a bottle of Seagram's Gin and breaks it on Matt's head. 
He then presses the remaining portion of the bottle's jagged edge to Matt's neck.
JUDE
Take me to Crane, now!
CUT TO:
INT. CRANE ENTERPRISES CORRIDOR-NIGHT
Jude still has his makeshift weapon pressed firmly against Matt's neck. 
He forces Matt down the hallway and stops in front of Crane's office. The doors are opened and Jude is looking around. 
JUDE
Where are the guards?
MATT
What guards?
JUDE
The guards I saw the last time I was here.
 (O.S.)
I sent them away so you'd feel more relaxed, and not do anything foolish.
JUDE
Crane, where are you?!         I've got your friend!
CUT TO:
INT. O'RYAN CONFERENCE ROOM-NIGHT
Jude makes his way into the conference room.             The majestic paintings gracing the floor and         ceiling steal his attention for seconds at a time. 
Crane enters from the inner sanctum garbed in a black hooded robe. He's adorned with his familial ibis, hanging by a gold chain around his neck. 
CRANE
It is no small feat to maintain one's balance when the world is beneath your feet, and eternity within reach.
Jude reinforces his death clutch on Matt.

Petty crimes do not suit you, Jude.
JUDE
I'm more suited for mass genocide, right?
CRANE
You mean mass revolution.
JUDE
My friend is dead. People are dead--
CRANE
--And you never raised a finger. Now how do you explain these miracles, Jude?
JUDE
Saving a life is a miracle.
CRANE
That too is within your grasp.  But you must nurture your gift. 
JUDE
You mean drink that glowing shit? Fuck no!

CRANE
That shit you refer to transformed blithering cavemen into dynastic rulers overnight. It unveiled the secrets of the universe to their finite minds. They were mere house pets that were taught a few tricks.
Crane waves his hand and Matt is jerked free of Jude's grasp and slammed against the wall. 
He dies instantly with blood leaking from his face. 
Jude stands frozen with his weapon in hand.               He looks at Crane.
JUDE
All you do is destroy. You're no god. You prey on humans because we can't defeat you. You're weak.
CRANE
Humans prey on humans. That is why they remain powerless--with some exceptions.
JUDE
Those who can manipulate reality, like you.
CRANE
Like a god.
JUDE
You can do that yourself,       why do you need people?
CRANE
Didn't the late Mr. Panilla tell you: a Golden Age is re-emerging. And a new order of gods will introduce it to the masses.
JUDE
But the original gods have existed forever--
CRANE
--They became subservient to the lusts of their base desires. Complacency weakened them.      They lost their vision for the future; they don't deserve to rule forever.
JUDE
Then you'd have to replace Ra as-
CRANE
--Supreme Ruler and Father of the gods. No longer a mere Thoth, god of the moon. I colonized this planet and countless others, but his name is inscribed on the monuments I built!
JUDE
But how can you defeat Ra?
Crane flashes a crafty smile.
CRANE
I already have. It was not easy I assure you. The coup lasted for thousands of years.  Majority of the war was fought in the heavens.
FLASHBACK TO:
INT. EGYPTIAN ROYAL PALACE-DAY
A shadow looms over Jude as he stands behind the Pharaoh and his queen, who are looking out at a sea of their prostrate worshippers. 
He turns to see the face of Crane, gazing hypnotically at him through yellowish eyes. 
Crane points at Jude's chest so he lowers his gaze.
JUDE'S POV:
He sees a sky blue ibis draped around his own neck--an exact duplicate of Crane's.

JUDE
Is holding the pendant in shock. He looks up to see Crane's right hand raised in the air. 
Miraculously, it begins to glow then shape shifts into a sword. In one swipe he beheads the Pharaoh and his queen. 
Jude looks out at the masses who are terrified by the assassinations, and witnesses balls of fire raining down on them from the sky. 
These raise up into shining demons which begin slaughtering every human in sight, and signaling the fall of a great civilization.
BACK TO PRESENT:
INT. O'RYAN CONFERENCE ROOM-NIGHT
Jude finds himself staring at Crane's chest--the pendant now more mysterious.
CRANE
Times were too deadly to keep you with me. So I placed you in this age until my rule was solidified, and we could be re-united.
JUDE
But how?
CRANE
Your mother was an Israelite--a slave.
JUDE
But I have a family, friends I grew up with.
CRANE
You are not like them. We are not of this world. Which is why you need the nectar, to awaken your dormant powers.
JUDE
Once was enough.
 (O.S.)
That’s not all together correct.
Jude turns around to see Professor Lee and Miranda standing in the entrance to the conference room.
PROFESSOR LEE
The medicine I gave you was the nectar. It made you even more powerful.
CRANE 
Which enabled you to spark the event that will destroy this civilization.
PROFESSOR LEE
The leader of Palestine's ruling party was assassinated in his chamber, and they're blaming Israel.
CRANE
World War III is imminent.       On the ruins of this civilization will lay the foundation of a New Order. The remnants of mankind will worship me as its Savior and  Chief God.
JUDE
(to Professor Lee)
How can you destroy your own people?!
PROFESSOR LEE
To become a god, they are worth the sacrifice.
More disappointed than angry he looks at Miranda. 
JUDE
And you?

MIRANDA
My mother is dying from cancer. They told me they would heal her if I helped them. She's all I've got. I'm sorry, Jude.
JUDE
You're all sick, and I refuse to be a part of this madness!
CRANE
(laughing)
Ra's daughter was unruly. Who do you think he asked to get her in line?
With that he waves his hand and Jude flies across the room, slamming into a wall.

The blood of a god courses through your heart and you denounce it--ingrate!
He waves his hand again and Jude flies across the room, crashing into another wall. 
MIRANDA
You're gonna kill him!
PROFESSOR LEE
We need him!--
CRANE
--I need no one, I am Thoth.      I alone am God!
He raises both arms and Jude is thrown up to the ceiling. 
His impact causes it to crack and chunks of the ceiling begin crashing down on the room below. Everyone except Crane scrambles for safety. 
After the cave-in, the dust clears and reveals a beautiful night sky with the real Orion shining above. 
Jude is almost completely buried underneath debris.         His face is bloody and he's unconscious.
Crane has now shape shifted into the beastly likeness of Thoth, resembling a baboon over ten feet tall, with yellow eyes flashing like stars.
CUT TO DREAM SEQUENCE:
EXT. GIZA PYRAMID-NIGHT
Jude opens his eyes and sees two feet standing in front of him--they're shining. 
He looks up and is amazed to see a gleaming godlike version of himself towering over him. Jude stands up.
JUDE
(the god)
I am the Prince of this Kingdom, and here is truth: Everything you need to succeed is within you.  And with this power, control your destiny.
(pointing to the sky)
As Above,
The mortal Jude stretches his right hand to the sky and Orion's Bow is illuminated.
JUDE 
So Below.
Orion's Bow begins drifting down toward the earth then lands into Jude's hand. 
The bow's radiance overtakes him and he is cloaked in light. 
He looks at his godly counterpart who proclaims:
JUDE
(the god)
As Within,
Jude smiles and closes his eyes.
END DREAM SEQUENCE:

INT. O'RYAN CONFERENCE ROOM-NIGHT
Thoth is charging toward Jude who is still buried under debris. 
Suddenly, Jude springs to his feet clutching Orion's Bow with a flaming arrow in place, ready to fire. 
He takes aim at Thoth who's halted in his tracks with fear and surprise.
THOTH
The Hunter!
JUDE
So Without.
He lets the arrow fly at Thoth. Amazingly, he sidesteps the flaming dart then attempts to fly up out of the room, and escape into the night sky. 
But the arrow doesn't relent. Once it misses its target it freezes in mid-air, then shoots directly up to a retreating Thoth, and strikes him in the sky. 
His destruction resembles an exploding star which illuminates the entire city for a moment, then fades to nothing. 
Jude then raises Orion's Bow to the night sky and releases it. He watches it float up into the heavens until it is returned to its rightful owner. 
He looks at his hand and sees he isn't shining anymore.   He starts searching for Miranda.
JUDE
Miranda, Miranda!
 (O.S.)
Over here.
Jude hurries toward her voice.
JUDE
Keep talking!
 (O.S.)
Down here.
He looks down and sees a dead Professor Lee laying face down on top of something. He pulls him off and finds Miranda secured snugly from danger.
MIRANDA
(being helped to her feet)
He jumped on me when the ceiling started falling.
JUDE
I guess he figured if Thoth could kill me, his fate wouldn't be much better.
MIRANDA
Least in the end, he didn't think about himself. He showed more character than me.
She lowers her head shamefully then looks at Jude.

What are you gonna do now?
JUDE
Get some sleep.
CUT TO DREAM SEQUENCE:
INT. SMITH FAMILY HOME-NIGHT
Young Jacob is curled up under the covers on his bed and listening fearfully as his parents fight downstairs.      He hears a loud crash, then silence.
MOMENTS LATER:
Jacob's mother, Caroline rushes into his bedroom. She grabs Jacob out of his bed and carries him downstairs. 
She's almost out of the front door when she stops and turns around. She goes back to grab her purse and car keys from the dining room table.
JACOB'S POV:
At that moment, he looks over his mother's shoulder and sees his father laying unconscious on the kitchen floor. 
He's bleeding from the head and broken pieces of glass are scattered around him.
CAROLINE
We're leavin' this crazy life, baby.
With that she walks out of the front door, and closes it behind her without looking back.
CUT TO:
INT. SPECTRUM STADIUM-NIGHT
An intense pro basketball game is being played down to the wire. With seconds left, a player shoots the ball from behind the half court line. 
The shot buzzer sounds while the ball is flying through the air. It reaches the basket and swish--all net. Everybody goes wild. 
Fellow teammates hoist the game winning player on their shoulders. His face isn’t visible, but the name on the back of his Sixers jersey says, Smith.
CUT TO:
INT. HOSPITAL ROOM-NIGHT
Miranda is asleep in a chair next to her mother who is lying in bed. Numerous wires are connecting her to life- sustaining machines. 
Her mother Leslie, mid-fifties, is jolted awake as she feels the cancer leaving her body, and her color is instantly replenished. 
She's no longer weak so she sits up in bed and calls for her daughter.
LESLIE
Miranda, Miranda.
CUT TO:

EXT. PENN'S LANDING-NIGHT
Jude and Miranda are walking along the pier.           
MIRANDA
Good news, the Palestinian leader turned out to be corrupt. He was helping himself to the government treasury. He's being replaced by someone willing to have peace talks with Israel.
Jude smiles.
JUDE
So no World War III just yet, wonderful. Hopefully, we'll make some sense out this life with the extra time we've been given.
MIRANDA
Hopefully.
(beat)
My mother has been given more time. I guess I have two favors to return--
JUDE
--No you don't. Just cherish what you have.
The two look at each other without speaking for a few moments. 
MIRANDA
You know you have a natural glow?
JUDE
Really?
Something dawns on Jude.
MIRANDA
Uh oh, you're spacing out again.
JUDE
Hey, today is Friday, right?

MIRANDA
Yeah, why?
JUDE
I got somewhere to be.
Starts jogging away.

I'll call you.
CUT TO:
EXT. BASKETBALL COURT-NIGHT
Jude walks up to a little boy who is practicing his jump shot--it's Jacob. He notices Jude and stops practicing.
JUDE
Please, keep practicing.
JACOB
I'm tired.
JUDE
	(beat)
If you knew what I knew, you wouldn't quit.
A smile washes across the little boy's face and he picks up his basketball.

I could use a shooting guard.
JACOB
For what?
JUDE
I'm starting a junior league team, you interested?
JACOB
I don't know.
JUDE
I'll make a bet with you.     Let's play some one on one.      If I win, you play on my team.   If you win, you play on my team. Deal?
JACOB
Deal.
JUDE
Alright, before you check the ball, you wanna think about what you're gonna do to get pass the defender. Picture the moves in your mind first and they'll happen.... 
They commence their game under a star-filled sky with Orion shining above.
FADE OUT:
THE END