FADE IN

              EXT. MYERS HOUSE - NIGHT(STOCK - FOOTAGE FROM RESURRECTION) 

              As the house burns to bits...until DAYLIGHT washes away
              the darkness to REVEAL the house in its present form:  
              a crumbled monument - charred and still creepy-looking. 

              Then, the house slowly begins to rebuild itself, as the
              night slowly creeps back in.  The hum of “Mister Sandman”
              rapidly builds, louder, LOUDER.  

              SUPER: “Haddonfield, Illinois.  October 31, 1978"  

              EXT. MYERS HOUSE - NIGHT 

              The house is quiet until GUNSHOTS cut through the night. 

                                         LAURIE (V.O.)
                             Did you think you’d won, Michael? 
                             Where are you going to go now?  
                             Where are you going to hide with
                             that face?  It’s not the face of a
                             six year old boy, is it?  

              EXT. MYERS HOUSE - NIGHT(STOCK - FOOTAGE FROM RESSURECTION)

              As The Shape’s mask is ripped off to REVEAL a charred
              mass of evil...

              ON SARA MOYER

              As she slowly turns away, watches FREDDIE HARRIS being 
              led away to an ambulance, sees the ORDERLY carry away
              Michael’s remains.  

              QUICK CUTS - THE SHAPE 

              1)His charred face looks up as the CORONER probes through
              the melted William Shatner mask...

              2)...just as Michael RISES UP AND DIGS HIS BLACKENED 
              FINGERNAILS THROUGH HER EYEBALL...before THE COPS RUSH
              IN and raise their guns towards him.... 

              3)The burning figure from “Halloween II”  

                                         LAURIE (V.O.)
                             My dear sweet brother, I have
                             the one thing you’ll never have: 
                             peace.

              Six GUNSHOTS puncture the dead night air.     

              EXT. DOYLE HOUSE - NIGHT(WEB-CAM RECREATION) 

              As THE SHAPE CRASHES through the balcony window, hits

                                                                           2.

              the ground with an eerie thud....seems like it was just
              yesterday.  “Mister Sandman” creaks on.  

                                         LAURIE (V.O.)
                             It was the bogeyman...

              ON THE BALCONY WINDOW 

              The dark silhouette of DR. SAM LOOMIS fills up the
              frame, face blackened as the hollow eyes stare down into
              the ether.  

                                         LOOMIS (V.O.)
                             As a matter of fact it was.  

              HEAVY BREATHING as...

              A PAIR OF EYEHOLES 

              Stare around the track as a drip of blood slides down 
              over each eyehole, TURNING EVERYTHING INTO DARKNESS as 
              “Mister Sandman” thrashes out its final grim chords, 
              now with a heavy metal...2015-type pulse to it.  HEAVY 
              BREATHING.  

                                         LAURIE (V.O.)
                             It’s all yours, Michael.  Haddonfield
                             is dead and you killed it.  No one
                             wants to live there anymore.  You
                             killed everyone who ever mattered
                             to you.  Who’s left to kill? 

              EXT. HADDONFIELD - MORNING 

              SUPER: “Haddonfield, Illinois.  October 30, 2015"  

              There’s not a soul in sight.  The place looks completely
              abandoned and desolate.  Finally, a hard wind blows up a
              sign: “STRODE REALITY - TOWN FOR SALE” 

              Then, a SILVER SHAMROCK GOBLIN MASK blows over the view
              until the two EYEHOLES allow the light to shine through. 

              EXT. HADDONFIELD CEMETERY - MORNING 

              ON LAURIE STRODE’S GRAVE 

              Dirty and badly-faded as TWO HANDS dig themselves around
              the sides of the tombstone, RIPPING THE STONE out of the
              maggot-covered earth...

              ON THE SHAPE 

              Back turned, edges of the mask visible as he walks along
              past the field of death. 

                                                                           3.

              ON MICHAEL MYERS’ GRAVE 

              As The Shape walks past - a badly massacred headstone with
              graffiti(“Burn in hell” “Happy Halloween”)sprayed all over
              it. 

              EXT. HADDONFIELD - DOWNTOWN - MORNING 

              There’s no one around.  Then, a plain Honda Civic moves
              down the road.  

              INT. HONDA CIVIC(MOVING) - MORNING 

              ON LISA GARRETT 

              Pretty, 16, but a good girl.  A VIDEO CAMERA rests in the
              passenger seat.  

              EXT. MYERS HOUSE - MORNING(GRAINY AND TILTED)

              As footsteps move around in the BG.  

              ON LISA 

              Holding the camera.  

                                         LISA 
                             Haddonfield.  The murder capital of
                             the East, maybe America.  The town
                             is dead.  I still live here...you
                             can still raise a family here.  No
                             drugs, gangs, real estate is dirt
                             cheap.  

              LISA’S CAMERA - THE STREETS 

              There’s no one around.  

                                         LISA (V.O.)
                             I think I’m the only person who
                             still lives here.  Everyone else
                             has vanished.  

              INT. MYERS HOUSE - WINDOW - MORNING 

              THE SHAPE’S VISION

              Through the window, at Lisa.  

                                         LISA 
                             It all started with this little kid
                             who knifed up his sister. 

              LISA’S VISION - BEDROOM WINDOW 

              The Shape appears in a flash.  Lisa stumbles backward

                                                                           4.

              until she gathers herself and laughs.  HEAVY BREATHING.  

                                         LISA 
                             It ended with Michael Myers being
                             burned to death and then cremated
                             into ashes.  Even Michael can’t
                             rise from the ashes.  He’s dead.
                             The evil is gone.  It all started
                             here...and ended here. 

              EXT. WALLACE HOUSE - MORNING(VIDEO CAMERA) 

              The house has been boarded up, just like the others on
              the street.  The camera turns to look across the street
              at THE DOYLE HOUSE.  It looks the same as it did in 
              “Halloween.”  

              ON THE DOYLE HOUSE 

              The door bursts open and TOMMY DOYLE, now 45 and worse for
              the wear, looks out in fear and disgust. 

                                         TOMMY 
                             GET THE HELL OUT OF HERE.  

                                         LISA 
                             I’m making a documentary on the
                             haunting of Haddonfield.  Don’t
                             you think it’s strange how this
                             town is just vanishing into
                             nothing?  People disappearing,
                             unsolved murders...the ghost
                             of Michael Myers.  What do you
                             remember about Michael Myers?  

              Tommy REVEALS a gun just as he slams the door shut.  Lisa
              turns to head for her car when a LOUD SIREN lights up the
              cold streets.  A SHERIFF’S CAR moves down the street.  

              The car door opens and a pair of steel boots hit the
              pavement, right below an assault rifle and a kevlar
              vest. 

              SHERIFF LEIGH BRACKETT 
 
              A silver fox now, early 70s but tough and dripping with
              determination and vengeance.  He shoots Lisa a familiar
              glare.  

                                         BRACKETT 
                             You again.  What part of Governor
                             of Illinois and federal disaster
                             area don’t you understand?  

                                         LISA 
                             I live here...I live in Haddonfield.

                                                                           5.

              Brackett chuckles as he RIPS THE TAPE OUT OF THE CAMERA
              AND THEN FIRES A BULLET INTO THE TAPE.  He glares at
              Lisa to see the shock on her face.  

              BRACKETT AND LISA 

                                         BRACKETT
                             You live here?  

              Lisa pulls out a crumpled deed to a house, nervously 
              hands it to Brackett who rips it up into shreds. 

                                         LISA 
                             I bought one of the houses for 
                             fifty bucks.  This is my home. 

                                         BRACKETT
                             Honey, if you don’t get your ass
                             out of here, I’m going to throw
                             you in jail.  You can’t live here
                             because it’s dangerous, because
                             of the radiation in the water
                             supply, the structural faults in
                             the soil...

                                         LISA 
                             Michael Myers...
                                         (beat)
                             Your daughter, Annie, was murdered
                             by Michael Myers...
                                    (pointing at Wallace house)
                             In that house...
                                         (beat)
                             She was my age...does that make you
                             feel weird, the fact that Annie
                             would be almost fifty if she hadn’t
                             been murdered?  Do you feel guilty?
                             Is there something you could’ve done
                             to stop Michael Myers?  

              Brackett grabs Lisa around the back of the head and SLAMS
              HER against her car, eyes pressed up against her. 

                                         BRACKETT 
                             I’ll kill anyone who comes back
                             here and tries to bring that shit
                             up again.  I’m the only one who’s
                             allowed here, orders of the Governor
                             himself, okay?  
                                    (breaking into weak smile)
                             Now why don’t you be on your away
                             and we’ll just chalk this up to a
                             good Halloween scare.  Everyone 
                             deserves a good scare before 
                             Halloween, don’t they?  

                                                                           6.

              Lisa gets in her car, pauses to point at the Doyle house. 

                                         LISA 
                                    (pointing)
                             Tommy Doyle still lives in his old
                             house.  

                                         BRACKETT
                             Tommy Doyle shot himself in the
                             head more than ten years ago.  
                             There’s nothing to see in 
                             Haddonfield except ghosts and I’m
                             the only ghost, and I’m one 
                             pissed off ghost.   

              INT. SMITH’S GROVE SANITARIUM - LONG CORRIDOR - DAY 

              SARA MOYER(30s)walks down the pukey and sterile corridor
              with a psychiatrist’s badge hammered into her chest. 

              She stops and looks behind her...
          
              SARA’S VISION 

              Not a sound.  Everyone seems to have vanished.  

                                         SARA 
                             Teddy?  Dr. Wynn?  

              A SHAPE 

              crashes out from the side angle and jumps on top of Sara, 
              waves a hypodermic needle over his head.  The MENTAL 
              PATIENT smiles down on Sara who reaches out to grab 
              his extended arm.  

                                         MENTAL PATIENT
                             Sara...

                                         SARA 
                             HELP.  

                                         MENTAL PATIENT 
                             He’s come back home.  He’s coming
                             for you.  

                                         SARA 
                             What...?  

              The patient rises up and DIGS THE NEEDLE THROUGH HIS OWN
              TEMPLE just as TEDDY, a security guard, BLOWS A RIFLE 
              SHOT THROUGH the man’s abdomen, sprays Sara with arterial 
              mist. 

                                         TEDDY 
                             Jesus, Sarah, are you okay? 

                                                                           7.

              Teddy touches Sara who shrieks at his touch, rolls up into
              a defensive ball as the blood-covered needle rolls right
              up against her leg.  

              INT. DR. WYNN’S OFFICE - DAY 

              Sara, dressed in overalls - hair and skin damp from a 
              scrub shower - stares up at DR. WYNN(70s)who’s the same
              sadistic hardass he was in “Halloween.” 

                                         WYNN 
                             You look like shit, Dr. Moyer.  

                                         SARA 
                             I just need some time...

                                         WYNN
                             You look like you’ve been murdered,
                             except you still somehow are able
                             to walk and talk.  That’s what 
                             happens to all of us.  You’re too
                             close, Sara, too damn close.   

                                         SARA 
                             Isn’t that what a good criminal 
                             psychiatrist is supposed to be?  

              Wynn smacks his pacemaker then pours them both a shot of
              cheap whiskey, points to a faded picture of Dr. Sam 
              Loomis on the wall.  

                                         WYNN 
                                    (pointing)
                             Do you want to end up like Loomis?
                             Sam Loomis was so full of that
                             shit, it was like a cancer eating
                             away at his entrails.  It killed
                             the bastard and, I suspect, I’ll
                             soon join him in hell where we’ll
                             both serve our sentence. 

                                         SARA 
                             Michael Myers...Dalton Mansfield
                             said he was coming back to get me,
                             going back home.  

                                         WYNN 
                             Michael Myers is nothing more than
                             a pile of ash.  Fuck, Sara, the damn
                             Governor of Illinois held up the
                             urn on TV.  Everybody sleeps now,
                             everybody goes trick or treating.
                             The rest of us just walk around
                             with the scars.  

                                                                           8.

              A tear falls down Sara’s face as she weakly gulps down
              the whiskey and heads for the door.  

                                         SARA 
                             He killed Haddonfield and he killed
                             Halloween. 

                                         WYNN
                             And you killed Michael Myers.  Get
                             out of here, Sara, and don’t ever
                             come back.  Don’t wake up one
                             morning and see Sam Loomis in the
                             mirror.  Go home.  Find Sara.  

              INT. SMITH’S GROVE SANITARIUM - LOBBY - DAY 

              Sara trudges towards the door until a NURSE catches up
              with her, hands Sara a note. 

                                         NURSE
                             A man called you.  Friend.  I wrote
                             down the number.  Sexy voice.  

              Sara stares at the piece of paper and rolls her eyes as
              she walks out the door.  

              INT. HOLDING CELL - DAY 

              ON DALTON MANSFIELD 

              As MORGUE WORKERS push him into a black bag.  The word
              “Samhain” is dug into his flesh, in his neck. 

              INT. DOYLE HOUSE - DAY 

              Completely barren and desolate. 

              The DOOR CRASHES OPEN and Brackett jumps in, gun out, 
              eyes probing every dark corner. 

              He walks through the whole house - for a handful of beats -
              and then returns to the spot, face trembling, lower lip
              quivering like a nervous junkie. 

                                         BRACKETT
                             Fuck all of you...

              EXT. STREET - DAY(RE-ENACTMENT OF HALLOWEEN II) 

              He looks over at the Wallace house and sees ANNIE 
              BRACKETT’S CORPSE BEING LED OUT OF THE HOUSE, on a slab,
              eyes straight up.  

                                         BRACKETT
                             No...

                                                                           9.

              She rises up off of the slab and looks at him, blood-stained
              neck CREAKS as her dead eyes look at Brackett. 

                                         ANNIE
                             Why didn’t you stop Michael Myers,
                             daddy?  

              EXT. SARA’S HOUSE - NEAR RUSSELLVILLE - NIGHT 

              Sara gets out of her car when she notices an UNMARKED
              VAN parked on the other side of the street.  She opens
              her purse and REVEALS a gun, then opens her vest and
              REVEALS another gun when...

              A HAND 

              grips her shoulder.  Loud SCREAM.  

              FREDDIE HARRIS 

              backs away and smiles at Sara as she glares at him, gun
              out. 

                                         SARA
                             What the fuck do you want with
                             me?  

                                         FREDDIE
                             You heard what happened to 
                             Dangertainment, my company, right? 

                                         SARA 
                             Yeah, I think I was one of about 
                             a million plaintiffs who filed that
                             twenty billion dollar civil suit
                             against your ass. 

              Freddie laughs so hard he clutches his stomach and REVEALS
              that he now walks with a cane. 

                                         FREDDIE
                             Thanks for not testifying against
                             me although I did save your life,
                             at the risk of my own death, didn’t
                             I?  

                                         SARA 
                             Yeah, but my six fuckin’ friends
                             weren’t so lucky, were they?  Oops,
                             just a dumb reality show, right? 
                             They’re not real people, those
                             Michael Myers murders were probably
                             faked, right?  Rudy Grimes...saved
                             my life...nicest guy in the whole
                             world.  Everything’s gone to hell.

                                                                          10.

                                         FREDDIE
                             Thank God we’re both alive and thank
                             God for Chapter Eleven bankruptcy
                             protection.  I ain’t got the twenty
                             billion, but I do got...
                                    (flashing a new business card
                                    that says “TerrorTainment”)
                             ...a new company, TerrorTainment,
                             and a new mission in life: I found
                             God and...

              Before he can finish, Sara KICKS Freddie in the nuts, sends
              Freddie and his cubic zirconia-coated cane reeling to the
              ground.  

                                         SARA 
                             You got a lot of blood on your 
                             hands.  Get away from me or I’ll
                             call the Marshals and this time
                             I’ll testify and I’ll be damn
                             good because I testify against 
                             scumbags all the time.  Thanks for
                             saving my so called life.  

                                         FREDDIE
                             I’ve got Michael Myers.  That’s my
                             mission in life and I damn sure 
                             know it’s yours.  Pop psychology
                             says you became a shrink to deal 
                             with the fear and trauma you feel
                             about the Web Cam Massacre.  You
                             heard that, right, Web Cam 
                             Massacre?  I copyrighted it, but
                             I’ll let you borrow it.  

                                         SARA 
                             Pop psychology...101..no, 301.  You
                             don’t have to be afraid of a monster
                             who’s dead.  Michael Myers is dead,
                             and I killed him, and I feel damn
                             empowered about that. 

              Freddie stands up and his face is dead serious. 

                                         FREDDIE 
                             That’s true.  He was killed, but
                             then he’s been killed before, but
                             he keeps coming back because of
                             that spirit that brings him back
                             to life...SAM...

                                         SARA 
                             SAMHAIN.  The druid priests, 
                             festival of the undead - the ghosts
                             and the goblins and the hills 
                             overflowing with the blood of 
                             children.  Michael’s sacrifices. 

                                                                          11.

                                         FREDDIE 
                             Michael Myers is alive, Sara. Can’t
                             you feel it?  Evil like that can’t
                             never die, it just hangs in the
                             air.  I feel terrible about what
                             happened, but you have to know that
                             I didn’t want no one to get killed
                             like that, especially my main
                             squeeze, Nora.  Baby had back. 

              Sara curses under her breath then awkwardly opens up the
              back of her car and pulls out a large bag of drugstore-
              bought Halloween candy.  

                                         SARA
                             We destroyed Haddonfield and I
                             destroyed Michael Myers and that’s
                             the end for me. 

              Before Freddie can say another word, Sara disappears into
              her house. 

              THE SHAPE 

              appears at the end of the sidewalk, shoulders into the
              frame, HEAVY BREATHING.  

              INT. SARA’S HOUSE - NIGHT 

              Sara walks in, engulfed in darkness.  She throws the candy
              bag down, scoops up her mail and nervously walks through 
              the house. 

              KITCHEN 

              A KNIFE is embedded into the kitchen table, into a crayon
              drawing...

              SARA 

              pulls out her cell phone...RINGS 911...punches in a series
              of numbers.  A “Police Emergency” symbol flashes on the
              phone before Sara puts it away. 

              She turns and looks back down the hallway, towards the
              front door, starts to walk when a LOUD CREAK echoes through
              the house.  

              She turns and heads for the front door...

              THE SHAPE 

              In the hallway, mask draped over his face(the original
              William Shatner mask), head tilted from side to side.

                                                                          12.

              SARA 

              backs away, shakes her head back and forth as she fumbles
              for one of her guns.  

                                         SARA 
                             I don’t believe in you, Michael.
                             You don’t have that power anymore. 

              She pulls out the gun and calmly FIRES SIX CRISP SHOTS
              into The Shape who stumbles and pauses before he crashes
              to the ground.  

              Sara looks at the door...but the Shape’s body’s in the
              way...

              SARA’S VISION - THE SHAPE’S CHEST 

              Slight breath, up and down, very weak.  

              SARA 

              shakes her head and calmly walks towards the door when...

              THE SHAPE 

              rises up off of the floor...head slowly tilts to look
              right through Sara who heads for the stairs...

              UPSTAIRS HALLWAY 

              Sara rushes through the darkness when....

              THE SHAPE 

              appears out of the spare bedroom - darkened, pale face in a
              SLOW REVEAL...

              SARA 

              pulls out her spare gun and fires SIX MORE SHOTS INTO The
              Shape who rockets backwards before he lurches over to the
              far window and CRASHES THROUGH THE WINDOW.  LOUD THUD in
              the BG.  

                                         SARA 
                             No...

              POLICE SIRENS in the deep BG, a couple of blocks away.  

              DOWNSTAIRS 

              Sara tiptoes downstairs and sees that The Shape is gone.

                                         SARA
                             It can’t be.  

                                                                          13.

              EXT. SARA’S HOUSE - NIGHT 

              Sara runs out...runs over to the other side of the house
              where she sees...NO SIGN OF THE SHAPE that crashed through
              the window.  

              SARA’S VISION 

              A bloody outline in the grass.  Her feet walk through and
              raise up to REVEAL crimson streaks.  

                                         VOICE (O.S.)
                             Sara...

              Sara’s eyes whirl around to see...

              FREDDIE 

              Near the driveway.  He smiles at her just as...

                                         FREDDIE 
                             I knew he’d come for you, come back
                             for Haddonfield.  We’ve got to save
                             Haddonfield, stop Michael Myers for
                             good, or he’ll take over the world. 
                             Happy Halloween Sara...

              ....he turns to reveal a surgical scalpel dug into his
              side, dripping blood.  He rips it out and falls to the
              ground just as a SMALL CLUSTER OF POLICE CARS arrive on
              the street.  

              SARA 

              runs towards the POLICE OFFICERS.  DETECTIVE GARY
              HUNT(60s, Robert Redford handsome)moves in front of her. 

                                         HUNT 
                             It’s okay, Doctor,...another escaped
                             patient?  How do they find out where
                             you live anyway?  I must sincerely
                             apologize.  

                                         SARA
                             Freddie’s hurt.  

                                         HUNT 
                             Who’s Freddie?  

              She points behind her until she sees that FREDDIE’S OUT
              OF SIGHT.  Gone.  A large blood trail.  Sara just shakes
              her head back and forth as the cops race through the
              house.  

                                         SARA 
                             Freddie was there...

                                                                          14.

                                         HUNT 
                                    (glares at the blood)
                             Who did this?  You know why we watch
                             over you, right?  Who attacked you? 

                                         SARA 
                             Michael Myers...

                                         HUNT 
                             Michael Myers is dead.  

              INT. HUNT’S CAR - LATER 

              Hunt hands a cup of coffee to Sara who sulks in the 
              passenger seat as POLICE LIGHTS wash over their faces, 
              makes them both look like green goblins.  

                                         HUNT 
                             Do you want me to take you to a
                             hotel, Dr. Moyer?  

                                         SARA 
                             It was Michael Myers, Gary. 

                                         HUNT
                             Doctor, be reasonable here.  We both
                             know that’s not possible, don’t we?
                             He’s gone.  Some psychotic attacked
                             you, day before Halloween, probably
                             read all about you.  That’s the
                             thing, right?  The stalkers from the
                             TV show...

                                         SARA 
                             People still ask me if it was real
                             or not, like we weren’t real people,
                             like Michael Myers didn’t really
                             murder my friends.  

              ON HUNT’S CAR - FROM DOWN THE STREET 

              The edge of another car appears in the frame. 

              ON FREDDIE - IN VAN 

              Freddie bites down on a ball of gauze as he watches the
              scene.  A series of agonized breaths.  

              HUNT AND SARA 

                                         SARA 
                             What do you mean by what you said
                             back there, Gary?  Why you watch
                             over me?  

              Hunt shrugs his shoulders, looks out into the ether with
              dead eyes.  

                                                                          15.

                                         HUNT 
                             You’re a board certified criminal
                             psychiatrist who’s testified in
                             numerous high profile murder cases
                             here in Illinois.  You’re...

                                         SARA 
                             Michael Myers.   

                                         HUNT 
                             You’re the last surviving...heroine
                             if I can use such a term.  You know
                             how many Michael Myers copycats 
                             there’s been and I know about some
                             of the sick letters you get from
                             death row. 

                                         SARA 
                             What the fuck’s going on, Gary?  
                             Michael Myers is dead, isn’t he?

              Hunt reaches into his wallet and pulls out a faded 1978
              photo of himself in a Sheriff’s department uniform 
              alongside Annie and Leigh Brackett.    

                                         HUNT
                             Yeah, but Haddonfield’s dead - a
                             ghost town, murder capital of
                             America, dead zone.  The place
                             that made Halloween scary.  I was
                             a party to all of it and that’s
                             like a hot butter knife in my gut.
                             Halloween.  1978.  I was there
                             when it happened, just another
                             slow night in Haddonfield.  I was
                             there for the aftermath.  The
                             problem for Haddonfield was that
                             the nightmare never ended.  The
                             town was scared to death. 

                                         SARA 
                             What the hell am I supposed to do? 

                                         HUNT 
                             How about staying out of trouble 
                             until Halloween’s over?  

              EXT. LISA’S HOUSE - LANGLEY, ILLINOIS - NIGHT 

              Lisa sulks towards the house with her video camera.  Lisa’s
              father, WALTER GARRETT(60s), watches from the kitchen 
              window, gives Lisa the evil eye. 

              INT. LISA’S HOUSE - NIGHT 

              Walter steps in front of Lisa as she walks inside. 

                                                                          16.

                                         LISA 
                             Where are the Halloween decorations? 

                                         WALTER
                             What were you doing, nosing around
                             in Haddonfield, on spooky street?  

                                         LISA 
                             What are you talking about?  

              Walter rips the camera out of Lisa’s hands and flings it
              into the corner.  He gets in Lisa’s face. 

                                         WALTER
                             Sheriff Brackett told me you were
                             out near the old Doyle house today,
                             the old Myers house...goddamn.  

                                         LISA 
                             I’m making a documentary about the
                             haunting of Haddonfield, the death
                             of a once great town.  Why is 
                             everyone so scared to go near
                             Haddonfield?  He’s dead, isn’t he? 

                                         WALTER
                             Don’t you have any respect for the
                             people who’ve been murdered there
                             over the past fifty years?  

                                         LISA 
                             I’m the only one who does.  

              Lisa heads for the stairs and Walter grabs her by the arm.
              She slaps him and they both stare at each other in stunned
              silence.  Walter starts to sob.  

                                         WALTER
                             I’m just trying to protect you. 
                             Your mother’s gone and you’re all
                             I have left.  I don’t want anything
                             bad to happen to you.  I know what
                             I’m talking about, Lisa.  I know
                             better than anyone why Haddonfield
                             should be dead and buried. 

                                         LISA
                             The only one I need protection from
                             is you.  At least Michael Myers liked
                             to spend time with his family. 

              INT. LISA’S HOUSE - LIVING ROOM - LATER

              Walter sits on the couch, looks up at the ceiling, drowns
              himself in booze.  Suddenly, he clutches his head in agony,
              shakes his head back and forth.  

                                                                          17.

                                         WALTER
                             Michael...Judith...please let this
                             be the end.  

              INT. HOTEL ROOM - NIGHT 

              Sara’s flopped down on the bed, surrounded by a sloppily
              packed suitcase and some takeout.  KNOCK, KNOCK, KNOCK. 

                                         SARA 
                             Who is it? 

                                         MARSHAL (O.S.)
                             It’s just Ralph, Dr. Moyer.  I was
                             going to go to my room, if
                             everything’s okay?  Jake will be
                             here in ten minutes for the next
                             shift. 

                                         SARA 
                             That’s fine.  Listen, I ordered some
                             room service.  I’ll handle it...

              KNOCK, KNOCK, KNOCK....

              Sara looks at the door, then at the PHONE...

                                         VOICE (O.S.)
                             Room service. 

              SARA’S VISION - THROUGH PEEPHOLE 

              It’s Freddie, in a makeshift waiter’s uniform. 

              FREDDIE AND SARA 

              Sara ushers Freddie inside and bolts the door shut. 

                                         SARA
                             What happened to you?  Why did you
                             vanish like that?  

                                         FREDDIE
                             Let’s just say that I’m a man
                             without a country.  You know, they
                             banned me from being within a
                             hundred miles of Haddonfield.  

                                         SARA 
                             What about the blood...? 

              Freddie takes a step and all of the color drains from his
              face as he slumps over the side of the bed.  Sara helps 
              him onto the bed, pulls up his shirt to REVEAL the 
              crudely bandaged wound.  

                                                                          18.

                                         FREDDIE
                             I’m okay, just lost some blood. 
                             Not the first time.  

                                         SARA
                             It was him.  

                                         FREDDIE
                             He blew right by me, like a crazy
                             ghost.  He looked at me for a 
                             second, could’ve killed me at any
                             time, wanted me to know that.  Then
                             he just vanished.  

                                         SARA 
                             What do you want to do?  

                                         FREDDIE
                             I want to go back to Haddonfield and
                             destroy him, once and for all. 

              Sara lets out a sigh and shakes her head. 

                                         SARA 
                             They’ve been saying that for over
                             thirty years.  He was cremated, 
                             Freddie.  How do you explain that? 

                                         FREDDIE
                             I don’t know.  There must be some
                             kind of explanation for that.  Maybe
                             he pulled the double switch again,
                             maybe he was reincarnated....damn,
                             girlfriend, you saw him.  He’s 
                             come back.  

                                         SARA 
                             How can we stop him?  

                                         FREDDIE 
                             I’ve assembled an army...

              Sara lets out a bad laugh...

                                         FREDDIE (cont.)
                             No, volunteers, people who used to
                             live in Haddonfield, who believe in
                             the legend of Michael Myers, believe
                             he can’t ever be dead until
                             Haddonfield’s brought back to life. 
                             We’ve got to go to war.  Tomorrow.
                             Halloween.  The last Halloween
                             before that bill passes the Senate
                             to have Halloween removed from the
                             calendars.  

                                                                          19.

                                         SARA 
                             What’s in it for you?  

              KNOCK, KNOCK, KNOCK.  

                                         MARSHAL (O.S.)
                             Everything okay, Dr. Moyer?  I’m
                             Jake.  I’ll be watching over you
                             until morning. 

                                         SARA
                             Fine, thank you.  Trying to go to
                             sleep now. 

              Sara looks back at Freddie who has a guilty and sick look
              on his face. 

                                         FREDDIE
                             The Haddonfield Revolution will have
                             to be televised.  

                                         SARA
                             What the fuck are you talking about? 

                                         FREDDIE
                             Financial backing, foreign and 
                             overseas advertising and pre-sales. 
                             A TerrorTainment production all
                             the way.  Co-production.  DVD, book
                             rights - all of that shit.  

                                         SARA 
                             You’re crazy...

                                         FREDDIE
                             Been secretly installing surveillance
                             equipment all over Haddonfield, near
                             monuments - Myers house, Doyle house,
                             Wallace House, Lampkin Lane, the 
                             the whole nine yards - and weapons
                             for us to use. 

                                         SARA 
                             What about the cops?  

                                         FREDDIE
                             It’s Haddonfield.  The badlands.  
                             Cops don’t go there.  No one lives
                             there anymore.  

              Sara grabs a pillow off of the bed and throws it down on
              the ground for Freddie to sleep on.  

                                         SARA 
                             What if I just left Haddonfield, 
                             changed my name, never heard from
                             again?  

                                                                          20.

                                         FREDDIE
                             Worked great for Laurie Strode,
                             didn’t it? 

              EXT. SARA’S HOUSE - NIGHT 

              Hunt arrives back on the scene which appears to have 
              died down.  A COP approaches Hunt as he walks towards the
              house. 

                                         HUNT 
                             Did they find anybody?  He couldn’t
                             have gotten far on foot.  You got
                             the APB out to Warren County, right? 

                                         COP 
                             Haven’t heard anything yet, but we
                             found something upstairs, wanted
                             to wait for you. 

              INT. SARA’S BEDROOM - NIGHT 

              Hunt storms in, looks down at the bed while a CSI WORKER
              points into the closet...

              IN THE CLOSET 

              Laurie Strode’s tombstone...

              ON HUNT 

              He turns and vomits onto the floor, then gathers himself,
              growls at the sight. 

                                         HUNT 
                             Is this some sick joke?  Damn kids
                             on Halloween.  Get that tombstone
                             back to Laurie Strode’s grave 
                             before the damn reporters get onto
                             this.  Jesus.  Any leaks to the
                             press, I’ll rip your nuts off. 

                                         CSI WORKER
                             Got a partial print off the stone.
                             I’ll run it through the database,
                             let you know if we get a hit. 

              EXT. HADDONFIELD - NIGHT 

              A VOLKSWAGEN stops at the edge of the faded city entrance.

              INT. VOLKSWAGEN - NIGHT 

              JULIE ROGERS(20s)and SCOTT RYERSON(20s), both armed with
              stacks of surveillance and video equipment. 

                                                                          21.

                                         JULIE
                             I didn’t spent six years in film
                             school for this. 

                                         SCOTT
                             Would you rather be pouring coffee
                             for some asshole morning show DJ in
                             Chicago?  How about lap dancing?  
                             Mr. Harris gave us a great 
                             opportunity.  I think it’s what
                             they call, in show business, a 
                             break. 

              Julie laughs, pulls out a bag of miniature Halloween
              candies and begins to munch. 

                                         JULIE 
                             Mr. Harris...dresses like a pimp. 

              Scott shoots her a serious look. 

                                         SCOTT
                             At least we can tell people back
                             home that we went to Haddonfield. 

              EXT. STREET - HADDONFIELD - NIGHT 

              The car stops and Julie and Scott get out and look up and
              down the cold and desolate streets.  Scott has a camera
              in his hand.  

                                         JULIE
                             What the hell are we doing?  

              Scott points up at the dormant power lines.  

                                         SCOTT
                             First, I’m just going to do a check,
                             make sure everything works for 
                             tomorrow night’s...show...Halloween
                             scavenger hunt. 
                                         (beat)
                             Then, we’re going to have sex.  

              Scott walks down the street as Julie just watches after 
              him.  Scott has a medium-sized ladder under his arm. 

                                         JULIE 
                             Aren’t I the big winner?  Lucky me.

              EXT. DOYLE HOUSE - NIGHT 

              ON SURVEILLANCE CAMERA 

              Scott points up at the tiny camera that moves around in a
              tight 360.  

                                                                          22.

              JULIE AND SCOTT

              Scott talks into his cell phone. 

                                         SCOTT 
                                    (into phone) 
                             Doyle House.  Check.  

                                         VOICE 
                             Got it.  Works good.  Be careful
                             out there.  

                                         SCOTT 
                                    (into phone)
                             What do you mean be careful?  It’s
                             just a prank like that phoney Web
                             Cam Massacre, right?  Right?

              The frequency in Scott’s phone BLEEDS OUT into the air.  
              Scott shakes the phone then curses under his breath and
              puts the phone away. 

              JULIE’S VISION - WALLACE HOUSE 

              The Shape walks across the front of the house, stops and
              stands there, LOOKS RIGHT AT THEM.  

                                         JULIE 
                             Scott...? 

              She turns around again and THE SHAPE’S GONE.  

              ON SCOTT 

              Looks across the street, smiles at Julie like she’s crazy
              and stupid.  

                                         SCOTT
                             Don’t even try and scare me. 

                                         JULIE 
                             There was a man across the street,
                             and he looked so cold and creepy. 
                             It was...

              SCOTT’S VISION

              He runs across the street, looks up at the camera on the
              pole, right in front of the Wallace house. 

                                         SCOTT
                             I have to go inside and check.  Then,
                             we’re almost finished. 

                                         JULIE 
                             Let’s get out of here, Scott. 

                                                                          23.

                                         SCOTT
                             What are you afraid of?  Crispy
                             Michael Myers?  He was burned into
                             ash, everyone knows that.  This
                             town, Haddonfield, is like one big
                             haunted house. 

              Before Julie can say another word, Scott runs inside the
              Wallace house. 

              ON JULIE 

              She looks behind her and sees The Shape standing at the
              end of the sidewalk.  

              She grits her teeth and walks down the sidewalk towards
              him as THE SHAPE MOVES BEHIND THE SHRUBS.  

              She runs down the sidewalk and looks....THE SHAPE’S GONE.

              A HAND 

              grabs Julie’s shoulder and she whirls around to see...

              A SILVER SHAMROCK PUMPKIN MASK 

              The Silver Shamrock pin falls off of the mask and just
              sits there. 

                                         JULIE 
                             Scott...

              JULIE’S VISION

              The hands raise up and the fingers are blackened and 
              swollen as they CRUSH AGAINST JULIE’S THROAT, her hands
              RIPPING AT THE MASK...a slow REVEAL of The Shape’s 
              cold and expressionless face.  

              EXT. WALLACE HOUSE - NIGHT 

              Scott runs out with a big smile on his face. 

                                         SCOTT 
                             Now the last part.  I want to have
                             sex in the Myers House, in Judith
                             Margaret Myers’ bedroom, same place
                             it started back in 1963. 
                                    (holds up video camera)
                             I want to make us both porn stars. 

              Scott walks towards the street, looks for Julie who’s 
              vanished.  

              SCOTT’S VISION

              Julie’s in the car, eyes look back at him.  

                                                                          24. 

                                         SCOTT
                                    (cackled laughter)
                             Maybe we could dig up Judith and
                             do a three-way, right in her old
                             bedroom - hee, hee, hee.  Isn’t that
                             sick?  I’m a twisted fuck.  Maybe we
                             could dig up Laurie’s body and have
                             a fatal fourway.  You like that kind
                             of thing, don’t you, Jules?  

              His eyes move over towards the car when he suddenly notices
              a BLOODY STREAK around Julie’s neck, the dead eyeballs 
              staring out into space. 

              THE SHAPE 

              rises up from the side of the car, like a grasshopper out of
              a knoll, blade extended...

                                         SCOTT
                             Michael Myers...

              He stumbles backward when a SECOND BLADE protrudes through
              his back, blood gurgles out of his mouth as a SECOND SHAPE
              hovers over him, reaches down to PULL ON HIS NECK until the
              neck stem begins to TEAR APART...

              ON SCOTT 

              With the Silver Shamrock Pumpkin mask over his head as he’s
              dumped in the backseat of the Volkswagen. 

              INT. HOTEL ROOM - NIGHT 

              Freddie walks out of the bathroom, he and Sara glare at
              each other. 

                                         FREDDIE
                             He could’ve killed me, just like
                             that...my life was in Michael
                             Myers’ hands.  Man, that’s some
                             serious couch time right there. 

              Sara shakes her head, visibly bothered. 

                                         SARA 
                             No, that doesn’t make sense.  Even
                             Michael Myers can’t be in two places
                             at once. 

                                         FREDDIE
                             Are you sure about that?  I believe
                             Michael Myers could be in a million
                             places at once.  When it comes to
                             Michael Myers, all bets are off. 

                                                                          25.

                                         SARA 
                             No, I was attacked by two different
                             Michaels - one downstairs and one
                             upstairs.  It wasn’t the same man. 

                                         FREDDIE 
                             Then there’s the fact that he was
                             cremated on closed circuit. 

              Sara pulls out a picture of her and her friends - Jen, Rudy,
              etc. - from the Web Cam Massacre.  

                                         SARA 
                             We have to think like Michael Myers.
                             How would he escape death, how would
                             he live on?  A malevolent entity, 
                             moving through elemental planes, or
                             could he still be in the flesh? 
                                         (beat)
                             When I work on a case, I always ask
                             myself the same question: What would
                             Dr. Loomis do?  

              KNOCK, KNOCK, KNOCK....

              They both stare at the door as a TRICKLE OF BLOOD rolls
              under the crack in the floor.  

                                         SARA 
                             Marshal...Jake....?  

                                                                CUT TO:

              INT. LISA’S BEDROOM - NIGHT 

              Lisa’s in bed, stares at a scrapbook of Haddonfield and
              Michael Myers press clippings.  LOUD SOBS OS.  

              HALLWAY 

              Lisa walks out...SOBS ARE LOUDER...from the....

              MASTER BEDROOM 

              Lisa walks in and watches Walter sob his eyes out, a 1963
              Haddonfield High School Yearbook draped over the bed. 

                                         LISA 
                             Dad, I’m sorry...

                                         WALTER
                             No, Lisa, it’s all my fault.  We
                             should’ve headed back to Los Angeles
                             after your mother died, but I was
                             obsessed with staying here, facing
                             the demons...the demons of
                             Haddonfield...AND THAT EVIL HOUSE. 

                                                                          26.

                                         LISA 
                             What are you talking about?  

              They hold hands as Walter looks her right in the eye. 

                                         WALTER
                             I’m scared because I was your age
                             once, just like it was yesterday, 
                             and you remind me of her. 

                                         LISA
                             Mom...? 

              Walter shakes his head and points at a pretty face on one
              of the Yearbook pages, circled in red ink, faded from 
              tears. 

                                         WALTER
                             Judith...

                                         LISA 
                             Judith Margaret Myers, Michael’s 
                             older sister, murdered Halloween
                             night 1963.  It started it all.  
                             They say he watched her from the
                             street, watched her comb her pretty
                             blonde hair while she stood in front
                             of the mirror - naked, energized by
                             sex...

              The “sex” part hits Walter like a dagger in the gut. 

                                         WALTER
                             I fell for her the first time I laid
                             eyes on her.  Those eyes, that hair,
                             those legs...she was on fire.  I was
                             the quarterback of the football team
                             and she was my biggest fan.  We were
                             in love and we liked sex a lot.  

              WALTER’S VISION - A 1963 CHEVY 

              A TEENAGE BOY and GIRL have wild sex in the backseat of
              the car.  Suddenly, a ROCK CRACKS against the windshield. 

              ON JUDITH MYERS AND TEENAGE WALTER

              They look up with flushed faces. 

                                         JUDITH 
                             Michael, you filthy little bastard.

                                         WALTER
                             Did I pull out in time?  

                                                                          27.

              ON SIX YEAR OLD MICHAEL MYERS - LOVER’S LANE

              He watches from the edge of the street with those famous
              black and expressionless “devil’s” eyes.  Suddenly, a 
              WHITE ZOMBIE HALLOWEEN MASK falls over his face...

                                         JUDITH (O.S.)
                             Call me tomorrow? 

                                         WALTER (O.S.)
                             Sure.  

              The CREAK of stairs, the sound of CHILDLIKE FOOTSTEPS. 

                                         JUDITH (O.S.)
                             Michael?  What are you doing with
                             the knife?  MICHAEL...! 

              RESUME - LISA AND WALTER 

              Lisa shakes her head, face covered with a look of 
              great curiosity and horrified disbelief. 

                                         LISA 
                             You were the boy who fucked Judith
                             on Halloween night?  Sorry...

                                         WALTER
                             First, the cops arrested me, brought
                             me in for questioning, made me tell
                             about all the times we did it, 
                             what we did.  Then Michael was sent
                             away, but the people in town, you
                             should’ve seen the looks I got.  I
                             went to Chicago for ten years, met
                             your mother, but I was drawn back
                             here. 

                                         LISA 
                             What did Mom say when you told her
                             this?  

              Walter starts to open his mouth until he breaks down into
              tears, buries his head against Lisa’s shoulder.  

                                                                CUT TO: 

              INT. HOTEL ROOM - NIGHT 

              Freddie and Sara look at the door.  Freddie pulls out a
              gun and marches towards the door. 

              KNOCK, KNOCK, KNOCK...

                                         SARA
                             Jake?  Ralph?  Who’s out there?
                             I’m going to call Gary.  

                                                                          28.

              Before Sara can pick up the phone, Freddie FIRES SIX SHOTS
              INTO THE DOOR.  LOUD THUD OS.  Sara covers her face and 
              lets out a shriek. 

                                         SARA 
                             You killed a cop you idiot. 

                                         FREDDIE
                             I don’t think so, but if I did, I’m
                             going live from Death Row. 

              FREDDIE’S VISION 

              As he marches towards the door, THICK BLOOD underneath the
              door.  Freddie RIPS open the door and looks out. 

              OUTSIDE DOOR 

              Freddie and Sara walk out...

                                         SARA 
                             There’s Marshals watching over me.

              They walk forward when DROPS OF BLOOD hit Freddie on the
              head like a dead rain.  

              As they look up...

              JAKE AND RALPH 

              fall down from an open vent, handcuffed together, HUNG BY
              THEIR ENTRAILS.  

              THE SHAPE 

              appears in the open vent, slowly jumps down as Freddie
              presses on his empty gun. 

              FREDDIE AND SARA 

              Freddie rips Sara away from the door and they march down 
              the hall...

              ANOTHER SHAPE 

              appears at the other end of the hallway...

                                         SARA 
                             Where are we going to go?  

              FREDDIE 

              KICKS OPEN THE DOOR to one of the rooms, leads Sara inside. 

                                                                          29.

              INT. SECOND HOTEL ROOM - NIGHT 

              Freddie and Sara push the furniture up against the door as
              A KNIFE CRASHES THROUGH THE DOOR.  The Shape’s hand reaches
              through the opening.  

              Freddie pulls out a switchblade and DRIVES IT INTO THE
              SHAPE’S HAND, send The Shape away from the door. 

                                         SARA 
                             Window.  We’re not that far up. 

              Freddie picks up a chair and crashes it through the window
              as POLICE SIRENS ring out in the BG.  

              HALLWAY 

              No sign of The Shapes. 

              OUTSIDE HOTEL ROOM WINDOW 

              Freddie and Sara walk along the side of the hotel until they
              latch onto a fire escape and slowly climb down.  POLICE CARS
              appear in the BG, right close to the hotel.  Sara’s cell 
              phone RINGS but the phone falls out of Sara’s hand as she
              reaches to answer. 

                                         FREDDIE 
                             It’s on.  Police can’t save you, me
                             or Haddonfield.  It’s got to be
                             taken back. 

              INT. HUNT’S CAR(MOVING) - NIGHT 

              Hunt speeds along, on the phone. 

                                         HUNT 
                                    (into phone) 
                             What the hell happened over there?  
                             Farmer and Ramsey were supposed to
                             be watching Dr. Moyer.  Is Dr. Moyer
                             okay?  You find her.  

                                         C.S.I. (V.O.)
                             Gary, this is Tom at the crime lab. 
                             Got a preliminary hit off those
                             partials we found on the tombstone. 

                                         HUNT 
                             Whose prints are they?  

                                         C.S.I. (V.O.)
                             Reginald Graham.  

              Hunt takes a deep breath. 

                                                                          30.

                                         HUNT 
                             I thought you were going to say 
                             Michael fucking Myers. 

                                         C.S.I. (V.O.)
                             We’re still processing the blood
                             we found. 

              Hunt dials another number.  

                                         DISPATCH 
                             Gary...?  

                                         HUNT 
                             I’m on my way to the hotel.  Keep
                             the blanket on over the whole area,
                             and if you don’t find anything,
                             check again.  Find out what you
                             can about Reginald Graham.  Might
                             be a cemetery caretaker or just 
                             the name of some kid playing a sick
                             Halloween joke. 

                                         DISPATCH 
                             Gary, we’re getting tons of calls 
                             from people saying they’ve seen 
                             Michael Myers 
                           
              INT. FREDDIE’S VAN - TEN PAST MIDNIGHT 

              SUPER: “October 31, 2015"  

              and...”HALLOWEEN” 

              Freddie looks over at Sara who’s drowsy in the passenger
              seat.  Sara opens her eyes to look at her watch. 

                                         SARA 
                             It’s Halloween. 

                                         FREDDIE
                             Time for the people of Haddonfield
                             to rise up from the dead and fight
                             back.  I’ve assembled quite a army.
                             We’re going to kick ass. 

                                         SARA 
                             You saw at the hotel...more than
                             one Michael Myers.  

                                         FREDDIE
                             Maybe they were Michael Myers
                             impersonators, but there can be
                             only one true Michael Myers.  

              A lightbulb flashes in Sara’s head.  She looks at Freddie
              strange. 

                                                                          31.

                                         SARA 
                             Is it possible for there to be more
                             than one?  We killed him, he burned
                             to bits.  He was taken to the 
                             hospital...the hospital...

              Suddenly, POLICE SIRENS wash over their faces as Freddie
              and Sara lower their heads. 

                                         FREDDIE
                             I’m going to take you to meet the
                             rest of the team. 

                                         SARA 
                             How do you know Michael Myers, if
                             he is alive, will be in Haddonfield
                             tonight?  

                                         FREDDIE
                             Where else is he going to be, at a
                             Cubs game?  It’s his domain and he
                             kills anyone who goes near it. 

              EXT. HADDONFIELD ELEMENTARY SCHOOL - NIGHT 

              The van pulls into a crevice and Freddie and Sara get 
              out. 

                                         SARA 
                             The cops aren’t just going to stand
                             by if you start blowing everything
                             up. 

                                         FREDDIE
                             There’s no law in Haddonfield. 

                                         SARA 
                             What about Sheriff Brackett?  

              Freddie laughs and pats Sara on the shoulder as they walk
              inside the school. 

              INT. SCHOOL GYM - NIGHT 

              The place looks like a high-tech battle factory slash 
              network broadcasting center.  

              ON A SERIES OF SURVEILLANCE CAMERAS 

              RAPID CUTS as every part of Haddonfield is beamed up onto
              the screens. 

              ON MONITOR  

              Julie and Scott’s kills are played out on a replay monitor
              while Freddie and Sara watch in horror.  

                                                                          32.

                                         FREDDIE
                             We’ll be able to track Michael Myers
                             wherever he goes.  

              THE COMPUTER TECH 

              turns around and it’s NORA WINSTON...back from the dead
              with a “TerrorTainment” symbol tattooed on her forehead. 

              FREDDIE AND SARA 

              Sara’s mouth drops open.  

                                         SARA
                             She’s dead. 

                                         FREDDIE 
                             But she’s alive.  

              Freddie holds up a blade and sticks it into one of Nora’s
              immaculate eyes...SENDS WHITE SLIME out of the eye. 

              RUDY GRIMES 

              appears along with....

              A SMALL ARMY OF SOLDIERS 

              They walk forward, covered in body armor, armed to the
              teeth, in all shapes and sizes.  

                                         NORA 
                             The killing has started already.

                                         SARA 
                             Sara...

                                         FREDDIE
                             Cyborg killing machine.  Robot. 
                             Functional, perfectly obedient, nice
                             ass.  

              SARA 

              walks over to Rudy, tears falling down her face. 

                                         RUDY 
                             Why did you let me die, Sara?  Why
                             does the black guy always have to
                             get killed so the white chick can
                             live?  

              Sara turns and starts to punch and slap Freddie over and
              over until he grabs her and holds her perfectly still.  

                                                                          33.

                                         SARA
                             They’re dead.  Why are you doing
                             this?  

                                         FREDDIE
                             To play mind games with Michael 
                             Myers.  They’re just robots, not
                             real people.  
                                    (pointing) 
                             Look...

              RACHEL CARRUTHERS AND LAURIE STRODE 

              move out of the crowd, heads turned upside down, mouths
              dropped open like drones.  A few more steps and their
              heads fall off completely, REVEAL half-finished cyborg
              limbs and spines.  

              JAMIE LLOYD 

              smiles up at Sara as her ROBOTIC HEAD twirls around on a
              slab, probed by a SCIENTIST.  

                                         LAURIE 
                             Michael...

                                         FREDDIE 
                             I thought we could bring back the
                             people who kicked Michael Myers’ 
                             ass to fight him, but it hasn’t 
                             worked out very well.  

              EXT. HADDONFIELD ELEMENTARY SCHOOL - NIGHT 

              Freddie and Sara walk out just as a BUS arrives in front
              of the school.  HUNTERS, maybe twenty or thirty of them,
              pile out of the bus with knives, shotguns and various
              weapons. 

                                         SARA 
                             These people are here to help kill
                             Michael Myers. 

                                         OLD MAN 
                             Michael Myers killed my brother
                             twenty years back and I damn sure
                             don’t believe he’s dead.  Look
                             what’s happened to Haddonfield. 
                             We’ve got to save our hometown.  

                                         FREDDIE 
                                    (to Sara) 
                             This is the Haddonfield army, ready
                             for action.  

                                                                          34. 

              A BLACK HELICOPTER 

              beats overhead, slowly descends as...

              THE SOLDIERS 

              march out of the school.  

              LANCE EVERETT 

              Blonde, surfer type with a crew cut and a star quarterback’s
              confidence.  

              MOUNTAIN MORGAN 

              A big, black Navy Seal type with twenty-four inch pythons 
              and a thick Cuban carved into his rotted teeth.  

              KARA TROY 

              A tough female she-devil with cherry lipstick and razor-sharp
              nails.

              FREDDIE AND SARA 

              watch in awe, as the helicopter lands. 

                                         SARA 
                             Are they robots too?  

                                         FREDDIE 
                             Who cares?  

                                         SARA 
                             Are you sure you might not make
                             Haddonfield worse off than it 
                             already is?  

                                         FREDDIE
                             Let me ask you a question, Sara: 
                             How long do you want to keep 
                             running?  

              ON THE HELICOPTER 

              The door opens and YURI VOLCHENKOV(40s), a slick-looking
              European suit, walks out and moves towards Freddie.  

              A FLEET OF CAMERAMEN 

              appear out of nowhere, move in from all angles. 

                                         YURI 
                             I didn’t think you could make it
                             happen, Freddie, but another 
                             Halloween is upon us.  

                                                                          35.

                                         FREDDIE
                             This is going to make the Web Cam
                             Massacre look like...remember when
                             that idiot from Incredible Hulk
                             tried to prove that Elvis was still
                             alive?  

                                         YURI 
                             You think you’re going to kill him? 

                                         FREDDIE
                             Either we’ll kill Michael Myers or
                             he’ll kill everyone in Illinois.  
                             Great television either way. 

              Yuri reaches into his pocket and pulls out a sealed check
              that he gives Freddie while Sara watches in disgust.  Yuri
              reaches out to shake Sara’s hand, but she pulls away. 

                                         SARA 
                             You’ve got an army, you’ve got all
                             of the equipment...why do you need
                             me?  

                                         YURI 
                             Bait.  You sent Michael Myers to
                             hell, literally, and if he’s come
                             back, he’s going to want revenge. 
                             We’re your last line of protection,
                             Dr. Moyer, unless Michael Myers is
                             so deep inside your head that you
                             can’t escape the madness. 

              EXT. HOUSE - NIGHT 

              Hunt’s car parks on the curb.  Hunt holds out his gun
              as he walks towards the front door, with a faxed picture
              of a YOUNG MAN in his hands.  He knocks on the door. 

                                         HUNT 
                             Reginald Graham. 

              Hunt pushes on the door and it opens right up.  Hunt
              walks inside.  

              INT. HOUSE - NIGHT 

              Hunt walks in, blinded by the glow of a Jack-O-Lantern that
              rests in the middle of the livingroom.  

                                         HUNT 
                             Police.  

              Hunt stumbles and bumps into a warm plate of food that
              rests on a table.  He holds up his gun and walks out of
              the room.  

                                                                          36.

              BEDROOM 

              ON OLD MAN AND WOMAN 

              Flat on the bed, knives sticking out of their chests, 
              lit pumpkins on top of the pillows.   

              Hunt puts his hand on the old man’s body...then reaches
              over and PULLS OFF THE HEAD, full of glue and wax.  The
              head collapses in his fingers as he tosses it to the
              floor.  

              THE SHAPE 

              appears out of the closet, knife out...

              HUNT 

              turns and kicks The Shape in the gut, shoots him in the
              leg.  A LOUD GROWL as Hunt points the gun at The Shape’s
              head. 

                                         THE SHAPE
                             Don’t kill me.  I’m just a kid. 

              THE SHAPE 

              Hunt rips off the mask and REVEALS the man in the picture,
              REGINALD GRAHAM(18).  

                                         GRAHAM 
                             Don’t shoot me.  I’m part of the
                             Michael Myers clan.  Happy 
                             Halloween. 

                                         HUNT 
                             You were going to kill me...you
                             were at Dr. Moyer’s house.  

                                         GRAHAM 
                             She killed Michael Myers.  Bitch.
                             Wanted to teach her a lesson, scare
                             her a bit.  She shot me six times,
                             almost went through the Kevlar. 
                             No one told me she had a gun. 

              Hunt pulls Graham up and throws him up against the wall.

                                         HUNT 
                             You’re a Michael Myers copycat?  

                                         GRAHAM 
                             There can only be one Michael Myers.
                             The rest of us can only pay tribute
                             to his greatness, try to kill like
                             him.  I was paid to scare the doctor.

                                                                          37.

                                         HUNT 
                             You were paid to scare Dr. Moyer? 
                             What about Laurie Strode’s tombstone?

                                         GRAHAM 
                             Laurie Strode burns in hell.  I wish
                             I’d killed her myself.  
               
                                         HUNT 
                             Who are you working for?  

                                         GRAHAM 
                             The dude doing that TV show.  Wants
                             to make everyone believe that 
                             Michael Myers is still alive, scare
                             people.  Everyone can use a good
                             scare on Halloween. 

              Graham grabs Hunt’s gun in a flash and, before Hunt can
              move a shocked muscle, Graham puts the gun into his own 
              mouth and blows his own brains all over the far wall.  

              EXT. LISA’S HOUSE - MORNING 

              Lisa walks out of her house with her camera case.   She
              looks back at Walter who watches from the window.  She 
              gets in her car and drives off.  

              EXT. HADDONFIELD - MORNING 

              QUICK CUTS 

              1)The Doyle House, the Myers house, the Wallace house, 
              Laurie Strode’s house...

              2)The boarded up stores with Halloween decorations 
              permanently plastered over everything.  

              3)A series of ARK BUSES are perched on the edge of the
              town.  

              INT. SHERIFF’S OFFICE - HADDONFIELD - MORNING 

              Hunt’s car parks in the middle of the road.  Hunt gets
              out, looks down both sides of the desolate street, and
              walks inside. 

              INT. SHERIFF’S OFFICE - MORNING 

              Hunt walks in.  Brackett walks out and they stare at each
              other for a beat before they warmly embrace. 

                                         BRACKETT
                             Great to see you again. 

                                         HUNT 
                             How’s the wife?  

                                                                          38.

                                         BRACKETT
                             Died about ten years ago.  Bone
                             cancer. 

              Hunt curses under his breath, starts to tear up. 

                                         HUNT 
                             What are you doing here, Leigh?  

                                         BRACKETT
                             Haddonfield’s my town.  If someone
                             wants to come here and raise hell,
                             they’ll have to mess with me
                             because this is my town. 

                                         HUNT 
                             Leigh, I wish I could go back in
                             time, back to that night...hell,
                             make sure Myers never got out of
                             Smith’s Grove in the first place,
                             but we can’t.  It happened, like
                             an endless nightmare. 

                                         BRACKETT
                             Michael Myers is dead...

                                         HUNT 
                             I believe that, but there’s some
                             people dressing up like him, killing
                             like him, who are trying to recreate
                             the past.  Two of my men were 
                             murdered last night while on duty. 
                             I never seen anything like that
                             since...

              Brackett walks over to his desk, returns with a faded 
              high school picture of Annie, Lynda and Laurie.  Arms
              around each other, big smiles. 

                                         BRACKETT
                             You know, Annie had applied to go
                             to Northwestern and a couple of
                             months after Halloween, we got the
                             acceptance letter in the mail.  She
                             wanted to be a veterinarian, 
                             something to do with animals.  Isn’t
                             that nice?  She’d be in her fifties
                             about now, old and grey with a few
                             grandkids.  All I see, when I close
                             my eyes and the demons scratch my
                             back, is my baby girl.  

              Hunt gives Brackett a big hug as they both wipe tears from
              their eyes.

                                                                          39.

                                         HUNT 
                             I’m really worried that something
                             bad’s going to happen in Haddonfield
                             today, on Halloween.  People have
                             been vanishing left and right, 
                             Haddonfield’s a ghost town, I’m 
                             looking for some ghost killer.  I
                             want to stay here today.  Let’s 
                             make sure everything’s peaceful 
                             around here. 

              EXT. MYERS HOUSE - MORNING 

              Lisa’s car drives down the empty street and stops in front
              of the Myers house.  Lisa gets out, camera in hand, and 
              walks towards the house like she lived here. 

              ON SURVEILLANCE CAMERA 

              The camera watches her every move. 

              INT. CONTROL CENTER - SCHOOL - MORNING 

              ON NORA 2.O 

              As she watches Lisa vanish inside the Myers house. 

                                         NORA 2.0
                                    (into speaker) 
                             Someone just walked into the Myers
                             house.  Late teens, Caucasian, 
                             unarmed. 

              EXT. HADDONFIELD - MORNING 

              The ark buses, three of them, stop on the outskirts of
              the town.  Morgan jumps out of one of the buses and moves
              to the front of the pack.  

                                         MORGAN 
                             Okay, we’re going to attack from 
                             three different areas: Downtown
                             Haddonfield, the east exit and 
                             from Russelville.  Remember, the
                             cops can’t touch us as long as we
                             don’t leave the perimeters.  NOW DO
                             YOU SCUMSUCKING PIGS HAVE ANY 
                             QUESTIONS OR ARE YOU JUST WAITING
                             TO GREASE MICHAEL MYERS?  

              The chorus roars as two of the buses speed off.  Freddie
              and Sara are with the three soldiers - Everett, Morgan
              and Troy.  

                                         SARA 
                             What if we don’t find him? 

                                                                          40.

                                         FREDDIE
                             We’ll find him, Sara.  Trust me. 

              EXT. HADDONFIELD ELEMENTARY SCHOOL - MORNING 

              ON THE SHAPE 

              He appears on the edge of the track.  He pulls off his
              mask to REVEAL a TEENAGER.  

                                         TEENAGER
                             Man, I don’t know how Myers ever wore
                             this fuckin’ mask.  I don’t know
                             how William Shatner ever wore this
                             fuckin’ mask.  

              A HAND 

              reaches out and grabs the teenager by the neck, slides 
              a blade across his throat. 

              ON EYES 

              as they watch the teenager die in a pool of his own blood, 
              with great curiosity and fascination. 

              INT. HADDONFIELD ELEMENTARY SCHOOL - MORNING 

              ON FIVE HUNTERS  
        
              They walk towards the exit, stop in their track as...

              THE SHAPE 

              moves towards, grinds to a stop and stands there.  HEAVY 
              BREATHING.  

                                         MIDDLE-AGED MAN 
                             There he is.  Five against one.  I
                             like those odds, don’t you?  

              They all nod as The Shape moves towards them...

              INT. SCHOOL GYM - MORNING 

              ON CAMERAS 

              Freddie, Sara and the others appear on the bank of cameras,
              moving all over Haddonfield from different angles.  LOUD
              SCREAMS, over and over, from inside the school...

              ON COMPUTER TECHS 

              They turn as The Shape marches into the gym.  

                                                                          41.

                                         COMPUTER TECH #1 
                             Michael Myers is here.  Not sure if
                             it’s the real thing or a Michael
                             Myers impostor. 

              THE SHAPE 

              drives his blade across the Tech’s neck, sends the head
              clear off...reveals a ROBOT.  The Shape looks down, head
              tilted from side to side, confused as....

              NORA 2.O

              walks out, glares at The Shape. 

                                         NORA 
                             Remember me...Michael?  

              LAURIE AND THE OTHERS

              join her, half-built robotic limbs move in all kinds of 
              weird directions. 

                                         LAURIE 
                             You couldn’t kill me, Michael. 

                                         RACHEL 
                             Me either.   

              NORA 2.0

              pulls out an automatic rifle and FIRES INTO THE SHAPE, 
              crashes him through the wall of the gym...

              OUTSIDE 

              Nora walks out, spots the dead hunters spread out in a
              bloody pile...

              THE SHAPE 

              appears behind Nora, grabs her by the neck, lifts her up
              with his vice-like grip until her robotic head tears off
              in his hands.  He grabs her rifle and FIRES A HOLE 
              THROUGH NORA’S CHEST, blows the robot to pieces.  

              EXT. HADDONFIELD ELEMENTARY SCHOOL - MORNING 

              LARGE EXPLOSION IN THE SCHOOL.  

              ON THE CAMERAS 

              As all of the equipment’s blown to pieces, set on fire.

                                                                          42.

              EXT. HADDONFIELD - MORNING 

              QUICK CUTS 

              1)Freddie, Sara and the three soldiers - Lance Everett, 
              Mountain Morgan, Kara Troy - march along the edges of 
              Haddonfield.

              2)The rest of the Hunters move towards different parts
              of Haddonfield - the downtown strip, back alleys - as the
              ark buses rest on the edge of the track.  

              3)Brackett and Hunt walk the streets near the Sheriff’s
              Office.  

              ON FREDDIE AND SARA 

              Freddie holds up a Web Camera, watches the picture turn
              to snow.  

              ON THE SOLDIERS 

              They stop in their tracks.  

                                         FREDDIE 
                             What are you doing?  Get moving. 
                             You’re being paid to do a job. 

                                         SARA 
                             They’re robots.  

                                         FREDDIE 
                             Who else is going to volunteer for
                             a job except those yahoos I found
                             on the Internet? 
                                    (into speaker) 
                             Nora, what’s going on back there?  
                             We’ve lost visuals, lost control
                             over the Killbots.  

              No answer.  They just stare at the soldiers who are 
              completely lifeless.  Freddie walks forward and slaps 
              Morgan across the face.  Morgan’s foot jets out and kicks
              Freddie in the gut, crumples Freddie to the ground.  

                                         SARA 
                             Let’s get out of here.  They’d only
                             destroy Hadddonfield anyway.  

              ON FREDDIE’S WEB CAM 

              The Shape appears, walks through the school with dark
              purpose.  

                                         FREDDIE
                                    (speaker) 
                             Nora...can anyone hear me? 

                                                                          43.

                                         SARA 
                             If the real Michael Myers really is
                             alive, the only place he’ll want to
                             spend Halloween is back home.  

              EXT. HADDONFIELD - DOWNTOWN - MORNING 

              The Hunters march past the rows of closed shops.  They
              turn a corner and see...

              AN ARMY OF SHAPES 

              In a neat row, all uniform, sharp knives buried into their
              hands.  HEAVY BREATHING.  

                                         THURMAN  
                             Some jokers want to dress up as
                             Michael Myers for Halloween.  Do you
                             think that’s funny?  You picked the
                             wrong Halloween costume. 

              The other hunters hold THURMAN back from firing as The Shapes
              walk towards them.  

                                         COBB  
                             We don’t want to kill a bunch of
                             kids.  

                                         THURMAN 
                             They’re attacking us.  They’re with
                             him.  

              Thurman OPENS FIRE and the others nervously follow.  The
              Shapes take the bullets at first - still standing up - before
              they soon drop like flies, one by one.  The Hunters run over.

              ON THE SHAPES 

              As the masks come off.  A series of TEENAGE FACES - crazed
              eyes look out in a demented look of death. 

              THE HUNTERS 

              recoil in disgust, glare at Thurman. 

                                         BOYD
                             They were just kids.  
                                    (looking down)
                             Is that Todd Larson, Matt Larson’s
                             kid?  What have we done?  

                                         THURMAN 
                                    (to the Hunters) 
                             He sent them to kill us.  He’s here
                             in Haddonfied, no matter what they
                             said on TV about him being cremated.
                             We kill everything that moves. 

                                                                          44.

              INT. HADDONFIELD ELEMENTARY SCHOOL - MORNING 

              The Shape walks through the disaster...pauses to stare at
              a CLASSROOM DOOR.  

              INT. ELEMENTARY CLASSROOM - MORNING 

              The Shape walks in and stares at the empty desks...rubs
              his hand over one of the desks....as a SIX YEAR OLD BOY
              SUDDENLY APPEARS in the desk, stares up at him with dark
              and soulless eyes. 

              HALLWAY 

              ON A DEAD CAMERAMAN 

              mounted against a wall via a blackboard cue through his 
              chest, CAMERA out, barely functional.  

              CAMERAMAN’S VISION 

              ON The Shape as his FIST SMASHES THROUGH the camera, 
              more blood washes over the view before it turns BLACK. 

              EXT. HADDONFIELD ELEMENTARY SCHOOL - MORNING 

              The Shape walks towards the abandoned Hunters’ bus.  He
              PUNCHES THROUGH THE WINDOW and pulls himself in, wires
              the ignition effortlessly.  The bus slowly moves out of
              the lot. 

              EXT. LAURIE STRODE’S HOUSE - MORNING 

              Freddie and Sara walk along the sidewalk.   They both
              carry automatic machine guns. 

                                         SARA 
                             Laurie Strode’s house.  

                                         FREDDIE
                             Michael Myers’ bastard sister. 

                                         SARA 
                             Don’t say that.  Laurie Strode was
                             all woman.  Killed Michael Myers
                             three times before he finally got
                             her.  Who else can say that?  

                                         FREDDIE
                             Any family left? 

              They walk towards the house.  

                                                                          45.

                                         SARA 
                             Father was a big-time realtor around
                             here.  Company’s run by some distant
                             relative.  Parents died years ago. 
                             Never told Laurie she’d been adopted
                             until it was way too late.  

              EXT. HADDONFIELD - TOWN ENTRANCE - MORNING 

              Brackett’s car parks on the street, right across from the
              frozen soldiers.  Brackett and Hunt get out and walk over
              to them. 

                                         HUNT 
                             Do you get any outside assistance? 

                                         BRACKETT
                             Just money and supplies and full use
                             of utilities.  HUD, F.B.I., Attorney
                             General of Illinois - they want nothing
                             to do with Haddonfield.  

              ON SOLDIERS 

              As Brackett and Hunt move in front of them, guns out. 

                                         BRACKETT
                             Drops those weapons right now.  

              The soldiers’ eyes start to flicker, metal limbs hum with
              power as they’re slowly reanimated.  

                                         EVERETT 
                             Where’s that bitch, Michael Myers?  

                                         MORGAN 
                             Michael Myers must die.  

              KARA TROY’S EYES 

              SUPER The Shape’s image over Hunt’s face.  

                                         TROY 
                                    (to Hunt)
                             You’re Michael Myers. 

              Troy raises her rifle and blows a hole through Hunt as
              Brackett watches in horror. 

              BRACKETT AND HUNT 

              As Brackett drags Hunt towards the car, hand taps Hunt’s
              smoldering Kevlar vest. 

                                         BRACKETT
                             Gary...? 

                                                                          46.

              THE SOLDIERS 

              OPEN FIRE on Hunt as Brackett backs away, gun out, in total
              shock.  He raises his gun and BLOWS one of Morgan’s 
              eyes out. 

              MORGAN’S VISION(FUZZY)

              Now Brackett appears as The Shape. 

              INT. LAURIE STRODE’S HOUSE - MORNING 

              Freddie and Sara walk in. 

                                         SARA 
                             What are we doing here?  

                                         FREDDIE 
                             Getting a better understanding of
                             our enemy.  When I sent you guys
                             into the Myers house, it was like
                             sending lambs to the slaughterhouse.
                             You thought it was a joke.  You
                             weren’t scared enough.  

                                         SARA 
                             I’m scared.  

              Sara looks over and sees blood drip out of Freddie’s side.
              She reaches down and holds up a drop of blood, rubs it
              between her fingers.  

                                         FREDDIE
                             Brothers bleed like stuck pigs, 
                             don’t they?  

                                         SARA 
                             That’s fake blood.  What’s going on,
                             Freddie?  

                                         FREDDIE
                             What are you talking about?  

                                         SARA 
                             You were just hanging around outside
                             my house when he attacked me again,
                             and then you just happened to be
                             outside to save me, but Michael 
                             Myers didn’t kill you?  After what
                             you did to him?  

                                         FREDDIE
                             Sara, we’re being broadcast all over
                             the world...we were both at the
                             hotel when he appeared, when those
                             cops were killed.  

                                                                          47.

              Sara grunts and punches Freddie in the side, where the wound
              was.  Freddie unconvincingly fakes a pained reaction. 

                                         SARA 
                             It’s another show, isn’t it, except
                             Michael Myers is dead and you need
                             product.  HE’S DEAD.  

              SURVEILLANCE CAMERA(SATELLITE) 

              Sara looks straight ahead. 

                                         SARA 
                             Michael Myers is dead so you had to
                             create a new Michael Myers, a whole
                             bunch of them.  Boy, you don’t take
                             any chances, do you?  Even let them
                             kill those cops, let me shoot one
                             of them at my house...

              ON FREDDIE 

              He nervously grins then tucks his gun under Sara’s chin. 
              Sara fires her gun...click, click, click.  

                                         FREDDIE
                             Michael Myers is alive.  I’m sure
                             of that.  Now why don’t you just
                             play along, be a good girl so no
                             one else has to get hurt. 

              HALLWAY 

              Freddie pushes Sara up the stairs.  

              EXT. STREET - MORNING 

              The Hunters march along when the bus appears in the
              BG, moves in their direction.  Thurman and the others
              smile in recognition until they see...

              THE SHAPE 

              In the driver’s seat, floors the gas pedal, CRUNCHES 
              right through several of the Hunters who are trampled to
              death.  

                                         COBB
                             Is it him?  Is that Michael Myers?
                             We don’t know who’s real or not 
                             anymore. 

              Thurman turns and FIRES at the bus as it cruises away.  He
              lets out a yell and races after the bus with the others in
              tow. 

                                                                          48.

              INT. LAURIE’S BEDROOM - MORNING 

              Freddie and Sara walk inside.  The room looks like it’s set
              in 1978.  Pictures of Shaun Cassidy and Burt Reynolds are
              everywhere. 

                                         SARA 
                             We shouldn’t be in this house. 

                                         FREDDIE
                             Why not?  I bought it.  I bought
                             all of the property in Haddonfield,
                             me and my backers, and we’ve spent
                             millions making Haddonfield the
                             scariest place on earth. 

                                         SARA 
                             Why, Freddie?  Why, after what
                             happened at the Myers house?  

              Freddie laughs, stares at Sara with cold, dead eyes. 

                                         FREDDIE
                             Do I need a reason?  How about the
                             fact that you and your damn friends
                             destroyed my career?  None more than
                             you, my dear.  I had to save your
                             ass to try and save my investment 
                             because you and your friends were
                             such lousy contestants.  You couldn’t
                             even die in a cool way, you just
                             let Michael Myers punk you out like
                             a bunch of dumb bitches.  It was
                             the most embarrassing non-event in
                             broadcasting history.  All of my
                             dreams - films, music videos, TV 
                             specials - went down the toilet
                             because of you.  

              Sara turns and heads for the door until Freddie tenses
              his gun upon her. 

                                         SARA 
                             You can’t shoot me.  You’re being
                             broadcast. 

                                         FREDDIE
                             They didn’t believe the Web Cam 
                             Massacre, what will it matter if I
                             shoot you?  

                                         SARA 
                             What the hell do you want from me? 

                                         FREDDIE
                             I want you to give me the scream
                             queen performance of a lifetime. 

                                                                          49.

              ON THE CLOSET 

              as Sara backs up towards the hall, the face of The Shape
              moves out of the darkness, grabs Sara around the neck, 
              strangles the life from her while Freddie watches with
              enjoyment. 

              SURVEILLANCE CAMERA EYE

              Freddie looks up at the ceiling, straight ahead, while
              Sara’s being throttled in the BG. 

                                         FREDDIE
                             Is this great or what?  Will Michael
                             Myers get his revenge or will the
                             heroine live to fight another day?  

              ON SARA

              as The Shape throttles her down to the ground, Sara holds
              up her fake gun and WHACKS The Shape in the side of the
              head, over and over until the grip loosens.  

              The Shape’s blade falls to the ground.  Sara picks it up
              and SLASHES Freddie across the side of the face.  LOUD 
              SCREAM.  Sara turns and JABS The Shape in the eye as she
              races out of the room.  The Shape lets out an agonized 
              wail. 

              EXT. LAURIE STRODE’S HOUSE - MORNING 

              Sara runs out as Brackett’s car speeds down the street.
              She runs out and Brackett hits the brakes.  

                                         SARA
                             Help me. 

                                         BRACKETT
                             What is it?  What the hell are you
                             doing here?  

              Sara points back at the house...when FREDDIE AND THE SHAPE
              APPEAR at the door. 

                                         FREDDIE
                             Nowhere to run, nowhere to hide. 

              Brackett raises his gun to fire but it’s empty.  He pulls
              Sara into the car and they speed away. 

              INT. BRACKETT’S CAR(MOVING) - DAY 

              Sara looks back at the street as they drive along. 

                                         SARA 
                             I’ve got to talk to Gary. 

                                                                          50.

                                         BRACKETT 
                             Gary’s dead.  What are you doing
                             here? 

                                         SARA 
                             Michael Myers...

              Brackett glares at Sara with crazed eyes, tugs on her
              shoulder real hard. 

                                         BRACKETT
                             Was that him?  WAS IT HIM? 

                                         SARA 
                             No.  Michael Myers is dead.  It’s
                             Freddie...he’s trying to destroy
                             Haddonfield, scare everybody for
                             his TV show.  He’s making it all
                             happen.  It’s all part of a TV 
                             show...
                                    (seeing the blood on Brackett)
                             ...None of this is real. 

                                         BRACKETT
                             Did he bring in an army to wipe out
                             the place?  You let him do this? 
                             You didn’t let me know, Sara? 

              Sara cries, shakes her head. 

                                         SARA 
                             I thought Michael Myers was back and
                             that he wouldn’t stop coming after
                             me until I made sure he was dead. 

                                         BRACKETT
                             He’s dead, and now Haddonfield’s 
                             going to be dead.  

                                         SARA
                             Let’s just get the hell out of here
                             and let them bring in the Coast Guard
                             to nuke this place to pieces. 

                                         BRACKETT
                             I can’t leave Haddonfield...EVER. 

                                         SARA
                             Why not?  

              Brackett makes a hard turn, grits his teeth as he glares
              at Sara, fights back tears. 

                                         BRACKETT
                             My daughter’s buried here and she
                             deserves revenge against Michael
                             Myers...or the next best thing. 

                                                                          51. 

              INT. MYERS HOUSE - DAY 

              Lisa walks in, takes a deep breath, walks upstairs with her
              camera out. 

                                         LISA 
                             This is where it all started.  This
                             is where my father fucked Judith 
                             Myers...

              INT. JUDITH’S BEDROOM - DAY 

              Inside...

                                         LISA
                             Gross.  She was so pretty.  Too bad
                             her brother heard voices that told
                             him to kill her. 

              THE SHAPE’S VISION - BEDROOM WINDOW 

              Watches Lisa’s outline as she moves towards the window. 
              Out of sight. 

              INT. MYERS HOUSE - DAY 

              CRACK.  Lisa hears the front door open, HEAVY FOOTSTEPS
              like a sledgehammer. 

              THE SHAPE 

              appears on the top floor, but Lisa’s gone. 
 
              LISA 

              Under the bed in Michael’s old room.  A BLACK CAT moves past
              her face, slowly moves across the floor until a pair of
              blackened hands clutch it...CHEWING SOUNDS...drops of purple
              blood trickle onto the floor. 

              THE SHAPE 

              looks under the bed, grimaced mask stares right at Lisa
              who lets out a scream.  He waves the knife at her several
              times until the edge of the blade clips Lisa’s arm, draws
              blood.  

                                         LISA
                             Please...Michael...no.  

              She kicks his hand away and crawls out from under the bed
              on the other side...

              LISA’S VISION 

              She turns and sees The Shape lunge towards her...

                                                                          52.

              Lisa brings the camera around and WHACKS The Shape in the
              side of the head, over and over until he falls to the 
              ground.  Lisa runs out of the room.  

              EXT. MYERS HOUSE - DAY 

              Lisa runs out of the house, sees the Hunters march down
              the street.  

                                         THURMAN 
                             We got a live one over here.  Cute. 

              She runs over to them, points back at the house, holds her
              wound. 

                                         LISA
                                    (points)
                             He’s in the house.  He’s come back
                             home. 

              THURMAN 

              marches towards the Myers house when...

              THE SHAPE 

              walks out the front door, real slow, stares straight ahead.

                                         THURMAN 
                             This is what we’ve been waiting for.

                                         COBB
                             There is a god. 

              THE HUNTERS

              blow their wad on Michael who walks on despite the mighty
              onslaught.  After a few beats, he starts to stagger, falls
              to one knee, keels over on his back. 

                                         LISA
                             It’s him. 

              Cobb pulls out a portable bone-saw, hands it to Thurman
              who licks his lips, eyes nervous. 

                                         THURMAN
                             Who wants the honors?  

              The rest of the Hunters grumble and point back at Thurman
              who takes a nervous breath. 

                                         THURMAN (cont.)
                             You sure?  I don’t want to hog all
                             of the fun for any of you.  We’ve
                             all had family and friends killed
                             by this evil bastard.

                                                                          53.

                                         COBB 
                             That’s okay.  You go ahead.  We’ll
                             be ten feet behind you. 

              Thurman clutches the bone-saw and slowly walks towards
              The Shape’s body.  

                                         LISA
                             It looks like he’s still breathing.

              Thurman stops and looks at the others as they all stare
              at The Shape. 

                                         THURMAN 
                             Does it look like he’s breathing?  

                                         BOYD 
                             Don’t be such a pussy.  Cut that
                             bitch up so we can go home.  Old bag
                             wants me to take the kids out to get
                             candy. 

              Thurman nods and briskly walks towards The Shape when...

              THE SHAPE 

              rises up and grabs Thurman by the arm, engulfs Thurman
              as the bone-saw slips out of Thurman’s hands...INTO THE
              SHAPE’S HANDS.  BUZZ.  The saw comes to life as Cobb
              and the others OPEN FIRE, hit Thurman with the bullets
              as The Shape uses Thurman as a shield.  

              THE HUNTERS 

              stand and watch in horror - mostly out of ammo - as...

              THE SHAPE 

              SAWS OFF THURMAN’S ARMS AND LEGS with surgical precision
              and flings the chunks in the direction of Lisa and the
              Hunters who run back down the street.  

              MORE SHAPES 

              appear at the end of the street.  Lisa and the Hunters
              stop and look around. 

                                         COBB
                             What the hell are we going to do? 
                             That Freddie guy said this was
                             going to be a piece of cake. 

              ON TELEPHONE POLE 

              The head of a surveillance camera whirls around...

                                                                          54.

              ON LISA AND THE HUNTERS(GRAINY CAMERA)

              They all look up at the camera, eyes pleading for mercy,
              but the sound is dead as Cobb mouths “Help” over and over
              again. 

              They run through a back alley. 

              INT. BRACKETT’S CAR(MOVING) - DAY 

              Lisa and the Hunters move in front of the car.  Lisa and
              Sara lock eyes.  Sara ushers Lisa inside the car as the
              Hunters hover around the car. 

                                        COBB 
                             Let me in. 

                                        BRACKETT
                             Who’s after you?  

                                        BOYD
                             Michael Myers...a whole bunch of
                             them. 

                                        BRACKETT
                             All of you get the hell out of
                             town now. 

              Cobb and the others try to push into the car, but Brackett
              waves them off with his gun as the car moves out of the
              alley. 

              EXT. LAMPKIN LANE - DAY 

              Cobb and the other Hunters tiptoe along.  

                                        COBB
                             We’ll just go back the way we came.

              Boyd points up at one of the surveillance cameras stuck
              on one of the poles. 

                                        BOYD
                             They’re watching us. 

              THE SHAPE 

              appears in the alley.  

              THE SOLDIERS 

              move behind the Hunters.  

              SOLDIERS’ VISION

              The Hunters all appear as Shapes.  

                                                                          55.

              MORGAN 

              opens fire on the Hunters, blows them to shreds in one fell
              swoop.  

              THE SOLDIERS 

              march towards The Shape, grind to a halt. 

                                         MORGAN 
                             If it isn’t the real Michael Myers
                             himself.  You must think you’re a
                             real badass.   

              Everett holds out his hand and Michael SLICES HIM across
              the arm, draws a long stream of white slime.  

                                         EVERETT
                             We’re your biggest fans. 

                                         TROY 
                             We were offered a one hundred million
                             dollar bounty for your head, but we
                             wouldn’t dream of killing someone
                             as great as you.

              Michael BLOWS HIS FIST RIGHT THROUGH Troy’s head, rips
              her head clear off as her mouth and teeth continue to
              flap up and down.  Her metallic arms and legs flail 
              about until she collapses to the ground, metal grinding
              against metal. 

              EVERETT AND MORGAN 

              grit their teeth, raise their guns to blow The Shape
              away when...

              FREDDIE 

              appears on the edge of the alley.  He holds up a control
              device...shakes it back and forth but nothing happens. 

                                         FREDDIE 
                             You weren’t programmed to do this
                             shit.  Your job is to kill Michael
                             Myers.  

              MORE SHAPES 

              appear at the end of the alley as...

                                         SHAPE #1 
                             We hacked your system, stole your
                             stream...

                                         FREDDIE
                             I’m not in control?  

                                                                          56.

              THE SHAPE 

              grabs Morgan’s rifle and BLOWS MORGAN’S metallic head clear
              off.  Everett turns and raises to shoot The Shape in the
              head, but his trigger hand won’t budge...

              The Shape digs his fingers into the robot’s skull until 
              there’s a LOUD CRACK as the internal memory’s crushed to
              bits.  Everett’s head falls off as the rest of his body 
              stumbles around.  

              THE SHAPES 

              remove their William Shatner masks to REVEAL a bunch of
              geeky-looking college student-types. 

                                         SHAPE #1 
                             Welcome home, Michael Myers.  We’re
                             your biggest fans.  Would you do us
                             all a favor?  Would you murder us?  

              THE SHAPE 

              knifes SHAPE #1 in the neck, snaps his neck like a twig 
              as the others watch with morbid fascination.  

              He turns to the others, knife raised, when he pauses and
              pulls out a candy apple and hands it to SHAPE #2 who takes
              a bite and...

                                         SHAPE #2
                             I want to be just like you...
 
              ...chews down as a RAZORBLADE SLICES THROUGH HIS FACE and
              The Shape plunges a knife into his chest.  

              The others - two or three of them - look at each other
              in terror and turn and run away, masks left behind.  

              ON WILLIAM SHATNER MASK 

              The Shape’s shadow glows off of the mask as The Shape
              RIPS OFF his mask, face turned.  Blood drips onto the 
              ground as he puts on the new mask.  

              ON FREDDIE 
         
              As he’s watched the whole thing.  

                                         FREDDIE 
                             I gave you life.  I brought you back
                             from the dead, Michael.  

              THE SHAPE 

              walks forward and jabs Freddie in the gut with his knife.

                                                                          57.

              Freddie falls backward, crawls away from the scene as blood
              seeps through his fingers.  

              ON FREDDIE - SURVEILLANCE CAMERA 

              He looks up. 

                                         FREDDIE
                             Yuri, anybody, we’ve got to stop
                             this shit right now.  I need help.
                             Michael Myers cannot be stopped. 

              INT. BRACKETT’S CAR(MOVING) - DAY 

              Brackett and Sara look at Lisa who stares at her cracked
              video camera. 

                                         BRACKETT
                             I thought your father was going to
                             make sure you never went near
                             Haddonfield again? 

              Suddenly, a TORRENTIAL RAINSTORM falls over the track, 
              blankets everything, turns the whole track pitch black, 
              even in the day. 

                                         LISA
                             I want people to know the truth
                             about Haddonfield.  

                                         BRACKETT 
                                    (to Sara)
                             Do you know her?  

                                         SARA
                             She interviewed me for a class paper
                             she was writing.  

                                         LISA 
                             Where are we going?  

                                         BRACKETT
                             I’m taking you and Sara to 
                             Russellville, away from here, away
                             from hell.  I’m the only one who
                             belongs here. 

                                         SARA
                                    (to Lisa) 
                             Lisa, where were you?  

                                         LISA
                             I was at the Myers house.  He came
                             there, he came home, and he almost
                             killed me.  He killed those men
                             with the guns.  

                                                                          58.

              Brackett and Sara exchange a nervous look as Lisa glares
              into the back of Brackett’s head. 

                                         BRACKETT
                             This is none of your business, young
                             lady. 

                                         LISA
                             Oh, but it is.  My father told me
                             his deep dark secret.  

                                         SARA 
                             What are you talking about?  

                                         LISA
                             The night Judith Myers was murdered
                             in her bedroom...the boy she had
                             sex with before she was murdered,
                             that was my father. 

              Brackett curses under his breath as Sara’s mouth drops
              opens.  SLICE.  The car grinds to a halt, the tires
              slashed to pieces.  

              They get out of the car and spot the tire-slashers laid
              out on the road.  Brackett pops open the trunk and pulls
              out a spare when...

              THE SHAPE 

              appears from down the street, behind the wheel of the 
              abandoned bus.  Brackett, Lisa and Sara jump out of the
              way as THE BUS CRASHES INTO BRACKETT’S CAR, totals the
              car as the rain starts to really pour down now.  

                                         BRACKETT
                             He’s dead.  

                                         SARA 
                             No, he’s alive.  I don’t know how,
                             but he’s alive and more powerful than
                             ever.  

              Brackett lets out a growl and then he LUNGES AT THE SHAPE,
              punches and kicks him down to the ground like a wrestler. 
              The Shape slumps down to the ground with every blow until
              HIS HAND GRABS BRACKETT around the neck, raises him in
              the air.  

              LISA AND SARA 

              Sara grabs Brackett’s gun and FIRES at The Shape, over
              and over with no reaction until...

                                                                          59.

              THE SHAPE 

              digs his blade into Brackett’s gut, as Brackett’s eyes
              start to roll back. 

                                         BRACKETT
                             Run...
          
              The blade breaks off in Brackett’s body as The Shape lets
              him fall to the ground, very dead.  He turns and looks
              at Lisa and Sara who run away. 

              MORE SHAPES 

              appear at the end of the street, two or three of them. 

                                         LISA 
                             We have to go back to where it 
                             happened. 

              Sara pulls out her cell phone, waves it in the air and
              sees that the frequency’s dead. 

              They run down the other side of the street. 

              THE SHAPES 

              all gather around and watch them run.  One of The Shapes
              pulls out a bag full of Halloween candy and passes it 
              around.  

              THE SHAPE 

              grunts as he takes a lollipop and awkwardly sticks it
              into his mouth as he follows after Lisa and Sara. 

              EXT. DOYLE HOUSE - DAY 

              Lisa and Sara run down the street. 

                                         SARA 
                             We just have to get out of 
                             Haddonfield.  It’s the only way. 

                                         LISA 
                                    (pointing at Doyle house)
                             I saw Tommy Doyle here yesterday.

                                         SARA 
                             Tommy Doyle...?  He killed himself
                             a long time ago...

                                         LISA
                             He’s not at the cemetery with the
                             others.  He came home too. 

                                                                          60.

              Lisa pounds on the front door until it creaks open. 

              INT. DOYLE HOUSE - DAY 

              They walk in.  Suddenly, a RIFLE appears and Tommy appears
              on the stairs, rifle pointed at Lisa and Sara. 

                                         TOMMY 
                             Where’s Brackett?  

                                         LISA
                             He’s dead.  Michael Myers killed
                             him. 

              Tommy looks like he was kicked in the gut. 

                                         TOMMY 
                             Wow.  I guess I’m really all alone
                             now. 

              Sara walks forward, looks at Tommy in disbelief. 

                                         SARA
                             They said you’d committed suicide. 

                                         TOMMY 
                             I had to do something to get the
                             media off my backs.  Couldn’t go
                             anywhere for twenty years with
                             everyone asking me about Halloween.
                             Finally, some asshole offered me
                             a way out.  Tell my story, help them
                             turn Haddonfield into a ghost town
                             and then I can come back to
                             Haddonfield and finally get some
                             peace.  I don’t care what people
                             think of me anymore, and I damn sure
                             don’t care about Michael Myers or
                             his victims.  I just want to stay
                             in my house and never come out. 
        
                                         SARA 
                             Who are you talking about?  

                                         TOMMY 
                             Freddie Harris, that reality TV
                             producer.  Wanted to turn Haddonfield
                             into a ghost town, make everyone
                             believe that Michael Myers was
                             still alive.  It worked.  I’m the
                             only one who lives here. 

                                         SARA 
                             Tommy, Freddie wants to destroy 
                             Haddonfield just so he can make
                             a buck, entertain the world.

                                                                          61.

              Lisa holds up her crumpled camera and points it at Tommy
              who just glares at her. 

              ON TOMMY - GRAINY CAMERA 

                                         LISA
                             Tommy Doyle...you helped Laurie 
                             Strode fight off Michael Myers back
                             in 1978. 

                                         TOMMY 
                             A lot of good it did.  All we did
                             was forestall the inevitable. 

              AROUND THE HOUSE - VARIOUS ANGLES

              All of the monuments - the front door, the upstairs 
              balcony - resonate like it was just yesterday, 1978.  

                                         SARA 
                             Tommy, do you have a phone?  I’ve
                             got to call the State Patrol, get 
                             some help. 

                                         TOMMY 
                             No phones around here.  What, you
                             think you order a pizza and they’re
                             going to drive to Haddonfield? 

                                         SARA
                             HELP US!  HE’S COMING.  

                                         TOMMY 
                             I built a bomb shelter down in the
                             basement, got everything I need.  
                             Once a year, I travel out to the
                             fringe, grift what I need.   

              EXT. DOYLE HOUSE - DAY 

              ON FRONT DOOR 

              As THE SHADOW OF A HULKING FIGURE covers over everything.

              THE SHAPE’S VISION   

              Goblins and witches appear in the air - in the SUPER form 
              of Trick or Treaters all over America - as the sun slowly
              sinks into the ether. 

                                         VOICE (O.S.)
                             Trick or treat... 

                                                                          62.

              INT. DOYLE HOUSE - NIGHT 

              They look at the door...HARD POUNDING SOUNDS.  

                                         SARA 
                             Is there a way out of here? 

              Tommy smiles and fires at the door...over and over again
              until the noise stops. 

                                         TOMMY
                             No one gets in, no one gets out. 

              SARA’S VISION - WINDOW 

              The Shape lays on the ground, motionless.  Then, he raises
              up and looks right at her. 

                                         TOMMY 
                             Don’t fuck with me.  Everyone knows
                             he’s dead, right?  

              Sara looks back at The Shape...who’s gone. 

              INT. BASEMENT - NIGHT 

              Tommy bolts the door shut and the three of them run 
              downstairs. 

                                         SARA 
                             Can he get in?  

                                         TOMMY 
                             If he can, he won’t like what he
                             gets.  

              Lisa looks at Tommy strange as they glare at the inside of
              the basement which is littered with equipment and 
              weapons. 

                                         LISA
                             You’ve been waiting for Michael
                             Myers all these years. 

                                         TOMMY 
                             Haven’t we all?  They said he was
                             dead for good, really dead.  What
                             happened?  

                                         SARA
                             I don’t know, unless he’s just pure
                             malevolent evil, the ultimate
                             bogeyman. 

                                                                          63.

              THE SHAPE 

              punches his hand right through the wall, presses his eyes
              through the crack of light, glares at them.  

                                         TOMMY 
                             Come on, Michael, you big pussy. 

              Silence.  They all look around as HEAVY FOOTSTEPS move
              around the side of the basement.  Tommy holds up a 
              grenade, finger tenses against the trigger...
                 
                                         SARA
                             He wants me.  I killed him.  I
                             defeated him.  I have to face him
                             again or I’ll never be able to
                             rest. 

              A HAND 

              crashes through the back wall of the basement, grabs 
              Sara around the neck as Tommy OPENS FIRE on The Shape
              who breaks through the back wall.  Tommy pushes Lisa and
              Sara into the corner as he drops the grenade on top of
              The Shape.  

              They wait...

                                         LISA
                             It’s not working. 

                                         TOMMY 
                             Might be a decoy...

              The GRENADE EXPLODES, causes an explosion that covers 
              everything with black mist.  Sara spots a hole in the
              wall, leads Lisa towards it as Tommy walks towards the
              spot where The Shape was. 

                                         SARA
                             Tommy, come on. 

              THE SHAPE 

              jumps up behind Tommy, burned and fried.  He grabs Tommy
              around the neck and forces a grenade into Tommy’s teeth
              until Tommy EXPLODES INTO BLOODY CHUNKS.  

              LISA AND SARA 

              Sara pushes Lisa through the hole in the far wall.  Sara
              jumps up, but The Shape grabs her by the ankle.  Sara pulls
              out a knife and slashes The Shape across the arm, sends
              him backward until he falls to the ground, stops moving. 

                                                                          64.

                                         SARA
                             You see, he’s dead, but then Samhain
                             brings him back to life...

              THE SHAPE 

              jumps up again as Lisa and Sara vanish out of the 
              basement. 

              EXT. STREET - NIGHT 

              They run along...

              TWO MORE SHAPES 

              appear at the end of the street.  They pull off their masks
              and wave their hands in the air. 

                                         SHAPE #1
                             Are you girls okay? 

                                         SARA
                             What are you doing? 

                                         SHAPE #2 
                             We’re just dressing up as Michael
                             Myers for Halloween.  We just want
                             to check out all of the famous
                             sites.  

                                         SARA
                             Call the police.  He’s here.  

                                         SHAPE #1
                             No, he’s dead.  We’re all just a 
                             bunch of Michael Myers celebrity
                             impersonators.    

                                         SARA
                             The real Michael Myers.  

              THE SOLDIERS 

              appear behind them, metallic limbs in all directions, heads
              completely off, guns pointed in every direction.  

                                         MORGAN 
                             Michael Myers...kill. 

              Everett and Troy open fire on the whole track, blow 
              the copycat Shapes to smithereens as Lisa and Sara take
              cover on the other side of the street, in front of the
              Wallace house. 

                                         LISA
                             My car’s near the Myers house.  We
                             can get out of here.

                                                                          65.

                                         SARA
                             Get you out of here. 

                                         LISA
                             This is a battle you can’t win, 
                             Sara.  

                                         SARA
                             I have to face him one more time. 
                             Even Michael Myers deserves a 
                             rematch. 

              They start to run down the street when...

              A WOMAN 

              appears from out of the Wallace house - late forties, but
              pretty.  She pulls out a gun, spits out a wad of chewing
              tobacco and grits her teeth.  

                                         WOMAN 
                             I saw him...is it really him? 

              THE SHAPE 

              appears in front of the Doyle house. 

                                         WOMAN 
                             Where’s Tommy? 

                                         SARA
                             Tommy’s dead.  Who the hell are you? 

              FLASH - TOMMY DOYLE AND LINDSEY WALLACE FROM “HALLOWEEN”

              BACK TO SCENE
          
                                         WOMAN 
                             I’m Lindsey Wallace.  Tommy and I
                             grew up together, fought Michael
                             Myers together. 

              EXT. WALLACE HOUSE - BACKYARD - NIGHT 

              They run through the back of the house, past the
              backyard. 

                                         LISA
                             Lindsey Wallace...you’re a living
                             legend. 

              Lindsey lets out a sob...

                                         LINDSEY 
                             Poor Tommy.  He was dead.  I saw
                             them cremate him.  That’s when I
                             decided to come back to Haddonfield.

                                                                          66. 

              Lisa and Sara look at Lindsey real strange as the trees 
              start to rattle.  Then, FIRECRACKERS burst through the
              air, startle Lisa and Sara. 

                                         LISA
                             You came back to Haddonfield,
                             Lindsey? 

                                         LINDSEY 
                             Michael Myers is dead.  

                                         LISA
                             Weren’t you killed in a plane crash
                             a few years ago?  Yeah, I tried to
                             get an interview with you and your
                             father told me you were...

              Lindsey stares back at the front of the house with a sick
              smile on her face. 

                                         LINDSEY 
                                    (looking away)
                             They’re over here, Michael.  

              Lindsey grabs hold of Lisa, raises the gun as...

              THE SHAPE 

              appears in the dead of night, on the edge of the backyard,
              eyes and face look straight ahead. 

              Sara grabs Lindsey’s gun-hand and JABS a blade up into 
              Lindsey’s gut until a disgusting orange and white foam 
              spills out of her mouth, eyes back in her head like a
              bunch of crazy pinballs.  Then, Lindsey’s body parts 
              flap around like an electric eel as her form crumbles to
              the ground for the count.  

              Sara picks up Lindsey’s gun and FIRES into The Shape who
              stalks forward with purpose.  Bullet by bullet, The Shape
              slows and stumbles until he falls down to one knee and
              then falls onto his back. 

                                         SARA 
                             This isn’t Haddonfield. 

                                         LISA
                             It’s like one big haunted house with
                             death traps.  It’s a Michael Myers
                             Halloween museum.  That’s what
                             Haddonfield is. 

              They slowly walk over towards The Shape until Sara looks
              down at the gun, notices a spent shell fall through the
              air...A BLANK. 

                                                                          67.

                                         SARA
                             Shit...

                                         LISA
                             How do we know that’s the real
                             Michael Myers or just some cheapjack
                             Michael Myers celebrity impostor? 

              Sara grabs Lisa and they run out of the backyard as The
              Shape rises up...removes his mask to REVEAL another 
              TEENAGE FACE. 

                                         SHAPE IMPOSTOR
                             Works every time on Halloween. 

              He gets up and walks over to Lindsey’s wrecked robotic
              corpse.  He pulls out a blade and RAMS it right through
              Lindsey’s neck and then he PULLS OFF THE HEAD, stares
              into the gears of the spine, up and down like a toy 
              machine. 

              EXT. STREET - NIGHT 

              Lisa and Sara run along.  

                                         LISA 
                             Let’s just get to my car, then we
                             can get out of here. 

                                         SARA
                             Can’t leave until I determine, once
                             and for all, if Michael Myers is
                             dead or alive.  

              Lisa points at the blood on both of them. 

                                         LISA
                             It’s real blood.  How many more
                             people have to die to convince 
                             you, me, everyone that he’s alive,
                             that he’s back?

              Sara rubs her hand over her shirt, holds up a streak of
              blood, tastes it. 

                                         SARA
                             Tastes like cherry.  

                                         LISA
                             What about Sheriff Brackett and the
                             others?  

                                         SARA
                             He’s part of the game too.  Gary, 
                             Tommy, Lindsey, maybe even you,
                             Lisa.  It’s a game, right, that
                             we’re playing here?  

                                                                          68.

                                         SARA (cont.)
                             This is all a sick Halloween game.  

              Sara points up at a surveillance camera just as Lisa 
              slaps Sara across the face. 

              ON LISA AND SARA - GRAINY CAMERA

              As they walk down the street, look right up at one of the
              cameras.  

                                         LISA
                             Everyone else has left Haddonfield,
                             so why don’t you?  

                                         SARA
                             Why don’t you, Lisa?  Freddie
                             must’ve handpicked you himself. 
                             Central Casting, or built from 
                             scratch?  

                                         LISA
                             We have to get out of here. 

                                         SARA
                             Leave Haddonfield?  The fun’s just
                             beginning, my dear.  If I don’t 
                             pop a cap in Michael Myers’ ass now,
                             he’ll be haunting me in my
                             nightmares until I die.  Why are
                             you here?  Were you built by Freddie
                             and the producers of the show?  If
                             I chopped off your head, would you
                             bleed out, or would you just cut 
                             like a cheap pumpkin? 

              Lisa shakes her head and starts to sob until she just stops
              in her tracks and lets out a BLOODCURDLING SCREAM. 

              Sara takes a deep breath, looks up into the camera as the
              IMAGES GETS REAL FUZZY. 

                                         SARA (cont.)
                             Are you happy now?  Is this good
                             television?  Now that you’ve
                             destroyed Haddonfield, do you want
                             us to kill each other?  

              THE SHAPE 

              appears at the end of the street, walks towards them with 
              cool purpose.  

                                                                          69.

              ON THE SHAPE’S FACE 

              The edges of the face are charred and burned much like in
              the aftermath of “Resurrection.”  

              LISA AND SARA 

              Lisa pulls on Sara who doesn’t move.  

                                         LISA
                             Let’s go.  We can outrun him. 
                             That’s one of Michael Myers’ big
                             weaknesses.  He’s really slow. 

              Sara pulls out her blade, shakes Lisa off. 

                                         SARA
                                    (to Shape)
                             Are you an out-of-work actor or
                             something?  A Michael Myers groupie?
                             It seems like anyone can be Michael
                             Myers in America today.

              Lisa holds up a bag, pulls out her scrapbook that’s full
              of clippings and history of Haddonfield and Michael Myers.
              She turns to the picture of Judith Myers, and then...A
              SIX YEAR OLD MICHAEL AUBREY MYERS.  A group kindergarten
              picture with Michael featured in the picture with a sick
              scowl on his face. 

                                         LISA
                             Don’t piss him off. 

                                         SARA
                             All you need to be a Michael Myers
                             groupie is to be a total coward,
                             have no balls and never have had
                             sex with a girl in your entire life,
                             unless sex with family members
                             count. 

              The Shape stops dead in his tracks, halfway down the
              street. 

              SATELLITE CAMERA - STREET 

              They look like three ants in a vast battlefield slash
              suburban wasteland.  The Shape stands there, still. 

                                         SARA 
                             Yeah, I think all of those years,
                             you were just trying to get laid, 
                             especially with Laurie, YOUR 
                             FUCKING SISTER.  How about Judith?
                             Did you have the hots for her too? 

                                                                          70.

              ON LISA AND SARA 

              As Lisa stares at a picture of Judith and Walter. 

                                         LISA
                             Is it him?  Look at his face...

              Sara rips open the front of her shirt, REVEALS immaculate
              twins.  

                                         SARA 
                                    (to Shape)
                             You’re not a psychopath, Michael,
                             just a sick perv.  You always leave
                             the chicks for last, don’t you?  
                             You want to be alone with them, you
                             want to do things to them.  What
                             about me, Michael?  What kind of
                             sick and perverted things would you
                             like to do to me?  

              THE SHAPE 

              moves forward.  Suddenly, the SHAPE IMPOSTOR(from Lindsey
              Wallace’s backyard)appears from the side street, right 
              beside The Shape. 

                                         SHAPE IMPOSTOR
                                    (to Sara)
                             You shot me, bitch.  Good thing I
                             had a vest on.  

                                         SARA
                             They were blanks...it was you...?

              Lisa and Sara watch as the impostor turns to face The
              Shape with a dumb smile on his face. 

                                         SHAPE IMPOSTOR
                                    (to The Shape)
                             Hey, bitch, I like the burn-marks on
                             the sides of your face there.  Nice
                             touch.  Hey, have you ever heard of
                             breath mints?  

              He pats The Shape on the back...just as THE SHAPE DIGS 
              A BLADE INTO THE MAN’S SPINE, SENDS PURPLE BLOOD OUT OF
              THE MAN’S MOUTH LIKE A FOUNTAIN. 

              Lisa and Sara watch as, with the blade firmly stuck into
              the impostor’s spine, The Shape lifts him up in the air,
              The Shape’s eyes now FOCUSED ON LISA AND SARA as the man’s
              head slumps down just like the hallway scene from “Halloween
              II” until the BLADE STARTS TO SLIDE DOWN THE MAN’S BODY, 
              RIP THROUGH HIS GUTS AND INTESTINES like a knife through
              a piece of crappy pumpkin pie. 

                                                                          71. 

              ON LISA AND SARA 

              As they turn to look at each other, slowly nod at each 
              other as they watch The Shape pull the blade out of the
              man’s corpse, hold it up in the moonlight air, admires
              the fresh blood that drips off, drip by crimson drip.  

                                         LISA
                             You believe it now...Sara?  Either
                             that’s Michael Myers or that guy’s
                             the world’s strongest man.  

                                         SARA
                             But the other one was an impostor...

              They turn and run back down the street. 

              ON SHAPE 

              He looks down at the impostor and tilts his head in 
              admiration of his grim artistry as he holds up his scabby
              paw and SMEARS BLOOD ALL OVER THE FRONT of the William 
              Shatner mask.  

              EXT. MYERS HOUSE - HIGH DEFINITION VIDEO - NIGHT 

              As the view of the house gets very close, around every
              angle, every part of the famed house.  

              ON SURVEILLANCE CAMERA 

              Up on a power pole, moves side to side, then in a wide
              360 as the rain picks up again.  Hard wind causes the
              house to whine with a LOUD CREAK.  

              ON LIT PUMPKIN 

              As the camera 360s over to the front of the house, the
              pumpkin has magically appeared from out of nowhere.  The
              front of the pumpkin SPLITS APART to REVEAL the rotted face
              of a witch inside.  

                                         VOICE (O.S.)
                             Help me...

              EXT. STREET - NIGHT 

              Lisa and Sara turn a corner and stare down the street where
              the Myers house rests.  Lisa spots her car.  They run
              towards the car until Lisa sees that the tires on her
              car have been slashed to ribbons. 

                                         LISA
                             I don’t understand.  If this is all
                             some piece of entertainment, why
                             hasn’t the army or the cops shown
                             up to rescue us?  

                                                                          72. 

                                         SARA 
                             Haddonfield isn’t part of America
                             anymore, it’s been taken over by
                             hell.  If we’re too crazy and 
                             stupid to come back here, we get
                             what we deserve. 

                                         LISA
                             But if they’re watching us right
                             on cable or satellite...
              
              Sara cuts her off by softly rubbing her hand along Lisa’s
              forehead.  Sara reaches into her pocket and pulls out a
              piece of candy that she gives to Lisa who nervously sucks
              it back. 

                                         SARA
                             People want to watch Michael Myers
                             kill, not us saving Haddonfield, 
                             fighting evil.  Haddonfield isn’t
                             the only place that’s changed.  
                             Michael Myers is a hero and we’re
                             the evil ones. 

                                         LISA
                             Michael Myers is an American icon.
                             I mean, in a bad way, like Dahmer
                             and Manson and OJ...but he kicks
                             ass over all of those losers.  

              Lisa unwraps another plastic candy and starts to suck it
              back when Sara slaps it out of her mouth.  Sara stomps the
              candy with her stiletto shoe and they both stare down at
              a thin razorblade. 

                                         SARA
                             Can’t even eat Halloween candy in
                             Haddonfield anymore. 

              EXT. MYERS HOUSE - NIGHT 

              They stop in front of the house. 

                                         SARA 
                             This is where it ends...again.  This
                             is where it started for me. 

                                         LISA
                             This is where it all started and
                             where it should’ve ended for good.

              Sara checks her watch: 10:30.  
          
                                         SARA
                             We’ll wait for him, until Halloween
                             is over and Haddonfield is dead
                             once and for all. 

                                                                          73. 

              They walk towards the front of the crumbled monument
              when...

                                         VOICE (O.S.)
                             Help me, please...

              INT. MYERS HOUSE - NIGHT 

              Lisa and Sara run in.  

                                         LISA 
                             Michael Myers was here today.  He
                             almost killed me, but I don’t know
                             if it was really him or not. 

              They look all around the pitch black darkness.  Suddenly,
              the light of the pumpkin weakly illuminates the inside
              of the house. 

                                         SARA
                             Are you here, Michael?  I’m on your
                             home turf, where I kicked your ass
                             the last time. 

                                         VOICE (V.O.)
                             Sara...

              They walk through the house until...

              A TRAIL OF BLOOD 

              appears on the floor.  They follow the trail until they
              stop, look up and see...
 
              FREDDIE 

              He’s slumped against the stairwell, shirt crimson red with
              oozing blood, his black face almost soft white.  A crude
              bandage sits over Freddie’s deep stab wound. 

                                         FREDDIE
                             The horrible irony.  Here, in the 
                             Myers house, I wanted to be reborn, to
                             bring back the past, play god.  The
                             Myers house is my grave. 

                                         SARA
                             Who killed you, Freddie?  You are
                             going to die this time, right?  

              Freddie weakly nods, laughs.  

                                         FREDDIE
                             My death will be televised.  

                                                                          74. 

              Sara pulls up Freddie’s shirt, stares at the grisly wound
              in awe. 

                                         SARA
                             Michael Myers killed you?  

                                         FREDDIE
                             Haddonfield’s favorite son, next
                             to Michael Jordan.  It’s kind of 
                             flattering to be killed by the Great
                             One, know I’ll be immortalized next
                             to Laurie Strode, Nora, everyone
                             else he killed...maybe you, Sara. 

              They stare at the front door, wait for a sign of The Shape.
              Sara eyes a faded cabinet that rests in the corner.  Lisa
              and Sara push it over in front of the door.  

                                         SARA
                             You created this whole thing, didn’t
                             you, Freddie?  You were the one who
                             turned Haddonfield into this dark
                             place, convinced everyone that it
                             was haunted...

                                         FREDDIE
                             Haddonfield has always been haunted.
                             How can you doubt that?  I just
                             publicized the fact, hastened the
                             town’s funeral.  Now it’s my
                             funeral.  

              Freddie’s head slumps to the side and he starts to drift
              until Sara slaps him awake. 

                                         SARA
                             Michael Myers.  Did you create
                             Michael Myers to scare people for
                             your new reality special?  When I
                             was attacked in my house?  The
                             robots, the soldiers, the people
                             who died?  

                                         FREDDIE
                             That was the plan at first.  I
                             needed a Michael Myers to scare
                             people and, luckily for me, there
                             were hundreds, thousands willing
                             to take the job, be Michael Myers.
                             But then I realized...

                                         SARA
                             You killed the cops at the hotel? 

              Freddie rolls his eyes, shrugs his shoulders. 

                                                                          75.

                                         FREDDIE
                             I realized that I didn’t know 
                             anymore...until I met him face
                             to face and he killed me...will
                             kill me, when my ass finally 
                             bleeds to death.  Is he alive or
                             dead?  Does it matter?  Who is
                             Michael Myers?  What is Michael
                             Myers?  A demented six-year old
                             with the devils eyes and a white
                             expressionless face?  A hulking
                             killing machine, driven by the
                             voice of Samhain, looking for an
                             end to all of the Halloween madness?
                             Or...

              Lisa steps forward. 

                                         LISA
                             Or just some big monster in black
                             overalls with a William Shatner
                             mask over his face and a kitchen
                             knife in his hands?  

              They all look at each other. 

                                         SARA
                             We killed Michael Myers after the
                             Web-Cam Massacre.  

                                         FREDDIE
                             But can that evil ever really die,
                             or will it just move around?  

                                         SARA
                             He was cremated and everyone saw
                             it. 

              A bulb goes off in Lisa’s head.  She shakes her head, 
              pulls out a faded picture of Michael Aubrey Myers, age
              six, then another picture of Michael when he was
              eighteen, from when he was still at Smith’s Grove. 

                                         LISA
                             Back in 1978, he had a face.  Laurie
                             saw it that night.  That same night,
                             he was set on fire and so he really
                             wasn’t a human anymore - there was
                             no face to think about behind the
                             mask.  Then...

                                         SARA
                             I turned him into toast. 

              Freddie holds his gut as he lets out a painful laugh. 

                                                                          76.

                                         FREDDIE
                             Saved the state the cost of having
                             to cremate the bastard.  His face
                             was all burned, they said the mask
                             was burned into his face.  There
                             was nothing left.  You couldn’t
                             recognize him, not even from the
                             state dental records.  Michael 
                             Myers was just another horrible
                             monster with no face.  

                                         SARA
                             How could he be alive?  
                            
              Freddie’s eyes open, lucid, and he looks right at Lisa
              and Sara.  

                                         FREDDIE
                             I have an idea about that...

              He starts to fade and Sara takes her blade and cuts him
              across the cheek, sends blood flying, causes Freddie’s eyes
              to shriek open.

                                         SARA
                             You ran this whole thing, Freddie.
                             How did you know that Michael 
                             Myers was still alive and how is
                             that possible after he was publically
                             cremated?  

              Freddie starts to cry, raises his hand in the air...

                                         FREDDIE
                             At the beginning, I thought he was
                             dead...
                                    (points at Lisa)
                             Ask your girlfriend there.  Ask the
                             Haddonfield expert. 

              Freddie’s finger points right at Lisa as Sara slowly turns
              around to look at a stunned Lisa. 

                                         SARA
                             Lisa...what’s going on? 

                                         LISA
                             I don’t know what you’re talking
                             about.  I’m just a dumb teenage girl
                             making a documentary about Michael
                             Myers and Haddonfield.  I’ve never
                             met the real Michael Myers, I mean
                             I never interviewed him, obviously.

                                                                          77.

              Sara turns to Freddie to say something when she sees that
              he’s dead.  Lisa lets out a big sigh of relief as Sara
              glares at her. 

                                         SARA
                             Were you working with Freddie at the
                             beginning, helping to make all of
                             this happen?  

                                         LISA
                             I think you’ve got more important
                             things to worry about. 

                                         SARA
                             What’s more important than Michael
                             Myers?  

              BOOM. CRASH.  The front door shakes.  Sara shrieks as
              someone crashes against the door over and over again.  
              Then silence. 

                                         LISA
                             She’s in here, Michael. 

              Lisa starts to rip off the barricade until Sara pushes
              her away, throws Lisa to the ground with force.  Lisa
              tries to rise up, but Sara slashes her with the blade,
              across Lisa’s arm, draws blood.  

                                         SARA
                             How is he alive?  You knew that he
                             wasn’t killed in the Web Cam 
                             Massacre?  

                                         LISA
                             Think about it, Sara.  How could he
                             he alive, if he was dead, if he had
                             been cremated?  How...? 

              Sara shakes her head, looks back at the front door which
              is silent.  BOOM. CRASH.  From somewhere in the house. 

                                         SARA
                             How could Michael Myers be alive? 

                                         LISA
                             Imagine there was a child who was
                             very sick, going to die unless...
                                         (beat)
                             A normal child...had a dead and
                             sick heart and needed a new one.
                             Throw in some kidneys and a liver
                             too because the child was in a bitch
                             of a car crash, killed the mother, 
                             and the kid’s insides were shit...

                                                                          78.

              Sara covers her mouth in horror as Lisa slowly rises to
              her feet, oblivious to her wound. 

                                         SARA
                             No...

              Lisa starts to giggle. 

                                         LISA
                             This was over a decade ago, on a dark
                             and scary Halloween night.  Imagine
                             that the only match in all of 
                             Illinois was one Michael Aubrey 
                             Myers, but he’s dead, isn’t he?  

                                         SARA
                             His body parts, his organs...

                                         LISA
                             You burned his face off.  What else
                             is there?  

              Lisa lunges forward and smacks Sara in the side of the
              head and Sara falls to the ground, beaten and shaken. 
              Lisa grabs Sara’s blade and holds it high over her head
              as a crazed look of dementia flows through Lisa’s body
              and face.  
 
                                         SARA
                             You...? 

                                         LISA
                             No, not me.  My brother...

              BOOM.  Lisa stops in her tracks, looks down at Sara with
              a big smile on her face, REVEALS a bloody bullet wound
              right through her heart.  Lisa falls down into the
              darkness as Sara sees...

              FREDDIE 

              His gun hand stuck straight out into the air....

                                         SARA
                             Freddie...? 

                                         FREDDIE
                             That was my next guess.

              Sara takes the gun from his hand and looks down on him as
              he starts to heave his last few breaths(really).  

                                         SARA 
                             Did you hear that?  

                                                                          79.

                                         FREDDIE
                             Yeah.  She was in on the show from
                             the beginning, but I didn’t know
                             about any of that other shit.  She
                             was my technical consultant.  Can 
                             you forgive me, Sara?  

              Sara points the gun at the door, keeps one eye on Freddie.

                                         SARA
                             You saved my life twice, maybe more,
                             I’m not sure.   Trick or Treat, 
                             Freddie. 

                                         FREDDIE
                             I’m bleeding out like a stuck pig.
                             You got to pop a cap in my ass, let
                             me die in peace cuz I’m bleedin’
                             out real slow.  Give me a Kevorkian.

              Sara trembles as she points the gun at Freddie who heaves
              in and out now.  Sara presses the gun right against
              Freddie’s brain and she’s ready to press the trigger and
              splatter his brains everywhere when...

              Freddie lets out one last breath...

                                         FREDDIE 
                             Fuck you, Michael Myers.  Bitch. 

              ...and he dies(really).  

              Sara grabs the blade and the gun and tiptoes towards the 
              front.  BOOM.  CRASH.  From somewhere in the house. 

              Sara yanks on the front door when...

              ...THE SHAPE’S FIST crashes through the top of the door, 
              reaches out to grab Sara’s neck and just misses.  

                                         SARA 
                            You can’t kill me, Michael.  I know
                            what happened to you.  I know I 
                            killed you back then, at that moment,
                            in this house. 

              She heads for the stairs as The Shape crashes through the
              door and pushes past what’s left of the barricade. 

              STAIRWELL 

              Sara hobbles up the stairs with The Shape close behind.

              UPSTAIRS HALLWAY 

              Sara looks around then sees a speck of light underneath
              the door of MICHAEL’S ROOM.  

                                                                          80. 

              INT. MICHAEL’S ROOM - NIGHT 

              Sara walks in, locks the door then turns around and lets
              out a shriek as she sees LAURIE STRODE’S ROTTED CORPSE 
              laid out on the bed underneath a lit pumpkin.  A portrait
              of Laurie rests on the mantle to establish that’s it’s 
              Laurie.  

              BOOM.  CRASH.  From down the hall.  Sara looks at the 
              blade and the gun then heads into the closet.  

              IN THE CLOSET 

              Sara backs up into the closet, gun out...

              SARA’S VISION - THE SHAPE 

              BOOM.  The door crashes open and The Shape walks in, looks
              at the bed then looks around the room before he moves
              towards the closet.  

              Sara waits for him to open the door...when she OPENS FIRE
              over and over until she’s out.  Blood drips through
              the closet door as The Shape falls back onto the floor. 

              Sara walks out of the closet, throws down the spent gun
              and hovers over The Shape with the blade.  Her hand
              reaches out to pull off the mask when...

              ...Sara STABS THE BLADE into The Shape’s eyeball, over
              and over again, both eyes, as she lets out agonized cries.

                                         SARA
                             You’re dead, and I know who you
                             are...Michael...

              She pulls off the mask and stares down at THE FACE OF A
              TEENAGER(African-American, normal-looking).  

                                         SARA
                             No...

              Sara, stoned and stunned, slowly walks out of the bedroom,
              hands over her face.  

              HALLWAY 

              She stumbles along the darkened hallway, towards the
              stairs when....
 
              THE SHAPE 

              appears out of Judith’s bedroom, slow REVEAL of the
              expressionless and white face.  

                                                                          81.

              ON SARA 

              HEAVY BREATHING, barely audible.  Sara stops in her tracks
              and looks straight ahead, eyes filled with terror as...

              THE SHAPE’S HANDS 

              wrap around her neck, squeeze on her neck and then let go
              ever so subtly as THE SHAPE’S FINGERS wash over Sara’s 
              lips, streaks of blood rubbing over the sides of Sara’s
              lips and mouth.  

              She takes one of his fingers and gently kisses it, gently
              sucking on it as she raises the blade up to eye level...

              ON THE SHAPE

              It’s him...EYES titled from side to side as he watches
              her.  More HEAVY BREATHING. 

                                         SARA 
                             Is it really you, Michael?  Do you
                             remember me?  I killed you, but it
                             wasn’t really you, was it?  Do you
                             want to kill me?  

              Now The Shape grabs Sara by the neck and throws her up
              against the far wall, chokes the life out of her until
              Sara STABS THE BLADE RIGHT INTO The Shape’s eyeball.  

              The Shape lets go, stumbles back and pulls the blade out
              of the socket.  He turns and then the crumbled floor
              gives way and THE SHAPE FALLS RIGHT THROUGH THE 
              STAIRWELL. 

              Sara looks down at her feet and spots a tiny well of The
              Shape’s blood, a puddle of red.  She touches it with her
              finger and holds her finger up to her face. 

              Sara looks at her watch: 11:15.  

              Sara grabs hold of one of the stairwell bars and slowly
              climbs down to the bottom floor.  

                                         VOICE (O.S.)
                             Help me.  You took my eye out, you
                             crazy bitch. 

              ON THE SHAPE 

              Sara rips off the mask and a MIDDLE-AGED MAN looks up at
              her, hand pressed against his eye as the blood rushes out.
  
              He starts to say something else...when Sara grabs the
              blade off the floor and STABS IT THROUGH HIS NECK, kills
              him instantly.  

                                                                          82.

                                         SARA
                             Boo.  

              Sara stumbles backward, backs up against the wall and 
              looks at Freddie’s corpse as she starts to cry in loud, 
              short sobs.  
    
                                         SARA
                             MICHAEL!
                                         (beat)
                             You really are dead.  

                                         VOICE (O.S.)
                             No...

              Sara looks up, just as...

              LISA 

              stumbles towards her, knife in hand, face as white as
              snow.  Lisa falls to the ground, knife out of her hand,
              as her dying hand holds up THE SHAPE’S MASK, clutches
              it for dear life until she dies and her hand lets go in
              a death reflex. 

              EXT. MYERS HOUSE - NIGHT 

              Sara stumbles out of the house, looks up and down the
              dead streets.  

                                         SARA
                             Michael...are you alive?  

              ON SARA - SURVEILLANCE CAMERA 

              She looks up and shakes her head. 

                                         SARA
                             Everything’s dead.  Haddonfield’s
                             dead, Michael Myers is dead and
                             Halloween’s dead. 

              Suddenly, CHOPPER SOUNDS blow across the track and Sara
              looks up as BRIGHT LIGHTS cover over everything...

              A BLACK HELICOPTER

              swoops down from just overhead and FIRES A MISSILE 
              at the Myers house that EXPLODES the house to pieces.  

              The helicopter lands on the street and Yuri Volchenkov
              walks towards Sara.  

                                         YURI 
                             Dr. Moyer, you survived a Halloween
                             in Haddonfield.  

                                                                          83. 

                                         YURI (cont.)
                             You’ve given everyone around the
                             world the most terrifying Halloween
                             of them all.  Who on earth could
                             escape Michael Myers a second time,
                             not to mention a third and a 
                             fourth.  

              SARA’S VISION - THE CAMERAS ON THE STREETS

              She looks up and down the streets and, suddenly, they
              all REVEAL themselves to her at once.  She looks at the
              front of the destroyed Myers house and sees that all
              that’s left is the lit pumpkin that rolls away from the
              front of the house, smiling at Sara the whole way. 

                                         SARA
                             Freddie...

                                         YURI 
                             He’s dead.  Freddie died a hero.  
                             He’ll go down in history not only
                             as someone who helped to kill off
                             Michael Myers, but as a true 
                             entertainment pioneer.  First the
                             Web Cam Massacre and now this
                             horrific tragedy...amazing.  

              ON WEB CAMERA 

              Yuri holds it in front of Sara and the images of all of
              the dead bodies appear in a series of FLASH CUTS along 
              with bios and statistics of all of them. 

                                         SARA
                             This is real. 

                                         YURI 
                             Of course it’s real.  

              Laurie Strode’s rotted corpse appears. 

                                         SARA
                             I don’t know what’s real and what’s
                             not real anymore.  

                                         YURI 
                             You’re a criminal psychiatrist...

                                         SARA
                             Is Michael Myers really alive?  

                                         YURI 
                             He’s everywhere.  What would
                             Halloween be without Michael Myers.
                             Michael Myers is the face of
                             Halloween.  

                                                                          84.

              ON SARA

              She slides the blade out, stares at the blood.  

                                         SARA
                             Everyone’s dead.  

                                         YURI 
                             Except you.  Everyone’s dead except
                             you and Michael Myers.  You sure
                             freaked out when you saw Laurie
                             Strode’s mummified remains.  One of
                             Freddie’s concepts.  I thought it
                             was a nice touch...digging her up
                             and bringing her back home. 

              Sara lets out a growl and SLAMS THE BLADE right into 
              Yuri’s chest, sends him reeling to the ground with a
              bewildered, yet somewhat excited, look on his face.  

                                         SARA
                             Now you’re dead.  Happy Halloween. 

              The helicopter lights blind Sara again as the helicopter
              ascends off the ground like a grasshopper and vanishes
              into the dead of night.  

              Sara looks up at one of the cameras, strikes a pose with
              the bloody blade. 

                                         SARA
                             If you’re out there, Michael, come
                             and get some.  Halloween’s almost
                             over. 

              She looks at her watch: 11:50.  

              EXT. HADDONFIELD - ALL ANGLES - NIGHT 

              As Sara walks the streets, like Vincent Price’s Last Man
              On Earth. 

              ON VARIOUS CAMERAS - SUPER 8 

              As they crane in all directions to monitor Sara’s movements.
              She looks around and shrieks.  

                                         SARA
                             Get away from me, stop looking at
                             me.  If you’re watching out there -
                             Dr. Wynn, Governor Murray, anyone
                             in the police department - my name
                             is Sara Moyer and I’m a board
                             certified criminal psychiatrist, 
                             and I need to get out of Haddonfield.

              Suddenly, the cameras all FADE TO BLACK.  

                                                                          85.

              EXT. HADDONFIELD - DOWNTOWN - NIGHT 

              Sara walks along, spots a row of dead bodies strewn out on
              the street.  She walks over them as the Silver Shamrock 
              theme from “Halloween III” blasts through the town.  

              Sara covers her ears and looks all around for the source
              of the sound. 

              ON SPEAKERS 

                                         VOICE 
                             Halloween is almost over for another
                             year.  Did you all have lots of fun? 
                             Did you have fun, Sara?  

              ON SARA 

              She runs down the street without a glance back. 

              THE SHAPE 

              appears from a side street, cold and still.  

              EXT. HADDONFIELD CEMETERY - NIGHT 

              Sara walks past Laurie’s tomb, stares down in terror at
              the RIPPED OUT GRAVE.  She walk along, past Annie, Bob and
              Lynda’s graves....they’re all there...from “Halloween” to
              “Resurrection” and then, Sara walks past another row of
              plots when...

              ....FREDDIE’S TOMBSTONE APPEARS...Brackett’s...Hunt’s and
              then...LISA’S TOMBSTONE APPEARS right next to them.  Sara
              shakes her head and runs away as HEAVY BREATHING fills up
              the track.  

              EXT. STREET - NIGHT 

              Sara checks her watch: 12:05.  

                                         SARA
                             Halloween’s over.  I won.  I 
                             survived. 

              HEADLIGHTS appear at the end of the street.  Sara waves
              her hands as a CAR heads down the street, stops on the
              curb, UNSEEN DRIVER.  Sara runs over to the car, gets in,
              and the car speeds off.  

              INT. CAR(MOVING) - NIGHT 

              ON WALTER GARRETT 

              As Sara looks over at him.  His face is covered with fear
              and worry. 

                                                                          86.

                                         SARA
                             Haddonfield’s condemned.  No one
                             comes here anymore unless...

              Walter lights up a cigarette and Sara watches with great
              interest as Walter places a book of Red Rabbit Lounge
              matches into the grill as a HADDONFIELD MEMORIAL 
              HOSPITAL TAG hangs just under the steering wheel. 

                                         WALTER
                             I’m looking for my daughter, Lisa. 
                             It’s Halloween, she hasn’t come 
                             home all night, and I know she’s
                             always hanging out in Haddonfield.
                             What happened here?  Looks like 
                             someone dropped a bomb on the place.
                             I mean, Haddonfield was never the
                             hub of the universe, but I tell you,
                             I used to go to the diner with my
                             high school buddies and they had 
                             ten cent brownies that you’d kill
                             your own children for...

                                         SARA
                             You’re Lisa’s father. 

              Sara eyes him up and down as Walter glares at Sara with
              a look of palpable menace. 

                                         WALTER
                             You’re that Doctor, aren’t you?  
                             You’re the one who killed off
                             Michael Myers a few years back.  I
                             remember watching that on my 
                             desktop.  I think I was doing my
                             taxes online or something. 

              Sara lets out a weak laugh, caresses the blade that rests
              under her shirt, the blood leaking through her. 

                                         SARA
                             And you just happened to drive down
                             the street and pick me up?  

                                         WALTER
                             I’m looking for my daughter, Dr. 
                             Moyer.  Do you know Lisa?  Have you
                             seen her tonight?  What are you 
                             doing back here in Haddonfield?  
 
                                         SARA
                             Kill Michael Myers. 

              Walter looks at the blood on Sara and then he growls and
              slams his fist on the dash, forcefully grabs Sara’s
              wounded shoulder. 

                                                                          87.

                                         WALTER
                             Do you know what happened to my
                             daughter?  

              Sara starts to giggle and laugh like a madwoman. 

                                         SARA
                             She’s dead.  I murdered her. 

              Walter lets out an agonized growl and then he starts to
              pound his head against the steering wheel as short sobs
              burst out of him.  He raises up, REVEALS a gun that he
              presses against Sara’s jaw.  

                                         WALTER
                             Thank you. 

              EXT. LISA’S HOUSE - MORNING 

              The car stops and they get out.  At first, Walter has the
              gun pressed against Sara’s back, but he pulls it away, his
              face a picture of total calm and confidence.  

              Sara looks at the row of houses that are pitch black.  Not
              a light or a sign of life anywhere on the block except 
              for the mass of HALLOWEEN DECORATIONS scattered up and
              down the street. 

                                         SARA
                             I could...

                                         WALTER
                             Scream?  Go ahead, scream your head
                             off.  We’re not in Haddonfield
                             anymore. 

              Sara shakes her head until Walter waves the gun at her.

                                         WALTER (cont.)
                             Scream, Sara, scream.  Pretend that
                             I’m Michael Myers. 

              Sara swallows hard and then she lets out a BLOODCURDLING
              SCREAM that echoes up and down the block. 

                                         SARA
                             Call the police...somebody please
                             help me. 

              Walter laughs and shakes his head.  

                                         WALTER
                             Looks like everyone’s been trick
                             or treated to death. 

                                                                          88.

              They move towards the front of the house and then vanish
              inside. 

              INT. LISA’S HOUSE - MORNING 

              Walter pushes Sara inside, gun out. 

                                         SARA
                             Halloween’s over...Dr. Garrett. 

              Walter pulls out a WEB CAM MONITOR, shows Sara and then
              fires a bullet into it. 

                                         WALTER
                             Not for you, Sara.  Halloween will
                             never be over for you until you’re
                             dead, as was the case for Laurie
                             Strode and all of the others that
                             followed. 

              Sara stares at a row of family pictures that are scattered
              all over the house - on tables and on the walls.  Pictures
              of Lisa and Walter and LISA’S DEAD MOTHER(50s)and, finally,
              a TEENAGE BOY, face obscured by darkness or missing 
              completely in every single shot. 

                                         SARA
                             Why?  

                                         WALTER
                             I have a question for you.  Do you
                             believe that Michael Myers was born
                             evil?  Do you believe that he never
                             had a chance to be a normal boy, 
                             that the power of Samhain was, in
                             fact, destined to possess him for
                             all eternity? 

              Sara nods, reaches for the blade that’s now in her back
              pocket. 

                                         SARA
                             I believe just that.  What’s your
                             excuse. 

                                         WALTER
                             My wife died in a car accident and
                             I couldn’t lose my boy as well.  I
                             know it wasn’t coincidence...that
                             night...Halloween night 2002...here.
                             I know there were evil forces at
                             work, but me?  

              The dawn of realization hits Sara like a knife in the gut.

                                         SARA
                             You were Judith Myers’ boyfriend...

                                                                          89.

              Walter pulls out a picture of himself and Judith from high
              school and starts to giggle. 

                                         WALTER
                             We were fuck buddies, but I was more
                             interested in her little brother,
                             Michael and I don’t mean that way.
                             It was destiny. 

                                         SARA
                             Michael...? 

                                         WALTER
                             We shared a bond.  I think I was the
                             only person he could talk to because
                             I could hear the voices too, I just
                             wasn’t a psychopathic catatonic like
                             him.  We all hear the voices, don’t
                             we?  It’s just that some of us kill
                             and some of us don’t.  Deep down, we
                             all wish we could be like Him.   

              Walter nervously checks his watch as loud firecrackers
              rattle around in the deep BG. 

                                         WALTER (cont.)
                             The streets are quiet, overflowing
                             with the blood of little ghosts and
                             goblins.  

              Walter walks over, pushes over a couch to REVEAL a stack
              of DEAD TRICK OR TREATERS, dressed in costumes, masks -
              covered in blood, stabbed to bits, candy bags strewn
              out on the ground. 

                                         SARA
                             You were there back in 1963...

                                         WALTER
                             Made sure Judith was back home just
                             in time for Michael when he got back
                             from trick or treating. 
                                    (pointing at bodies)
                             I hate trick or treating, buying 
                             candy, all of that Halloween shit.

              Sara shakes her head in disbelief.  Suddenly, Sara looks
              out through the tight drapes and sees a cluster of POLICE
              HELICOPTERS scoot through the sky, in the direction of
              Haddonfield. 

                                         SARA
                             You helped kill Judith...?   

                                                                          90.

                                         WALTER
                             Got to fuck Judith one more time
                             and I was able to give Michael a
                             precious sacrifice, without having
                             to die myself.  Sure, it was hot
                             for awhile with the cops and 
                             everything, but what a great way of
                             saying boo to the world. 

              FLASH - INT. MYERS HOUSE - NIGHT - HALLOWEEN 1963

              As JUDITH’S BOYFRIEND(EIGHTEEN YEAR OLD WALTER)walks down
              the stairs after the dirty deed.  He looks up. 

                                         JUDITH (O.S.)
                             Call me tomorrow?  

              ON WALTER

              He looks ahead and flashes a wicked smile before he 
              calmly looks up at the black stairwell. 

                                         WALTER
                             Yeah, sure.  

              EXT. MYERS HOUSE - NIGHT 

              Walter walks out...as classic ‘60's MUSIC BLARES OVER THE
              TRACK...

              ON HALLOWEEN MASK 

              Walter smiles and pulls off the mask, REVEALS the 
              expressionless eyes and face of SIX YEAR OLD MICHAEL 
              MYERS. 

                                         WALTER
                             She’s all yours, Michael.  

              RESUME - SARA AND WALTER 

              Sara just shakes her head as Walter looks at the door, 
              anxiously checks his watch. 

                                         WALTER
                             You want another bombshell?  Leigh
                             Brackett told me this a few years
                             later.  When they did the autopsy
                             on Judith, I’d pumped her so full
                             of juice that they did a standard
                             pregnancy test.  They told her parents
                             otherwise, but she was pregnant.  
                             Man, I was a real studmuffin back
                             in the day.  Judith Myers was the
                             best dead fuck in the fifty states.

                                                                          91. 

                                         SARA
                             Why are you telling me this? 

                                         WALTER
                             Because you’re the last surviving link
                             to the legend of Michael Myers, and
                             you’re going to die. 

                                         SARA
                             Halloween’s over.   

              Walter shakes his head and stares at the door as they
              hear a car pull up on the street. 

                                         WALTER
                             I would never murder anyone, much
                             less a respected fellow professional
                             such as yourself, Dr. Moyer.  BUT
                             MICHAEL MYERS WOULD LIKE TO RIP
                             OUT YOUR INSIDES AND EAT THEM!  

              Loud footsteps move towards the front of the door and then
              stop.  Not a sound as Sara reaches for the blade...

                                         SARA
                             Your son...

                                         WALTER
                             Maybe he was born evil after all. 

              INT. HOSPITAL MORGUE - NIGHT(STOCK - FOOTAGE FROM
              “RESURRECTION”) 

              ON THE SHAPE’S BURNED BODY 

              As he RISES UP and CRUSHES A NURSE’S WINDPIPE like a bug
              until...

              ...COPS RUSH IN and are about to fire until...

              A DOCTOR 

              moves in front of them, looks up to REVEAL that it’s 
              DR. WALTER GARRETT.  He waves the cops back with his hand
              as he holds up a SURGICAL SAW and then turns and DECAPITATES
              THE SHAPE with one mighty blow.  

                                         WALTER
                             His organs...the fire damage even
                             acts like a conductor...emboldens
                             the insides.  He lives on...Michael
                             Myers lives on. 

                                                                          92.

              INT. HOSPITAL O.R. - NIGHT 

              ON WALTER 

              With his surgical uniform on, Walter stabs his scalpel
              down into...

              THE SHAPE’S CHARRED CORPSE 

              Rips out his heart and kidneys - his entrails and guts and
              everything - and tosses them into a ice-packed container. 

                                         WALTER
                                    (to ASSISTANT)
                             This is a John Doe.  The charts and
                             files are to be sealed, YOU HEAR ME?

              RESUME - SARA AND WALTER 

              Sara pulls out the blade and stalks towards Walter who
              briefly raises the gun in protest before he smiles and
              puts it down. 

                                         WALTER
                             You can use the gun against him. 
                             He’s been waiting for you.  He needs
                             to kill you. 

              Sara RAMS THE BLADE into Walter’s gut, and then up, as
              blood sprays out of Walter’s throat and onto Sara’s cheeks.

                                         SARA
                             What’s his name?  

                                         WALTER
                             Jimmy...

              Sara picks up the gun, frowns when she empties a stack
              of blank caps. 

                                         SARA
                             I’m here...Jimmy...Michael...whoever
                             the hell you are.  Do you remember
                             me, yourself, or do you not have
                             memories of the past?  Are you 
                             really Michael Myers or just another
                             fake?  

              CRASH.  From somewhere in the house.  LOUD RUSTLING 
              SOUNDS.  

              Sara looks at the front door, then heads for the door.  She
              pulls on the door and starts to run out when...

                                                                          93.

              AN ARMY OF SHAPES 

              appear on the street.  They see Sara and walk towards her,
              force Sara to barricade herself back in the house. 

              STAIRWELL 

              Sara shuts the door, runs up the stairs, blade out.  

              HALLWAY 

              Sara walks along, looks at her watch. 

                                         SARA
                             It’s November.  Halloween’s over,
                             old news.  I know who you are.  

              She turns around and SCREAMS her head off as...

              JIMMY GARRETT 

              His face appears in front of her - all bruised and cut up
              but somewhat normal - eyes staring out at her.  Suddenly,
              a HAND raises up and pulls The Shape’s mask down over the
              face.  

              EXT. STREET - MORNING 

              POLICE CARS race along the track, headed towards Lisa’s
              house. 

              INT. LISA’S HOUSE - HALLWAY - NIGHT 

              Sara backs away as The Shape approaches her.  

                                         SARA
                             You don’t have to do this, Jimmy. 
                             I didn’t kill you, I killed Michael
                             Myers.  You’re not Michael Myers...

              FLASH - THE SHAPE 

              His burned and smoldered face from the end of “Resurrection.”
              Suddenly, the face to STARTS TO RIP AWAY until Jimmy’s face
              appears. 

              RESUME - SARA AND THE SHAPE

              Sara pulls out the blade and drives it into The Shape’s
              chest.  His hands reach out as he falls forward, onto the
              floor, the BLADE DRIVEN INTO HIS FLESH.  

              SARA’S VISION - THE SHAPE

              STILL BREATHING.  His chest heaves up ever so slightly.

              Sara walks out of the hallway, into JIMMY’S BEDROOM.  

                                                                          94.

              SARA’S VISION - OUT THE WINDOW 

              The Shapes look up at her, still, until they turn and 
              slowly move away from the street.  

                                         SARA 
                             It’s over.  

              Sara looks in the mirror and sees THE SHAPE SIT UP AND
              WALK TOWARDS HER.  

              She turns just as The Shape WRAPS HIS ARMS AROUND HER
              NECK and starts to choke the life from her.  

                                         VOICE (O.S.)
                             No...

              THE SHAPE 

              removes his hands and backs away, looking around in total
              confusion, hands over his head. 

                                         SARA
                             The voices...?  What are they
                             telling you to do?  You don’t have
                             to listen to them. 

                                         VOICE (O.S.)
                             Rip out her heart.  Sacrifice her
                             to us and then it’ll all be over.

              The Shape pulls out his blade and STABS IT DOWN into
              Sara’s shoulder as she backs up against the far window.

              Sara pulls up her pants and sees that her old ankle gun
              is still there.  She pulls it out and fires...CLICK, CLICK,
              CLICK.  

              BOOM, BOOM, BOOM.  The chambers explode three bullets into
              The Shape, THROUGH HIS BRAIN AND EYES, as he stumbles around
              the room, waves the blade around all crazy until...

              TWO COPS 

              appear in the hallway.  They march in and start to OPEN
              FIRE when Sara waves her hands “no” and jumps in front of
              them just as...

              ON SARA

              As the cops’ bullets RIP THROUGH HER WORN BODY, just as
              Sara and The Shape both CRASH THROUGH THE BEDROOM WINDOW.

                                         SARA
                             It’s over.  The chain is broken. 
                             You’re dead, Michael.

                                                                          95. 

                                         SARA (cont.)
                             Where are you going to call home
                             now?   
                           
              EXT. LISA’S HOUSE - NIGHT 

              As the bodies of all of the DEAD NEIGHBORS are being piled
              into ambulances, all covered in some kind of Halloween
              regalia...SHERIFF TERENCE DRUCKER(50s)surveys the scene,
              face covered with dread. 

                                         DRUCKER
                             Every Halloween.  
                                    (to DEPUTY)
                             Did we get him?  

                                         DEPUTY #1 (O.S.)
                             Over here, Sheriff. 

              Drucker nods and then closes his eyes and mumbles a silent
              prayer. 

                                         DRUCKER
                             I’ll tell the Governor. 

              ON SARA AND THE SHAPE 

              They both lie there - Sara’s eyes looking straight up with
              blood down her cheeks and face and The Shape, Jimmy, with
              the mask off, cold eyes looking straight up. 

                                         COP #1 
                             Careful.  You know who that is. 

                                         COP #2 
                             Michael Myers.  That’s Michael 
                             Myers?  Looks like a real pussy. 
                                    (to The Shape)
                             You’re not so tough anymore, are
                             you? 

              EXT. HADDONFIELD - MORNING 

              RAPID CUTS 

              As BOMBS and ROCKETS rip through every corner of the 
              town, blow the whole place into black rubble.  There’s 
              nothing left but graves and pockets of death and horror.

              EXT. CEMETERY - MORNING 

              SUPER: “One Week Later...” 

              A LONG BLACK LIMOUSINE winds its way towards the front of
              the cemetery.  

                                                                          96.

              ON SARA’S GRAVE 

              The grave looks cheap and dirty.  

              ON SHERIFF DRUCKER AND DR. WYNN 

              They look down with solemn faces as the PRIEST reads a
              inaudible prayer which the hard rain drowns out.  HEAVY
              BREATHING. 

                                         DRUCKER 
                             She was a good doctor.  Helped the
                             cops out with a lot of cases. 

                                         WYNN 
                             I warned her about getting too 
                             close.  I knew it would kill her.

              They turn and watch as the limousine comes to a stop at
              the edge of the lawn.  The door opens and GOVERNOR PATRICK
              MURRAY(60s)gets out and walks towards the two men with a
              bouquet of flowers in his hands. 

                                         GOVERNOR
                             Sorry I’m late. 

                                         DRUCKER 
                             This is the final chapter, Governor.
                             Maybe now we can all live in 
                             peace. 

              The Governor curses under his breath and shakes his head.

                                         GOVERNOR 
                             You should’ve been told.  Everyone
                             should’ve been told.  God help my
                             soul. 

              Drucker and Wynn look at him. 

                                         WYNN 
                             What the hell are you talking about,
                             Governor?  

                                         GOVERNOR 
                             Michael Myers is still alive, I
                             assume...

              Drucker angrily shakes his head. 

                                         DRUCKER
                             No, he’s dead.  Jimmy Garrett’s
                             dead and he was walking around
                             with Myers’ insides, all of his
                             DNA.  

                                                                          97.

              The Governor weakly pulls out a file marked SEALED and 
              hands it to Drucker and Wynn. 

                                         GOVERNOR 
                             What happened in 2002...

                                         DRUCKER
                             The Web Cam Massacre...that was
                             the real Michael Myers...checked
                             his DNA and everything. 

                                         GOVERNOR 
                             The government took his body, 
                             replaced it with another one.  
                            
              Sara’s coffin is unceremoniously dropped into the hole and
              the Priest calmly walks away as Drucker and Wynn glare
              right through the Governor. 

                                         WYNN
                             Why...? 

                                         GOVERNOR
                             Black OPS, defense department wanted
                             to harvest Michael Myers as a
                             weapon.  America’s ultimate killing
                             machine could be used to fight the
                             rest of the world.  

                                         WYNN
                             You let him go...?

              They sift through the file - pages of psychological 
              profiles then PICTURES OF DEAD BODIES, ripped to shreds - a
              Michael Myers rampage. 

                                         GOVERNOR
                             My term ends in January and I had
                             to let you know.  He escaped from
                             their custody and we’ve been
                             searching for him ever since. 

                                         WYNN
                             How long?  

                                         GOVERNOR 
                             That file was sealed in 2005.  I
                             didn’t know about the switch until
                             AFTER THE TELEVISED CREMATION.  It 
                             was too politically embarrassing,
                             for everyone, to say anything, but
                             I couldn’t stand by and let more
                             innocent people die so that’s when
                             I established a secret Michael 
                             Myers task force led by Sheriff
                             Brackett, Detective Gary Hunt and
                             you...Sheriff Drucker. 

                                                                          98.

              Wynn glares at Drucker who coolly looks around the now
              empty track and pulls out his gun.  

                                         WYNN
                                    (to Drucker) 
                             You knew about this? 

              Drucker shrugs his shoulders and glares at the Governor.  

                                         DRUCKER
                                    (to Governor)
                             Does anyone else know about this? 
                             That’s the important thing. 

              The Governor firmly shakes his head. 

                                         GOVERNOR
                             I haven’t told a soul.  

              Drucker SHOOTS the Governor in the head, then turns and
              does the same to Wynn.  He kicks open a fake patch of 
              grass to REVEAL a MASSIVE GRAVE.  Drucker coolly tosses
              the bodies inside and then he glares at the CARETAKER
              who nods back at Drucker as the caretaker runs over to
              fill in the opening with fresh dirt. 

              A BODYGUARD and a LIMO DRIVER rush out of the limousine
              and Drucker shoots them both dead. 

                                         DRUCKER
                             You forgot to mention that the task
                             force, the secret task force, is
                             still hunting Michael Myers down. 
                                         (beat)
                             I will find him...no matter what I
                             have to do.  

              Drucker takes a long look around before he puts on a pair
              of glasses and walks towards the cemetery exit.  HEAVY 
              BREATHING.  

              ON A PAIR OF SHOULDERS 

              In the frame, with Drucker’s back in the other half, as
              Drucker walks away, becomes smaller and smaller as he moves
              out of the cemetery.  

              INT. DRUCKER’S CAR - MORNING 

              ON DRUCKER 

              He starts his car, notices that the windows - all of the
              windows - are heavily fogged up.  He starts to wipe away
              the mist with his palm when the dawn of realization hits
              him like a ton of bricks.  

                                                                          99.

                                         DRUCKER
                             Got me...stupid. 
                                         (beat)
                             Boo...

              DRUCKER’S VISION 

              As The Shape appears in the front mirror, rising up in
              the backseat.  

              THE SHAPE 

              Wraps his powerful arms around Drucker’s arm, CRUSHES HIS
              NECK as Drucker quickly gives up the struggle when The Shape
              does a big 360 CRUNCH with his neck.  

              The Shape lifts up a jug of gasoline and pours it all over
              Drucker, all over the car, until The Shape holds up a match
              and...

              DRUCKER’S CAR

              EXPLODES into a million pieces as....

              A HULKING FLAMING FIGURE 

              walks out of the mist, as the fire slowly burns into The
              Shape, becomes a part of his hellish soul as The Shape’s
              form quickly returns, cooked and toasted around the edges
              of the face. 

              ON SARA’S GRAVE 

              As The Shape drives a blade into the soil, quickly summons
              up the cheap casket, breaks through to REVEAL Sara’s 
              well-preserved corpse, RIPS HER CORPSE out of the soil and
              into his arms. 

              THE CARETAKER

              walks into the frame with a bottle of ripple and a shovel 
              in his hands.  He stops then waves the shovel at The 
              Shape who grabs the shovel, BREAKS IT IN HALF, uses one
              part to decapitate the caretaker and the other part to
              impale the caretaker’s torso, hoists it like a prawn into
              the open pit which slowly starts to fill up with dirt and
              rain.  

              EXT. CEMETERY - DAY 

              The Shape walks across the track with Sara’s corpse in 
              his arms, his face never clearly seen from the front, just
              the(authentic)William Shatner mask. 

              INT. CAR(DRIVING) - DAY 

              The Shape drives along, eyes straight ahead. 

                                                                         100.

              THE SHAPE’S VISION 

              ON a sign: “Welcome to Haddonfield” 

              Same as before - a desolate and destroyed vision of modern
              hell. 

              EXT. MYERS HOUSE - NIGHT 

              The car pulls up to the curb, on top of a mound of exploded
              debris, and The Shape walks out with Sara’s corpse in his
              arms. 

              The Shape carries Sara inside, and disappears, leaves only
              the black portal of darkness as a heavy wind covers the
              track.  

              UPSTAIRS BEDROOM WINDOW 

              A LIGHT comes on.  

                                         VOICE (O.S.)
                             Trick or treat. 

                                                                FADE OUT

                                         THE END