Biohazard Dawn
First working draft
By Glen Lentz

Scene 1:  Introduction/Credits

	Camera cuts to a black screen.  Suddenly, blood droplets fall and spatter, eventually running further down to create trails.  Blood falls from the screen and then directly under where the blood falls, credits of the actors fade in and then out until finally “Biohazard Dawn” fades in.

Cross-fade transition to the next scene.

Scene 2:  Ext:  Allenton, WI

	Camera fades in to an establishing shot of the town of Allenton from a hilltop point of view.  The shot focuses on the town for a bit then cuts to a medium shot of Steel plant for a several seconds, then to a shot of the suburbs for several seconds, and then cuts to a medium shot of the restaurants in town, then finally to a shot of the water filtration plant.  Camera cuts to a close shot of the back of a truck with dozens of large barrels in the truck box.  The truck is slowly driving down the highway through town.  Suddenly, one of the barrels becomes unstable.  The barrel shakes and slides a bit, finally, the barrel falls from the truck.  The barrel tosses and turns down a steep hill and finally reaches the bottom of the hill where it cracks open by a stream.  Slowly, a grotesque dark green and brown sludge leaks from the barrel and into the stream.  Camera follows the running stream for a bit before fading to darkness.

Scene 3:  Int:  Glen’s House

	The scene begins in darkness with the sounds of screams and moans, for several seconds then quickly cuts to a close up shot of a startled young man, springing up from his bed from the loud sound of his alarm buzzer.  He moans and breathes heavily as he awakens.  The young, strong, short-haired man rubs his face and pulls himself out of his bed.  This is Glen Walker, an 18 year old high-school senior nearly ready to graduate.  Glen is often singled out and thought of as “weird”, “unrealistic”, and “strange” by his peers due to his passion for horror movies and metal music.  Camera cuts to a medium shot of Glen standing up and putting on his shirt.  Camera follows Glen out of his room then cuts to a front shot of Glen walking into his bathroom.  Camera cuts to a shot of Glen washing his face and then moves around the back of Glen looking into the mirror at himself.  Glen lets out a sigh as he looks at himself and then looks down.  Camera cuts to a shot of Glen buttoning up his black shirt and then fixing his collar and then the camera cuts to a shot of an alarm clock showing the time “7:30 a.m.”.  Camera cuts back to a medium front shot of Glen.

			GLEN:  Fuck!  I’m going to be late!”
	
	Camera cuts to a medium side shot of a frustrated Glen, wildly grabbing his school bag and coat.  Camera cuts to a close, side shot of Glen in his car, the red 1988 Pontiac Trans Am.  Glen looks forward, out of the windshield as he starts his car and puts it into gear.  Camera cuts to a low angle shot, from the road’s point of view and quickly we see Glen’s car rush by the camera and speed all the way down the road.  Camera cuts to a similar close, side shot of Glen in his car driving.  Glen is looking forward through the windshield, concentrating on the road.  Glen has a frustrated yet determined look in his face.

			GLEN:  Three more weeks…  Three more weeks and I’m done.

Scene 4:  Ext:  High School

	Camera cuts to a shot following Glen’s car pulling into the parking lot across the street from the high school.  Glen parks the car and immediately jumps out of the car.  Camera cuts to an establishing shot of the high school and then we see Glen running towards the high school within the shot.  Camera cuts to a shot of Glen from behind entering the school through the front doors.  Camera cuts to a close side shot of Glen walking into the school lobby.  The bell quickly rings and a grin comes to Glen’s face.

			GLEN:  Ahhh, made it!

					Camera cuts to an elevated long shot of Glen from behind running to his class.

Scene 5:  Ext:  Allenton, WI

	Camera cuts to a long shot of the original location from Scene 2.  The barrel is seen from a distance and by now, all the contents have emptied from the barrel.  Camera cuts to a medium shot of the stream by the barrel.  Many fish are dead and are floating at the top of the stream and the water is bubbling.  Weird music plays in the background as the scene progresses.

Scene 6:  Int:  High School

	Camera cuts to a medium shot of the corner of the school library and quickly Glen and a close friend walk out talking, both with schoolbags.  Glen’s friend is of similar to equal height to him and has long dark brown hair and is also very strong.  His name is Tony Strommen, a high school junior with a very determined and dominant personality.  Tony can be goofy and fun but a very intelligent and decisive persona underlies this.  The two seem to be in good spirits and are talking about the last class with less than enthusiastic looks on their faces.  Camera follows the two from the front as they walk down the hall.

			GLEN:  Well, that was huge waste of time.
	
			TONY:  Yeah, and it wouldn’t have been as bad if we didn’t have to stay after.

			GLEN:  Dude that kid had it coming.  He was talking shit about my girlfriend.

			TONY:  Well, you didn’t have to drag me into it.

			GLEN:  What can I say?  I was going to get lonely man.  
	
			TONY:  Yeah, shit.  You work tonight?

			GLEN:  Yeah.
	
					Glen and Tony continue to walk down the halls towards the front of the building as the camera still focuses on the both of them and still follows from the front as well.  Suddenly an attractive girl runs up to the side of Glen, grasping her books with both arms and a schoolbag hanging over her back.  The girl looks to Glen with smile of deep admiration and love.  This is Glen's girlfriend, Jennifer, a young, life-filled, smart and charismatic girl who is deeply in love with Glen.  Jennifer reaches around and taps Glen on his left shoulder in an effort to trick Glen into thinking that someone else had tapped him.  Glen shrugs and looks to the back left then quickly turns to look at Jennifer.  The two turn to face each and other and laugh and grin a bit.  

			GLEN:  Hey you!

						Camera cuts to an over-the-shoulder shot from behind Glen, focusing on Jennifer.  Jennifer displays a content smile and focuses her eyes on Glen's.

			JENNIFER:  Hey yourself.  

						Camera cuts back to a medium shot in front and focusing on Glen and Tony.  Tony smirks then continues,

			TONY:  I'll just leave you two alone.

						Glen just displays a similar smirk understanding the attitude Tony was displaying towards the situation.

			GLEN:  Thanks, man.  Hey, I'll see you at work, dude.

						Tony walks off screen to his next destination and Jennifer enters the shot from the left, still holding onto her books.

			JENNIFER:  Where were we?
	
						Camera cuts to an over-the-shoulder shot from behind Jennifer, focusing on Glen.  Glen displays a snide smirk and continues,

			GLEN:  We weren't any where but I can change that.

						Camera cuts back to a medium shot, focusing on Glen and Jennifer from the front as Glen reaches over to kiss Jennifer.  The two kiss for a moment and return to their respective stances.  The two turn to face the camera but continue to walk side-by-side, the camera follows.

			JENNIFER:  So you have to work tonight?

			GLEN:  That's the plan.

			JENNIFER:  When are we going to hang out again?

						Glen replies in a joking way,

			GLEN:  We just hung out last night, babe.  What do you want out of me?!!

			JENNIFER:  I want you to love me.
	
						The two stop suddenly and turn to face each other.  Camera cuts back to an over-the-shoulder shot from behind Jennifer, focusing on Glen, displaying a look of infatuation.

			GLEN:  I do love you.  You're my world.  

						Camera cuts to a medium shot from behind Glen, focusing on Jennifer, displaying a look of deep infatuation as she looks up at Glen.  

			GLEN:  I know I don't tell you that enough and I'm sorry.
	
						Camera cuts to a close low angle shot of Jennifer as she looks up at Glen, still displaying a look of deep infatuation.

			JENNIFER:  You don't have to be sorry.  I think I know how much you love me.  I just like to hear it.

						Camera cuts to a medium shot of Glen.  Glen displays a snide grin and then lets out a soft chuckle.  Camera cuts back to the shot in front of the two.  
	
			JENNIFER:  I gotta' go, Hun.

						Jennifer leans over and kisses Glen on the cheek and then continues.

			JENNIFER:  Call me tonight.

			GLEN:  You can count on it.

			JENNIFER:  I love you.

			GLEN:  I love you too.

						Camera slowly zooms in a bit on Glen as Jennifer walks off camera.  Glen looks on at his girlfriend for a small time.  Tension builds slowly and a creepy silence builds.  Suddenly, SLAP!!!  Somebody slaps Glen's back.  Quickly the camera cuts to an over-the-shoulder shot behind the mysterious man who slapped Glen's shoulder.  The man dressed up in a button-up purple dress shirt and black tie is a man in his early forties, Principal Silverman.  

			SILVERMAN:  Mr. Walker!

						Camera cuts back to a medium shot of Glen turning around, who at this point jumps from being startled suddenly.

			GLEN:  Jesus!!!

						Camera cuts to a shot of Principal Silverman who displays a stern look towards Glen.

			SILVERMAN:  What did I tell you about showing affection in the halls?
		
						Camera cuts back to the front shot of the Glen, this time with Principal Silverman following directly behind Glen.  The two are walking and the camera continues to follow from the front.
	
			GLEN:  Yeah, yeah, I know.  You don't like it.  

			SILVERMAN:  Shouldn't you be in class?

			GLEN:  I'm pacing myself.

						Principal Silverman grasps Glen's arm in annoyance.

			SILVERMAN:  You have a real attitude problem, Walker!

						Glen violently shrugs off Silverman's arm with anger.  The two stop walking and the camera stops with them.

			GLEN:  Don't you ever touch me, you understand?  Don't fucken' touch me!

						The two begin walking again and the camera continues to follow from the front.  

			SILVERMAN:  Maybe some time in detention will cool you off.

						The two stop once more along with the camera.  

			GLEN:  What?

			SILVERMAN:  That's right.  You know that stunt you and your friend, Mr. Strommen pulled in history class?

			GLEN:  You have to be kidding me...

			SILVERMAN:  Nope.  Mrs. Williams phoned it in directly after class so, you and Mr. Strommen will report directly to detention after school tomorrow, understood?

						Camera zooms in a bit on Glen, displaying a stressed-out look on his face.

			GLEN:  Yeah.

						Camera cuts to the next scene.
	
Scene 7:  INT:  Allenton Inn

	Camera cuts to an establishing shot of the Allenton Inn from the rear entrance.  People who are more than likely employees, are seen walking to the building and entering.  Camera cuts to a medium shot of a young man inflicting damage on his car in a nearby parking lot.  He pulls the steering wheel sharply to make the car’s rear end wildly whip around.  Camera cuts to a medium shot of people working in the Allenton Inn kitchen.  Camera cuts to another medium shot of a cook behind stainless steel shelves sharpening a knife.  All the people are working tentatively as the camera seems to observe them.  Camera cuts back to a shot from outside the Allenton Inn, at the parking lot across the street.  Quickly Glen’s car comes into the shot.  Glen is seen in the vehicles interior.  The car’s window is rolled down.  Glen puts the car in park and removes his sunglasses.  Camera cuts to a shot from within the Allenton Inn once again, this time a medium shot of Glen entering the main part of the kitchen.

			GLEN:  Hey everyone!

						Low sounding responses of “Hello” are heard acknowledging Glen’s presence.  Camera cuts to a medium shot, behind Glen, of the rear of the kitchen where there are ovens and a deep friar.  Tony Strommen is seen working behind a counter by the sinks.  He quickly begins talking to Glen as the camera moves slightly to focus on Tony.

			TONY:  Hey Glen.

			GLEN:  Hey Tony.

						Camera cuts to a medium shot of Tony talking as he’s working.

TONY:  How’s it going?

						Camera cuts to a medium side shot of Glen opening a soda and continuing to speak with Tony.

GLEN:  Alright.  
			
				Camera cuts to a medium shot of the two separated by Tony’s workbench talking.  Tony appears to be agitated towards Glen for the day’s earlier events.  As Tony begins, Glen shows an expression of guilt and agitation towards Tony’s opinion.

			TONY:  Yeah thanks a lot asshole.  Principal Silverman came up to after school today and told me I’m going to be sitting in detention with you tomorrow.  

			GLEN:  Ah, it’ll be fun.
	
			TONY:  No it won’t!  I wanted to hang out with Heather tomorrow.

			GLEN:  You can hang out with her anytime, man.  If it’s any conciliation, I’m sorry.  But dude, come on!  You would beat up that little doush-bag too if he was talking shit about your girlfriend.  

			TONY:  I’d rather hang out with my girlfriend than be in detention.

			GLEN:  And I’d rather be watching “Dawn Of The Dead” with Jenn, but you don’t see me complaining.

						Suddenly the camera cuts to a slightly low medium shot from Glen and Tony’s point of view of a kid of the same age.  He has slightly long brown hair and glasses, dressed in a plain red t-shirt and a pair of blue jeans.  This is Jeff Howland, a fellow co-worker and student to Glen and Tony.  As soon as the camera cuts to this shot, Jeff speaks.

			JEFF:  You watch too many fucken’ horror movies, Glen!
	
						Camera cuts to a medium shot of Tony and Glen looking in Jeff’s direction.  They both greet Jeff with a hello.

			GLEN:  Hey Jeff.

			TONY:  Hey Jeff.

						Camera cuts to a shot of the three talking as Jeff begins to work.  

			GLEN:  What do you mean I watch too many horror movies?

						Camera cuts to a medium shot of Tony grinning a bit, knowingly about to make a remark towards Glen.

			TONY:  Ahhhh, he means that you watch too many horror movies.

						Camera cuts to a medium shot of the three once again, this time from behind Tony.  Glen seems slightly agitated by Tony’s remark.

			GLEN:  I know what he was getting at.  Horror movies are fucken awesome and besides, if shit like that ever happens, I’ll be prepared for whatever it is and you fucks will get eaten, shredded to pieces with a chainsaw, possessed, whatever.  

						Camera cuts to a medium shot of a man in his late thirties with a red-brown beard and hair, also wearing a black hat with a white work short and black work pants.  He is sharpening his knife while he speaks and seems to be in good spirits.  This is Mike Jentsen, the boss and supervisor of the kitchen staff of the Allenton Inn.  

			MIKE:  Calm down, Glen.  

						Camera cuts to a medium shot of Glen with Tony behind him.

			GLEN:  I am calm, man.  

						Camera cuts to a shot of Jeff with a glass of water in hand.  

			JEFF:  That’s what we love about you Glen.  You’re always daydreaming and preparing for things that couldn’t happen.

						Camera cuts to a medium shot of Tony, still working in place.

			TONY:  I dunno Jeff.  Anything’s possible these days.

			JEFF:  What?

						Camera cuts to a medium shot of Jeff, who at this point is becoming uneasy with his and Tony’s conversation.  Tony and Jeff continue their conversation while the camera cuts to a medium shot of Glen walking towards Mike’s area by the friar.  Tony and Jeff are seen bickering in the background.  Glen displays a strange look and looks at the floor and back up again.  Camera cuts to a shot of Mike trying to fix a problem with the friar.  He appears to be struggling and displaying a look of frustration.  Without lifting his head or shifting his eyes, Mike speaks.

			MIKE:  Glen!  Get yer’ ass over here.

						Camera cuts to the same medium shot of Glen, this time displaying a grin.  Glen walks off the shot.  Camera cuts to the shot of Mike, this time Glen walks towards Mike, attempting to help out with whatever Mike needs.  Mike directs Glen to a jagged piece of metal inside the friar’s cavity.

			MIKE:  You wanna’ hold that?

			GLEN:  Yeah.

						Camera cuts to a closer shot of the two as they work on the friar.  Glen now has his hands inside the friar cavity holding a piece of metal that blocks Mike’s path of work.  

			GLEN:  What is it that you’re doing here anyway?

			MIKE:  Trying to fix this piece of shit.

						Camera cuts to a close shot of Mike.  He snaps something into place and removes his arms with a look of relief.  

			MIKE:  You can let it go now.

						Camera cuts a medium shot of the two.  Mike is still putting the friar back together and Glen just stands behind him with his hands on his sides.  

			MIKE:  Thanks Glen.

			GLEN:  No problemo.
		
						The two change positions on screen.  Glen leans against the counter and faces the friar while Mike walks over to the counter and begins to write something down on a notepad.  

			GLEN:  Hey man, when are we going to see that movie?  

			MIKE:  Don’t you have enough zombie movies on DVD?  

			GLEN:  Yeah but this movie’s different man, plus we never hang out.

			MIKE:  Don’t you have a girlfriend to hang out with?

			GLEN:  Yeah, but you’re like my Dad and I want to hang out with you once and a while.

			MIKE:  You have a Dad to hang out with too.
	
			GLEN:  Yeah, but I can’t tell him some things.  I love you Mike.

			MIKE:  I’m not gay!!!

			GLEN:  You don’t have to be!  You’re my best friend, man, that’s all.

						Camera cuts to a medium shot of Mike opening the stainless steel fridge and opening and drinking bottled water.  Mike drinks from the bottle and then turns to Glen.

			MIKE:  We’ll talk about hanging out later.  Go cut some cottage fries.
	
						Camera cuts to a medium shot of Glen.  Mike walks past him within the shot.  Glen is looking at the floor and then looks up in Tony and Jeff’s direction.  Camera cuts to a medium shot of Tony and Jeff talking.  Jeff and Tony both have glasses.  The two seem thirsty and want something to drink.  Jeff gestures the glass to Tony suggesting to drink the contents.  The water appears to be foggy with a slight yellow tint.  

			JEFF:  Just try it dude.

						Tony grasps the glass and takes a sip of the water and immediately spits the water out into the sink next to them.

			TONY:  Uh!  That tastes like shit!
		
						Tony wipes his mouth with his towel while Jeff takes back the glass and drinks from it.  Tony displays a sour look from the taste of the water.

			JEFF:  It tastes different lately for some reason.

			TONY:  Yeah, it tastes like shit.

			JEFF:  No, Tony.  It doesn’t taste like shit.  It’s okay, it’s…

			TONY:  Yes it does!

			JEFF:  It’s an acquired taste.

						Camera follows Tony as he returns to his workbench and continues to bread fish.  

			TONY:  Acquired taste, my ass!

						Camera cuts to a shot of Jeff with the glass in hand yet.

			JEFF: No, Tony.  It’s still better than paying for water.

						Camera cuts back the shot of Tony working.

			TONY:  Uhhh, I’d rather pay for water than drink a glass full of liquid shit.

						Camera cuts back to Jeff.

			JEFF:  No, you’re just picky Tony.

				Camera cuts back to a medium shot of Glen displaying a concerned yet confused look on his face.  Camera cuts to the next scene.

Scene 8:  Ext:  Allenton

	Camera cuts to an establishing shot of Highway 33 going out of Allenton in the midst of sundown.  Eerie sounds of the wind can be heard throughout.  Camera cuts to a shot of Grand Central Station.  The light gradually grows darker with each shot.  Camera cuts to a low angle shot of an old church.  Newspapers fly by from the wind.  Finally the camera cuts to an eerie shot of the back of an ally.  The camera cuts to a strange shot from the point of view of someone… or something.  The camera shifts up and down and is a bit shaky as it moves forward through the ally, near the opening of the ally.  The sounds of Groans and feet dragging can be heard from and unknown source.  Camera cuts to a shot of the front of the ally.  Soon, a dark figure steps from out of the ally, grabs the wall and looks out.  The identity is unknown to the viewer as there is no light shining on this figure’s face.  The figure groans loudly.  Camera cuts to the next scene.

Scene 9:  Int:  Allenton Inn

	Camera cuts to a medium side shot of Jeff with an ill look on his face.  Jeff’s face has become pasty in color and he appears to be sweating.  Jeff drops the plate he was holding.  Camera cuts to a shot of the plate breaking as it hits the floor.  Camera cuts back to Jeff tripping slightly as he almost loses his footing.  He grabs his forehead and wipes it slightly.  Camera cuts to a medium side shot of Tony at his work bench.  Tony quickly turn his head to focus his attention on what is going on with Jeff.  Camera cuts to a medium side shot of Jeff from Tony’s point of view.  Jeff is leaning against the sink, bracing it with both hands and looking at the back of the sink, displaying a look of illness and confusion.  Camera cuts back to a medium side shot of Tony.

			TONY:  Dude, Jeff, are you okay?

						Camera cuts back to a medium shot of Jeff.  Jeff looks like he gulped and then turns to Tony.

			JEFF:  Yeah.  I’m just feeling kind of like shit.

						Camera cuts back to a shot of Tony displaying a look of concern.

			TONY:  Well, how do you feel?

						Camera cuts back to a medium shot of Jeff.

			JEFF:  It’s nothing, Tony.  I think I’m just dehydrated.  Its fucken’ hot in here.

						Camera cuts back to a medium shot of Tony.

			TONY:  You sure, man?

						Camera cuts back to Jeff grabbing for a glass from the top of the fridge.

			JEFF:  Yeah, I’m sure.  I’m just going to get a drink of water.

						Camera cuts to a shot of Jeff’s hands turning on the faucet and releasing water into his glass.  Camera then cuts to a medium shot from behind a co-worker “clocking out” of work for the night, signifying that work has ended.  Camera cuts to a shot of the door of the men’s bathroom.  The door opens and Glen walks out wearing a fresh pair of clothes and holding his work clothes in his hand.  Camera follows Glen as he walks towards the kitchen.  Camera cuts back to a medium shot of the kitchen from behind Tony.  Glen walks in from the bar area and sees Tony at the waitress station.

			GLEN:  Hey man.  What are you up to tonight?

						Camera cuts to a medium shot of Tony.  

			TONY:  Nothing much man.  Probably gonna’ go home, talk to heather for a while and then go to bed.

			GLEN:  Oh.

						Camera cuts to a medium shot of Glen.

			GLEN:  Hey, where’s Jeff?

						Camera cuts to a medium shot of Tony.

			TONY:  Jeff already went home.  He’s sick.

						Camera cuts to a medium shot of the two in the kitchen continuing conversation.

			GLEN:  Really? 

			TONY:  Yeah.  He really looked like shit when he left.

			GLEN:  How so?

			TONY:  I don’t know… his skin was all white and shit and he was stumbling around.

			GLEN:  Hmmm. 

						Camera cuts to a low angle medium shot of the rear entrance of the Allenton Inn.  It is now pitch black outside.  Suddenly the door opens and Glen walks out with his hands in his pockets.  Glen looks towards the ground.  Camera cuts to a close side shot of Glen.  Strange sounds make themselves apparent and Glen displays strange looks as he turns to try and see where they’re coming from.  Suddenly the camera cuts to a moving shot from someone’s point of view, slowly walking towards Glen.  Glen has his head turned the other way looking into the other parking lots at the rear of the Allenton Inn.  Camera cuts to a close up of Glen’s face as he continues to look confused at the sounds coming from the darkness.  Suddenly, a hit sounds suddenly breaking the tension.  Camera quickly cuts to a medium side shot of Glen jumping from being scared, and a man about Glen’s age.  The man has long hair and a goatee with a t-shirt with cut-off sleeves and black jean shorts.  This is Chris Witty, a friend and fellow co-worker of everyone at the Allenton Inn.

			GLEN:  Jesus, man!!!

			WITTY:  Shit!  Didn’t mean to scare you man.

						Witty laughs slightly then the camera cuts to a medium shot of Glen.
	
			GLEN:  What are you doing here man?

						Camera cuts to a medium shot of Witty.

			WITTY:  Came to see if I could get a cash advance from Mike.  Man, there’s been some weird shit going on in this town tonight.

						Camera cuts to an over-the-shoulder shot from behind Witty, focusing on Glen.

			GLEN:  Like what?

						Camera cuts back to a medium shot of Witty.

			WITTY:  I don’t know.  People are acting fucken’ weird.  I just saw some guy fall over, face first in the dirt over by Grand Central.

						Camera cuts to a medium shot of the two.

			GLEN:  Could’ve just been a drunk.

			WITTY:  Nah.  I don’t think so.  A couple minutes later he got up and started attacking people then they called some pigs and they showed up and the guy fucken bit the cop, dude.  It was fucken crazy ass shit.

			GLEN:  Sounds like it.  Well, I’m gonna’ get going.  I’ll see ya’ later.

			WITTY:  Yep, see ya’.  

						The two cross each other as they both walk off of the shot.  Camera cuts to the next scene.

Scene 10:  Int. Tony’s House

	Camera cuts and follows Tony’s car driving up the road and pulling right, into the driveway of his Allenton home.  Tony opens his car door, steps out, and walks around the front of his car.  Camera cuts to a shot from behind Tony and follows Tony as he walks to the front door of his house.  The camera still follows as Tony walks inside the front porch and enters another door leading to the inside of the house.  Tony stops momentarily in front of the door and then opens the door and enters.  The camera still follows Tony as he enters, scratches the back of his neck, turns, and enters the stairway up to his room.  Tony walks up to his room, opens the door to his room, enters and the camera follows and revolves around Tony as he collapses in his chair.  Tony appears exhausted from work.  He runs his fingers through his hair, pauses for a moment and then picks up his telephone and looks at it momentarily before dialing up his girlfriend.  Tony finally completes dialing and puts the phone to his ear.  

			TONY:  (Whispers first)  C’mon, C’mon.  Heather?  Hey it’s Tony.  How’re you doing?  Oh.

					The door to Tony’s room begins to open despite the fact that no one is there but him.  

			TONY:  I was just wandering, are you doing anything tomorrow?

					Camera cuts to the next scene.

Scene 11:  Int.  Glen’s House

	It’s still night and the camera cuts to a medium shot of Glen’s car driving up the long gravel driveway leading to his house.  The camera turns to follow Glen’s car as it turns slightly and parks.  Glen opens the door and hops out of his car and begins walking towards the house.  Camera cuts to a medium shot of Glen stopping in front of the front door and reaching for his keys.  He looks for a bit and then finds them and opens the front door.  Camera cuts to a low angle medium shot of a dark room then the light turns on as Glen turns on the switch and walks towards the counter.  Glen stops to look a something on the counter.  Camera cuts to a close shot of a piece of paper with a note on it from Glen’s parents:

		Glen,

			We all went up to the Dells for a week.  We didn’t 
		Ask you to go because we figured you’d say “no”.  Don’t
		Burn down the house while we’re gone.  See you in a week.

								Mom & Dad

	Camera cuts to a medium shot of Glen as he raises his head and displays a look of slight annoyance.  Camera cuts to a shot of Glen lying down on a weight bench, benching weights.  After Glen puts the bar up, Glen sits up rubs his face, looks around a bit and then stands up and walks off the shot.  Camera cuts to a medium shot of Glen walking into the living room and picking up the remote control.  Glen points the remote at the T.V. and turns the T.V. on.  He clicks through various channels until he gets to a news channel.  Camera slowly zooms in a bit and then stops.  The male news anchor explains the weather a bit.  

			ANCHOR:  … And tomorrow, we’ll be seeing the sun quite a bit with high levels of humidity…

					Glen begins to walk to the bathroom and end enters, slamming the bathroom door a bit.  The news anchor continues to talk about the weather as the camera continues to zoom in slowly again until the T.V. is in main view.

			ANCHOR:  … Unlike Thursday and Friday which look very sunny with…

					The news anchor is interrupted by a female anchor on the news deck.

			ANCHOR 2:  I’m sorry to interrupt but we have a crisis over in Washington county near West Bend.  Strange attacks have been reported by numerous people, claiming that they have been bitten by their attackers.  There have also been reports of even more bizarre murders where victims have been completely…  I’m sorry, I’ve never seen anything like this… Victims have been literally eaten alive by as many as three different attackers.  No motives have been established… stay with us as this story continues…

					Camera cuts to a medium shot of Glen entering his room.  His hair is wet from taking a shower.  The camera follows Glen as he sits on his bed and looks at the floor.  Glen puts his hand to his chest and grasps a pendant hanging from his neck.  Camera cuts to a close up of a Celtic Pentagram pendant with a green crystal in the center in Glen’s hand.  Camera cuts back to a medium shot of Glen sitting on his bed and looking to left.  He slowly reaches for something under his bed.  Camera cuts to a shot from Glen’s perspective reaching for a sheath.  He unsheathes a long sharp Celtic War Sword.  Camera cuts back to Glen sitting in his bed admiring the sword and waving it around a bit.  He then puts it back on the floor and lies down in his bed and looks at the roof of the top bunk of his bed.  Camera fades to black.

Scene 12:  Int.  Glen’s House

	Camera cuts to a medium side shot of Glen in his bathroom brushing his teeth.  He brushes for a moment and the bows his head and spits into the sink.  Afterwards, he looks into the mirror at himself.  It’s obvious that he’s getting ready to go to school for Saturday detention.  Camera cuts to a far shot of the back of Glen’s car pulling out of his driveway.  He spins his tires and launches gravel throughout the shot.  Camera cuts to the next scene.

Scene 13:  Int.  Tony’s House

	Camera cuts to a medium shot of Tony in his kitchen scurrying around for his school supplies and grabbing some food out of his fridge.  Tony walks towards the camera and exits the shot.  Camera cuts to a medium shot of Tony entering the driver’s side of the car.  He starts the car, backs out of the driveway, and turns to drive towards the school.  The camera turns slightly to keep Tony’s car in view.  Camera cuts to the next scene.

Scene 14:  Int.  High School

	Camera cuts to a medium front shot of Glen and Tony walking towards the front of the school.  The camera follows from the front as they both walk forward.  The two look tired and irritated at the fact that they have to give up a Saturday to be in detention at school.  

		TONY:  Dude, this sucks.

		GLEN:  I know, but we only have to be here for like two hours.

		TONY:  That’s a long fucken’ time.

		GLEN:  It’ll fly by.  Don’t worry about it.  The only thing I don’t like is that we have to share a room with that prick, Silverman, for that amount of time.

		TONY:  Dude, sometimes the teacher in the detention room leaves once and a while.

		GLEN:  Well, let’s hope it happens in this case.

			Camera cuts to a high angle shot from inside the building as the two enter.  The camera turns right slightly to focus on the two as they walk through the front lobby and into the halls.  Camera cuts to a medium front shot of the two again, this time walking down the tech-ed halls en route to the detention area.  The camera follows the two from the front as they walk.  

		GLEN:  Dude, my parents went up north for the week.  Wanna’ come over and get drunk tonight?

		TONY:  No, dude, I don’t really like getting drunk, plus I promised Heather I wouldn’t do that shit.

		GLEN:  C’mon man.  It’s fun.

		TONY:  Maybe some other time.  I just want to hang out with Heather tonight.  

		GLEN:  Alright.  

			The camera stops as the two turn off into the detention area.  Camera cuts to a medium shot from a small room filled with desks.  The two enter the room and choose their seats next to each other.  They lay their books on their desks and make themselves comfortable.  Camera cuts to a medium front shot of the two sitting in their desks.  Principal Silverman has not yet entered the room.

		GLEN:  Dude, if he’s not here in five minutes, I’m getting the fuck out of here.
			Camera cuts to a side shot of Tony in his desk.

		TONY:  No, don’t dude.  I don’t feel like getting in any more trouble.

			Camera cuts to a side shot of Glen in his desk.

		GLEN:  C’mon man, he ain’t gonna’ bitch at you.  He’s gonna’ come after me.  He fucken’ hates me.

			Camera cuts back to a side shot from behind Glen of two in their desks.

TONY:  Let’s just stay here and serve our time.

	Suddenly a voice sounds immediately after Tony speaks.

SILVERMAN:  Yes, let’s.

	The two turn their heads quickly to look at their principal.  Camera cuts to a shot from Principal Silverman’s point of view looking at Tony and Glen.  Tony and Glen both display a look of disgust and disbelief.

GLEN:  Jesus!

	Camera cuts to a medium shot of Principal Silverman.  Principal Silverman appears weak and is leaning on the wall with his hand extended in the air as he leans.  His skin appears to be pale and gray and he appears to be sweating.  The sockets around his eyes are dark and blackened.  His hand has a bloody gauze wrapped around it along with the bloody gauze wrapped around his neck.

SILVERMAN:  Not even he’s going to get you out of this Mr. Walker.  I hope you made yourself comfortable because you’re going to be in here a while. 

			Principal Silverman walks off the shot.  Camera cuts to a medium shot from behind Principal Silverman.  Glen and Tony can both be seen in the shot and both still display a look of disgust and disbelief.  As Tony begins to talk, Principal Silverman walks towards his desk in the corner.  

TONY:  What the hell happened to you?

			Camera cuts to a medium shot of Principal Silverman behind his desk.  He trips and stumbles and braces his self against his desk as he replies to Tony’s request.  He salivates for a bit onto the floor and slowly turns to Tony.

SILVERMAN:  This is detention!  You keep you god damn mouth shut!  

			Camera cuts to a medium side shot of from in front of Tony, of Tony and Glen.  Both display a look of surprise towards the principal’s actions.  Camera cuts back to a medium shot of Principal Silverman behind his desk finally sitting down in his desk.  Principal Silverman throws his elbows onto the desk and forces his self to stay sitting up.  He raises his head to look at the two kids.  

SILVERMAN:  You really want to know what happened?

			Camera cuts back to a medium front shot from in front of Tony, of Tony and Glen.  The two still look disturbed by the situation.  Camera cuts back to Principal Silverman.

SILVERMAN:  A couple of punk kids like you two jumped me in the parking lot.  The cops took care of them.  They’re both sitting in Juvenile hall which is where you two should be.  Now, this is detention!  If either of you make a peep, you’re both dead!

			Camera cuts back to a medium front shot from in front of Tony, of Tony and Glen.  The two turn their heads to look down at their desks.  Camera cuts to a close up shot of the from in front of Tony as Glen leans over and whispers to Tony.  

GLEN:  Dude, did you hear about this?

			Camera cuts to a medium shot of Tony from Glen’s perspective.

TONY:  What?

			Camera cuts back to a close up shot from in front of Tony of the two as Glen continues.
		
		GLEN:  People have been getting attacked lately.  There were people that were getting bitten and even eaten to death.

					Camera cuts back to a medium shot of Tony from Glen’s perspective.

		TONY:  Dude, you should be quiet.  He seems pretty pissed.

					Camera cuts to a close up shot from in front of Tony of Glen and Tony.

		GLEN:  Are you kidding?  Look at him.

					Camera cuts back to a medium shot of Silverman behind his desk.  Silverman seemed lifeless as his head and the weight of his body is resting on the top of the desk.

		GLEN:  He’s fucked up.  He ain’t going to do shit.

					Camera cuts back to a medium front shot from in front of Tony, of Glen and Tony.

		GLEN:  I don’t think we’re safe here anymore man.  We should bail.

					Tony turns to face Glen as he begins talking.

		TONY:  What?!  No!

		GLEN:  Dude, didn’t you see the news?  It was a bad idea coming to school today and Silverman is proof.  They’re zombies dude.

		TONY:  Shut up, man.  That couldn’t really happen.

		GLEN:  Wanna’ make a bet?

		TONY:  It can’t happen.  You watch too many movies.

		GLEN:  Have it your way man but this situation is only gonna’ get worse.  I bet he’s not even alive anymore.  I bet he’s turning.

		TONY:  Shut the fuck up!  He’s just sleeping.  It looks like he had a shitty day.

		GLEN:  I don’t know.
			
			Camera cuts to a medium shot of the front of the school.  A piece of paper flies by in the wind.  The outside appears quiet and eerie.  Camera then cuts to a medium shot of the parking lot for a few moments.  Camera cuts to a close up shot of a clock inside the detention room.  The time displays “10:12 a.m.”.  Camera cuts to a medium front shot of Glen and Tony in their desks.  Glen is leaning back in his chair with his head resting back.  His eyes are closed and his mouth is open.  It’s clear that he is sleeping due to boredom.  Tony appears to be writing on a piece of paper.  He is holding his head up with his right hand.  After a few moments, Tony looks up towards the clock.  Camera cuts back to the medium shot of the clock for a few moments then cuts back to the medium front shot of Tony and Glen.  Tony becomes alert and begins to nudge Glen’s arm.  Glen does not awaken immediately but moves back and forth a bit from Tony’s attempts to awaken him.

TONY:  Glen.  Glen.

			Glen slowly begins to awaken as Tony continues to try and wake him up.

GLEN:  Uhhhh…

TONY:  Glen.

		GLEN:  Uhhhh….

		TONY:  Glen!

		GLEN:  Uhhhh… what?  What?  I’m awake…  What?

					Glen moves his head back and forth as he awakens and then looks at Tony.

		GLEN:  What?

		TONY:  It’s time to go dude.

		GLEN:  Oh.  What about Silverman?

		TONY:  What about him?

		GLEN:  Should we wake him up?

		TONY:  I don’t know if that’d be a good idea.

		GLEN:  Why not? 
	
					Camera cuts to a medium shot of Principal Silverman behind his desk.  He is still in the same position as he was before, sprawled out over his desk.

		GLEN:  He needs to give us clearance to leave, right?

		TONY:  Yeah, but he pretty much stayed exactly like that for the last two hours.

					Camera cuts to a medium side shot from in front of Tony of Glen and Tony.  They appear to be looking at Principal Silverman as they continue talking.

		GLEN:  You mean he didn’t move or anything?

		TONY:  No.

		GLEN:  Never raised his head?

		TONY:  Nope.

		GLEN:  Didn’t even get up to take a piss?

		TONY:  NO!!!  He didn’t do anything.

		GLEN:  Well, we should wake him up.

		TONY:  No, let’s just go.

					Glen begins to yell at Principal Silverman.

		GLEN:  HEY!!!  WE’RE LEAVING NOW!

					Camera cuts back to the medium shot of Principal Silverman lying on his desk.  Principal Silverman does not move and shows no signs of reacting to the two whatsoever.  Camera cuts back to the same shot of the two.

		GLEN:  What the hell?  

		TONY:  Dude, don’t…

		GLEN:  WAKE UP!!!  WE’RE GOING!!!  C’mon Tony, let’s go.

					The two begin to pick up their books and raise up from their seats.  Camera cuts to an elevated shot of the room.  The two begin to walk towards the door.  Camera cuts to a low angle shot of Glen walking past Principal Silverman’s desk.  Suddenly Principal Silverman’s hand snaps and grasps Glen’s arm.  The camera slowly raises as Principal Silverman picks his self up.  Principal Silverman appears different.  His eyes are completely foggy and the colored parts of his eyes are now a pasty white.  His skin is completely gray in color and blood and saliva begin to flow from his mouth.  Camera cuts to a medium shot from behind Principal Silverman of the three.  Tony is behind Glen and Glen begins to panic due to his current situation.

		GLEN:  What the fuck!!!

					Glen struggles, flailing his captive arm every which way, attempting to break Principal Silverman’s clutches.

		TONY:  Dude, cut it out!!!

		GLEN:  I already told you…

					Glen finally releases his arm and then grabs Principal Silverman by his shirt and pulls him close in a threatening manner.  Camera cuts to a close up side shot of Glen holding up Principal Silverman by his shirt.

		GLEN:  … You sick FUCK!  Don’t …  Fucken’… Touch ME!!!

					Camera cuts to a medium side shot of the three.  Glen immediately throws Principal Silverman over his desk and onto the floor, smashing and disrupting many objects and desks.  Camera cuts to a medium front shot of Tony and Glen.  They both appear shocked and startled and continue looking at Principal Silverman on the floor.  Glen is breathing heavily as a result of the fight.  Glen and Tony walk forwards a bit and the camera follows from the front a bit.  Camera cuts to a medium shot from Tony and Glen’s perspective of Principal Silverman scurrying and trying wildly to pick his self up off the floor.  Principal Silverman comes to his feet, his back facing the camera.  He hunches down a bit with his arms swinging.  He snaps and turns quickly to face Tony and Glen.  Principal Silverman’s mouth is flowing with blood and saliva.  Camera cuts back to a medium front shot of Tony and Glen.  They both jump a bit in horror to Principal Silverman’s current state.  Glen continues to breathe heavily and begins to talk.

		GLEN:  Holy Shit!!!  What the hell’s wrong with you?

					Camera cuts back to Principal Silverman who begins to run wildly towards Tony.  Camera cuts to a “jittery” medium shot of Principal Silverman running towards Tony.  Tony quickly jumps and dodges Principal Silverman’s attack.  Principal Silverman slams his self into a book cabinet and sends books and trinkets flying to the floor.  Principal Silverman falls to the floor and struggles for a bit.  Glen and Tony run out of the room and slam the door shut.  The camera moves upward to focus on the two leaving the shot.  Camera cuts to a medium shot of Tony and Glen outside the door of the detention room.  Glen is resting his whole body against the door in hopes of keeping Principal Silverman in containment.  Tony is seen bent down with his hands on his knees, nervous from what had just happened.  The two are breathing rapidly and heavily.  Principal Silverman can be heard banging on the door and screaming.

		TONY:  What the hell is going on?

		GLEN:  I don’t know!  A better question is what the hell are we going to do now?

		TONY:  Get the fuck out of here!

		GLEN:  Good answer!

					The two begin to sprint of the shot.  Camera cuts to a medium shot gazing down the tech-ed hallway facing the front lobby of the building.  Tony and Glen enter the shot from the right, panicking, nearly tripping, and running fast down the hall towards the front lobby of the school.  Camera cuts to a medium side shot of the front entrance of the school.  A police officer lies dead on the ground, eaten and ripped to shreds.  Blood puddles lay near him in various spots on the ground.  Tony and Glen explode from the front doorway in hopes of escaping but suddenly stop at the sight that hits them.  

		GLEN:  Ho-ly shit…

					Camera cuts to a slightly elevated shot from behind Glen and Tony gazing at the carnage that has been bestowed upon them.  The two look ahead at a victim who runs but immediately gets taken down and immediately eaten and torn apart on front of them.  The woman screams in pain and struggles to get free but fails.  The camera turns left as Tony and Glen respond to other cries of help in the main parking lot.  Two zombies take a student down behind a car.  Quickly blood shoots up from behind the car along with the student’s arm.  The student’s cries of the intense pain of being eaten alive.  Other people can be seen running in fear as zombies run after them throughout the scene.  Camera cuts to a low angle shot of the dead police officer on the ground.  Glen is soon seen crouching down and taking his gun.  The camera follows Glen as he stands back up with the hand gun.  Glen quickly checks the clip for rounds and quickly snaps the clip back into the gun.  Glen quickly turns to Tony and hands him the gun.  Tony takes the gun while displaying a look of intense disbelief and confusion.

		TONY:  What the fuck?  What are you…

		GLEN:  Take this… go to the restaurant.

		TONY:  What?

		GLEN:  There’s no time!!!  Go to the restaurant and I’ll meet you there, okay?

					Glen beings to run but Tony stops him by grabbing his arm.  Camera cuts to a medium side shot of the two.

		TONY:  Dude, I’m not just gonna’ leave you behind!  We gotta’ stay together!

		GLEN:  Yer’ not leaving me behind.  Trust me.  Last time, go to the restaurant.  Tell Mike what’s going and I’ll meet you there.  I gotta’ pick up some stuff.

					Glen begins to run off the shot and the camera turns to face Tony.  Tony pauses then quickly begins to run in the opposite direction.  Camera cuts to the next scene.

Scene 15:  Int.  Glen’s House

	Camera cuts to a medium shot from the house perspective of Glen skidding to a stop in front of his house.  His actions are erratic.  He immediately jumps out from the driver’s side of his car and begins to run towards the house.  Camera cuts to a medium shot of the interior of the house.  The door slams open and Glen is seen entering the doorway.  Camera cuts to a medium shot of the inside of the kitchen, facing the kitchen entryway.  Glen enters the doorway and immediately enters and runs to the corner of the kitchen.  The camera follows Glen as he runs to the corner.  Camera cuts to a medium side shot of Glen quickly grasping a fabric case from the corner.  The camera follows Glen as he throws the case to the floor and opens it.  He unsheathes a Winchester rifle and grips it with both hands.  The camera follows Glen as he stands up in place.  Glen looks at the rifle and checks for shells.  He quickly crouches down and picks up a box of shells that were concealed in the case.  
Camera pans down to Glen’s hands as he loads the shells into the rifles’ chamber.  The camera quickly pans up to Glen’s face as he looks to the right side of the screen then quickly pans back down to his hands as he cocks the rifle.  Camera cuts to a medium shot of Glen holding the rifle and walking back to the entrance of the kitchen but stops at the sight of the mirror.  Camera cuts to a medium shot from behind Glen looking into the mirror a few feet away, specifically focusing on the Celtic Pentagram pendent hanging around his neck, the emerald crystal shines in the light.  Glen puts his hand to his chest and grasps the pendent and looks on for a bit.  Camera cuts to a close up shot from behind Glen, looking over his shoulder as he pulls the sheath for his Celtic war sword out from under his bed.  The camera moves back a bit as Glen grasps it and stands up a bit.  Camera cuts to a close up shot of Glen tightening a leather strap across his chest.  Camera pans up to Glen’s face for a bit.  Glen takes a deep breath then exhales.  
	Camera cuts to a close up shot of Glen’s cell phone lying on the island in the kitchen.  The phone begins ringing and vibrates a bit on the island.  Glen comes into view within the shot as he walks quickly towards the phone.  Glen’s hand grasps the phone and the camera zooms out slightly and pans up to Glen’s face as he puts the phone to his ear.  Glen looks around sporadically as he begins to listen to who is on the other end of the phone.

		GLEN:  Hello?

		JENNIFER:  Glen?  Glen?!!!

		GLEN:  JEN!!!  I…  Are you okay?

				Camera cuts to a medium shot of Jennifer in a dark room in her house.  Jennifer seems scared, looking for someone to explain to her what is happening.  

		JENNIFER:  Glen, what the hell is going on?  My Dad was just attacked and everyone is acting weird… I don’t know what to do…

				Camera cuts back to Glen beginning to display a look of deep fear.

		GLEN:  Jen… just stay there okay?  Everything is going to be okay, I’ll…

		JENNIFER:  Glen, please come here and help me…  I, Dad…  

		GLEN:  Jen?

		JENNIFER:  Dad?  GLEN!!!  Ahhhhhhhhhhhhhhhhhhh!!!!...

		GLEN:  JEN?!!!   JENNNNN!!!

				The phone clicks on the Jennifer’s end of the phone.  Glen begins to panic and presses buttons on his phone then puts it back to his ear.

		GLEN:  Jen, I’m coming!!!

				Glen drops the phone on the floor and runs from his house.  Camera pans down to the phone lying on the floor.  After a moment, camera cuts to a medium side shot of Glen opening the driver’s side door of his car, throwing the Winchester into the back seat and jumping in.  camera cuts to a close up shot of the rear of Glen’s car.  A storm of gravel flies every which way as Glen spins the tires on his car.  Camera cuts to a medium low angle shot of a road with a few zombies walking aimlessly around.  Glen’s car drives insanely fast down the road and is seen driving all the way down the road.  One zombie attempts to touch the car as it drives by but fails and nearly trips and falls.  Camera cuts to the next scene.

Scene 16:  Int.  Jennifer’s House

	Camera cuts to a medium shot of Glen’s car driving into Jennifer’s driveway at a fast pace.  Camera follows Glen’s car as it turns into the driveway.  Glen forces the Driver’s side door open, jumps out, and runs for the front door.  Camera follows Glen as he dramatically runs for the front door.  He screams for Jennifer as he runs.

		GLEN:  JEN!!!  JEN!!!!

				Camera cuts to a medium side shot of Glen attempting to open the front door.  Glen realizes that the door is locked and then begins to slam his shoulder into the door then begins to kick the door.  Glen kicks the door and the door breaks and flies open.  Camera cuts to a medium shot from the interior of Jennifer’s house of Glen standing in the doorway after the door flies open.  

		GLEN:  JEN!!!  Where are you?

				Glen runs into the house and looks around a bit.  Camera cuts to a medium side shot of Glen walking through a hallway looking around.  Camera cuts to a medium front shot of Glen.  Glen begins displaying a look of hopelessness as he looks forward then Jennifer’s voice is faintly heard.

		JENNIFER:  Glen…

		GLEN:  JEN!!!

				Camera cuts to a medium shot from behind Glen as he begins walking forward towards Jennifer’s voice.

		GLEN:  Make a sound hun.  Where are you?

				Camera follows Glen as he enters a room.  Jennifer is lying on a couch covered with a blanket as Glen enters and turns left to face her.  Camera cuts to a medium shot from ceiling perspective of Glen kneeling down and concentrating on Jennifer.  He puts his arm around her chest and grabs her left shoulder.  Jennifer has a large gash on her forehead and there is a trail of blood from her forehead all the way down her face.  Glen looks down to take a closer look at her.  Her right arm is the only other part of her body uncovered by her blanket besides her head and neck.  Jennifer’s skin is very pale and there are black rings around her eye and she is also sweating.  She appears very weak and battle wounded as she looks up at Glen and begins crying and smiling at the same time.  Camera cuts to a close up shot of Glen from the side as he looks down at Jennifer.  Glen’s eyes fill with tears as he looks down at her.  Glen appears to change into a mood of denial about the fate of the situation.

		GLEN:  Jen… Everything’s gonna’ be alright.  I’m just gonna’…
		
				Glen begins to stand in an attempt to find something, anything to save her.  Camera cuts back to a medium shot of Glen standing above Jennifer from ceiling perspective.  Jennifer quickly grabs and squeezes Glen’s arm.

		JENNIFER:  No…  Don’t leave me.

		GLEN:  I wasn’t going to.

		JENNIFER:  I’m going to hell…

				Glen squeezes Jennifer’s hand as they continue talking.

		GLEN:  No, no, honey… why would you say something like that?

		JENNIFER:  I had to kill him…  I killed my father…

		GLEN:  Jen…  it wasn’t your father.  Now, I gotta’ get you out of here…

				Glen begins to put his arms under Jennifer in an effort to pick her up but Jennifer stops him.

		JENNIFER:  No…  No, baby.  

		GLEN:  What do you mean, “no”?  You’re going to be fine, everything…

				Glen begins to lose it and begins to cry uncontrollably.
	
		JENNIFER:  It’s too late for me Glen.  I love you and I want you live.  You should go.

		GLEN:  NO!  How bad could it be?  There’s gotta’ be a cure or…

				Camera cuts to a close up shot of Jennifer’s left arm underneath the blanket.  Jennifer pulls the blanket away to expose her left arm which is completely eaten to the bone and full of blood.  Camera cuts to a medium shot from Jennifer’s perspective of Glen as he jumps back in reaction to the sight of Jennifer’s arm.  He puts his hands over his mouth and cries harder than before and falls back to his knees.  Camera cuts back to the ceiling perspective medium shot of the two.  Glen covers her left arm with the blanket and touches and massages her face.  Camera cuts to a close up of the two.

		JENNIFER:  Everything’s going to be okay.  You’ll be fine…

		GLEN:  NO!  I’m sorry.

		JENNIFER:  For what, hun?

		GLEN:  I’m sorry… I failed you…

		JENNIFER:  No.  Don’t think that way.  I’ll always love you.

		GLEN:  I’ll always love you.

				Glen leans down to kiss her lips.  They kiss for a moment and then Glen brings his head back up.  Camera cuts back to the ceiling perspective medium shot.  Jennifer begins to convulse as she slowly dies.  Glen begins to panic and tries to hold on to her as she slowly dies.

		GLEN:  No, No!!!  PLEASE, JEN!!!  Don’t!!!

				Jennifer stops and lies still.  Jennifer is dead.  Glen rests his head on her chest close to her neck and cries.  Camera cuts to a close up of Glen resting on Jennifer’s chest.  He runs his hands through her hair as he closes his eyes and cries.

		GLEN:  I’m sorry.  I’ll always love you Jen…

					Camera manically cuts to a shot of the doorway to the room with a large, intimidating zombie standing in it.  The zombie screams and dashes for Glen.  The zombie is Jennifer’s father.  His skin is completely pale and his shirt is full of blood and has a large hole in his chest.  The zombie sprints for Glen.  Glen dodges him by jumping out of the way.  The zombie hits the wall and struggles to get to his feet.  Camera cuts to a medium side shot and the camera follows Glen crawling backwards on the floor.  Glen continues to crawl back but hits the wall and displays a look of fear.  Camera cuts to a shot from Glen’s perspective of Jennifer’s Dad running towards Glen with blood and saliva running from his mouth.  Camera cuts to a low angle shot from the side of Glen struggling to get to his feet.  The camera pans up as Glen rushes to his feet.  Glen pulls his Celtic war sword from his back and prepares his self for an attack.  Camera cuts to a shot from Glen’s perspective of Jennifer’s father, closer to Glen than before and still running for him.  Camera cuts back to Glen who is now holding his sword like a baseball bat, ready to kill Jennifer’s father, then quickly swings.  Camera cuts to a shot of a wall of the room.  A mass amount of blood splatters against the wall and runs down.  A loud thump can be heard in the room signifying that Jennifer’s father had been decapitated.  
		Camera cuts to a medium shot of Glen walking into a different room.  Glen appears shocked and traumatized.  He is carrying his sword with him and has blood on his face and right arm and sword.  The camera follows him from the front a bit while he walks forward into the room.  Glen stops and looks down at his bloody sword while he raises it a bit in his hand then throws the sword down on the floor.  Camera cuts to a closer shot of Glen as he raises his hands to his face to look at them.  He looks at the blood then touches his face and runs his hands through his hair and begins to panic and runs to the bathroom.  The camera turns to show Glen running to the bathroom.  Camera cuts to a medium shot of Glen running his hands under water in front of the mirror and then splashing water on his face and hair attempting to wash off the blood.  Glen is behaving erratically and is shaking and breathing heavily while he cleans the blood off of him.  Glen washes most of the blood off of him and then places his hands on the sides of the sink and looks in the mirror.

			GLEN:  Okay… Everything is fine.  I’m okay.  I’ve…  I’ve just gotta’ get a grip on things… I…  Just gotta’ get a grip…  Everything’s fine…  I’m fine…

						Camera cuts a shot of Glen’s sword lying on the floor.  The camera zooms out a bit and feet are seen walking up and stopping in front of the sword.  A hand is seen grasping the sword and picking it up.  The camera zooms out a bit and pans up as the sword moves up with the person’s hand.  Camera pans up the Glen who is looking to the left.  Camera cuts to a medium side shot of Glen with his sword.  Glen picks up a piece of fabric from a couch and wipes his sword off and then puts the sword back in the sheath on his back.  Camera cuts to a shot of the outside from the front door perspective for a few moments.  The sun is shining but is starting to go down.  Camera cuts to a medium shot of Glen sitting on the couch holding his Winchester rifle.  The camera zooms out a bit.  Glen is looking to the left and is displaying an impression of deep depression.  He does not sob but there are tears running from his eyes.  Camera cuts to a low angle medium side shot of Glen entering the room where Jennifer lies dead.  Glen stops to look down at Jennifer.
		Camera cuts to a medium shot from Glen’s perspective of Jennifer’s lifeless, pale body, still covered by her blanket.  

			GLEN:  Please forgive me Jen.

					Camera cuts to a medium shot from Jennifer’s perspective of Glen raising the Winchester and aiming it at Jennifer.  Glen’s eyes fill with tears and run down as he aims.

			GLEN:  But…  You’re going to come back.  I can’t let you be one of those things.  
					Camera cuts to blackness.  After a moment or two, a gunshot is heard and then silence.  There are a few more moments of darkness before the camera fades to a far shot of Glen carrying Jennifer’s plastic-wrapped body outside.  Camera cuts to a close up aerial shot of a silver pendent falling out of the plastic and onto the ground.  Camera cuts to a medium side shot of Glen.  Glen stops in reaction to the pendent falling out of the plastic.  He looks at the ground.  Camera cuts to a lower angle medium shot of Glen gently setting Jennifer’s body onto the ground.  Glen moves to investigate the object that fell from Jennifer’s body.  Camera cuts to a low angle medium shot of Glen crouching down and picking up the object.  Glen looks at it for a moment.  Camera cuts to a close up shot from Glen’s perspective of the object in Glen’s hand.  The object is a matching Celtic pentagram to Glen’s pendent, only this one has an amethyst jewel in the center of the star.  Glen’s hand becomes a fist around the pendent and squeezes the pendent.

			GLEN:  Jen…

					Camera focuses on Glen’s clenched fist for a few moments then cuts to the next scene.

Scene 17:  Int.  Allenton Inn

	Camera cuts to an establishing shot of the town of Allenton around sundown.  Camera cuts to a medium low angle shot of downtown.  Zombies are seen walking around aimlessly outside, scattered about.  Camera cuts to a medium low angle shot of the Allenton Inn.  There are boards on the windows and blood is splattered on the side of the building in a few spots.  There are several zombies walking around in front of the restaurant.  A few are trying to get in.  Camera cuts to a medium side shot of Tony and Mike looking through the cracks of the boards in the windows to the apocalyptic landscape outside.  

			MIKE:  Where the fuck is he?

			TONY:  He just said to meet him here.  You don’t think anything happened to him?

			MIKE:  If anyone can survive zombies, it’s Glen.  If he said he’s gonna’ be here, he will be.

			TONY:  I hope so…

					Camera cuts to the next scene.

Scene 18:  Ext.  Jennifer’s House

		Camera cuts to a low angle far shot of Glen using a shovel to take dirt off of a mound and filling Jennifer’s grave.  The camera watches Glen throw dirt in the hole a few more times and then cuts to a medium shot from behind Glen’s back.  Glen puts the last shovelful of dirt on Jennifer’s grave.  The camera revolves around him a bit as he puts the last of the dirt on the grave.  Glen lets out a sigh and shoves the shovel in the dirt and leans on it.  Camera revolves around Glen until it faces him from the front.  Glen is seen looking on to the right.  The wind blows and waves through his clothing and hair.  Glen looks down and turns to walk to his car and off the shot.  Camera cuts to a medium side shot of the passenger side of Glen’s car.  Glen walks behind the car by the driver’s side and opens the driver’s side door.  Glen stops and turns to look back.  Camera cuts to a far shot of Jennifer’s grave for a few moments then cuts back to the medium side shot of Glen looking in the direction of Jennifer’s grave.  Glen looks down for a few moments and then looks back in the previous direction for a moment and then gets in his car and starts the engine.  
		Camera cuts to a medium shot from behind Glen’s car.  Glen’s car leaves Jennifer’s driveway and drives down the road.  Camera cuts to a close up shot from the perspective of the passenger seat of Glen driving.  Glen displays a stern look on his face as he looks onward towards the sunset.  Camera cuts to the next scene.

Scene 19:  Int.  Allenton Inn

		Camera cuts to an aerial shot of the town.  Zombies walk aimlessly throughout the town.  It’s beginning to get dark now and time appears to be running out.  Camera cuts to a medium low angle shot of three zombies feasting over a dead body.  A couple of them snarl and fight over some of the remains.  Camera cuts to a far shot of the hill of the highway coming into town.  A red car is seen speeding down the hill into town.  Camera cuts to a medium shot of the downtown area.  Glen’s car comes into view, speeding and skidding all over the street until the car meets up with the camera.  Camera cuts to a medium shot from behind Glen’s car as it speeds past Zombies and turns right, up “1st Street”.  The engine of Glen’s car is heard throughout.  Camera cuts to a far shot of a dirt lot, not far from the restaurant.  Glen’s car quickly turns into the lot and skids to a stop.  Camera cuts to a medium shot from in front of the car.  Glen emerges from the car and hangs his Winchester over his shoulder.  Glen runs around the back of the car.  The camera turns to continue focusing on Glen running to the chain of buildings.  He weaves in and out of the mindless zombies.  
		Camera cuts to a medium shot of Glen coming to a stop in front of the rear of two buildings.  Glen looks right and left and looks for a way to get to the top of one of the buildings.  A zombie staggers up to Glen in an attempt to attack him.  Glen punches the zombie and pushes him back in a fit of anger.  Another zombie emerges from the alley in back of Glen.  The zombie reaches out to grab Glen and reaches back to elbow the zombie then throws the zombie to the ground.  Camera cuts to an aerial shot from on top of the building looking down at Glen as he looks up at the fire exit of the building.  Camera cuts to a close up shot of Glen jumping to grab the ladder of the fire exit and pulling himself up.  Camera cuts to a medium shot of Glen on the roof of the Allenton Inn.  Glen looks off the building to the ground below, looks forward, then turns and looks back and runs to a window on the roof.
		Camera cuts to a low angle medium shot from the rear entrance perspective of Tony and Mike crouching down in the Allenton Inn Kitchen next to Jeff, who now appears fatally ill, lying on the floor.  Tony is crouching to Jeff’s right and Mike is crouching to his left.  The two look like they are inspecting Jeff’s condition.  Jeff’s skin is pale and some of his veins show through his skin in his face.  

			TONY:  Hang in there man…

				Camera cuts to a close up, from behind Tony, of Tony and Jeff.  Jeff raises his arm slowly to put it on Tony’s shoulder.  Jeff lets out a small cough.

			JEFF:  It’s okay Tony.  I’m good…

				Jeff releases another horse cough.  Camera cuts to a medium shot of the bar entrance of the restaurant.  Suddenly the door to the kitchen, behind the three, opens and Glen appears in the doorway and enters the kitchen.  His head is down, looking at the floor.  Glen lets out a sigh and then jerks his head up to look to his upper right.  Glen’s eyes appear red from crying and tears can be seen in his eyes.  Camera cuts to a medium shot, from Glen’s perspective of Tony, Jeff, and Mike, still in their positions over Jeff.  They all look up at Glen.

			TONY:  Glen!  You made it!

			MIKE:  We were starting to get worried.  You’re usually here three hours early!
				Mike attempts to make humorous remark, oblivious to what had just happened to Glen.  Tony stands up.

			TONY:  Where the fuck were you?

				Camera cuts to a medium shot of Glen, still standing by the door and looking at Tony.

			TONY:  You didn’t answer your cell phone.

				Glen rubs the back of his neck as he begins to talk.

			GLEN:  I went to get Jen.

				Camera cuts back to a medium shot, from Glen’s perspective, of Tony, Jeff, and Mike once again.

			TONY:  W-well, where is she?

				Camera cuts back to a medium shot of Glen.  Glen displays a blank gaze as he looks at the floor and says nothing.

			TONY:  Oh, shit…

				Camera cuts back to a medium shot, from Glen’s perspective, of Tony, Jeff, and Mike.

			TONY:  I…  uh…

				Glen begins to into the shot and enters the back room.  Tony looks at Glen and follows him to the back room.  Mike and Jeff just watch as they walk to the back.  Camera cuts to a close up shot of the left side of Glen’s face from the rear entrance perspective.  The back room is dark, with a low, creepy blue light coming in from outside.  Moans and Groans can be heard from the zombies outside.  Glen appears to be looking through the cracks of the boards on the windows, to the dark outside.  Tony can be seen walking in towards Glen and stops a few feet in front of him, from Glen’s right side.  Glen does not move in reaction to Tony’s presence.  Tony leans on the shelf next to him.  

			TONY:  Something happened to her, didn’t it?  I’m sorry.

			GLEN:  I don’t want to talk about it man.  Just leave me alone for a couple minutes.  

				Tony puts his hand on Glen’s shoulder for a moment and then turns to walk back into the kitchen.  Camera focuses on Glen for a few moments then cuts to a low angle, medium shot of an Allenton suburb.  Zombies are seen staggering on the lawns of citizen’s homes and into the streets.  The zombies appear to be walking towards the right of the shot, to an unknown area.  Camera cuts to a medium shot from within the graveyard.  Numerous zombies walk over the graves, to the right of the shot, again to an unknown location.  Camera cuts to a closer, sideways shot of different zombies staggering.  They moan and groan as they walk.  Camera cuts to a medium shot, from the sink perspective in the rear of the kitchen, of Mike trying to dial in a radio station on a shoddy old radio over on the counter.  Static can be heard from the radio.  Camera cuts to a closer shot of Mike dialing in a station.  Finally, a station comes through.  Mike removes his hands from the dials and stops to listen.  

			ANCHOR:  … Do not try to stay and fight these creatures.  The authorities are telling everyone to evacuate and get to a secure location.  
				
					Camera cuts to a medium shot of Glen walking into the kitchen from the back room with a blanket.  The camera pans right to follow Glen as he walks towards Jeff.  The camera pans down to follow Glen as he puts the blanket on Jeff.  The camera quickly turns left and pans up to look at Glen’s face momentarily.  Glen displays a blank look.  

			ANCHOR:  …There is still no word on what triggered the mutation but research has shown that these creatures are not living humans but are forms of reanimated corpses.  Washington and Dodge counties are under investigation and are subject to quarantine within the next twenty four hours.  Stay tuned for further developments…

					Camera cuts back to a close up shot of Mike’s abdomen by standing to the right of the radio on the counter.  Camera pans up to Mike who is also displaying a blank look as he glares downward at the radio.  Camera remains in place for a moment and then cuts to the next scene.

Scene 20:  Ext.  Allenton Suburb

		Camera cuts to a medium shot of the corner of a house.  Chris Witty quickly runs into the shot and leans with his back against the corner of the building.  Moans and groans can be heard throughout the suburbs.  Witty has a huge body armor vest with skull shoulder plates and is toting a large machete.  He appears out of breath from running.  The camera pans right a bit as Witty turns to sneak a peek around the corner at the adversaries that he must face.  Witty looks to see zombies scattered and staggering all around the suburbs.  

			WITTY:  Shit…

					Witty turns back and leans against the corner of the building once again.  He looks ahead and continues to breathe heavily and closes his eyes momentarily then opens them.  Witty grasps his machete and then runs from the corner.  The camera pans right to follow Witty as he runs.  A zombie throws his self at Witty in an attempt to subdue him.  Witty struggles to break free of the zombie’s clutches.  Finally Witty places the zombie in front of him.  Witty pushes the zombie to the ground.  Camera cuts to a ground shot, looking up at Witty as he swings his machete into the air and into the camera.  Camera quickly cuts to the zombie’s head as Witty’s machete sinks deep within the zombie’s skull.  Blood flies from the fresh wound.  Camera cuts to a far shot of Witty struggling to remove his machete from the zombie’s head.  The zombie’s body jerks from nerves.  Witty finally removes the machete from the zombie’s head and runs to the right of the shot.  The camera pans to follow Witty as he runs.  Camera cuts to the next scene.

Scene 21:  Ext.  Allenton Inn Rooftop

		Camera cuts to a medium shot facing Glen from his right side.  Glen is sitting up against the building on the roof with a bottle of Vodka.  Glen drinks and chugs then wipes his mouth.  Camera cuts to a shot of Tony coming in on the roof from the top window.  It is still pitch black outside and moans and groans can be heard all over town.  Camera cuts back to a medium shot of Glen.  Tony can be seen entering the shot.  Tony stops and leans against the building and looks down at Glen.

			GLEN:  What?

			TONY:  How much of that did you drink?

			GLEN:  Who cares?  It’s all over anyway, right?

			TONY:  No… It’s not all over anyway.

					Tony sits down next to Glen.  Glen puts the bottle of Vodka to his mouth to take another drink then Tony takes the bottle and sets it down.

			GLEN:  What the fuck are you doing?

			TONY:  What the fuck are you doing?

					Camera cuts to a medium shot from Tony’s angle.

			GLEN:  The only thing I can do!

			TONY:  Just cut this shit out, dude.

			GLEN:  What shit?  I have nothing to live for anymore.
		
			TONY:  Yes you do…

			GLEN:  Name one thing.

			TONY:  What about your friends?

			GLEN:  Shit…  we’re all dead man.  

			TONY:  This shit didn’t spread everywhere dude.  We can run and get out of here before the military gets here, go somewhere safe.

			GLEN:  Somewhere safe.

			TONY:  I don’t know what happened before you got here, and I can’t even imagine how you feel…
		
			GLEN:  You know what?  Save it Tony.  You know you’re fucken’ girlfriend is still alive.

			TONY:  Yeah but,
 
					Camera cuts to a medium shot by Glen again.

			GLEN:  But nothing!

					Glen quickly stands up and Tony stands up soon after.  Glen points his finger at Tony and pokes him in the shoulder as he talks.  Camera cuts to a medium shot from behind Tony.

			GLEN:  I had to watch Jenn die then I had to put a fucken’ bullet in her head so I wouldn’t have to see her turn into one of those things, then I had the pleasure of burying her fucken’ corpse not to mention the oh-so-fun battle I had with her undead father.  It’s all my fault.  She cried for me to help her and I let her down.

					Camera cuts to a medium shot from behind Glen.

			TONY:  You didn’t let her down, dude.  You did the best you could.  Drinking isn’t going to help matters.

					Camera cuts to a medium shot from behind Tony.

			GLEN:  What the fuck would you know?

					Camera cuts to a medium shot from behind Glen.

			TONY:  I know that Jenn wouldn’t want you to do this.  She’d want you to live, man not kill yourself with this shit.  

					Camera cuts to a medium shot from behind Tony.  Glen rubs the back of his neck.  His eyes are red and he is unshaven and rough-looking.  

			GLEN:  She was my life, Tony.  My whole life, I never had any friends and every girl I ever met would’ve rather cut one of their appendages off than to even hang out with me.  Jenn always loved me.  She always wanted me.  She was always there for me when I had shit.  Am I just supposed to move on and forget she even existed?  Fuck that!

					Camera cuts to a medium shot from behind Glen.

			TONY:  You’re not supposed to forget about her.  Remember her and keep her alive by helping those of us who are still alive.  You’re friends and family.  You’re the closest thing Mike’s ever had to a son.  What about him?

					Camera cuts to a medium shot from behind Tony.

			GLEN:  Tony, Mike is Thirty Seven years old.  I’m sure he doesn’t need help from an eighteen year old drunk.

					Camera cuts to a medium shot from behind Glen.

			TONY:  You still don’t get it do you?

					Camera cuts to a medium shot from behind Tony.  Glen displays a look of depression and confusion in reaction to Tony’s response.  Camera cuts to a medium shot from behind Glen.

			TONY:  I don’t want to say this, but I really think that if Jenn was here, she would be incredibly disappointed in you.  

					Tony turns around and begins to make his way to the inside of the restaurant.  Camera cuts to a medium shot from the front of Glen facing Tony.

			GLEN:  Where are you going?

					Camera cuts to a medium shot of Tony beginning to open the window to the interior while still turned to look at Glen and respond.

			TONY:  Going to figure out what the fuck we’re going to do.  Maybe if you get done feeling sorry for yourself, you’ll remember what I told you about Jenn and then come and help us out.  You supposedly have the most knowledge about zombies.

					Camera cuts to a medium shot of Glen standing with a bottle of Vodka.  Glen sighs and looks left, off the shot.  Glen looks down at his bottle of vodka for a few moments then throws it from the roof.  Camera cuts to a ground shot.  The bottle of vodka enters the shot and shatters all over the ground.  Moans and Groans can be heard.  Suddenly drops of blood drip into the puddle of vodka and shattered glass.  The camera zooms out a bit and then pans up to face a zombie.  Blood is flowing from his mouth.  He looks on the ground at the bottle and then looks to the left of the shot and then looks up towards the roof.  The zombie looks down to the ground and then looks up with a confused display.  Camera cuts to the next scene.

Scene 22:  Int.  Allenton Inn

		Camera cuts to a medium shot looking down at Jeff sitting on the floor from the perspective of the waitress station.  The camera slowly zooms out to expose Tony crouching down by Jeff.  Tony displays a look of concern and depression.  Jeff gestures to Tony for a drink.

			JEFF:  Tony… Please give me my water…

					Tony hands Jeff a cup filled with tap water.

			TONY:  Here ya’ go man.

			JEFF:  Thanks Tony.

					Jeff gulps down much of the water.  Camera cuts to a medium shot of the door leading to the bar area.  The door opens slowly and Glen creeps in.  Glen walks forward a bit.  He is looking down at Jeff and Tony.  

			GLEN:  Well, if we’re going to make it, we should come up with a plan.

					Camera back to the medium shot of Tony and Jeff.

			TONY:  Well, first, how the fuck do you stop these things.

					Camera cuts back to the medium shot of Glen.

			GLEN:  Well, in the movies, there’s lots of ways to kill zombies…  well except for that one…

					Camera cuts back to the medium shot of Tony and Jeff.

			TONY:  What’d you mean?

					Camera cuts back to the medium shot of Glen.  Glen is holding the back of his neck.

			GLEN:  Well, in “Return of the Living Dead”, the reanimated bodies could only be stopped by completely incinerating them.  

					Camera cuts back to the medium shot of Tony and Jeff.

			TONY:  Dude, I really hope that those rules don’t apply here…

					Camera cuts back to the medium shot of Glen.

			GLEN:  Yeah, I know.  But then you have the basic zombie rules from Romero’s movies.  A shot to the head will kill them, which makes the most sense, by the way.

					Camera cuts back to the medium shot of Tony and Jeff.  Tony appears agitated by Glen’s last statement.

			TONY:  Well, I don’t give a shit if it makes sense or not, I just want to know if I can kill them easily.

					Camera cuts back to the medium shot of Glen.
			
			GLEN:  I’m pretty sure that Romero’s rules apply in our situation.  When the zombie of Jenn’s Dad attacked me, I severed his head from his body and he didn’t move anymore.  He pretty much died.

					Camera cuts back to the medium shot of Tony and Jeff.

			TONY:  Well, somebody’s going to have to make sure before we make an escape.

					Camera cuts to a medium shot from the cook’s area perspective, of Glen as Mike enters the shot.  Tony enters the shot by standing up.

			GLEN:  Yeah.  Somebody should make sure.

					Glen looks forward but Tony and Mike both look at Glen.  After a moment Glen looks at Tony then at Mike.  The looks indicate that Glen is the one to go outside and make sure.  Camera cuts to a medium shot of Glen, of his left side, from the perspective of the freezer.  Glen is looking out of the cracks in the barred windows and it appears that Tony is also looking through the cracks.  

			GLEN:  You guys suck…

			TONY:  I got your back man.

			GLEN:  Yeah, and if you don’t, a shitload of those things will have my back in a ton of pieces all over the ground.  

			TONY:  It’s clear out there.  There’s like, none within the distance of view in front of the restaurant right now.  You should be okay.

			GLEN:  I don’t know man.  It looks clear, but those fuckers are everywhere.

			TONY:  We have to make sure.

			GLEN:  Alright…  I can do this.  

					Glen inhales heavily and then exhales and shakes off to loosen his self up.  Glen has his Winchester rifle over his shoulder.  After a few moments, the camera cuts to a medium, low angle shot of the rear entrance door.  Its pitch black outside, setting a creepy mood and atmosphere.  The door slowly opens and Glen creeps out, looking from left to right.  Glen exits the building and then closes the door and leans up against it.  He removes the gun from his shoulder and cocks the rifle, in an effort to expect the unexpected.  Glen begins to walk slowly from the door.  Glen walks to the left of the shot and peers out from the corner of the building to the unknown behind him.  Grotesque “squishing” and snarling sounds can be heard from a short distance away.  Camera cuts to a close up of Glen as he stops in reaction to the sound close in front of him.  Glen displays a look of fear and curiosity.  Camera cuts to a medium shot, from Glen’s perspective of the trash dumpsters to the right and Mike’s Jeep to the left.  There appears to be something moving behind the dumpsters.  An object that appears to be a foot, is moving back and forth and snarling and grotesque sounds can still be heard.  
		Camera cuts back to a close up of Glen.  Glen displays a look of fear, more so than before, then swallows as he walks forward.  The camera follows from the front as Glen moves forward.  Camera cuts to a medium shot, from Glen’s perspective, of the narrow-way of the dumpsters.  The camera moves forward in conjunction with Glen.  Camera cuts to a low angle shot, looking up from behind the dumpsters.  Glen becomes visible in the shot as he walks in and peers down.  Glen swallows and displays a look of disgust and horror.  Camera cuts to a medium shot from Glen’s perspective of a zombie with glasses and a mouthful of blood and body pieces.  The zombie drops the food he was eating to look up at Glen.  Blood and flesh pieces fall from his mouth.  The zombie lets out a scream and hiss.  Camera cuts back to the low angle shot, looking up at Glen.  Glen jumps and tries to aim his Winchester quickly.
		
			GLEN:  HOLY SHIT!!!

					Glen lifts the gun quickly and fires a shot.  Camera cuts to a shot of the zombie falling back.  Blood flies out of his chest as the bullet enters.  The zombie falls on the ground to his back.  Camera cuts to a medium shot of the narrow-way of Glen running back over by the doorway and then stopping.  Camera cuts to a close up shot of Glen.  Glen is looking forward and is breathing heavily.  He continues to stare.  After a few moments, camera cuts to a shot from Glen’s perspective, peering down the narrow-way.  The zombie can be seen lying on the ground from far away.  Camera cuts back to the close up shot of Glen still looking forward.  Glen appears to have calmed a bit.  He begins to walk forward.  The camera follows from the front as Glen walks.  Camera cuts back to the shot of the narrow-way, from Glen’s perspective.  The zombie quickly rises to his feet and begins to run towards the camera.  The zombie staggers and trips slightly.  The zombie snarls and screams as he runs.  
		Camera cuts back to the close up shot of Glen.  Glen jumps slightly in reaction to the zombie and raises his rifle once more and aims.  Camera cuts back to the medium shot from Glen’s perspective.  The zombie is closer than before and continues to run at a fast pace.  Camera cuts to a medium shot of Glen cocking and raising the rifle even more.  Glen fires on impulse.  Camera cuts to a medium side shot of the zombie, from his right side.  The back of the zombie’s head explodes in a flurry of blood and brain tissue.  The zombie quickly jerks back and falls to the ground.  Camera cuts to a close up shot of Glen.  Glen begins to breathe heavily again and looks forward at the slain zombie.  Camera cuts to a shot of the narrow-way from Glen’s perspective.  The zombie remains on the ground and blood pools around him.  After several moments, the camera cuts back to the close up shot of Glen.  Glen looks down and displays a stern, almost angry look on his face.

				GLEN:  Holy shit.

						Suddenly screams can be heard from behind.  Glen raises his head in reaction to the screams.  Glen walks forward off the shot.  Camera cuts to a medium shot from Glen’s perspective, walking out of the narrow way, out in front of Mike’s Jeep.  The camera moves forward and then pans down and to the left to focus on two dead police officers lying in a bloody mess on the ground.  Camera cuts to a medium shot from behind Mike’s Jeep.  Glen quickly walks forward, out from behind the Jeep and looks up with a disgusted look from the sight of the dead police.  The screams can still be heard.  Glen looks out from behind the Jeep, forward into the shot.  The screams are coming from Witty.  Camera cuts to a shot from Glen’s perspective of the neighborhood.  Witty can be seen running towards the Allenton Inn.  Witty still screams as Zombies follow close behind Witty. 

				WITTY:  GLEN!!!  GET TO THE FUCKEN’ DOOR!!!

						Camera cuts back to a medium shot from behind Mike’s Jeep of Glen.  Glen begins to run back to the door and off the shot.  Camera cuts to a low angle shot of Glen on top of the steps of the rear entrance.  Glen looks towards Witty’s direction and displays a concerned look. 

				GLEN:  WITTY!  HURRY UP!!!

						Glen quickly gets to the door and prepares to open it.  Witty finally gets to the stairway.  Glen opens the door and the two quickly run in and slam the door shut behind them.  A large group of zombies quickly make their way to the door and begin to claw and scratch at the door in an attempt to make their way in.  Camera cuts to the next scene.

Scene 23:  Int.  Allenton Inn.  

		Camera cuts to a medium shot of the entrance to the kitchen from the back room, from the bar bucket perspective.  Jeff is still lying on the floor.  His skin is almost completely white and veins are visible through his skin.  Mike is standing by the counter to Jeff’s left side.  Tony, Glen, and Witty explode out of the back room as they run to the main area of the kitchen by Jeff and Mike.  Mike quickly acknowledges Witty’s presence.

				MIKE:  Chris!!  Where the hell did you come from?

						Tony stands to Jeff’s right side and Witty walks over and stands by Tony’s right.  Glen walks off the shot as he walk by the sinks.  

				WITTY:  I was over by the fucken’ subdivision man!  Those Motherfuckers are everywhere!

				MIKE:  They look like real zombies!!!

				WITTY:  Oh, they’re fucken’ real!

						Camera cuts to a medium shot of Jeff on the floor of Jeff drinking a glass of water.  After a few moments, camera cuts to a side shot of Glen turning on the faucet of the sink.  The others continue to talk as the scene continues.  

				WITTY:  What the fuck’s wrong with Jeff?

				TONY:  I don’t know dude…

						Camera cuts to a close up of water coming out of the faucet.  Glen nearly puts his hands in the faucet but jumps back from the sight of the water.  Camera cuts to a close up shot of Glen looking down at the running water.  Glen displays a look of disgust and curiosity.

				MIKE:  He was never bitten…

				TONY:  He was never even out by those things…

						Camera cuts to a medium shot of Glen peering around the corner to look at the group in the kitchen.  Camera cuts to a medium shot from Glen’s perspective of Witty, Tony, Jeff, and Mike.  Jeff is still drinking water.  The group is frantic and there is a lot of tension in the room.

				WITTY:  Why does he look like one of those things?

						Camera cuts back to a medium shot of Glen peering around the corner at the group then cuts to a medium shot of Glen turning and leaning against the fridge.  Glen hits his head against the fridge as he leans back.  Glen displays a look of disbelief and then looks to his left.

				TONY:  I don’t know…

				JEFF:  Am I going to be one of those things?  Please don’t let me be one of those things!!!

						Camera cuts to a shot from Glen’s perspective of the sink for a couple moments.  Camera cuts back to a medium shot from the sink perspective of Glen displaying a curious look.  Camera cuts to a medium shot of Jeff drinking from his glass of water.  Camera cuts to a medium shot, from the group’s perspective of Glen running out from behind the freezer and in front of the dish counter.  Glen stops to look at Jeff and displays a look of concern.  Camera cuts to a medium shot of Jeff drinking from his glass of water.  Quickly a hand hits the glass from Jeff’s hand.

				JEFF:  Hey!
			
						Camera zooms out a bit and pans up to Glen who is standing in front of Tony.  Camera follows Glen as he walks to the left side of Mike.

				GLEN:  How long has he been drinking the water?

						Camera pans left to focus on Mike.  Mike shrugs his shoulders in an attempt to tell Glen he didn’t know using body language.  Camera pans left to Tony and Witty. 

				TONY:  That’s all he wanted.  He’s been drinking water all night.

						Camera pans right to focus on Glen.  Glen points to the ground as he talks.

				GLEN:  Look at that shit!

						Camera pans left and focuses on the grotesque water on the floor.  Camera cuts to a medium shot of Tony and Witty from Glen’s perspective.

				TONY:  Dude, it’s just water…

						Camera cuts to a medium shot of Glen from Tony’s perspective.

				GLEN:  What have you guys been drinking?

						Camera cuts to a medium shot of Tony from Glen’s perspective.

				TONY:  What difference does that make?

				GLEN:  Just tell me!

				TONY: Bottled water and soda.

						Camera cuts to a medium shot of Glen from Tony’s perspective.

				GLEN:  You Witty?

						Camera cuts to a medium shot of Witty from Glen’s perspective.
				
				WITTY:  You know I always drink beer!

						Camera cuts to a medium shot of Glen from Tony’s perspective.  Glen turns to face Mike to his right.

				GLEN:  What about you, Mike?

						Camera pans left to include Mike in the scene.

				MIKE:  Bottled water, soda, and Snapple!

						Camera cuts to a medium shot of Tony and Witty from Glen’s perspective.

				TONY:  Well, what about you?  What were you drinking, besides Vodka?

						Camera cuts to a medium shot of Glen from Tony’s perspective.

				GLEN:  Soda.  Did any of you have any of the water from town here, you know from the sink?

						Camera cuts to a medium shot of the group from the waitress station perspective.  

				WITTY:  No.

				TONY:  No.

				MIKE:  No.

						Camera cuts to a medium shot of Glen and Mike from Tony’s perspective.  Glen appears agitated and highly tense.

				GLEN:  I didn’t either.  Don’t you guys see a pattern here?  Jeff was the only one who drank the water from town here.

						Camera pans left to focus on Tony and Witty.

				TONY:  So what?

						Camera pans right to focus on Mike and Glen.

				GLEN:  So, Jeff was never outside by those things, right?

						Camera quickly pans left to Tony.

				TONY:  Right.

						Camera quickly pans right to Glen.

				GLEN:  And he was never bitten, right?

						Camera quickly pans left to Tony.  Tony sighs as he replies.

				TONY:  Right.

						Camera pans right to focus on Mike and Glen.  

				GLEN:  And he’s the only one who drank the water, not to mention it’s shitty-looking color as of late.  

						Camera pans left to focus on Tony and Witty.

				TONY:  So you’re saying that the shit that’s turning people into zombies is in the water?

						Camera pans right to focus on Mike and Glen.

				GLEN:  Exactly.  

				MIKE:  That’s a pretty big assumption.

				GLEN:  But it makes sense.

				 		Camera pans left to focus on Tony and Witty.

				TONY:  You don’t know for sure…  What are you doing?

						Glen walks into Tony and Witty’s area of the shot and off the shot.

				GLEN:  Going to the filtration plant.

						Tony turns to face Glen’s direction.

				TONY:  Dude, no!!!

						Camera cuts to medium shot of Glen standing by the entrance to the back room of the restaurant.

				TONY:  It’s too dangerous!  You don’t even know if it is the water!

				GLEN:  Tony, it’s the only thing that makes sense.  Tons of supply vehicles go by here everyday.  Who knows?  Maybe some chemicals leaked into the town’s water supply.  

						Camera cuts to a medium shot, from Glen’s perspective, of Tony and in the back of him, Witty, Jeff, and Mike.  Tony is very annoyed by Glen’s decision. 

				TONY:  This is retarded!  We should worry about getting out of here not going for a fucken swim!!!

						Camera cuts back to the medium shot of Glen.  Glen turns his head to face Tony.

				GLEN:  NO!!!  I deserve to know who and what is responsible for this.  I need answers, Tony.  Jenn is dead and she deserves peace and Jeff deserves to know what’s going on too.  Now, if you guys are going to run then run but I’m going to that plant.

						Glen turns to leave the restaurant.

				TONY:  Glen, wait!
	
						Camera cuts to a medium shot of the group from Glen’s perspective.  

				TONY:  I’m coming with you.

						Witty begins to walk forward behind Tony.

				WITTY:  Me too.

				TONY:  You can’t do this alone.

						Camera cuts back to a medium shot of Glen from Tony’s perspective.

				GLEN:  Thank you.  Both of you.  We’ll need weapons.  Tony, I saw two dead cops outside.  We could take their guns and body armor.

						Camera cuts back to a medium shot of Tony and Witty from Glen’s perspective.

				TONY:  Uh… Glen, I don’t think we need body armor.  Obviously it didn’t do them much good…

						Camera cuts back to a medium shot of Glen from Tony’s perspective.

				GLEN:  It’ll help.  Besides, it looks cool.  C’mon, if you’re going!
`
						Glen gestures Tony and Witty to go.  The two walk past Glen and into the back room.

				GLEN:  Mike?

						Camera cuts to a medium shot of Mike from Glen’s perspective.

				MIKE:  Yeah?

						Camera cuts to a medium shot of Glen.

				GLEN:  Take care of Jeff…

						Camera cuts back to a medium shot of Mike.

				MIKE:  You don’t even have to worry about it.  Be careful.

						Camera cuts back to a medium shot of Glen.

				GLEN:  We’re all coming back alive.

						Glen pauses and then enters the back room.  Camera cuts back to a medium shot of Mike.  Mike looks forward and sighs then looks to his lower right, at Jeff.  The camera pans down to focus on Jeff.  Jeff is covered with a blanket and is sleeping.  After a few moments the camera cuts to a medium shot of Glen, Witty, and Tony in the back room, from the freezer perspective.  Glen is standing with his left side to the camera as he looks out the window.  The guys are getting armed and ready to march to the Filtration plant.  Glen has his Winchester hanging by it’s strap over his shoulder with his Sword sheathed and tied to his back.  Tony walks up to Glen, stops and looks with his hands on his sides.  Witty is behind Tony inspecting his machete.  

				GLEN:  That’s one hell of a run but we’ll be alright.

				TONY:  Dude, be honest…  is Jeff going to be okay?

						Camera cuts to a medium shot of Glen from behind Tony.  Glen still stands to the side.  Glen inhales deeply, sighs, then bows his head for a moment and then turns to face Tony.  He rubs the back of his neck and shakes his head as he begins to talk.

				GLEN:  I…

				TONY:  Dude, just say it.

				GLEN:  It’s not looking good.

						Camera cuts to a medium shot of Tony from behind Glen, from the freezer perspective.

				TONY:  Well, how bad is it?

						Camera cuts back to a medium shot of Glen from behind Tony.

				GLEN:  His skin is cold, almost like room temperature.  

				TONY:  Meaning?

				GLEN:  I don’t know.  He’s dieing.  

						The two are starting to raise their voices in annoyance.

				TONY:  Well, how long does he have left?

				GLEN:  I DON’T KNOW!!!  Days, hours, minutes, I don’t know!  It’s okay, we’re going to go to the filtration plant, find the answers we need and get the fuck out of this town and maybe a doctor or something can find a cure for him.  Now we have to go, time is short.

						Camera cuts to a medium shot of the exterior of Allenton.  It is very dark outside.  Three zombies feast over a dead body in the middle of the road.  Other dead bodies and parts are scattered on the grounds.  Other zombies can be seen walking in the distance.  Camera cuts to a medium shot of the rear entrance from the dumpster perspective.  There are bloody hand prints on the side of the building and blood splatters in various spots.  For reasons unknown, there are no zombies by the rear entrance.  Suddenly a zombie walks into the shot, past the camera and walks left, off the shot.  The door slowly opens and Glen peeks out to see if the coast is clear once more.  Glen opens the door all the way and slowly walks outside, aiming his Winchester left and right, making sure the coast is clear.  Glen then looks inside and signals to Tony and Witty to come outside.  
		Glen walks a bit to the right, aiming his Winchester slightly above the camera, still inspecting the area.  Tony slowly walks out holding a handgun into the air with both hands.  Tony leans up against the building and looks around the corner of the building.  Witty slowly walks out soon after, closes the door and stands behind Tony.  Glen aims his Winchester around the corner of the building and then slides the Winchester over his shoulder and begins to walk left, off the shot.  Glen signals to Tony and Witty to follow.

					GLEN:  C’mon…

							Camera cuts to a medium shot of from behind Witty, Tony, and Glen of the three walking slowly walking down the narrow way.  The camera follows as they walk forward.  Glen looks down and to the left and then crouches down.  The camera revolves around Tony, Witty, and Glen and looks down to focus on the three.  Camera cuts to a medium shot of the three from the front.  Glen attempts to remove the body armor from the first police officer.  He succeeds and gives the armor to Tony.  Tony picks it up and quickly straps the armor to his chest.  Glen them picks up a Shotgun and hands it Tony.  Tony retrieves the shotgun and slides it over his shoulder.  Witty can be seen peering around the corner of the Jeep.  Glen quickly removes the body armor from the second police officer.  Loud moans can be heard.  Glen quickly looks up in reaction to the moans.  

					GLEN:  Shit!

							Camera cuts to a medium shot from the street, from the railroad track perspective, of hordes of Zombies walking down the street towards the three heroes.  The zombies stagger and moan and groan as they walk.  Camera cuts to a medium shot, looking down at the three from behind, from the dumpster perspective in the narrow way.  Glen quickly stands up.

					GLEN:  C’mon, let’s go!!!

							Glen carries the armor as the three begin to run forward off the track.  The camera turns slightly right to focus on the three.  The three run around the corner of the building and off the shot.  Soon, staggering zombies follow in pursuit.  Loud moans and groans can be heard throughout.  After a few moments the camera cuts to the next scene.   
	
Scene 24:  Ext.  Allenton Water Filtration Plant

		Camera cuts to a medium low angle shot of an abandoned yard.  The setting is very dark and creepy.  Creeps and other sounds can be heard within the yard.  Camera cuts to a medium shot of three zombies feasting on a dead body on the ground, in front of another abandoned building.  After a few moments, camera cuts to an aerial shot of the entrance to the filtration plant.  Suddenly Glen, Tony, and Witty run onto the shot from the lower right of the shot.  They all run up to the entrance of the plant, which is a dirt trail by the bridge out of town with a chain and gates out in front, and stop.  Camera cuts to a medium shot of the three in front of the entrance.  Tony enters the entrance and walks in cautiously, looking left and right, aiming his shotgun he took from the police officer.  Glen is stopped in front of the camera looking forward, into the distance.  Witty follows Tony into the entrance.  Camera cuts to a side shot of Tony, Witty, and Glen walking through the entrance and walking past fenced-in generators.  There is lots of shrubbery and plant-life.  Tony walks right, off the shot.  Witty walks casually through the entrance.  
		Glen walks right with his Winchester aimed at the ground.  Glen turns to look back and then accidentally taps his Winchester against the fence.  Camera cuts to a close up of Glen and the tip of his Winchester against the fence.  After a moment, camera cuts to a medium shot of Tony and Witty from Glen’s perspective.  The noise from Glen’s Winchester is not very loud but Tony and Witty react to it.

					TONY:  Glen…

								Camera cuts to a close up of Glen.  Glen displays a look of remorse for the accident.  Camera cuts back to a medium shot of the three zombies who are feasting on a dead body in front of an abandoned building.  The three raise there heads in reaction to the sound.  The three turn to face the camera and then stand up.  The lead zombie has long hair and is wearing a long, black trench-coat.  The zombie to the rear, right of the lead zombie flows with intimidation as a result of his massive height.  He has very long hair and a goatee.  The zombie to the rear, left of the lead zombie has a hairdo in the form of devil horns and has no shirt on and a pair of black pants.  The three stand and walk towards the camera.  
		Camera cuts to a medium shot from inside a field of tall plant-life and foliage.  Some of the plants move and Tony comes walking through, towards the camera.  Tony pushes the plants to the side with his shotgun to make room for walking.  Tony walks forwards, off the shot.  Witty walks through the plants following Tony, pushing plants out of his path with his machete.  Witty walks forward, off the shot.  After a few moments, Glen walks through the plants.  Glen holds his Winchester to the ground and pushes plants out of the way of his path with his left hand.  Glen looks left and right as he walks and then walks forward off the shot.  Camera cuts to an aerial view from above the field of plants and foliage.  The three can be seen moving through the plants.  After a few moments the camera cuts to a medium shot of a walkway lined with large boulders along the side of the walk.  It is very dark out with a very creepy atmosphere.  
		Camera cuts to a low angle shot, from shore perspective, of the water filtration plant.  It is dark and the plant looks abandoned.  Camera cuts to a medium shot, from the plant perspective, of the walkway leading to the plant.  Tony, Witty, and then Glen run up to the building and lean up against the building.  The three begin to walk towards the camera, forward up the walkway, toward the filtration plant.  Camera cuts to a medium shot of the filtration plant from the shore perspective.  Glen walks right, onto the shot.  Tony and Witty soon follow Glen onto the shot.  Glen turns to look at the building.  There are not really any zombies out by the plant and the place looks very deserted.  Camera cuts to a medium shot, from behind Glen, of Tony.

					TONY:  Remind me what we’re doing here again?

								Camera cuts to a medium shot of Glen from behind Tony.

					GLEN:  Lets just get this over with so we can get out of here.

								Camera cuts to a medium shot of the two talking from shore perspective.  Witty is behind the two looking over to the right of the shot.

					TONY:  We should’ve just left town to begin with.

					GLEN:  Listen, if you want to leave, go!  I can catch up.

					TONY:  No…

					GLEN:  Then lets just get this done.  We should be fine.  There’s not too many of those things out here.

								Camera cuts to a medium shot of Glen walking along the perimeter of the plant, inspecting the scene.  Glen looks around, holding his Winchester with both hands.  After a few moments the camera cuts to a medium shot of Witty.  Witty walks up to the right of the shot, looking off to his left.  Witty leans up against the building.  He looks to the left of the shot for a few moments and then looks down.  The sound of plastic rustling can be heard.  Witty puts a joint to his mouth and then struggles to find a lighter.

					WITTY:  A little treat.  I’m gonna’ need it…  Fucken’ weird ass shit going on.  

								Witty finds a lighter and puts the lighter to the joint hanging from his mouth and flicks the lighter.  Witty lights the joint and puffs in a few times.  Witty closes his eyes for a few moments and then looks down and searches his pockets.  Witty smiles and raises his arm to expose a small bottle of “Old Thompson’s” whiskey.  

					WITTY:  Ahh… my old friend, Tom.  Might as well…

								Soon, a zombie jumps out from left corner and grabs Witty.  Camera cuts to a ground, close up shot as Witty’s bottle of “Old Thompson’s” whiskey falls and spills on the ground.  Camera cuts to a medium shot of Witty struggling with the zombie.  The zombie bites at Witty but Witty blocks the attempts.  Soon, a zombie staggers in from the right of the shot and grabs Witty’s back.  Camera cuts to a close up of Witty as the zombie from the back reaches out and sinks his teeth into Witty’s neck, ripping the flesh and exposing the muscles in Witty’s neck.  Witty screams in intense pain.  Camera cuts to a ground, close up shot of Witty’s machete falling to the ground and making a loud “clanking” sound.  Witty’s scream can still be heard as the camera cuts to a close up shot of Glen, reacting to Witty’s scream.  Glen’s eyes are wide and he is breathing heavily.  Glen talks softly.

 					GLEN:  Shit…  Witty…

							Camera cuts to a medium shot, focusing down on Witty’s machete on the ground.  Witty and the two zombies are nowhere to be found.  Footsteps can be heard as the camera pans up.  Glen soon runs into the shot from the left.  He stops and looks down in front of the machete.  After a few moments, camera cuts to a medium shot from behind Glen, focusing on Glen kneeling down and picking up the machete.  Glen inspects the machete.  Camera cuts to a close up shot of Glen standing up and looking at the machete.  He runs his finger up the blade and looks left and right.  Camera cuts to a medium shot, looking down at the blood soaked wall.  Camera cuts to a close up of Glen.  He appears to be looking at the blood stained wall, and he is looking off to the right of the shot.  Camera cuts to a medium shot of Glen walking up to the wall and pressing his fingers to the blood.  Glen touches the blood and then rubs it around in his hand.  Glen raises his head and looks left, off the shot. 
		Camera cuts to a medium shot from behind Glen of Glen standing by the wall and looking down at his hand.  After a few moments Tony walks into the shot from the left and turns to look at Glen.  Tony touches Glen’s shoulder.  Glen jumps from being startled.  Camera cuts to a medium shot of Glen and Tony standing in front of the wall.  Glen looks down and breathes heavily from being startled yet.

					GLEN:  Jesus!  Don’t do that!
							
							Tony looks down at the scene.

					TONY:  What’s going on?
					
					GLEN:  It’s Witty.  Look.
							
							Glen hands Tony Witty’s machete.
					
					TONY:  What do you think happened?
	
					GLEN:  I heard him scream and I rushed over except he wasn’t here.  We’ve gotta’ find him.

					TONY:  What about the blood?  I think something happened to him.

					GLEN:  That’s how it seems.  

							Tony crouches down to pick up Witty’s bottle of “Old Thompson’s” whiskey and then stands back up with it.

					TONY:  Witty’s not one to waste alcohol.

					GLEN:  Tell me about it.  

					TONY:  Well, we’ll search for him but first you’ve gotta’ come with me.

					GLEN:  Why, did you find something?

					TONY:  You could say that.

							Camera cuts to the next scene.

Scene 25:  Int.  Allenton Inn

		Camera cuts to a medium shot of the kitchen from the back room entrance perspective.  Jeff is still lying on the floor covered with a blanket.  Mike is sitting in a seat across the kitchen, lost in thought.  Camera cuts to a medium shot, focusing downward on Jeff, who is sleeping and covered with a blanket, from the waitress station perspective.  Camera cuts to a close up shot of Mike leaning forward in his seat and looking down to the left of the shot, at Jeff.  After a few moments, Mike deeply inhales and blows air out of his mouth and then rubs his face with both hands.  Mike quickly stands and walks right, off the shot.  Camera cuts back to a medium shot of Jeff.  Jeff opens his eyes.  His eyes are completely white and his skin is pale with a wet appearance.  Jeff attempts to rise from his position.  Camera cuts to a medium shot from the counter perspective of Mike walking over to the cook’s station.  After Mike walks over to the cook’s station, he stands to the outermost left part of the shot and looks down.  Soon Jeff appears in the shot as he rises from the floor, in back of Mike.  
		Jeff stands for a moment just gazing at Mike from behind.  Mike looks up for a moment then begins to turn around.  Camera cuts to a medium shot of Mike from Jeff’s perspective.  Mike continues to turn around until he faces the camera, looking at Jeff.  Camera cuts to a medium shot of Jeff from Mike’s perspective.  Jeff looks at Mike with an icy gaze.  Camera cuts back to a medium shot of Mike from Jeff’s perspective.  Mike gulps before he speaks.

					MIKE:  Jeff? 

							Camera cuts back to a medium shot of Jeff from Mike’s perspective.  Jeff opens his mouth, exposing blood and saliva, as he charges Mike.  Camera cuts to a medium shot of Mike as Jeff attacks him.  Mike struggles to avoid being bitten as he holds Jeff at bay.  Mike forces Jeff to turn with him to begin moving towards the basement stairway.  Camera cuts to a close up shot from behind the two of Mike fighting and forcing Jeff to move into the basement stairway.  The camera follows the two as they move closer to the stairway.  The camera stops in front of the stairway entrance while Mike moves Jeff into the entrance.  Mike forces Jeff into the basement and closes the door and locks it.  Mike walks back into the kitchen and stops in front of the camera and inhales deeply and then exhales.  Mike looks around for a bit, left and right.  Camera cuts to the next scene.
		
Scene 26:  Ext.  Allenton Water Filtration Plant

		Camera cuts to a high angle shot of the grassy-lined stream from the beginning of the movie.  It is very dark and fog hovers above the stream of grotesque liquid and floating, dead fish.  Tony and Glen walk into the shot from the left of the shot and walk through the tall grass to the stream below.  The two stop in front of the stream below.  Camera cuts to a medium shot of the two crouching down in front of a large barrel, which is a bit sunken into the ground.  Glen and Tony look down at the barrel and touch it, looking for any information.  Glen turns it and puts his hands on the bulk of the barrel and looks at Tony.
	
					GLEN:  Tony, look at this!

							Tony looks down at the part of the barrel Glen touches.  Camera cuts to an over-the-shoulder medium shot, from behind Glen, of a faded white text stenciled on the barrel which states:

Property Of The U.S. Government
Genetics Dept.
In Case Of Emergency Call:
677-555-3845

		Camera cuts to a ground shot looking up at Glen from the right as he turns to look at Tony.

					GLEN:  They knew what this shit was.

							Camera cuts to a medium shot of the two from the stream perspective.  Moans and groans can be heard in the background and the two react to the noise.  The two look up, above the stream.

					TONY:  Dude, you got what you came here for, not let’s get the fuck out of here.
							Tony stands up and starts to walk when Glen stops him for a moment.

					GLEN:  Wait, Tony.  I’m going to save this number.

							Camera cuts to an over-the-shoulder medium shot, from behind Glen, of Glen’s hand, programming the phone number in his cell phone.  Moans and groans can be heard stronger than before as panic and tension builds.  Camera cuts a medium shot of Glen and Tony from the stream perspective.  Tony is standing behind Glen with his shotgun in a defensive position.  Glen is still crouching on the ground.  Tony grabs Glen’s shoulder and tugs on his shirt.  By now, the sun is beginning to rise.

					TONY:  NOW!

							Glen quickly stands up as Tony begins to run back to the plant exit.  
					
					GLEN:  Alright!

		Camera cuts to a medium shot of the plant and the trees that Glen and Tony ran into at the beginning of the scene.  Tony runs from the trees and Glen soon follows.  Camera cuts to a medium shot of the wall on the broad side of the plant.  Tony soon runs in the shot from the right and Glen soon runs in after.  The two stop and lean against the wall.  The two breathe heavily as a result of running.

					GLEN:  What are we doing?

					TONY:  Getting out of here and back to the inn.

					GLEN:  What?!  What about Witty?  

					TONY:  You saw his machete and his whiskey.  There was blood all over the place near where he was.  He’s dead.

					GLEN:  He can’t be!

					TONY:  He is, dude.  We gotta’ go!

							Tony runs left, off the scene and Glen waits then begins running as well.
	
					GLEN:  Tony, wait!

							Camera cuts to a medium shot of the foliage and plant life by the abandoned shed in the beginning of the scene.  Tony and Glen emerge from foliage and plant life and climb onto the platform.  Glen gets up and stops Tony.

					GLEN:  What the hell?!  What about Witty?!

					TONY:  Witty is strong and he knows the way back.  He’ll be fine!

					GLEN:  We’re not even fine!!!!  There’s a shit load of those things out there!

							Loud moans and groans can be heard behind the two and Glen and Tony stop to look at each other and slowly look back.  Camera cuts to an aerial shot above the foliage.  A vast amount of zombies can be seen staggering through the foliage, towards Glen and Tony.  Camera cuts back to the medium shot of Glen and Tony.  The two look at each other and then are startled and turn to look right, off the shot, towards the abandoned shed.  Camera cuts to a medium shot of the abandoned shed.  Moans and groans can be heard, echoing from the interior of the shed.  A badly decomposed and mangled zombie walks out from the darkness of the shed.  Camera cuts back to the medium shot of Glen and Tony, who are still looking right, off the shot at the shed zombie.  Camera cuts to a closer shot of Glen and Tony who look back at each other for a moment and then turn forward.  Camera cuts to the last medium shot of the two as the two begin to run forward, towards the camera, off the shot.  
		Camera cuts to a medium shot from behind the abandoned silos, of Glen and Tony running for the rear entrance of the filtration plant.  The two look almost manic as they run to the slight left, off the shot.  Camera cuts to a medium shot from the far end of the abandoned silo perspective, of Glen and Tony running into the shot from the right of the shot.  The three zombies with long hair come onto the shot from the left.  The zombie in the trench-coat meets up with Glen as Glen runs by, and the zombie hits Glen across the chest with a “clothesline” move and forces Glen to the ground.  Camera cuts to a medium shot of Glen who appears to have the wind knocked out of him.  He appears in pain.  He looks up at his attacker and stands quickly.  Camera cuts to a medium shot of Glen backing up from the zombie who forced him down.  Zombies can be seen walking behind Glen.
		Camera cuts to a medium shot, from Glen’s perspective, of the three zombies with long hair.  The zombie in the trench-coat looks onward at Glen and snarls as blood and salivate flow from his mouth.  He slowly raises his hand at Glen.  Camera cuts back to the medium shot of Glen.  He still appears to be looking at the three zombies.  Tony runs back into the shot from the left of the shot and grabs Glen’s shoulder, persuading him to continue.

					TONY:  GLEN, C’MON!!!

							Glen looks back the three zombies as he runs with Tony left, off the shot.  Camera cuts back to a medium shot of the three, glaring at Glen and Tony.  Camera cuts to the next scene.

Scene 27:  Ext.  Allenton Water Filtration Plant

		Camera cuts to a low angle close up of Witty’s bloodied machete on the ground, next to his opened bottle of “Old Thompsons” Whiskey.  Moans and groans can be heard in the distance.  After a few moments, a bloody hand snaps downward and grasps the machete.  The camera zooms out and pans upward as the hand raises the machete upward.  The camera pans upward to focus on a dark figure, who is hidden within the darkness of the shadows.  The figure appears mysterious, menacing, and intimidating.  After a few moments, camera cuts to the next scene.

Scene 28:  Ext.  Downtown Allenton

		Camera cuts to a medium shot of the outer right wall of the “Grand Central Station” bar.  Tony and Glen run and lean against the wall from the left of the shot.  Tony leans against the building and peers around the corner.  Glen props himself up on his knees and then stands up and leans against the wall.  The two begin to talk.

					TONY:  A lot of those things are starting to gather around the place.  

					GLEN:  You think they’re catching on?

					TONY:  I don’t know, you’re the zombie expert.  

							Tony turns to face Glen.

					TONY:  You know how we’re getting back, right?

					GLEN:  Same way I always took to get back inside the Inn.

					TONY:  Yeah, but we have to run through the alleyway.

					GLEN:  Good idea.  As long as not too many of those things followed us from the plant.  
					
					TONY:  We might have to kill some of them…

					GLEN:  I’ve done it before.

					TONY:  You ready?

					GLEN:  I was born ready…

							Camera cuts to a wide medium shot, from the train track perspective of the “Grand Central Station” bar, as Tony and Glen begin to run out from behind it towards the Allenton Inn.  Zombies fill the streets and begin to walk towards Tony and Glen as they run.  Camera cuts to a wide medium shot of the Allenton Inn, as Tony and Glen make a run to the alleyway.  Tony and Glen force down a couple of zombies on their way to the alleyway.  Zombies begin to follow the two down the alleyway.  Camera cuts to a medium shot of the two running down the alleyway.  The camera follows from behind as the two run down.  Glen and Tony look back as they run.  The two make it to the Allenton Inn fire escape.  Tony jumps and climbs up and then Glen climbs up.  Moans and groans can be heard very loudly throughout the city.  Camera cuts to the next scene.

Scene 29:  Int.  Allenton Inn

	 	Camera cuts to an aerial shot from above on the grain tower, of Allenton.  Zombies walk all over the streets.  Moans and Groans can be heard throughout the town.  Camera cuts to a medium ground shot of the front of the Allenton Inn.  Zombies walk across the street and in front of the camera.  Camera cuts to a medium shot of the dining room doors.  The door opens and Tony walks in and into the main kitchen area.  After a few moments, Glen walks in.  Camera cuts to a close up shot of Glen in the main kitchen area.  He looks around a bit and then begins to speak.

					GLEN:  Mike?  

							Camera cuts to a medium shot, from the cook’s area perspective, of Glen and Tony standing in the main kitchen area.

					GLEN:  Mike?

							Camera cuts to a medium shot of Glen and Tony, from the waitress station perspective, of the two in the main kitchen area looking around.

					GLEN:  I wander where he is.

					TONY:  It’s a bit too quiet in here.

					GLEN:  Yeah, tell me about it.  
								
							Camera cuts to a medium shot of Tony and Glen, from the salad station perspective.  Mike walks out from the back and into the shot.  Tony and Glen immediately acknowledge Mike and turn to face him.

					GLEN:  Mike…

							Camera cuts to a medium shot of Tony, Glen, and Mike from the main counter perspective.  Mike has blood on his white cook’s shirt and stops to talk to the two.

					GLEN:  Man, we gotta’ get here, there’s more and more of those things, they’re everywhere.  Where’s Jeff?

							Camera cuts to a medium side shot of the three from the back entrance doorway perspective.  
					
					MIKE:  Downstairs.  Now, you guys have to be calm and I want you to take it easy.  Jeff is dead.

							Camera cuts to a closer medium shot from behind Mike, of Glen and Tony.

					GLEN:  What?  Well…

					MIKE:  He turned.

					GLEN:  He turned?  You mean he’s one of those things.  Where is he?
					
					MIKE:  He’s in the basement.  I chained him to one of the pillars downstairs.  

							Glen looks at Mike with a look of confusion and disbelief.  After a few moments, camera cuts to the next scene.

Scene 30:  Int.  Allenton Inn Cellar 
		 
		Camera cuts to darkness within the small cellar entrance and coat room.  After a few moments, a light breaks as the door opens.  Glen cautiously enters the room and looks right, into the room.  Glen appears unarmed except for his Celtic War sword fastened to his back.  Mike and Tony slowly enter as Glen walks forward, towards the camera and the staircase.  Camera cuts to a medium shot of the rear of the staircase in the basement.  There is total silence except for the footsteps from Glen, Tony, and Mike who are not seen for several moments.  Soon, the back of Glen’s feet can be seen as he walks down the stairway.  Glen turns with the staircase and walks down.  Tony and Mike soon follow Glen.  Tony is holding his shotgun with both hands, as if he was preparing for an attack.  Glen stops for a moment in front of the camera as he looks left, off the shot, and then walks left, off the shot.  Tony stops where Glen once was, still grasping his shotgun, and turns back to looks at Mike, who is right behind him.  
		Mike looks at Tony and shrugs his shoulders in confusion.  Tony walks left, off the shot and Mike follows.  Camera cuts to a low angle medium shot of Glen walking in from the darkness.  Moans and groans can be heard as Glen walks into the shot.  Glen stops in front of the camera and looks down in horror.  Glen displays a look of disappointment and sadness.  Camera pans right and zooms in on Jeff, who is now a zombie and is chained to a downstairs pillar.  Jeff looks up at Glen and groans.  Salivate and blood drip from his mouth.  Jeff’s skin is pale and his eyes are glazed and whitened.  After a few moments the camera cuts to a medium shot of Glen looking down at Jeff.  Glen appears calm but beside himself.  Soon Tony appears behind Glen.  Tony is still grasping his shotgun and quickly looks down at Jeff.  Camera cuts to a medium shot of Jeff who looks harmless as he glares at Glen and Tony.  Camera cuts back to the medium shot of Glen and Tony.  Tony pushes Glen to the side, cocks the shotgun and aims it at Jeff.

					TONY:  Alright, I’m ending this!

							Glen grabs Tony’s shotgun barrel and pushes it downward in a desperation attempt.
	
					GLEN:  No!

							Tony and Glen struggle for a bit.

					TONY: What?

					GLEN:  Tony, no!
							
							Tony finally gives in and lowers his weapon and just looks to the ground.

					TONY:  Look at him!  You want him walking around that way?  I’d be doing him a fucken’ favor!

					GLEN:  NO!  He’s our friend Tony!

					TONY:  Glen, he’s dead!  He’s gone!

					GLEN:  Let me…

							Glen walks forward, towards Jeff, right, off the shot.

					TONY:  What are you doing?  Glen!

							Camera cuts to an over the shoulder view, from behind Jeff, of Glen as he crouches down to look at Jeff.  Jeff groans a bit.  

					GLEN:  Jeff?

							Camera cuts to a medium shot, from behind Glen, of Jeff, who is looking up at Glen.  Jeff does not appear to get anxious in Glen’s presence.  

					GLEN:  You remember me…

							Camera cuts to a medium shot of Tony, who is looking down at Glen and Jeff in aggravation.

					TONY:  What are you doing?

							Camera cuts to a medium shot, from Tony’s perspective, of Glen and Jeff.  Glen turns back to look at Tony.

					GLEN:  He remembers…  He remembers us!

							Camera cuts back to a medium shot of Tony.  

					TONY:  He doesn’t remember shit, Glen.  Let’s just get out of here!

					GLEN:  Wait…

							Camera cuts back to an over the shoulder shot, from behind Jeff, of Glen.  Glen reaches into his pocket and pulls out a set of keys and a small toy car keychain.  He then dangles the keys in front of Jeff.

					GLEN:  Jeff…  You remember…  Cadillac?

							Camera cuts to a medium shot, from behind Glen, of Jeff.  Jeff closely inspects the keys and groans loudly.

					TONY:  Glen…

							Camera cuts to a medium shot of Tony, who now has his shotgun reclining on his shoulder.

					TONY:  GLEN!!!

							Camera cuts to a medium shot of Glen and Jeff, from Tony’s perspective.  Glen quickly turns to face Tony in reaction to Tony’s requests.

					GLEN:  What?!!

							Camera cuts to a medium shot of Tony.  Tony begins talking with desperation.

					TONY:  This is pointless!  Lets’ pack up what we have left and get the fuck out of here!  It’s too late for Jeff!
							
							Camera cuts to a medium shot of Glen, from Tony’s perspective, as he quickly stands up.  

					GLEN:  NO!  It’s not too late!

							Glen turns slightly to look down at Jeff.

					GLEN:  He can still be saved!  He’s not too far gone!

							Camera cuts to a medium shot of Tony, who displays desperation hand signals as he talks.

					TONY:  Glen, get real!  He’s dead!

							Camera cuts to a medium shot of Glen, who begins yelling and lashing out of rage. 

					GLEN:  HE IS NOT DEAD!!!  I’ve lost too many people and Jeff is one of best friends and I’m going to find a way to save him.  We’re taking him with us and that’s it.

							Camera cuts back to a medium shot of Tony.

					TONY:  We’re not taking Jeff, Glen.  It’s too late for him.

							Camera cuts to a medium shot of Glen from behind Tony.  Glen walks up to Tony in a threatening manner.

					GLEN:  You know what your problem is?

							Camera cuts to a medium shot of Tony from behind Glen.

					TONY:  What?

							Camera cuts back to a medium shot of Glen from behind Tony.  Glen appears angered and agitated towards Tony’s actions.

					GLEN:  You’ve lost your fucken’ nerve.  You’re scared.  So you’re just gonna’ fucken’ run.  Run away from your problems, you chicken shit!

							Camera cuts to a medium shot of Tony from behind Glen.  Tony appears to be winding up for a punch with his right arm.  The camera quickly cuts to a medium shot of Glen from behind Tony as Tony punches Glen in the face, knocking Glen down.  Glen falls to the floor in a spiraling action.  Camera cuts to a medium shot of Tony, who is shaking off his hand in reaction to the punch he just unfurled onto Glen’s face.  Camera cuts to a medium shot of Glen, who is now on the floor holding his jaw.  Glen looks up at Tony with angered eyes.  Camera cuts to a medium shot of Glen climbing to his feet, from behind Tony.  

					GLEN:  What the hell’s a matter with you?

							Camera cuts to a medium shot of Tony.

					TONY:  What the hell’s a matter with you?

							Camera cuts to a medium shot of Glen.  Glen is holding his hands at his sides as he turns.  The camera pans left and turns to focus on Glen who walks into an open area of the cellar.  There are boxes lying on the floor as well as scattered junk on a counter.  Glen looks down at the floor and stops.  He then rubs his forehead with his right hand.  

					GLEN:  I just…  don’t know what to do anymore.

							Camera cuts to a medium shot of Tony.

					TONY:  What’s happening to you, man?  I know a lot’s happened but…

							Camera cuts back to the medium shot of Glen.  He quickly turns around to look at Tony with an angry demeanor.

					GLEN:  Yeah!  A Lot’s happened.  I keep losing people.  I lost Jenn.  I lost everything!!!  How would you feel?!!!

							Camera cuts back to a medium shot of Tony who appears aggravated.

					TONY:  Pretty shitty but this is no time to fall to shit.  You’re better than this.  I mean, sooner or later you’re gonna’ have to get over Jenn…

							Camera cuts back to a medium shot of Glen who appears more angered at Tony’s comment.

					GLEN:  How dare you.  I just lost her less than ten hours ago.  Your girlfriend is still alive.  You have no clue what I’m going through so don’t tell me what to do.  

							Camera cuts to a medium shot of Tony.

					GLEN:  Besides, it’s not just about Jenn.

							Camera cuts back to Glen, who begins using hand gestures in accordance to his words.

					GLEN:  It’s Witty, possibly my family, Jeff…

							Camera cuts back to a medium shot of Tony.

					TONY:  I understand, but it’s mainly about Jenn.  The longer you hold on to her, the more it’ll tear you apart.  You have to move on.  It’s okay to remember her but all that shit’s in the past now and there’s nothing you can do about it!

							Camera cuts to a medium shot of Mike who runs in suddenly to alert the two of a recent situational update.  Mike stands in the rear doorway to the stairway. 

					MIKE:  You two better come up now.  We have to figure out how to get out of here.  We’re running out of time.

							Camera cuts back to a medium shot of Glen from behind Tony.  Glen pauses for a moment.  There are tears in his eyes as he continues.  

					GLEN:  I’m never moving on.  It all ended too soon.  

							Camera cuts to a medium shot of Tony from behind Glen.  

					GLEN:  I thought we were friends.

							Glen pushes Tony out of the way as he walks towards the rear entrance to the stairway.  Tony just looks onward and sighs.  After a few moments the camera cuts to the next scene.

Scene 31:  Int.  Allenton Inn

		Camera cuts to a medium shot of the cellar stairway door from the cook station counter perspective.  The doorway opens and Glen marches out and around the corner to the main kitchen area.  A few moments pass and then Mike and Tony walk out and follow Glen into the main kitchen area.  Camera cuts to a medium shot of the main kitchen area from the dish counter perspective.  Glen leans against the stainless steel counter and rubs his forehead before running his hands down his face.  Mike and Tony are standing opposite of Glen by the waitress station counter.  The two hold their hands by their waste as they talk.

					MIKE:  Glen, I really think we should get out of here now.  We’ve wasted enough time.

					GLEN:  Yeah.

							A loud clunking sound is heard in the bar area.  The three quickly react to the sounds emanating from the bar.  The three turn to face the bar entrance door.

					GLEN:  What the hell?

							Glen rushes to the bar entrance door and slowly opens it to peer out into the bar.  Tony and Mike soon follow.  

					TONY:  What is it?

							Camera cuts to a close up shot of the bar entrance door from the opposite side, in the bar area.  The door is fractionally open and Glen is seen peering out to inspect the scene, Tony and Mike are seen behind Glen in the doorway.  
					GLEN:  It’s Witty…

							Camera cuts to a medium shot of the bar from Glen’s perspective, in the doorway of the bar entrance door.  Witty is seen staggering aimlessly through the rear end of the bar.  His flesh is pale, whitened and a bit transparent, exposing stale, green veins.  Witty’s mouth oozes with blood and saliva and his neck is rotting and bloody.  Witty can be seen wielding his machete while he staggers through the bar.  Camera cuts to a medium shot of Tony, Mike, and Glen in the main kitchen area, from the salad station perspective.  Glen shuts the bar entrance door and leans against it with his body and appears to be breathing heavily.  Tony and Mike look at Glen.  Glen gestures to the three as he begins to talk.

					GLEN:  We gotta’ get here and he’s only gonna’ slow things down for us.  You two gather the shit we need and load up the Jeep.  

					TONY:  What about you?

					GLEN:  Just go!  I’m gonna’ take care of Witty and meet you by the Jeep so we can get the fuck out of here!  Now go!

							Tony and Mike walk right, off the shot.  Camera cuts to a close up shot of Glen still leaning on the bar entrance door.  Glen closes his eyes and breathes deeply a couple times.  Glen turns right and prepares to enter the bar to kill Witty.  Camera cuts to a low angle, medium shot, from the waitress station perspective, of Glen opening the bar entrance door and entering.  Camera cuts to a medium shot of Glen inside the bar, standing by the bar chairs, engaging Witty.

					GLEN:  WITTY!!!

							Camera pans left to focus on the zombie Witty, who is still grasping his machete.  Witty snarls and screams.  Blood and saliva flow from his mouth.  Camera pans right, back to Glen who displays a look of terror.

					GLEN:  SHIT!!!
	
							Camera cuts to a medium shot of Witty running towards the camera with his machete raised in the air.  Camera cuts to a medium shot, from behind the bar perspective, of Glen ducking to avoid Witty’s machete attack.  Witty misses and hits the steel against the floor.  Glen runs to the right of the shot.  Camera pans right to follow Glen.  Camera cuts to a medium shot of Witty from Glen’s perspective.  Witty’’s back faces the camera but soon Witty turns to face Glen.  Witty snarls.  Camera cuts to a medium shot of Glen from Witty’s perspective.  Glen is in a defensive position.

					GLEN:  Witty!  You don’t want to do this!

							Camera cuts back to a medium shot of Witty from Glen’s perspective.  Witty stands up straight and look onward at Glen.  After a few moments, the camera cuts back to the medium shot of Glen from Witty’s perspective.

					GLEN:  LISTEN TO ME!!!  You don’t want to do this!!!

							Camera cuts to a higher angle shot from behind Witty.  Witty begins to walk towards Glen in a threatening manner.  

					GLEN:  You were our friend, Witty, you have to remember!!!!

							Camera cuts to a medium shot of Witty from Glen’s perspective.  Witty quickly and swiftly wields his machete in front of the camera.  Camera quickly cuts to a medium shot of Glen from Witty’s perspective.  The machete blade can be seen flying underneath the camera as it cuts Glen’s body armor, near the top of the chest.  Glen flies back and hits the wall.  Camera cuts to a low angle, medium side shot of Glen hitting the floor and sitting for a few moments and sighing and trying to regain his self.  Glen grabs his chest where Witty sliced his body armor and looks down.

					GLEN:  It did come in handy!

							Camera cuts to a medium shot of Witty closing in on Glen.  Camera quickly cuts to a medium shot of the outer wall, from Witty’s perspective.  Glen quickly stands up and enters the shot.  Glen appears angered.

					GLEN:  I guess I can’t reason with you old friend.  But if you want to play with knives, then we’ll play.

							Glen quickly reaches back and unsheathes his Celtic War Sword.  Camera cuts to a medium shot of Witty from Glen’s perspective.  Witty quickly raises his machete and attempts to slice Glen.  Camera cuts to a medium shot of the two from the bar exit perspective.  Glen quickly stops Witty’s arms and hold them in place with his arms.  The two struggle and moan and groan.  Witty snarls and bites at Glen’s arms.  Camera cuts to the next scene.

Scene 32:  Ext.  Allenton Inn
		
		Camera cuts to a medium shot of the grain silos and railroad tracks from the Allenton Inn perspective.  The sun is still rising and zombies can be seen staggering about all over the grounds.  Moans and groans can be heard in the distance.  Camera cuts to a medium shot of Mike’s Jeep beside the building.  The top of Mike’s Jeep is removed.  The Jeeps is backed in the spot, face out in preparation for escape.  Zombies are staggering in the distance, behind Mike’s Jeep and two zombies appear to be staggering and inspecting Mike’s Jeep.  After a few moments, Mike bursts out from behind the corner with a two-by-four block of wood and hits the zombie standing closest to the hood of his Jeep.  The zombie falls to the ground and Mike beats the zombie on the ground.  Mike then runs to the zombie to the rear of his Jeep and pushes it over to the ground.  Mike then appears to be kicking the fallen zombie.   Mike soon raises his head and signals to somebody.

					MIKE:  TONY, C’mon!!!!

							Camera cuts to a rear shot of Mike’s Jeep from the grease bin perspective.  Moans and groans can still be heard loudly in the distance.  Mike is standing to the left of the shot, beside his Jeep.  Tony runs into the shot with a box of utilities and supplies.  Tony’s shotgun is hanging from his right shoulder.  Tony quickly throws the box down in the back seat of the Jeep.  Tony climbs the rear of the Jeep and stands on the bumper, peering overhead at the zombies before them.  The camera pans up as Tony climbs up.  Tony removes the shotgun from his shoulder and aims it at the zombies in the distance.  Camera cuts to the next scene.

Scene 33:  Int.  Allenton Inn Bar Area

		Camera cuts to a medium shot of the bar from the exit door perspective.  A loud scream is heard and then Glen flies into the bar counter.  Glen bends at the waist and braces himself, attempting to recover from the prior attack.  Glen breathes heavily.  After a few moments the camera cuts to a shot of Witty from Glen’s perspective.  Witty stands tall and intimidating ready to attack Glen once again.  Witty runs forward.  Camera cuts to a medium side shot from the bar entrance door perspective, of Glen ducking Witty’s attack and running to the rear of Witty.  Glen pushes Witty into the bar counter.  Glen drops his Celtic War Sword.  Witty quickly turns to face Glen and raises his machete.  Camera cuts to a medium shot of the side wall next to the first bar window.  Glen and Witty quickly fly into the shot.  Glen is hold Witty’s right arm, which is grasping the machete.  Glen pounds Witty’s arm against the wall, forcing him to drop the weapon.  Camera cuts to a medium shot of the floor as the machete quickly drops to the floor and makes a clanging sound.  
		Camera cuts to a medium shot, from behind Witty, of Witty and Glen.  Glen runs up to Witty and punches Witty in the abdomen.

					GLEN:  AHHH!!  Son of a bitch!!!

  							Glen quickly steps back and holds his hand in pain.  Glen forgot about the armor under Witty’s shirt and hurt his hand.  Witty walks towards Glen.  Camera follows as Witty walks towards Glen.  Witty swings his right arm back and clutches Glen’s throat.  Glen quickly puts his hands to his grasped throat in an attempt to break Witty’s grasp.  Glen gasps and grunts.  Witty begins to raise Glen into the air by his neck.  Camera cuts to a close up of Witty’s legs, standing to the right of the shot, and Glen’s legs flailing in the air, raised to the left of the shot.  Camera cuts to a low angle medium shot, from behind Witty, of Glen being held by his throat, who is turning red in the face due to lack of oxygen.  Glen is holding his throat and struggling.

					GLEN:  Uhh… I thought you things only ate people, not beat the hell out of them!

							Glen begins to hit Witty’s arm in an attempt to break free.  Camera cuts to a medium shot of Witty from Glen’s elevated perspective.  Witty growls and yells.  Camera cuts back to the low angle medium shot, from behind Witty, of Glen being held by the throat.  Glen hits Witty’s arm one last time.  Witty thrusts his arm and throws Glen off the shot.  Camera cuts to a medium shot of Glen falling hard to the floor from Witty’s perspective.  Glen hits his head and puts his hand over his stomach.  

					GLEN:  I can’t take much more of this…

							Glen quickly jumps to his feet and steps back a few feet.  The camera follows as Glen steps back.  Witty slowly enters the shot in front of Glen.  Glen is now standing in front of the steps by the exit.  Glen attempts to punch Witty in the face when Witty once again thrusts his right hand to Glen’s throat and grasps Glen’s throat once again.  Glen grunts and grabs for his throat.  Camera immediately cuts to the next scene.

Scene 34:  Ext.  Allenton Inn

		Camera cuts immediately of a medium shot of the side of the building, from the narrow-way perspective.  The grain silos and railroad tracks are in view and zombies are still staggering, but are now focusing on making their way to the Allenton Inn.  The front door to the Allenton Inn quickly flies open and Glen plummets to the pavement in the midst of the zombies.  Moans and Groans from the zombies can still be heard.  Glen yells in pain as he hits the ground.  Camera cuts to a medium shot of the front of Mike’s Jeep.  Mike is standing on the driver’s side of the Jeep, preparing to open the driver’s side door when he turns in reaction to what happened to Glen.  Tony is standing on the rear bumper of the Jeep and quickly notices Glen flying from the restaurant.  

					TONY:  Holy shit!!!

							Camera cuts to a medium shot, looking down at Glen, who is struggling to make it to his feet.  Camera quickly cuts to a medium shot of Witty stepping down the stairs from the front door and making his way towards Glen.  Camera cuts to a medium shot, looking down at Glen.  Glen crawls backwards, looking unsure about what to do about his situation.

					TONY:  GLEN!!!

							Camera pans hard left to focus on Tony who is now to the right of Mike in the shot, and off of the Jeep.

					TONY:  GLEN CATCH!!!

							Tony quickly removes his shotgun from his shoulder and throws it in Glen’s direction.  Camera cuts to a medium shot, looking down at Glen on the ground.  Glen looks upward at the shotgun.  The shotgun quickly enters the shot and Glen quickly catches it.  Glen quickly cocks the shotgun and fires upwards in Witty’s direction.  Camera quickly cuts to a medium shot of Witty, who’s head quickly explodes in a flurry of bone, blood, and brain matter.  After a few moments, camera cuts to a medium shot of Glen, who is still on the ground with the shotgun.  Witty’s headless body falls to the ground next to Glen.  Camera cuts to a medium shot, looking down at Glen.  Glen leans forward and sits up.  

					GLEN:  I’m sorry Witty…

							Camera cuts to a medium shot, from Glen’s perspective, of Mike and Tony who are standing next to the driver’s side of the Jeep.  

					TONY:  GLEN!!! C’mon!  We gotta’ get the hell outta’ here!!!

							Moans and groans can be heard in the distance.  Camera cuts to a medium shot of above the area where Glen was on the ground.  Glen stands up into the shot.  Glen looks behind him and around at the zombies surrounding the Allenton Inn.  Camera zooms in on Glen’s face as he turns to face Mike and Tony’s direction.  Glen soon runs off the shot and into Mike and Tony’s direction.  Camera cuts to a medium shot of the front of Mike’s Jeep.  Tony runs back to the rear of the Jeep and jumps inside the rear seat.  Glen runs into the shot and around the Jeep to the passenger side.  Camera cuts to a medium shot from behind Glen of Glen, attempting to open the passenger side door of the Jeep.  Mike opens the driver’s side door from the other side.  A zombie quickly enters from the left of the shot and quickly attacks Glen.  Glen locks arms with the zombie and struggles to force the zombie away. 

					TONY:  GLEN!!!

							Camera cuts to a medium shot from the zombie’s perspective of Glen falling onto the steps, near the rear entrance of the Allenton Inn.  Glen appears distraught and exhausted from the constant battles.  Camera cuts to a medium shot of the zombie from Glen’s perspective.  The zombie is walking towards the camera.  Camera cuts to a medium shot of Tony acquiring a handgun from the utility box in the back seat and aiming it at the zombie attacker.  Tony stands and fires the gun.  Camera quickly cuts to a medium side shot of the zombie.  Blood, bone, and brain matter fly out of the freshly made hole in its head as the bullet exits.  Camera cuts to a medium shot of Glen still dazed and lying on the steps near the rear entrance.  The camera pans up as Glen stumbles to his feet and stands up on the concrete slab near the rear entrance.  Camera quickly cuts to a medium shot from Glen’s perspective, of Tony standing and panicking.

					TONY:  GLEN LOOKOUT!!!

							Camera cuts to a medium shot of Glen from Tony’s perspective.  Before Glen has a chance to look, a zombie jumps into the shot from the right and attacks Glen.  Glen throws up his left arm to defend his self.  Camera cuts to a close up of the zombie biting a long patch of flesh from Glen’s left hand.  Glen begins to scream in pain.  Camera cuts to a close up of Glen as he screams and closes his eyes in pain.  Glen releases his self from the zombie’s grasp and steps back quickly in horror, looking at his hand, which is bleeding heavily.  Camera quickly cuts to a medium shot of the zombie from Glen’s perspective.  The zombie chomps and chews on Glen’s flesh.  Camera cuts to a medium shot of Glen and the zombie from behind the zombie.  Glen runs forward and punches the zombie in the face before pushing the zombie from the concrete slab.  Glen looks down and wipes his mouth.

					TONY:  Glen?

							Camera cuts to a shot of the Jeep from Glen’s perspective.  Tony is still standing with the pistol, looking in Glen’s direction.  Mike quickly stands to look in Glen’s direction.  

					TONY:  Glen?

							Camera cuts to a medium shot of Glen from Tony’s perspective.  Glen turns to face Tony and Mike.  Glen begins to laugh as he looks at his hand.  

					GLEN:  Huh…  Ain’t that a bitch?!!

							All is silent except for soft moans and groans in the distance.  Glen looks up smiling.  Camera cuts to a medium shot of the Jeep.  Mike and Tony look at Glen with deep concern.  Mike gets out of the Jeep and walks around the rear of the Jeep until he is standing in front of the camera.  

					MIKE:  Glen?

							Camera cuts to the medium shot of Glen standing on the cement slab.  Glen turns to face Mike.

					GLEN:  Time to leave, Mike.  I’m not coming with you guys.  

							Camera cuts back to the medium shot of the Jeep with Mike standing out front.

					MIKE:  Glen, c’mon, everything we’ll be fine.  We’ll just get you to a medic.

					GLEN:  No.

							Camera cuts back to the medium shot of Glen on the cement slab.  Glen walks a bit to the left of the shot near the rear entrance door.  Glen removes the shotgun that he had slung over his back from when Tony threw it to him.  Glen points the shotgun to the ground.  

					GLEN:  It’s too late for me.  You’ve seen what happened to Jeff.  You guys are just fooling yourselves.  Tony?

							Camera cuts back to the Jeep.  Mike is still standing out in front of the Jeep now glaring at the ground in sadness.  Tony looks up at Glen.

					TONY:  Yeah, Glen?

							Camera cuts back to the medium shot of Glen.

					GLEN:  I’m sorry about what I said in the basement.  You were always like the little brother I never had and one of my best friends.  

							Camera cuts back to the medium shot of Mike and Tony.

					GLEN:  Mike?

							Mike looks up at Glen.  Camera cuts back to the medium shot of Glen.

					GLEN:  You’ve always been like a father to me.  I love both of you.  But it’s time for you both to leave.  

							Camera cuts to the medium shot of Mike and Tony. 

					MIKE:  We’re not leaving without you Glen.

							The sound of a shotgun being cocked sounds right before the camera cuts back to the medium shot of Glen.  Glen raises the shotgun in their direction.  

					GLEN:  I’m not going.  I’ll only endanger you two.  Now they’re getting closer!  Get outta’ here.

							Camera cuts back to the medium shot of Mike and Tony.  Tony sits back down.  Mike looks saddened and looks one last time at Glen.  Camera cuts back to the medium shot of Glen who is now aiming his shotgun in the direction of Mike and Tony.  After a few moments the camera cuts back to the medium shot of Mike and Tony.  Mike runs around the rear of the Jeep and climbs into the driver’s side opening.  Mike starts the Jeep.  The engine starts up and loudly screams as it turns over.  Camera cuts to a medium shot of the Jeep from the front end, peering over the hood.  Glen can be seen behind the Jeep, still standing on the concrete slab.  Zombies begin walking up to the Jeep and Glen.  The Jeep screeches off quickly off the left of the shot.  The camera zooms in on Glen as he attempts to open the rear entrance door of the building.  Camera cuts to a medium shot from behind Glen, of Glen opening the rear entrance door and entering the building.  Glen slams the door shut and locks it.  Six zombies stagger to the door and claw at it, trying desperately to get in.
		Camera cuts to a close up shot of Glen on the inside of the Allenton Inn back room.  Glen is leaning against the rear entrance door.  He appears to be breathing heavily and sighing.  Glen looks down and then buries his face in his hands.  Glen looks up and then walks forward, off the shot.  Camera cuts to a medium shot, from the rear entrance perspective, of Glen ascending the stairs of the back room and walking towards the kitchen entrance.  The camera pans up slightly as Glen ascends.  Zombies can be heard pounding and scratching on the door.  Moans and groans can also be heard outside.  Camera cuts to a medium shot of the front of the Allenton Inn from the road intersection perspective.  Mike and Tony pull up to the stop sign in the Jeep.  Mike quickly pulls a right and the Jeep heads up Highway 33.
		After a few moments, the camera cuts to a shot of the Allenton Inn cellar, behind the stairway.  Footsteps can be heard and soon the back of Glen’s feet can be seen walking as he descends the stairway and enters the cellar.  Glen turns and sits on the bottom steps.  Glen buries his head in his hands once again.  Camera cuts to a close up of Glen as he looks up from his hands.  There are tears in Glen’s eyes and he begins to flash back to many things.  Camera cuts to a medium shot of Glen holding Jennifer and kissing her on the forehead.  After a few moments, the camera cuts back to the close up of Glen’s face.  After a moment the camera cuts to a medium shot of Glen, Jeff, and Tony hanging out in a building, apparently partying.  Camera quickly cuts back to the close up shot of Glen.  After a moment, the camera cuts to a medium shot of Glen and Mike talking in the main kitchen area of the Allenton Inn.  After a few moments, the camera cuts back to the close up of Glen.  
		Glen stands up and walks off the shot.  After a few moments the camera cuts to an aerial view of Highway 33.  Mike’s Jeep is seen speeding up the highway and out of the town.  After a few moments, the camera cuts to a medium shot of the area where Jeff is being held, from the pillar perspective.  It is very dark but a shadowy figure can be seen walking in from the main cellar area.  Glen comes into view from the shadows and looks down.  After a few moments the camera cuts to a medium shot of Jeff from Glen’s perspective.  Jeff is still chained to a pillar and is moaning and looking downward.  Camera cuts back to the medium shot of Glen.  Glen turns and walks back into the main cellar area.  
		Camera cuts back to a medium shot of the back of the cellar stairway.  Glen walks into the shot from the left and turns to sit on the steps once again.  Glen sighs and looks down at his bitten hand.  Camera cuts to a medium shot of Glen’s left hand from Glen’s perspective.  The hand is bloody and looks like a rotting piece of meat.  Camera cuts to a close up shot of Glen as he looks at his hand.  Glen looks up with a look of disapproval.  Camera cuts to a medium shot of the back of the cellar stairway and Glen on the side.  Glen stands up.  After a few moments, Glen unsheathes his Celtic War Sword from his back and looks down. 
		Camera cuts to a high angle medium shot of Mike’s Jeep speeding down highway 33.  The Jeep speeds until it is out of view.  After a few moments the camera cuts to a medium shot of the food counter of the cellar, in between a major shelf, just on the opposite side of the cellar stairway.  Glen walks into the shot holding his Celtic War sword.  Glen walks to the counter and opens the drawer, searching around for something.  Camera cuts to a medium shot of Glen.  Glen appears to have a rubber hose.  Glen ties it tightly around a large mass of his left arm and proceeds to set it his left arm down on the stainless steel counter in front of him.
		Camera cuts to a medium shot, from Glen’s perspective, of Glen’s bloody left arm being slammed down on the stainless steel counter.  Blood splatters onto the counter.  Camera cuts to a low angle shot, from the counter perspective, of Glen raising his right arm, with the Celtic War sword in hand, and ready to thrust it down.  Camera cuts to the close up of Glen’s bloody left hand.  The Celtic War sword makes a “swooshing” sound as it was thrust down swiftly and punctures Glen’s wrist.  Blood flies from the fresh slice.  
		Camera cuts to a close up side shot of Glen’s face as he opens his mouth wide, closes his eyes, and screams loudly in pain.  After a few moments the camera cuts to the next scene.

Scene 35:  Ext.  Allenton

		Camera cuts to a medium shot of the rear entrance of the Allenton Inn from the grease bin perspective.  Multiple numbers of zombies are clawing and scratching and fighting their way to the door.  Camera cut to a close up of the zombies against the door.  The zombies salivate and moan and groan.  
		Camera cuts to a medium shot of the front entrance of the Allenton Inn from the next door house perspective.  A vast amount of zombies are clawing and scratching at the front door.  More zombies walk towards the front door.  Zombies fight their way to the door and desperately attempt to get in.  Camera cuts to a medium shot of the Allenton graveyard.  Zombies stagger through the graveyard and towards the Allenton Inn.
		Camera cuts to a medium shot of Glen’s Trans Am in the rear gravel lot.  Zombies walk around it.  A couple zombies stop to look and inspect it.  After a few moments the camera cuts to an aerial view of the town of Allenton, mainly looking onward on Highway 33.  After a few moments the camera fades to black.

Scene 36:  End Credits

End

					

				

	

 All concepts and characters are property of Glen Lentz and any unauthorized reproduction, mainly plagiarism, will be prosecuted under the full extent of the law.  Copy the script and share it with friends and read it but if you steel it and try passing it off as your own, Glen will sew you!!!!