After the death of his mother, a middle-aged man learns the horrifying truth about the childhood disappearance of his brother.
Home movie footage has a way of evoking emotion. A grainy, colour faded moment captured in time. This is how Beyond Sunset starts: young brothers, Jack and Sam, fool for the camera. A fleeting memory of lost childhood.
Shadows grow over a public playground. A car prowls along an adjacent road. The boys play, each lost in a world of blissful innocence. Moments later Jack looks up to find his brother gone. He squints into the setting sun, just in time to catch Sam wave goodbye before he slips into the car and vanishes forever.
Jump forward several decades. Jack, now in his 50s and with a family of his own. It’s been a rough week for Jack. Mom’s dead. Her estate needs to be settled which leaves Jack and younger sister, Trisha, to clear the old family home for sale.
It’s a task fraught with emotion. The sting of memory carried with every trinket and family photograph. There’s that yellow dress of Mom’s or the grave of Houdini, beloved house-cat who was never fully tamed.
As Jack delves deeper into the shadows of Mom’s life secrets begin to reveal themselves. Old wounds are opened and tensions rise, until finally Jack stumbles upon the darkest recess of them all…
Steven Clark’s haunting thriller Beyond Sunset lights a fuse that burns its way to the very end. It’s a tense, brooding mystery, delivered with a subtlety that begs to be picked up. Any filmmaker looking for a low budget nuanced thriller would be remiss not to check this script out immediately.
About the writer: Based in upstate, NY, Steven Clark is the writer of over 30 short scripts, several of which are under option, in pre-production, or have already been made into films. On A Clear Night, a family Christmas feature aimed at a Hallmark Channel-type audience, is currently in the works. Steven can be reached at Steamroller138 (a) gmail.
About the reviewer: Steve Miles started writing scripts around five years ago after realizing that his social life was vastly overrated. He enjoys writing in a variety of genres but leans toward raw, grittier characters and the worlds they inhabit – from the deadly serious to the darkly comic. Drinks coffee, owns an unhealthy amount of plaid and uses a calculator for the most basic of sums. Check out more of his work at sjmilesscripts.webs.com
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