Make a wish.
Snap! With the breaking of a wishbone from a simple chicken dinner, inspirational author Nick is sent down an alternate reality.
As an author, Nick has served as an inspiration to many a reader. Recently, though, Nick could use some inspiration himself. You see, he’s been down on his luck ever since a car accident took his wife, Chloe. Riddled with guilt and haunted by dreams (and perhaps his future self),
Nick contemplates just how he has ended up at this low point. But is there another way?
Enter Kat. Kat has just moved into Nick’s building, and it seems she has a past that haunts her as well. As their friendship grows, the parallels between Kat and Chloe become undeniable, and the line between fantasy and reality begins to blur. What unfolds is a dreamlike romance that defies reason and even time itself. All of this builds to an unforgettable finale that you’ll never see coming.
Filled with surreal imagery in the tradition of Vanilla Sky and Shutter Island (hey, if it’s good enough for Scorsese, it’s good enough for you!), Wishbone deftly delivers the kind of weighty rumination that continually garners accolades on the festival circuit. It is a confident, considerate, contemplation of life, and the choices we make, with a ponderous political pitch. Think Déjà Vu meets The Dead Zone. This is one script that will keep audiences and critics intrigued, entertained, and ultimately satisfied.
What more could you wish for? And – as collectors of Monkey Paws are well aware – be careful what you wish for, too.
Budget: Medium. Mainly because of script length. A scene involving a wrecked car may require some savvy directorial skill.
About the Reviewer: Dane Whipple comes in a little glass vial. A little glass vial? A little glass vial. He is currently working on that screenplay everybody keeps talking about: The Wild Age. Contact him at dane.whipple (AT) live.com
About the writer: Jeremy Storey has been writing on-and-off for the last fifteen years. He’s dabbled in stage plays, screenplays and shorts. He even wrote a novel once, but the less said about that effort, the better. He’s had a few things produced along the way – a feature (REWIND), two shorts (GOOD DEEDS and ADRIFTING) and a play (LAST CUP OF SORROW). He’s even done quite well in a number of screenwriting contests over the years. However, it’s the process of writing and collaborating on creative projects with likeminded folks that really makes him happy and content. He’s delighted to be asked to participate in Simplyscripts, and is genuinely looking forward to connecting with other writers, producers and directors. Contact him at jeremystorey “AT” yahoo!
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