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Wednesday, May 31, 2017

A Jolly Encounter – Short Script Review (Available for Production) - posted by Guest Reviewer

A Jolly Encounter by Jason K. Allen

Two young hikers encounter a mysterious backpacker with a candy cane phone and a penchant for milk and cookies.

            NICK
How long have you had those boots,
Ted? Looks like they’ve seen
better days.

            TED
Well, it’s been about… Wait, how
do you know my name?

For many people, hiking is a paradoxical hobby – a chance to rest, yet keep fit at the same time. Undisturbed trails provide a calm backdrop for exercise… combined with walks of the meditative kind.

As Jason K. Allen’s A Jolly Encounter opens, two young ramblers – Ted and Melanie – are doing just that.

But their quiet hike through the great outdoors is soon interrupted: by an enigmatic man who calls himself “Nick”.

Nick? He looks odd at first glance. Yes, he owns a candy cane phone. And he’s got a sweet tooth for gingerbread men – even though he’s trying to lose weight.

And Nick’s other traits are strange as well. Somehow, he knows both Ted and Melanie’s names, though they’ve never met him before. As the strangers settle down and chat, the duo form an educated guess as to who “Nick” is. Not surprisingly, they’re ardent fans!

From there, a more serious discussion develops: one that stands the cinematic test of time. What moral virtues should Ted and Melanie cultivate in themselves? What’s Nick’s work in relation to human nature? Or to Nature itself? And that’s the aim of all great films – candy coating universal themes in entertainment, helping the “medicine” go down. There’s even an unexpected twist at the end… one that will fill your audience with delight.

Like Pixar did with its classics, Jolly can be seen from many sides. A gentle story to amuse kids, with an adult message at its nougat core.

Are you a comic director who likes satire? Chuckles with morals on the side? Then choose Jolly for a read. It’s got mass appeal, sharp dialogue… and if you end up being the good little boy or girl who brings it to the screen, you may find some gifts (like festival awards) under your Christmas tree!

Budget: Pretty low. All you need is the great outdoors, some even greater actors. Oh – and a nice red suit.

About the writer: Jason K. Allen is a writer and filmmaker from Nashville, Tennessee. His screenwriting credits include the short films AMERICAN SOCK, which won Best Screenplay at the 2014 San Diego Film Awards, and AUTUMN LOVERS, winner of the Audience Award at the 2013 Artlightenment Festival in Nashville. He also wrote the feature film LUCKY FRITZ starring Julia Dietze (IRON SKY) and Corey Feldman. You can contact Jason at allen.jason.k (at) gmail. See IMDB for his complete credits.

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp “AT” gmail.com. If you’d like to contact him and be subjected to incoherent ramblings, follow him on @HamishP95.

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Tuesday, May 23, 2017

Pee Buddies – Short Script Review (Available for Production!) - posted by Zach Zupke

Pee Buddies by Shane Murphy

A man suffering from a bizarre phobia recruits a coworker to help him overcome his fear.

Man, is there anything worse in life than really, really, really having to pee? I mean, of course there’s much worse, like being taken hostage, being dismembered or losing your job.

But, for sheer physical and emotional agony, the inability to urinate when nature is calling, er, screaming to stream, is hard to top.

So are the comical moments in Shane Murphy’s short “Pee Buddies,” a story about, er, pee buddies – Don and Glenn. Don’s got urinary issues. He’s also got boundary issues at work because the opening scene finds him in the bathroom discussing his pissues (hopefully I’m the first to coin the phrase) with his young, happy-go-lucky co-worker Glenn.

            GLENN
Don.

            DON
I’m begging you. Two minutes
of privacy.

            GLENN
You can do this, buddy.

            DON
One minute?

            GLENN
Let’s just try again.

            DON
Why are you torturing me?

            GLENN
It’s not torture, it’s therapeutic.
A licensed therapist told you to do
this. Now get over here.

And they’re off (so to speak)! But nothing’s coming out, except genuine LOLs on every page as the momentum, suspense and pressure builds. Glenn even resorts to urinating next to him – really peeing there for Don.

            DON
     (annoyed)
Really?

            GLENN
It’s for your own good. This isn’t
so bad, is it?

            DON
This is my nightmare.

            GLENN
Come on, the hard part is over.
You’re standing next to me,
your unit is out—

            DON
Stop saying unit!

You won’t stop smiling the rest of the way through Murphy’s story of a workplace thera-pee session gone very, very bad for Don and Glenn, but quite entertaining for the rest of us…and a co-worker who walks into the bathroom, unbeknownst to Don and Glenn.

I’m thinking Jack Black and Will Ferrell would be splendid choices to play Glenn and Don, respectively. If they’re not available, the right director could certainly pull the necessary performances out of any capable actors.

Pee Buddies” needs to be produced – if anything just so the marketing tag can be “Pee Buddies – streaming now!

Budget: Um, a bathroom. Two main actors with two “units” – though not necessarily on camera, please!

About the writer: Shane Murphy is a writer and comedian from Toronto, Canada. For contact information and stand-up dates please visit shanemurphy.org.

About the reviewer: Zack Zupke is a writer in Los Angeles. Zack was a latch-key kid (insert “awww” here) whose best friend was a 19-inch color television (horrific, he knows). His early education (1st grade on) included watching countless hours of shows like “M*A*S*H,” “Star Trek” and “The Odd Couple” and movies like “The Godfather,” “Rocky” and “Annie Hall.” Flash forward to present day and his short “The Confession” was recently produced by Trident Technical College in Charleston, SC. He’s currently working on a futuristic hitman thriller with a partner and refining a dramedy pilot perfect for the likes of FX. You can reach Zack at zzupke “at” yahoo.

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Wednesday, May 3, 2017

Balancing Act – Short Script Review (Available for Production)! - posted by Guest Reviewer

Balancing Act (14 pages in pdf format) by Jason Allen

You think balancing rocks is easy? Think again!

A mockumentary in the vein of Best in Show, Spinal Tap and more…

Rocks. What mundane fragments of Nature! Found across the globe, in so many shapes and so many colours, their uses are positively endless. People have built walls with them, collected them for their own pleasure, and competed to see who can skip them the furthest across ponds and lakes.

They really are the most versatile objects in the world. So why not make art with them as well?

Odell Jenkins, 42, asks that very question and pursues it with such vigour that his entire life becomes devoted to the skill of stacking rocks.

Written mockumentary style, Balancing Act follows Odell as he declares his passion for his art. And explores his most memorable moments: from meeting his wife Jenny, to the appearance of mysterious symbols suspected of being a message from aliens. Code written into rocks – from the sky!

Sure, Odell may be obsessed – but he’s also a reflective and humble man who takes his art seriously. A simple soul who knows his purpose – and desires to make his mark on the world.

As a result, Balancing Act is more than a story about rocks. It’s also a moral about balancing life. The tale of a man who wants to be inspired and wants to inspire, as well.

Like any of us, Odell is seeking the answers to the universe’s biggest questions… under whatever rock they may hide.

With a tongue-and-cheek tone, this short bursts with subtle wit. Highly amusing and entertaining, Balancing Act elevates a humdrum topic – all the way to the stratosphere.

Why should you choose Balancing Act? Well, Odell’s down-to-earth personality will resonate well with audiences. And if that doesn’t convince you, here’s one more reason to place on the pile:

This is a script with heart and humour. Deftly moving between parody and drama, it’s a ‘balancing act’ in and of itself . Compelling as much as diverting, Balancing Act’s is a thought-provoking piece indeed.

Budget: While locations are plentiful, the number of characters is limited. If you’re willing to put the money in, the production will be well worth the final creation.

About the writer: Jason K. Allen is a writer and filmmaker from Nashville, Tennessee. His screenwriting credits include the short films AMERICAN SOCK, which won Best Screenplay at the 2014 San Diego Film Awards, and AUTUMN LOVERS, winner of the Audience Award at the 2013 Artlightenment Festival in Nashville. He also wrote the feature film LUCKY FRITZ starring Julia Dietze (IRON SKY) and Corey Feldman. You can contact Jason at allen.jason.k (at) gmail. See IMDB for his complete credits: http://www.imdb.com/name/nm3021924

About the reviewer: Faith Rivens is an aspiring author and filmmaker. Storytelling is a passion born innately within her. It doesn’t matter the genre, or the medium. What matters is the story woven within. With any luck, her first novel will be out on the stands in 2016. So keep a sharp eye out! Want to drop Faith a line? She’s available at faithrivens.writer (a) gmail

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Monday, April 24, 2017

Jasper and Mimi Forever – Short Script Review (Available for Production!) - posted by Guest Reviewer

Jasper and Mimi Forever(5 pages, pdf format) by Jason K. Allen

The curious tale of Jasper and Mimi, two wild n’ crazy outcasts in love

When it comes to love – true love – opposites attract. Both in real life and the movies, too. We’ve all drooled jealously over successful couples like Beauty and the Beast, Shrek and Fiona, King Kong and Fay Wray or… Howard the Duck and Beverly? Okay, so the last one was a little questionable. But you get the funky drift.

So now readers have Jasper and Mimi Forever… introduced to them at midnight as Jasper wakes from the grips of a fierce nightmare! You know, the kind of midnight sweats that steals away your urge to sleep. Jasper recalls the dream and describes it to his true love Mimi, who rests soundly at his side. With a soft assuring voice, Mimi informs him gently – dearest Jasper, that’s all true!

In the word’s of The Twilight Zone’s iconic Rod Serling, imagine if you will: a private conversation between two lovebirds – of a very peculiar kind. This story is heartwarming, funny and yes – odd. Especially when there’s a vegetable involved for a certain body part. And here’s a clue: that’s not Jasper’s nose!

But far from gratuitous, Jasper and Mimi Forever is pure unique. And bound to get the attention of many directors and producers (much like writer Jason Allen’s other quirky tales). So warning: don’t let this one pass through your fingers. Or you’ll be having nightmares that will drench you in your sleep!

Budget: Low. One location, some Halloween props and – a carrot. A big carrot. Hopefully. If you’re feeling generous and cocky, that is.

About the Writer: Jason K. Allen is a writer and filmmaker from Nashville, Tennessee. His screenwriting credits include the short films AMERICAN SOCK, which won Best Screenplay at the 2014 San Diego Film Awards, and AUTUMN LOVERS, winner of the Audience Award at the 2013 Artlightenment Festival in Nashville. He also wrote the feature film LUCKY FRITZ starring Julia Dietze (IRON SKY) and Corey Feldman. You can contact Jason at allen.jason.k (at) gmail. IMDB Credits

About the Reviewer: Debra Johnson is an award winning screenwriter. She currently has two shorts in pre-production, which were found on STS. For more information on Debra, visit her website at www.gatolocofilms.com

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Thursday, April 20, 2017

Madame Lucinda – Short Script (Available for Production!) - posted by Guest Reviewer

Madam Lucinda (11 pages, pdf format) by Jason K. Allen

A young man visits a psychic seeking knowledge about life.
But are there hunchbacks, dungeons, transgenderism and werewolves in his future?
And is that a bad – or a real good thing?

Ah, Fortune Tellers, Psychics and Tarot Card Readers – the bane of the honest service world. Or Saints in glittery costumes – depending on which supernatural side of the fence you’re on. Either way, we’ve all seen them at fairs, boardwalks, pulp magazines – and even your neighborhood strip mall (if you live in a fun place, that is.) And no matter the particular spiel, each psychic bellows a similar claim:

They can see into your misty future. Want to know if you’ll land that perfect job? Meet your true love? Win the lottery? Then just hand over that cash, and they’ll explain…

In the clever short Madam Lucinda, our story revolves around young Tommy (20s). Entering a psychic’s “boudoir”, Tom sits down with Madam Lucinda to listen to what she has to say. Make no mistake – you’ll want to know Lucinda’s visions, as well. Quickly, Tommy realizes the truth. Madam L is colorful. Witty. Sarcastic, even. Babbling about outlandish tales. But is that due to the spirits talking through her? Or a release of psychic built-up crap?

            MADAM LUCINDA
Soon you will go to grocery store.
There you will… purchase milk!

            TOMMY
I don’t drink milk.

Confused, she studies his palm.

            MADAM LUCINDA
No, not milk! You will
purchase… various groceries!

You think you know where this story will end? Well, you’re NOT psychic – don’t even try!

But we firmly predict you’ll laughing out loud. So peer into the crystal ball laptop you bought at Best Buy – and make sure to read this goofy gem, and peer into the (amusing) spirit world!

Budget: Low budget enough – depending on your tastes. Some FX is involved, which can be rectified by a visit to a Halloween costume shop. One location, two actors and one over-the-top actress (who will have a blast) for the role of Madam Lucinda.

About the Writer: Jason K. Allen is a writer and filmmaker from Nashville, Tennessee. His screenwriting credits include the short films AMERICAN SOCK, which won Best Screenplay at the 2014 San Diego Film Awards, and AUTUMN LOVERS, winner of the Audience Award at the 2013 Artlightenment Festival in Nashville. He also wrote the feature film LUCKY FRITZ starring Julia Dietze (IRON SKY) and Corey Feldman. You can contact Jason at allen.jason.k (at) gmail. See IMDB for his complete credits.

About the Reviewer: Debra Johnson is an award winning screenwriter. She currently has two shorts in pre-production. For more information on Debra, visit her website at GatoLocoFilms.com

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Friday, April 14, 2017

Whatever it Takes – Short Script Review (Available for Production) - posted by Guest Reviewer

Whatever It Takes (Reader’s cautioned. 9 pages in pdf format) by Paul Clarke

To escape imprisonment, Tom is willing to do whatever it takes…

Genius is one percent inspiration and ninety-nine percent perspiration. — Thomas A. Edison

True, Edison’s point was about the importance of hard work and perseverance, but the fact remains — one percent inspiration is essential. Especially for creative endeavors, inspiration can be the critical ingredient that makes all the difference – between the extraordinary and the mundane.

In Whatever It Takes, a short screenplay by Paul Clarke, protagonist Tom understands the importance of inspiration well. He’s a successful writer, hard at work on his latest novel. The reason Tom’s successful is that he lives (and dies) by Edison’s rule. When we first meet Tom, he’s locked in a dingy hotel room – writing hard enough to save his life; pouring ninety-nine percent perspiration onto the page.

Yet, Tom just can’t find that last little bit – the inspiration required to make his novel pop. But he’s willing to do whatever it takes to make it happen. How much?

We’ll soon find out.

For instance, Tom’s novel is set in a prison. So he gets down to role playing; hard core. From the get-go, he’s locked in his hotel room… barricaded from the outside. His agent has the key, there are bars on the window and Tom’s dressed in a prison jumpsuit – he hasn’t bathed in several days. A dedicated writer, he’s gone to great lengths to make it all seem real, including a primitive shiv hidden in his bed… not to mention, a make-shift noose.

Whatever it takes. So they say.

But even after a brush with death, Tom still can’t summon his muse.

Enter Katie (age 27), Tom’s girlfriend. And what a grand entrance she makes: “She rips the coat off revealing a Halloween-style slutty prison warden costume. Complete with thigh-high boots, and fishnet stockings.”

With a naked Katie, underneath. Which is when the story virtually explodes… into a funny, bawdy, high-energy romp, reminiscent of Spencer Tracy & Katherine Hepburn. Or Clark Gable & Claudette Colbert. Cary Grant & Rosalind Russell; any classic couple you can name. If they’d been making films in the twenty-first century, that is. And summoned the spirit of Mae West…

A masterpiece of set-up and pay-off, Whatever it Takes is a lot of fun. The first half? Suspenseful. The second is a riot and a great pay-off. Are you a director who likes intelligent raunch mixed with drama, not to mention a riveting tale? Then let Whatever It Takes inspire you. Put in the perspiration to do this right, and it’ll be a film festival favorite!

Budget: Fairly low.

About the writer: Paul Clarke is an Australian based screenwriter who works as a cinema manager by day and paid coverage writer by night. His success so far has included a top 10 place in the Writer’s Store Industry Insider competition. And is currently working on a selection of short, feature, and pilot scripts. He can be reached at paul.clarke.scripts “AT” gmail

About the reviewer: Helen Magellan (a pseudonym) is a successful screenwriter with several produced short scripts under her belt.

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Thursday, April 6, 2017

Careful What You Wish For – Short Script Review (Available for Production) - posted by Zach Zupke

Careful What You Wish For (1 page in pdf format) by Tim Westland

Magic genies and bottles. Such things never end well. Or DO they?

We all know someone who rubs us the wrong way. A friend of a friend. A relative. Or, in some tragic cases… one’s own spouse. Things can get real ugly when two people don’t see eye to eye – especially when divorce looms on the horizon. When that’s the case – it’s no holds barred. War of the Roses. One up-manship – at any cost.

Fortunately, Karma has a way of exacting sweet revenge on those who test its limits. The only trouble with karma is; you never know when it’ll rear its head. But it does – it’s magical.

Which is the case with Tim Westland’s one-pager “Wish.” The script starts with brothers Steve and Bill walking the surf on a sunny Southern California beach. Normally – a pretty enjoyable experience, except for Bill’s sad state of affairs. As they walk, he tells his sibling of his woes: Bill’s wife is divorcing him for half of everything. Plus alimony. And she’s been cheating on him from day one. If ever there was a need to “insert karma here,” this here’s the perfect time.

Bill stubs his toe on something and yelps. What’s this? Bad fortune? Reverse karma?! Nope, it’s the tip of a lamp jutting from the sand. And Bill quickly discovers why it’s been placed in his path.

“I am yours to command,” intones a Genie after Bill gives the lamp a vigorous rub. “You have but one wish, and whatever you receive, your wife will receive twice over.”

Brother Steve advises caution. “Careful, these Genies are a tricky lot.”

Bill doesn’t hesitate. He knows exactly what to wish for. Riches? Perfect health? Unbelievable happiness? But if he gets those – his soon-to-be ex gets double.

So he takes a breath and wishes for… Well, read the script and find out!

Short and sweet, Careful What You Wish For is a great take on an old classic. Perfect for an indie director with imagination – and a humoristic one-two punch!

Budget: Pretty reasonable. A small amount of FX and costumes required.

About the Writer: Tim Westland is an award winning writer whose many scripts have consistently place in the Semi/Quarter finals in Page, Bluecat, and Screencraft. His screenplay, OBeast, co-authored with frequent writing partner Rod Thompson, finished in the Top 10 of ScreenCraft’s 2017 Horror contest. OBeast is also a 2017 iHorror.com finalist. Tim is also the co-author of the acclaimed horror comic/graphic novel (and screenplay), Chasing the Dead, published by IDW.

About the Reviewer: An LA based writer, Zach Zupke can be contacted via email at zzupke “AT” yahoo

Read Careful What You Wish For (1 page in pdf format)

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Wednesday, February 22, 2017

Simpatico – Short Script Review (Available for Production) - posted by Zach Zupke

Simpatico (21 pages in pdf format) by Libby Chambers

Two know-it-all friends believing themselves to be the authorities on love, sex, dating, and finding ‘the one’ recount the events of a one night stand.

Tennis can be a difficult endeavor. Strength, endurance and determination are required to even mildly succeed. Footwork, hand-eye coordination and cunning strategy take no backseat. Factor in the dimension of doubles play and the complexities double equally. The court expands. Communication is paramount and the volleys require cat-like reflexes during the exhilarating, ping-pong-on-steroids shootouts.

Like tennis, Libby Chambers’ “Simpatico” challenges the senses, hitting point after relationship point. A classic Australian Open match on paper, its characters crush poignant forehand observations and trade clever backhand quips, making the script worthy of center court applause.

The story begins with “INT. HOTEL – BEER GARDEN.” This script had me at “INT.” When the dialogue is served and the love story unfolds, it feels like you’re sitting next to the characters, sharing a glass of wine with Melissa (a buxom, outspoken brunette) and Ann (short, round and modest). Melissa confides to Ann: “I felt something really real between us, you know?”

“What, his penis?” Ann returns. Game on.

It’s also “on” across the garden as we chug a pint with 30-somethings Bob and Chad, who tells-all about his previous night’s date, “If you’d asked me at the start of the night, I’d have said dust off that penguin suit, fella”,” but it was a rather awkward finale.”

And – speaking of awkward: Chad and Melissa are dishing gossip about each other, with no clue they’re sitting just a handful of seats away.

            Chad
She was a bit too full on, you
know. Gave off this vibe.

            Melissa
I really think this guy might
be the one.

And so it goes, from opposite ends of the hotel. Back and forth they lob insights and serve momentum, revealing Bob and Ann – who have not met – may actually be perfect for one another. But, will they ever discover they’re at the same beer garden? Will true love miss its chance by sheer meters?

Chad and Melissa do eventually spot each other and the story escalates in fine fashion:

“Do you suppose she followed me?”

“Do you suppose he’s stalking me?”

“Oh shit, is she headed this way? I’m off for a leak.”

“This is where I play it super cool and slip off to the lady’s room.”

Chad and Melissa sneak to their respective hiding holes without noticing the other’s doing likewise. Bob and Ann do the same, both headed for the bar…

As for “Simpatico”, it’s surely headed for production and a round of success. Game, set, and match – comic relationship fun at its best.

Budget: Location cost is pint-sized – any non-fancy hotel or pub will do.

A Top Three Finalist in the LA Comedy Festival Screenplay Contest

About the writer: Libby Chambers has been writing all her life – especially in her head, and on scraps of paper. It’s only in the last few years she began to get serious about screen-writing. Prior to this she worked in the Features Department for ABC TV as a Program Assistant, and trained as a FAD. She has also worked professionally as a freelance web-content editor and proofreader. She is thrilled her first ever entry into a Screenplay Comp – The LA Comedy Festival ‘Short’ screenplay division took out Top 3 Finalist and hopes the high placing will be a continuing trend. 🙂 Libby would love to see her words come to life on screen – and has another screenplay coming soon – a family friendly coming of age Drama – ‘Scooter’. She lives with her husband (also a screenwriter) in Sydney, Australia, and describes him as being both a good and a bad influence on her writing. You can contact Libby at libbych “AT” hotmail

About the reviewer: An LA based writer, Zach Zupke can be contacted via email at zzupke “AT” yahoo

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Monday, February 20, 2017

Change of Heart – Short Script Review (Available for Production) - posted by AnthonyCawood

Change of Heart (8 pages in pdf format) by Eric Wall

A desperate virgin’s excursion to a dive bar yields unexpected results.

Urban Legends. They’re part of our culture. Our collective memory. Stories that are told again and again – usually with a moralistic spin. Don’t shirk your babysitting duties for your boyfriend. Or park in Lover’s Lane. Or investigate that noise in the closet. And definitely never get drunk in dive bars and hit on total strangers…

Now THERE’S an urban legend that’s stood the test of time: the one about the guy who gets wasted, only to wake up the next morning with a nasty hangover, in a bath loaded with ice… and missing some body parts… Maybe it’s never really happened, but that’s some evil stuff right there. A creepy tale that’s even inspired a notable Korean horror film, “Sympathy for Mr. Vengeance.”

It’s a scenario that inspired writer Eric Wall as well – and he’s taken it to some surprising (and delightful) places…

Meet protagonist Dennis. A sad-sack waste of a man. 37 years old. A virgin. Recently diagnosed with a heart defect. The fates haven’t been kind to poor Dennis – and it’s about to get far worse. When we meet poor D, he’s slumped in a seedy bar propositioning every female in sight. You see, Dennis is determined to get laid. Resolving at least one problem. Unfortunately for Dennis, his pickup lines stink on ice. As do his chances tonight…

At least until Tracy – an attractive vamp – slinks in the door. Sidling up to the bar and Dennis’ side, Tracy strikes up a conversation. And – as phenomenally unlikely as it seems – she seems to be attracted to him. A drink and some idle banter later, and Tracey agrees to take Dennis to a hotel room. Needless to say, she’s got a few ulterior motives in mind…

A straightforward, gory scenario – at least in SOME writer’s hands. But Change of Heart has surprises in store. Not to mention – heartfelt laughs. Witty and intelligent, Change has some amazing one liners. Not to mention amazingly fleshed out and sympathetic characters – in an eight page horror script, no less! You like dark comedy? Then give Change of Heart a try. It twists your expectations in delightful ways… all the way to its frosty end!

Budget: Relatively low – locations include a low rent bar and a cheap hotel bathroom.

About the writer: Eric Wall is a New Jersey based screenwriter who has written several short scripts, two features and is at work on multiple TV specs. He can be reached at e_wall1498 (a) yahoo.

About the reviewer: Anthony is an award winning screenwriter from the UK with 2 features optioned and over 30 short scripts optioned, or purchased, including 8 filmed. Outside of his screenwriting career, he’s a published short story writer and movie reviewer. Links to his films and details of his scripts can be found at www.anthonycawood.co.uk.

Read Change of Heart (pdf format)

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This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

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