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Saturday, October 29, 2016

The Cabinet of Dr. Caligari (Transcript) - posted by Don

The Cabinet of Dr. Caligari – 1919 german silent film transcript by Hans Janowitz & Carl Mayer – hosted by: Classic Movie Scripts – in html format

A man named Francis relates a story about his best friend Alan and his fiancée Jane. Alan takes him to a fair where they meet Dr. Caligari, who exhibits a somnambulist, Cesare, that can predict the future. When Alan asks how long he has to live, Cesare says he has until dawn. The prophecy comes to pass, as Alan is murdered, and Cesare is a prime suspect. Cesare creeps into Jane’s bedroom and abducts her, running from the townspeople and finally dying of exhaustion. Meanwhile, the police discover a dummy in Cesare’s cabinet, while Caligari flees. Francis tracks Caligari to a mental asylum. He is the director! Or is he?

Information courtesy of imdb.com

Wednesday, September 7, 2016

Black SUV – Short Script Review - posted by simplyscriptshorts

Black SUV
A secret service agent is forced to question her morality when she realizes the mysterious man she’s assigned to protect is pure evil.

“Many lick before they bite.”

Such is the epigraph of the gritty and quirky Black SUV, written by CJ Walley.

And if that quote doesn’t sound mysterious to you, you’ve gotta check out the script itself. Not to mention, check to see what’s up with you!

Going by the name of (surprise!) Mr. Black, we’re introduced to the titular character very much enjoying himself in the boot of his shadowy vehicle; parked not-so-innocently in the club district of New Orleans.

Dressed like a VIP and loving life at 50, the man’s got a few “errands” to run before the evening’s pleasures end.

However, he’s not gonna be driving this night.

No, Mr. Black has his own chauffeur and bodyguard, Eris. As sharply dressed as her enigmatic passenger, it’s Eris’ first time behind Black’s wheel.

As you’d expect a good boss to do, Mr. Black quickly segueways from professional instruction to a candid conversation with his new employee. Almost too candid, in fact.

And as Mr. Black engages in bizarre encounters with local down-and-outs, it becomes ever clearer that he doesn’t really need a bodyguard. At all.

Even so, Eris is constantly aware of her duties: “obedience and vigilance”, above all else.

Her willingness to fulfill those duties will be tested to the limits as she shuttles Mr. Black to his final errand; before their confusing night comes to a close…

With an unresolved cliffhanger and one of the most unforgettable pairs of characters you’ll likely ever see in a short, Black SUV takes an initially familiar story – and twists it into a gripping, original, one-of-a-kind premise.

It’s your duty to read this brilliant script. Like Eris soon discovers, it’s usually best to “do one’s job.”

Pages: 9

Budget: Reasonable. Rent an SUV, some believable actors and you’re set.

About the Reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp “AT” gmail.com. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

About the writer, C.J. Walley: I began writing in 2012 and I’m pleased to say it’s been very exciting so far. I have been fortunate enough to have a short produced by a director in London and Amazon Studios have spotlighted one of my features as a notable project. My scripts place within the top 10% of various major screenwriting competitions and, as I continue to write new specs, I am remotely collaborating with a producers, directors, and actors in LA, NYC, New Orleans, Atlanta, Washington DC, Zurich, Amsterdam, Sydney, and Dallas while occasionally blogging for Stage 32. If you’re an aspiring filmmaker, then I’d love to join forces with you whatever the scale, do not hesitate to reach out and drop me a line. (CJ “AT” CJwalley DOT COM; http://www.cjwalley.com

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

Thursday, November 26, 2015

No BullScript Consulting – Danny Manus Script Review (Red Light) - posted by wonkavite

Recently, we reviewed Chris Shamburger’s horrific new slasher, Red Light. As readers of Shootin’ the Shorts are aware, our goal at STS is to find new and promising writers, and provide them with the platform they need to get their work seen (then hopefully optioned, and produced!)

One of our not-so-secret weapons in this quest is Danny Manus of No BullScript Consulting. Having worked as a development executive in Hollywood, Danny is an in-demand script consultant, named by Creative Screenwriting Magazine at one of the “Top 15” consultants in their “Cream of the Crop” list.   Partnered with STS, Danny provides wonderfully detailed and helpful notes for the monthly STS feature script.  This coverage is provided free to the writer, and can be posted our site or kept confidential – at the writer’s discretion. But wait – there’s more!  Any script that gets a coveted “recommend” from tough but eminently fair Danny will be featured in his monthly newsletter and may also receive further exposure to his production contacts…

Below – for your Thanksgiving-reading pleasure – please find Danny’s scoresheet for Red Light. (Please note: for this posting, we’ve broken with tradition and redacted the actual coverage notes.) TRUST US: Danny’s notes – as always – were insightful and detailed; an invaluable read.  But we’re allergic to spoilers here at STS. So we’re keeping THAT under our Turkey table today!

But a Strong Consider from No Bullscript?  You better damned well grab this gem while you can! 🙂 Contact writer Chris at cshamburger “AT” live dot com for a copy of the script!

**To submit a script, please visit STS at the page listed HERE. Danny can also be contacted directly via the No BullScript Consulting website at http://www.nobullscript.net/contact/. Or on Twitter @DannyManus.

No-Bullscript-Web-Banner-160x85-Final

NO BULLSCRIPT ANALYSIS

 Title: Red Light

Type of Material: Screenplay

Author:  Chris Shamburger

Number of Pages: 102

Circa:  Present

Location:  Arizona

Genre:  Slasher/Horror

Coverage Date:   11/19/15

Budget Range: Low

LOGLINE: When three teens challenge a local ghost story by running a red light, they find themselves the next targets of a seemingly supernatural entity bent on revenge but the truth behind the legend may be even more deadly.

NO BULLSCRIPT 20 POINT GRADING SHEET AND RECOMMENDATION:

PROJECT: STRONG CONSIDER 

Elements Excellent Solid Needs Work Poor
Concept/

Premise

  X    
Story   X    
Structure   X    
Conflict/Drama   X    
Consistent Tone X      
Pacing   X    
Stakes   X    
Climax   X    
Resolution/

Ending

  X    
Overall Characters   X    
Protagonist   X    
Antagonist     X  
Dialogue   X    
Transitions   X    
Format, Spelling, Grammar, Pg Count   X    
Well Defined Theme   X    
Commercial Appeal/Hook   X    
Overall Originality   X    
Production Value X      
International Appeal   X    

About the writer: Chris Shamburger was a finalist (Top 10) in the 2013 Shriekfest Film Festival for his recently-produced script, Hiccups. He has been a semi-finalist twice and has also been published in Twisted Dreams Magazineand Horror in Words. Chris lives in Marietta, GA with his partner and their Chow-mix rescue, Walter. Aside from writing, Chris has been teaching pre-kindergarten for the past six years. You can find him on IMDb here:  | Comments Off on No BullScript Consulting – Danny Manus Script Review (Red Light)

Tuesday, November 10, 2015

Heart of Coal – Short Script Available for Production - posted by David M Troop

Heart of Coal

A renowned female psychologist ruminates over serial killer personalities – and the horror they’ve wreaked on her  life…

Narration. Voice-over. For some, it’s a film gimmick that grates on the nerves. But when done right, it can be spectacular. Don’t believe us? Try on a few of these films on for size.

Annie Hall: stand-up comedian Alvy Singer recounts his neurotic, titular love affair. Goodfellas: Henry Hill describes his evolution from small time crook to valued Mobster, and fall from grace to Informant. The Usual Suspects: Roger “Verbal” Kint weaves a tale of five random members from a police line-up, and the evil Keyser Soze. Speaking of Kevin Spacey and voiceovers, what about American Beauty?

All classic films told through the eyes of the narrator. And that’s the power of “V.O”. In the hands of a skilled screen writer, the voice of the narrator can lift a film to new heights. Add complex dimension to a story, and set the proper tone from page One… whether it be comedic, dramatic, or – in the case of Heart of Coal – downright chilling.

Dr. Lianne Berg’s life has had its ups and downs. A child psychologist who works with autistic children, she’s successful, young and gorgeous. A woman driven to succeed by horrors in her own childhood. Only nine when her mother was killed in front of her – stabbed to death sixty-seven times and beheaded. The serial killer never captured. Not surprisingly, the working of such dysfunctional minds became Dr. Berg’s obsession. As the script progresses, her voice drives the narrative; providing a glimpse into her separate worlds. Professional insights on the motives of such monsters, and her own nightmarish memories: how they’ve warped and shaped her life…

Stylishly written and streamlined, Heart of Coal is a deliciously demented script. And an amazing showcase for a thirtyish actress with just the right voice. With the right cast and smart editing, this script is an amazing find. Do this one right, and create a true horror masterpiece!

About the writer: Born and raised in Sweden, Pia Cook has SEVERAL produced features and shorts to her name (full IMDB credits here.) She started writing screenplays in 2006 and has written over sixty short screenplays and ten features. (Yeah… that’s not a typo. Six ZERO.)

Budget: Moderate. There are some locations inside a hospital and a Senator’s office. And a few extras to hire. Not to mention some blood and horror FX. But nothing to lose your head over. (Talk about an unfortunate choice of words!)

About the reviewer: David M Troop resumed writing in 2011 after a twenty-five year hiatus.  Since then, he has written about 50 short scripts, two of which have been produced.   Dave would like to make it three.  He is a regular, award-winning contributor to MoviePoet.com.  Born on the mean streets of Reading, PA, Dave now resides in Schuylkill Haven with his wife Jodi and their two lazy dogs Max and Mattie. He can be reached at dtroop506 “AT” gmail.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR VIEW OTHER SCRIPTS AT THE STS BLOG HERE

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

 

 

 

Thursday, October 1, 2015

Red Light – Feature Length Script Review (Available for Production!) - posted by wonkavite

Red Light

One year after a woman is killed by a red light runner, three teens run the same red light in hopes of seeing her ghost, who they believe is responsible for the recent string of bizarre murders.

Okay, horror fans: think quickly. On your grubby, bloody feet! Here’s a question about our much beloved genre… one you can answer instantly:

What sub-genres of horror are so iconic and classic they warrant separate categories in Netflix? Hmmmm, let’s see…. Zombies? That’s an obvious “no-brainer”… once the ghouls have had their feast. Then there are Possession/Exorcism tales. Alien Abductions. Creature Features. Ghost stories of every scary shape and size.

Then there’s the biggest creep show of them all – a category of horror that deserves it’s own star on the Hollywood Walk of Fame.

Folks, I’m a Preaching’ to Y’All about Slashers. Ruminate a moment, and you’ll see.

When you think of memorable horror films, what Big Bads come to mind? Come on kiddies – it’s easy! Michael Meyers. Jason Voorhees. And Freddy Krueger (oh dearest Wes, R.I.P.)

Those are the names of true Boogey Men. Sinister celebrities that stand out from the crowd.

And that’s what makes any horror film a box office blast: the creation of monstrous archetypes with mind-blowing visuals. Ones that burn their details into your mind.

And let’s be honest here. That’s a pool of talent which occasionally must be refreshed. Sure, classic creepy crawlies will always sell *some* tickets. But once the sequels reach #8-10, then it’s time for new faces to emerge. The rush of YOUNG BLOOD… as it were.

Ladies and Gents, STS is proud to present to you just such a thing. It’s a horror Slasher that has “Franchise” written all over it. And won’t leave you yawning “cliché!”

We bring to your attention: Red Light. It’s a creepy blood drenched entry to the horror cannon. With a memorable villain that’ll sear itself into your mind.

Here’s the grim scenario: a lonely, miserable dark night. The location: rural “Old Haven Road” – smack dab in the middle of bum-f*ck nowhere. An old woman – Tabitha Hudson – approaches the intersection, clad in a bright yellow raincoat. The light’s safely red – so she crosses.

Just as a car shoots through the light, ignoring the ruby warning sign. Smack! A hit and run – instantly. Tabitha lies in the gutter. Suffers and dies. Yet the driver of the car keeps going: both a crime…and a tragedy. Even more complex than one can understand.

Fast forward. One year.

Another car blows through the light. Again.

Yet another lonely night. But this time, there’s no victim – just a group of careless teens. Some drunk. Others texting. The irresponsible jerks stop at a diner for a bathroom break, only to meet a horrific fate. An avenging shadowy figure kills all but one of them (Matt) in gruesome ways. Who is it? We don’t know. But the killer wears a battered yellow raincoat. And carries a gore-dripping steel pipe.

Within a day, rumors abound. Especially at nearby Augustus State University… attended by the lamented victims. Stories circulate about the yellow-coated specter of death – and the grisly end that awaits anyone who runs that fearsome light.

Among the concerned students are several bosom buddies: roommates Hannah and Nikki. Their fabulous – and muscular – pal Xander and Hannah’s estranged brother, Jimmy. Taunted by snobby sorority queen Rebecca (Jimmy’s catty ex), the crew run through the Old Haven light on a dare. Sure, they’re a bit nervous. But who cares? The curse can’t be really true. After all, Matt survived the massacre.

That night, Matt meets a nasty end…

Which leaves the teens fearing for their lives. Taking the initiative, Hannah and Nikki begin to investigate the true death of Tabitha Hudson. Who drove the car that killed her? And are supernatural forces in play? Or is the rumor just petty gossip – generated by Rebecca and her bitchy entourage?

The mystery quickly deepens. As does the bloody trail. The clock ticks loudly for Nikki and her friends. Each of them – marked for death.

Needless to say, spoilers need not apply. But rest assured – the characters in this Slasher are in Technicolor 3d. The killer and the deaths? Both memorable. As much as Freddy, we’d say…

But the twists and turns are under wraps. So contact writer Chris Shamburger at cshamburger “AT” live dot com for a copy of the script.

Red Light’s a horror classic in the making. Not to mention a future franchise!

Check out Coverage of Red Light by No Bull Script Consulting

About the writer: Chris Shamburger was a finalist (Top 10) in the 2013 Shriekfest Film Festival for his recently-produced script, Hiccups. He has been a semi-finalist twice and has also been published in Twisted Dreams Magazine and Horror in Words. Chris lives in Marietta, GA with his partner and their Chow-mix rescue, Walter. Aside from writing, Chris has been teaching pre-kindergarten for the past six years. You can find him on IMDb.

About the reviewer: Review by STS

Find more scripts available for production.

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Wednesday, January 7, 2015

The Atticus Institute – trailer - posted by Don

Chris Sparling, writer of Buried, has written and directed a new horror film, The Atticus Institute.

In the fall of 1976, a small psychology lab in Pennsylvania became the unwitting home to the only government-confirmed case of possession. The U.S. military assumed control of the lab under orders of national security and, soon after, implemented measures aimed at weaponizing the entity. The details of the inexplicable events that occurred are being made public after remaining classified for nearly forty years.

Check out the trailer.


The Atticus Institute is available on demand, DVD, and Blu-ray Jan. 20. Deets to follow.

Friday, December 26, 2014

Pins and Needles – Short Script Review (Available for Production) - posted by wonkavite

Pins and Needles

Desperate to save his afflicted wife, a tailor decides on a drastic last resort.

Horror’s changed quite a bit over the years. Once the venue of Bela Legosi and Boris Karloff, the genre’s – well – mutated. Over the top FX in the 80s – followed by the rise of slashers and torture porn.

Yet, some of the best horror remains simple. Haunting tales, focused on unassuming characters – faced with fate, loss. Tragedy.

A story of love and sacrifice, Pins and Needles harkens back to that traditional time. The protagonist in the story: a stocky little tailor named Marvin. At sixty-four, Marvin’s a simple man. A small business owner with modest dreams. And despite being married for over forty years, still deeply in love with his wife, Tess.

But fate can be unkind. Four years ago Tess had a stroke; leaving her a vegetable. Unable to walk or communicate – though awareness remains in her eyes. Marvin’s taken Tess to a million doctors. Prayed. But nothing’s worked.

And now – Marvin’s ready to take drastic measures.

As the script opens, Marvin waits in the store basement, accompanied by his wife… and a “guest”. Twenty something Rebecca – duct tape on her mouth, her hands tied. You see, Marvin’s done his research, and uncovered a demonic sacrifice that will restore Tess to her glory days. The price may be grisly… but worth it to save the little man’s True Love.

But will everything go as planned? Or does Fate have something else in store?

A sweet little story in its own way, Pins and Needles is perfect for horror directors who want a classic tale – of love, demons and sacrifice.

About the Writer: Living in CA, Ryan Lee can be contacted via ryanlee1800 AT yahoo. His IMDB credits can be viewed here.

Pages: 11

Budget: Some demon FX to do in post – but most of P&N’s straightforward. Three characters. One basement!

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved.

The screenplays may not be used without the expressed written permission of the author.

 

 

Saturday, November 1, 2014

The Ruins screenplay - posted by Don

The Ruins – January 19, 2007 unspecified draft script by Scott Smith – hosted by: Horrorlair – in pdf format

A group of friends whose leisurely Mexican holiday takes a turn for the worse when they, along with a fellow tourist embark on a remote archaeological dig in the jungle, where something evil lives among the ruins.

Information courtesy of imdb.com

More scripts, horror and otherwise, on the Movie Scripts page.

Friday, October 31, 2014

The Haunting In Connecticut screenplay - posted by Don

A Haunting in Connecticut – June 25, 2007 unspecified draft script by Adam Simon & Tim Metcalfe – hosted by: Horrorlair – in pdf format

The day Karen and Ed Parker move into their dream home, ominous clues of its chilling funeral parlor past greet them: crucifixes on doors, toe tags and coffin keys in the basement. Their 14-year-old son, Paul, claims he sees apparitions and hears voices. Soon, the house is plagued by dark forces that torment the entire family, and it will take a desperate call to Edward and Lorraine Warren-investigators of the Amityville haunting-to offer any hope of relief.

Information courtesy of imdb.com

More scripts, horror and otherwise, on the Movie Scripts page.

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