A loving, elderly couple cannot bear to be parted and take matters into their hands with disastrous results.
Love is one of the most popular themes in cinemas – in all of art for that matter. There are stories about falling in love, being in love, losing love… Love is simple, yet complex. Personal, yet universal. Being in love also asks certain questions: “What would you do for love, for the one that you love?”
There’s no question that octogenarians Edmund and Winnie love and care for each other. But love can’t slow Winnie’s encroaching Alzheimer’s or give Edmund the strength to leave his wheelchair. Their children’s arguments for seeking out nursing homes go ignored since it means Edmund and Winnie couldn’t stay together.
Still, Edmund can’t deny Winnie’s worsening mental condition. And she can’t give him the physical care he needs. As the situation deteriorates, Edmund find himself forced to make a decision, before they’re torn apart forever. He remembers his shotgun in the closet. They say love can make one do strange things. If he and Winnie can’t be together, he’d do what he can so they’re not apart…
Though darkly written (and not for the squeamish), Take Your Last Embrace has a soft core. Underneath the gritty surface lies a gentle psalm for love and companionship. When it’s real, love can last a lifetime. But what happens when that lifetime comes to an end…?
A fitting companion piece to the Oscar-winning Amour, Take Your Last Embrace is a definite showcase for older actors to shine. A love story 60 years in the making.
About the writer: Boasting an MA in Scriptwriting for Film, Theatre, TV & Radio, MJ is an award winning writer, with shorts optioned and produced in countries as diverse as Croatia and Norway. Residing in sunny England, she is currently hard at work developing a series with the BBC Writersroom – as well as working on a number of features (including one low-budget horror and a fantasy adventure script.) Her website is available here: redcatwriter.wordpress.com. MJ herself can be reached via mjhermanny – AT – gmail!
Budget: Low. Just a single location (a house for interiors and exteriors); two main characters, two supporting characters, and a few extras for a crowd scene. No special effects to speak of. Except for a shotgun…
About the reviewer: Zach Jansen is an award-winning and produced screenwriter from Saint Paul, Minnesota. He enjoys spending time with his kids, anything movies, and sitting at his desk pounding out his next script. If for some reason you want to learn more about him – which of course you DO! – you can check out his IMDb page or contact him at zach.jansen (a) mail dot com.
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