Violent Domestic by Kirk White
While hiding out from a double-crossing son of a bitch, an outlaw couple faces their greatest fear…waiting for the results of a home pregnancy test.
“If that test is positive, then I’m scared shitless because this is the part that terrifies me… no… not the ‘is it gonna work’ because I can’t control that… but the ‘how does one raise a human being’ aspect which is one hundred percent in our court. That, my love, is the kick in the nuts that keeps me up at night.”
As a father of three I can relate to this dialogue, spoken in Violent Domestic by protagonist Ted. It’s a sentiment voiced by many men, moments after their wife pees on a stick. It’s one of those defining moments in a man’s life – the potential beginning of his legacy. Damned nerved wracking, is what it is – the entirety of one’s future resting on whether there’s one or two lines on that gizmo bought at CVS. If you’ve never found yourself teetering on that particular line of insanity, you have no idea what you’re missing.
And our hero Ted’s in those sniper-sights. As the script opens, Helen’s holed up in a hotel bathroom.
As the obligatory three minutes count down, the couple debate the issue pro and con. A nervous Ted distracts himself with busy work, pulling C-4, guns and money from a bag. Yeah, that’s right. I said C-4. ‘Cause there’s one last detail:
Our lovebirds are two badass thieves, hot off a job gone askew. It’s Kill Bill meets Mr. & Mrs. Smith – with a dose of Parenthood! Like a real life Billy Joe and Bobby Sue*, they’re planning on taking the money and run: a modern day Bonnie and Clyde!
Only it’s not Frank Hamer they’re hiding from. Nope, there’s a particular “Grease Stain in a Suit” named Conn outside. He’s come to collect his cut, no matter what price the couple must pay. Ted negotiates through the window with Conn… stalling until he can hear Helen’s news. Ted and Helen are the ultimate bad “nice guys” – a helluva more sympathetic than Conn. They’re a pair you can’t help but cheer for. And the danger and stakes are sky-high.
A master of his craft, Kirk White weaves Domestic’s dialogue seamlessly. A touch of humor – lots of danger, and protagonists that really breathe. It’s one of those scripts that make you want to know what happens next. Because you love these guys. That’s what happens when a script’s done right. It takes a lot of practice to get to that stage. But when a writer does – the story truly comes alive. (Question is, will Ted and Helen make it out in one piece?)
Brass Tax: this script’s got the goods. Low on budget. High on character. A feel-good action piece with minimal logistics. You want a short that audiences will remember and talk about? Then this is the short for you.
*If you listen to the Steve Miller Band while reading this short, your proposal email to the author will write itself.
About the writer: Kirk White is an independent film maker, web sen”sation” and figure of note in the world of global logistics. He is currently in pre-production on his second feature, The Soul Garden, which will basically be the art-house version of Re-Animator. Kirk can be reached emailed at quitefilm “AT” gmail to request a copy of his work.
Budget: Moderate. Get a hotel room, two damned good actors, and a few props. The rest will handle itself.
About the reviewer: Rod Thompson is an award winning screenwriter of both features and shorts. His feature, “The Squire” won Best Drama for the 2014 Table Read My Screenplay contest, and he has placed numerous times for his shorts at MoviePoet.com. His short scripts “Gimme Shelter” and “A Memory in Winter” have both been optioned through their exposure on SimplyScripts.com. He is also “the most humble man alive.”
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