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Tuesday, September 13, 2016

The Mating Dance – Short Script Review (Available for Production) - posted by KP Mackie

 The Mating Dance

When it comes to romance, listening to advice can lead to unexpected results…

Ah – the love story. Nowadays, almost every movie has one. Even genre movies throw in a handful of romance. Milk, Iron Man, The Wolf of Wall Street. Even the animated hit Frozen gets in its share of kissy-cuddly action. It’s almost a required sub-plot B.

For the romantic-comedy, of course, relationships take center stage. Two people “meet-cute.” Life throws obstacles in their way – simultaneously tearing them apart, yet bonding them subtly closer. Just as they realize they’re meant for each other, a misunderstanding causes a tragic break up. Ultimately, the couple reconcile and kiss. The curtain falls. The last scene fades.

Yep, getting to “Happily Ever After” requires some choreographed steps. But even if you’ve heard this song before, doesn’t mean you’ve seen the latest moves.

In her short The Mating Dance, talented writer Marnie Mitchell-Lister puts a fun, original spin on that never-ending ballad of romance…

Separate guests at the Hilton, singles Jake and Marla literally bump into each other at the reservation desk. Their bags become entangled, resulting in several clumsy “dance steps”. When they finally break free, an embarrassed Jake heads for the hotel lounge. Sure, Marla’s cute and all. But Jake’s recently divorced. It’s been awhile since he’s been in the game. To kill time before his flight, Jake impulse-buys a book at the convenience stand: The Mating Dance for Men, by Ramesh Kumar. May as well read up on the latest tips…

After signing out, Marla also stops by the stand. And a book catches her eye. The Mating Dance for Women, by Dr. Padima Sanghi-Kumar. She grabs it, making sure no-one sees… and settles in to read as well.

We all know what comes next. The couples’ eyes meet. Then an awkward pause – mutual attraction in the air. Soon, the Mating Dance begins in earnest. Awkward introductions. Stammered “lines”. The two stumble toward Getting to Know Each Other, aided by contradictory advice from their hidden books. Yep, Jake and Marla could use some guidance. But will they find their rhythm, or drive each other away?

Like the best romance comedies, TMD doesn’t take itself too seriously: alternating “voice-overs” from the books with awkward dialogue between the couple. (Anyone who’s been through a bad first date knows exactly what that’s like.) You’ll be rooting for Jake and Marla instantly. And you’ll want to read this to the end. Because happily-ever-after doesn’t happen when a couple meets. It always clicks at the end.

Comedy indie directors take note… This is one script worth choosing as your dance partner. A fun premise, and easy to film, it won’t be single for too long!

About the writer: Having completed 9 features and over 70 shorts, Marnie Mitchell-Lister has no plans on stopping. Currently, she’s working on a variety of projects; an animated feature, a psychological thriller and a TV pilot about a bored housewife whose quest for excitement gets her in all sorts of trouble. Some of Marnie’s work can be found on her website: http://www.brainfluffs.com.

Pages: 6

Budget: Three simple interiors: a hotel lobby, the hotel lounge, and a shuttle. Two main characters, a couple extras, and two actors with distinctive voices to provide voiceover dialogue, preferably with catchy accents.

About the reviewer: California uber reader/reviewer KP Mackie is working hard on her animated feature. KP’s work is available at moviepoet.com!

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved.

The screenplays may not be used without the expressed written permission of the author.

 

Monday, September 12, 2016

Dude, that was fast…. CJ Walley’s Black SUV now optioned!! - posted by simplyscriptshorts

Wow, it seems like only yesterday.

Wait a minute… it practically was!

September 7th, to be exact. That’s the day in history that STS showcased CJ Walley’s Black SUV.

Which has now been optioned to NYC based Kareem Gladden of GT Visionz. We’ve SEEN GT Visionz webpage. And we’re excited, to say the least!

So, as that trend continues, you better snap up CJ’s other work before it’s gone. Namely:

Dixie Gash Bandits – When they stop to fix their get-a-way vehicle, two runaway sisters must tackle both love at first sight and the bounty hunters hot on their tail.

Lone Star Runner Hunnies – Fleeing a drug deal gone wrong, four girls held up in a lonely Texas diner face the dilemma of capture vs saving a mortally wounded friend.

Stone Cold Sober – When a man confronts a woman that’s tailing him, he learns she’s his future daughter, who knows about an awful crime he’s yet to commit.

San Diego Impala Cholas – All they wanted to do was sell a gun. But things don’t always go as planned.

So Cal Gun Girls – After buying drugs and debating the commercialization of cannabis in California, two female gang members stumble straight into a robber who’s killed their beloved dealer.

About the writer, C.J. Walley: I began writing in 2012 and I’m pleased to say it’s been very exciting so far. I have been fortunate enough to have a short produced by a director in London and Amazon Studios have spotlighted one of my features as a notable project. My scripts place within the top 10% of various major screenwriting competitions and, as I continue to write new specs, I am remotely collaborating with a producers, directors, and actors in LA, NYC, New Orleans, Atlanta, Washington DC, Zurich, Amsterdam, Sydney, and Dallas while occasionally blogging for Stage 32. If you’re an aspiring filmmaker, then I’d love to join forces with you whatever the scale, do not hesitate to reach out and drop me a line. (CJ “AT” CJwalley DOT COM; http://www.cjwalley.com

Sunday, September 11, 2016

Original Script Sunday - posted by Don

Over on the Unproduced Scripts page are eighteen original scripts for your reading pleasure.

– Don

Friday, September 9, 2016

Confession – Short Script Review (Available for Production) - posted by Guest Reviewer

Confession

A conflicted man struggles with truth and consequences.

There are certain requirements of screenwriting. Create interesting, empathetic characters. Give them a dilemma they have to escape. Tell your tale in chronological order…

Actually, ever since Pulp Fiction, that last rule has sort of fallen by the wayside. Sometimes, starting with the point that everything explodes is the absolute best thing to do with a story. Then work backward – leaving your viewers dying to know how your characters got there.

Confession is a solid example of a script that does just that – while keeping the interest and urgency of intact.

True to its title, Confession opens with protagonist Jake in a confessional booth, about to speak to a priest. Dressed in a torn sports coat, Jake’s nervous and bloody. Stricken with a sudden change of heart, Jake flees before unburdening his sins… to himself (or the audience.) What follows next are the steps that brought Jake to his knees – literally. The crime, the sin. The small life decisions that ultimately add up to consquences greater than its sum.

Make no mistake. There’s action in this script. But at its heart, Confessions is a character study… one that an indie director could sink their teeth into; no matter which direction this story’s told.

About the writer: Rick Hansberry has written/produced several short films, including the SAG Foundation award-winning “Branches.” His first feature is set to be released in the summer of 2014. Trailer available here .  He teaches screenwriting seminars and workshops in the Central Pennsylvania area and is presently available for hire for new story ideas, rewrites and adaptations. He can be reached at djrickhansberry – AT – msn, (cell phone 717-682-8618) and IMDB credits available here.

Pages: 6

Budget: Relatively low. A handful of sets (including, of course, a confessional booth.) There is one action scene that requires a bit of stunt work. But nothing budgetarily crazy.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Thursday, September 8, 2016

Congratualtions to Manolis Froudarakis – Speaking Test filmed - posted by Don

Speaking Test (short, comedy in pdf format) by Manolis Froudarakis (Athenian)* has been filmed and you can watch the full film.

Not only is Safeer’s English far from perfect, but his examiner is a dick too.

Speaking Test from FOOKSTA PRODUCTIONS on Vimeo.

Discuss this script on the Discussion Board

*(Athenian) is Manolis’ self-selected discussion board username. SimplyScripts has not begun to identify members by ethnicity or country of origin.

– Don (‘Murican white trash/Yankee carpetbagger)

Congratulations to Steve Clark – Silence, Eventually Optioned! - posted by simplyscriptshorts

There are some scripts that linger in our hearts. Ones poetically written and polished – stabbing right to the heart of who we are. And that’s clearly the case with Steve Clark’s Silence, Eventually – a short based loosely on the tragedy of Orlando, Pulse; a script recently showcased on STS.

We’re thrilled to announce Silence has already been optioned by Sinister 7 productions. Remember the name, folks. Because this is a script that you’ll likely hear more of… quite soon.

In the meantime, here’s a rich treasure trove of other Steve Clark shorts available. We suggest you contact him now, before they’re all taken and gone!

Chef Musto (Comedy) – What’s for dinner? That’s always the question when guests arrive…

Fruitcake – (Drama) Through the years, a boy has trouble accepting the truth about his family.

The Combination – (Drama) Parents who lose their child must eventually find a way to let go.

Man’s Best Friend – (Drama/Thriller) Three days after a couple’s beloved dog goes missing, a phone call arrives that will change the game. Forever.

Solitaire – (Drama) A troubled loner is about to get a second chance. And maybe more…

Tempest Road – (Drama) Three years sober, a father must deal with the reality that his son is transgender.

The Bear – (Drama) An elderly woman faces torment and exploitation at her nursing home — until an unexpected friend comes to her aid.

Lady Eva – (Drama) – Part time reporter Tyler is about to have the interview of a lifetime.
Lady Eva’s life, that is…

Madison and Church (Drama/Fantasy) – A boy takes a trip to the past to save his father, but soon realizes he can’t change what happens next.

Balance (Drama) – A soldier’s homecoming surprise for his daughter’s birthday is ruined when the “gift” goes missing.

About Steve: A writer since the age of 12, the first book that Steve Clark ever read was Amityville Horror. The second was Cujo. He’s been writing ever since, and is currently hard at work on two features. He’s reachable at SAClark69 “AT” verizon.net (or on Long Island, if you’re in the area!!)

Wednesday, September 7, 2016

Black SUV – Short Script Review - posted by simplyscriptshorts

Black SUV
A secret service agent is forced to question her morality when she realizes the mysterious man she’s assigned to protect is pure evil.

“Many lick before they bite.”

Such is the epigraph of the gritty and quirky Black SUV, written by CJ Walley.

And if that quote doesn’t sound mysterious to you, you’ve gotta check out the script itself. Not to mention, check to see what’s up with you!

Going by the name of (surprise!) Mr. Black, we’re introduced to the titular character very much enjoying himself in the boot of his shadowy vehicle; parked not-so-innocently in the club district of New Orleans.

Dressed like a VIP and loving life at 50, the man’s got a few “errands” to run before the evening’s pleasures end.

However, he’s not gonna be driving this night.

No, Mr. Black has his own chauffeur and bodyguard, Eris. As sharply dressed as her enigmatic passenger, it’s Eris’ first time behind Black’s wheel.

As you’d expect a good boss to do, Mr. Black quickly segueways from professional instruction to a candid conversation with his new employee. Almost too candid, in fact.

And as Mr. Black engages in bizarre encounters with local down-and-outs, it becomes ever clearer that he doesn’t really need a bodyguard. At all.

Even so, Eris is constantly aware of her duties: “obedience and vigilance”, above all else.

Her willingness to fulfill those duties will be tested to the limits as she shuttles Mr. Black to his final errand; before their confusing night comes to a close…

With an unresolved cliffhanger and one of the most unforgettable pairs of characters you’ll likely ever see in a short, Black SUV takes an initially familiar story – and twists it into a gripping, original, one-of-a-kind premise.

It’s your duty to read this brilliant script. Like Eris soon discovers, it’s usually best to “do one’s job.”

Pages: 9

Budget: Reasonable. Rent an SUV, some believable actors and you’re set.

About the Reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp “AT” gmail.com. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

About the writer, C.J. Walley: I began writing in 2012 and I’m pleased to say it’s been very exciting so far. I have been fortunate enough to have a short produced by a director in London and Amazon Studios have spotlighted one of my features as a notable project. My scripts place within the top 10% of various major screenwriting competitions and, as I continue to write new specs, I am remotely collaborating with a producers, directors, and actors in LA, NYC, New Orleans, Atlanta, Washington DC, Zurich, Amsterdam, Sydney, and Dallas while occasionally blogging for Stage 32. If you’re an aspiring filmmaker, then I’d love to join forces with you whatever the scale, do not hesitate to reach out and drop me a line. (CJ “AT” CJwalley DOT COM; http://www.cjwalley.com

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

Sunday, September 4, 2016

Original Script Sunday for September 4th - posted by Don

Over on the Unproduced scripts page are twenty six original scripts.

– Don

Friday, September 2, 2016

Introducing – Script Revolution! A service for filmmakers looking for scripts and writers looking to promote their work. - posted by Don

Script Revolution - Script Hosting WebsiteScript Revolution is a script hosting website offering many of the features of the top script directories for free. Screenwriters can add and manage as many script listings as they want for zero cost. Filmmakers can browse the script listings as much as they need without charge. Inspired by the efforts of SimplyScripts, which has helped so many writers and filmmakers find one-another, Script Revolution hopes to bring another avenue of opportunity.

Once signed up, members can upload short, tv, web series, or movie scripts and add a variety of tags which help describe the nature of the material – we’re not just talking genre here, we’re talking budget, story structure, lead role genders, writer style, and much more. Filmmakers can then search the database using those filters to find exactly the type of script they are looking for. That’s the thing you see, the ethos at Script Revolution is all about discovery rather than promotion. Listings are all random so there’s nobody paying their way to the top, soliciting votes, or using any tricks to get ahead of others. Readers don’t need to sign up to anything and don’t have to be part of an exclusive club to access scripts. They can also bookmark all the scripts they like the look of ready to come back and read at a later date. There’s no clique or elitism here – all scripts and all readers are considered equal.

Script detail pages also include the writer’s bio with links to their social media accounts and a contact form that sends messages direct to their email – very useful for those who only want to upload their loglines and handle read requests themselves. In addition to that, all the writer’s other scripts are also listed. If someone loves your writing, they are exposed to all your writing. This ultimately means writers can build up their own profile pages, with a link they can share, introducing themselves, providing their contact details, and listing their scripts ready to read.

Everyone is welcome to join the revolution – www.ScriptRevolution.com

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