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Tuesday, May 31, 2016

Yardwork – Short Script Review (Available for Production) - posted by wonkavite

Yardwork
Sometimes, you just can’t take the nagging anymore…

No-one likes doing yardwork.

If someone claims to enjoy it, they’re most likely lying. It’s dull, tedious, and stressful. In other words, it’s no fun.

But then there’s Yardwork – a one-page script by Marnie Mitchell-Lister. A fun, fascinating read, Yard’s as short and brutal as they come.

The premise: a woman’s been gruesomely done-in by her husband. What’s the murder weapon, you ask ? A weed-wacker, apparently.

But Sargeant Russo and Officer Jennings are on the case. If anyone’s going to “dig up” the truth, it’s them.

Just imagine all the clues: gory violence. Dark humor. And the most morbid of twists. Even if you’re no fan of the great outdoors, it’s safe to say filming Yardwork would be summer fun.

So put down the Strimmer and pick up a winner. And “grow” your next film project today!

Pages: One. Yes – one!

Budget: Minimal.

About the Reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp “AT” gmail.com. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

About the Writer: An award winning writer AND photographer, Marnie Mitchell Lister’s website is available at http://brainfluffs.com/. Marnie’s had 5 shorts produced (so far) and placed Semi-final with her features in Bluecat.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Sunday, May 29, 2016

Intersection by Brendan Beachman – Filmed - posted by Don

Intersection (22 pages, pdf format) by Brendan Beachman

(Short, Comedy, Dark Comedy) – The monotony of two road construction workers day is smashed with the violent arrival of an object from the sky.

INTERSECTION from Brendan Beachman on Vimeo.


Discuss this script on the Discussion Board

Friday, May 27, 2016

Requiem – Short Script Review (Available for Production!) - posted by wonkavite

Requiem
A mentally-impaired teen mourns the death of a murdered classmate.

Churches hold a unique role in society: setting the final scene for births and deaths. Those attending such events experience a wild range of emotions – from ebullience to dark distress.

For the characters in Requiem, it’s sadly the blackest of nights. 14 year-old Rose lies motionless in her casket at church. Though now (presumably) at peace, Rose is the victim of a murderous assailant; not yet identified – much less caught. Her only companion in these last hours: developmentally delayed teen boy Elvin, his world rocked by the loss of his closest friend.

When others enter the vestibule, Elvin bolts away.

It’s his mother and the local Father, conversing nervously amongst themselves. About how Elvin’s been reported missing. In fact, he’s disappeared without a trace!

Not long after Elvin’s mother leaves, Rose’s father arrives. A grieving parent on the verge, Peter asks the Father to hear his confession. But when he collapses in the booth – a different voice filters through the screen.

Elvin’s there. Hiding. Ready to admit to certain “sins”:

ELVIN
(stuttering)
I did-didn’t me-mean to kill her.

Rose’s father storms out, intent on wreaking his revenge. But can a boy as troubled as Elvin tell the truth – or is he just saying what others want to hear?

Read the story to find out. Offering high drama on a low budget, Requiem is the “holy grail of scripts”: a tale of grief, redemption and revenge. One that – unlike Elvin (and perhaps others) – has absolutely nothing to hide!

Pages: 5

Budget: Low. Just some high quality actors (and a church) is all.

About the Reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp “AT” gmail.com. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

About the Writer: I’m a one time advertising copywriter who has fallen in love with screenwriting. I’ve written a handful of features, one has been produced as a Role Playing Game (RPG) and made its debut at CarnageCon. I enjoy writing short scripts since it’s a fun exercise for sharpening my skills; so far one of my shorts has been produced as a student film project, and I welcome the opportunity to have more of my work produced via participation on SimplyScripts. Sylvia can be reached at sylviedahl “AT” AOL.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. 

The screenplays may not be used without the expressed written permission of the author.

Thursday, May 26, 2016

A Friend in the End – Short Script Review – Optioned! - posted by Anthony Cawood

A Friend in the End
A new friend gives an old lady cause to believe she is about to die.
But they always think that, don’t they?

Dustin Bowcott is no stranger to seeing his scripts on STS. His latest short, A Friend in the End, joins the ranks of his thoughtful dramas that put a twist on the familiar… delivering a magical result.

Ladies and Gentlemen, meet Gladys – an old woman residing at Village Green Residential Home for the Elderly. She’s not as independent as she used to be – but Gladys remains chirpy anyway. Not to mention reluctant to accept Frank, her new would-be helper, into her home and her life.

But Frank is pretty persistent, and he makes Gladys’ tea perfectly. When he takes her hand for a dance, it becomes clear Frank’s an even better chap… able to trip the light fantastic – transporting Gladys to a passionate time, when she was young.

But Gladys has been around the block, and is no fool. She knows exactly who Frank is, and why he’s traveled to her side.

The next time her son Warren visits, Gladys lays out her suspicions – ones Warren dismisses as the ramblings of senility. But is that really the case? Or is something else going on?

A realistic yet touching tale, A Friend in the End delves into the universal themes of old age, responsibility and death…with a deft and simple touch. Make it to “The End” of this story, and you’ll experience a sweet, satisfying conclusion. Just as Frank fits into Gladys’ life – this script may be just what you need.

Pages: 8

Budget: Low

About the writer: Dustin Bowcott is a self employed microbe retailer and father of four boys and a girl. He has enjoyed writing since the day he read his first novel. For Dustin, writing is something he has to do, when not writing, he’s thinking about writing and will absorb himself into multiple projects at one time. When he gets tired of writing one thing he moves onto another and has been known to work on three different stories in one day, writing for sometimes 12 hours straight and, on occasion, even longer. Dustin can turn his hand to any genre and has just finished first draft of a new children’s novel. Dustin is a BBC Writer’s Room finalist and a Shore Scripts finalist both in 2014. He is a produced and optioned writer, and has recently turned his hand to production, having produced his first short film with another in the pipeline that should be completed this year. Want to see what else he has in store? Give him a shout-out at dustin7375 “AT” gmail.

About the reviewer: Anthony Cawood is an award winning screenwriter from the UK with a whole bunch of short scripts sold/optioned/produced and has recently had his first feature script optioned too. Check out his website at www.anthonycawood.co.uk

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Wednesday, May 25, 2016

Great news for writer Rick Hansberry! (Wasteland Premiere) - posted by wonkavite

Please join STS in congratulating writer Rick Hansberry. Discovered through Simplyscripts/STS, Rick Hansberry recently partnered with Director Desiree Brajevich to provide magic writing touches on her new produced short, Wasteland.  Having premiered in April, Wasteland will soon be hitting the festivals and getting (we’re sure) lots of attention!

Other directors take note: Last Dance is still available for professional use, as are several more Rick-flavored scripts!

Cards (drama) –  A pair of copyrighters continue their career-long battle long after retirement.

Over the Lump (drama) – Objects in the mind’s mirror may appear larger than they are.

Freak (drama) – A simple wave and smile alters the life of a teenager.

By the Power Vested in Me (drama) – Will a power outage serve as a sign that a wedding shouldn’t happen?

Hello (drama) – Interesting what you can find in used bookstores – and often there’s a reason it’s there.

‘Til Death (Comedy) – A marital tiff erupts to epic proportions.

Burn the Ships (drama) – Life lessons alter the courses taken by a teacher and his student.

Taking the Reins (drama FEATURE) – A reckless equestrian struggles through personal and professional setbacks to try to make history as the youngest winner of the elite Rolex championship, but his destructive personality poses the biggest obstacle to claiming the title.

2) Rick’s SF feature length, Alienate, is now available for purchase!  Take a gander at the DVD review here!

Monday, May 23, 2016

Slacker’s Guide to the Zombie Apocalypse – Short Script Review (Available for Production!) - posted by wonkavite

Slacker’s Guide to the Zombie Apocalypse
Life after the zombie apocalypse is harsh and uncompromising. But for two stoners holed up in an apartment with a lifetime supply of weed, it’s more like an inconvenience.

Remember when Seth Rogen and Co. faced the biblical apocalypse in This Is the End? A few of them stumbled successfully through doomsday, but how would they fare if they were faced with a zombie apocalypse instead? This is the very question asked by James Barron’s The Slacker’s Guide to the Zombie Apocalypse.

The answer? Not too well. Not at all.

Faced with Z Day and barricaded in their dorm, three friends (Mark, Steve and Liam) find themselves in a terrible pickle when their food runs out, leaving them starving and trapped – or worse. They intensely debate what to do: Steve and Liam vote to hold out one more day… aided by hits from their favorite bong. But Mark, the sensible non-stoner, insists they need to send someone outside to gather supplies and do recon. But who should be the lucky one?

Borrowing a cue from This Is the End, the trio draw toothpicks: he who pulleth the shortest stick is doomed to venture into the great unknown. Unfortunately for Mark, he’s inevitably chosen to leave for the munchie run – through a terrifying, zombified world.

What happens next? Well, without spoiling the finish, things go about as well as can be expected. And definitely not as planned.

A fun, chuckle-a-minute script, Slacker’s Guide has lots of things: stoner humor, Millennial appeal – and zombie action (no kidding). Scoop this up now… or wait until you take another hit from your bong for creative inspiration.

Fair warning though: act fast. This script might be picked up faster than a bag of Doritos in a stoner’s dorm.

Budget: Mid to high. A few locations (dorm room, hallway, stairway, food store). Lots of zombies, three good buddies and some props. Although, if you’re packing weed, you’ve got one of the major props covered already.

Pages: 14

About the reviewer: Mitch Smith is an award winning screenwriter whose website (http://mitchsmithscripts.wix.com/scripts) offers notes, script editing and phone consultations. You can also reach him at Mitch.SmithScripts “AT” gmail and follow Mitch at https://twitter.com/MitchScripts.

About the writer, James Barron: Newly discovered by STS (but already treasured), James can be reached at jbarron021 “AT” gmail

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

 

Friday, May 20, 2016

Course Listing Unavailable – Short Script Review (Available for Production!) - posted by wonkavite

Course Listing Unavailable
An ambitious student signs up for an internship program promising real world, hands-on experience. Who knew bloodthirsty demons would be involved?

For today’s youth, the challenge of getting a good job has never been tougher. Many are determined to do anything that will enhance their resumes in the eyes of employers. Taking “useful” classes, getting internships, and doing extra-curricular activities are just a few examples of what diligent individuals do to spruce up that valuable sheet of paper.

The protagonist in Course Listing Unavailable, 17-year-old Gortat Emmanuel, is just another determined Ivy League freshman with a whiff of intelligent innocence about him. A mix-up in paying the tuition has meant he’s one class short of the minimum semester credit, and so he sees a counselor to get into a subject that appeals to him.

But every time the counselor enters the course he wants, there’s a problem.

Organic Chemistry? Unavailable. Biology? Unavailable. Ecology? Yup…unavailable. As a last resort, the advisor offers Gortat a chance for some real world experience: a month shadowing a service professional. Because the last guy who did it dropped out.

That’s all the information available. Apart from a name: Mr Shephard. Despite this, Gortat accepts, still eager to learn. And so on his first day, he’s dressed up as if he’s the President attending their inauguration.

However, Gortat’s destination isn’t as beautiful as the White House. Unless you’re into dilapidated buildings and tales of wasted lives in needle format littering the ground.

And the professional isn’t some smarmy doctor. Turning up in a classic American muscle with uninviting objects abundantly decorating the interior, Max Shephard invites Gortat in for his “education”. There’s no textbooks. No worksheets either. There’s only one rule, and it ain’t a typical one:

MAX
…no matter what happens
you will not puke in this car.

This may sound easy enough to obey until Max’s profession is revealed…demon hunter. Not quite what our Ivy League kid was expecting. In addition, it transpires that the supposed dropout dropped out of life…unwillingly. Oh, and for his first day on the job, he’s got to complete a practical helping Max eradicate the beast responsible for failing the previous student. Turns out “real world experience” means “other world experience” in this case.

Will Gortat pass his practical? Will he break the one rule? Will he even survive? Only one thing’s assured: direct this one well, and judges at film festivals will be giving you full marks!

Pages: 16

Budget: Okay, there’s a bit of FX involved in here. But nothing a skilled director can’t – and won’t want to – tackle!

About the reviewer: Hamish Porter is a writer who, if he was granted one wish, would ask for the skill of being able to write dialogue like Tarantino. Or maybe the ability to teleport. Nah, that’s nothing compared to the former. A lover of philosophy, he’s working on several shorts and a sporting comedy that can only be described as “quintessentially British”. If you want to contact him, he can be emailed: hamishdonaldp “AT” gmail.com. If you’d like to contact him and be subjected to incoherent ramblings, follow him on Twitter @HamishP95.

About the writer: Newly discovered by STS (but already treasured), James can be reached at jbarron021 “AT” gmail

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Wednesday, May 18, 2016

The Patch-Up Kid – Short Script Review (Available for Production) - posted by The Merrows

Laptop-Shorts

The Patch-Up Kid

Scavenging dead bodies and fixing people was all that the Patch-up Kid knew, but a cowboy in Nino Sangre has one more test for him.

When you’re twelve years old and you live in a dusty, wild west town called Niño Sangre (Child Blood) you need skills. Plenty of ‘em.

Meet the Patch-Up Kid. He’s twelve. And sure enough – he’s got skills. Like plugging up bloody bullet holes in gunfighters’ bellies. Or yanking the gold teeth from the mouths of the other guys – the still-warm losers who didn’t walk away from the gunfight. Assisted by friends Fingers, Squeak and Mule, the Kid does the dirty deeds that others twice his age won’t do…

A kid’s gotta make a living, right?

Yep, the Patch-Up Kid’s a survivor. Y’gotta be when you’re half-white, half-Native American, and grotesquely scarred with only one good eye (the result of a grizzly bear attack, or a drunken father – depending on who’s telling the tale.)

And speaking of tales… imagine a gritty portrait of a street kid – told old west style. Expertly painted by screenwriter Rustom Irani, TP-UK is a poignant story about a hard-luck kid with True Grit, with light-heart touches of humor crusting the dusty edges.

This particular script focuses on the Kid’s run in with big n’ burly Dawson – a wounded desperado who blackmails the young gang to dig a bullet out of his chest (and arrange for a quick get-away outta town.) Just five pages long, it’s a colorful intro to the character.

But ambitious directors take note. This is one world that has plenty left to explore. The Patch-Up Kid works beautifully as a stand-alone story. But it’s also ideal as the intro for a feature length movie. Or TV series for the right producer! So grab the opportunity while you can. ‘Cause nothing stays still in the Wild West for too long…

About the writer: A film and video aficionado based in Mumbai, Rustom Irani works as a freelance editor and screenwriter for projects ranging from narratives, commercials, and documentaries to corporate and music videos. His website is available at www.planetrusty.com, and he can be reached at rustyirani “AT” gmail.com!

Pages: 5

Budget: Low to moderate. We would have said low, but it’s a period piece – which might drive the cost up a touch. (All those six-shooters and Stetsons, y’know?)

About the Reviewers: Scott & Paula Merrow are a husband and wife screenwriting team. Since 2006, they’ve written over 50 short screenplays, several of which have been produced. They tend toward family-friendly scripts, but they’ve written a little bit of everything: horror, fantasy, sci-fi, comedy,… the whole nine yards.

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Tuesday, May 17, 2016

Mitch Smith Scripts: Look out Sheriff, There’s a New Coverage Service in Town! - posted by wonkavite

STS: When we premiered about 2.5 years ago, our mission was to create a platform: to give talented writers the exposure they need – and a high-profile platform to be heard. Built for writers – by writers. And we’ve been succeeding gang-busters, ever since! With our international readership growing everyday, STS regularly has the pleasure of hearing success stories from writers who have gotten their scripts optioned and produced… thanks to reviews that let them be seen.

And it should be firmly noted that the credit for that is two-fold. First: the writer’s talents and dedication (of course.) But there’s also the unsung heroes of STS – our committed volunteer guest reviewers who sacrifice time out of their day to help promote the work of writers they often don’t even know. Why? Love of the craft, and dedication to quality. That’s our goal – above all else.

In that spirit, STS would like to announce that one of our very prolific (articulate and insightful) reviewers has recently set out his shingle for more. Yes, he’ll still be gracing STS’s pages regularly – but also providing a new script notes service that we’re happy to tell you about. Sure, there’s tons of competition out there, but consider this: Mitch Smith has already proven his worth “in the trenches.” We’ve found he’s got an eye for talent, and story – so we strongly suggest you give him a shot!

Mitch Smith Scripts

Want to excite executives everywhere? Want to confidently pitch a script you know is ready for the big time? Look no further, because award winning screenwriter and STS reviewer Mitch Smith is opening his own script notes service! Cool, you say, another script notes service… yay… not. We get it, as a writer you’re constantly bombarded with services offering “professional” help and “detailed” notes. Never fear, Mitch Smith Scripts is not your typical notes service, it’s a collaborative effort in which we work hard with you, the writer, to make sure your scripts are the best that they can be and give you the tools and confidence to make a killing in Hollywood (not a literal killing, you’re gonna want to go to Home Depot for those tools).

What sets Mitch Smith Scripts apart from other script services is the variety of help that we provide and our guarantee that you will walk (or swivel in your chair, we are writers after all) away happy. But Mitch, how can you guarantee something like that? Great question. Here’s our great answer: Mitch Smith Scripts offers script editing, formatting and even phone consultations all of which are specifically geared toward being straightforward, no-nonsense and supportive! If that wasn’t enough, we also have pitch preparation coming soon!

At Mitch Smith Scripts we are dedicated to working with writers collaboratively to make sure that your scripts are ready for the big screen. Are you so excited that you’re ready to sign on the dotted line? Good decision. And it’s so easy to do. Just check out http://mitchsmithscripts.wix.com/scripts and choose the service that works best for you. Look out Hollywood, here we come!

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