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Monday, April 4, 2016

Tower of Strength – Short Script Review (Available for Production!) - posted by KP Mackie

Tower of Strength
Good Guys vs. Bad Guys isn’t always well-defined…

Nothing’s more intense than a good cop story.

Crime tales have built-in tension. There are always good guys – usually the police. And the Bad Guys run the gamut of Evil: one hundred and fifty Shades of “grey”. For anyone who loves such gritty tales, you can usually expect one pivotal scene: usually with three ingredients – a cop, an interrogation room, and a suspect.

And the conflict goes wild from there.

The good cop in Jeremy Storey’s Tower of Strength is a detective named Peter. When TOS opens, Peter has suspect Alex in custody – imprisoned in a cramped interrogation room. As Peter turns his tape recorder on, the lightning quick questions begin.

PETER
Please state your name for the record.

ALEX
Alex Barnes.

PETER
Where do you live?

ALEX
456 Dorchester.

PETER
Where do you work?

ALEX
Crescent Security.

Sound familiar? Well, just you wait.

Because, just about the time you think Peter may elicit that confession of guilt: “Peter’s voice starts to fade. Alex looks over his shoulder to the outside. He’s no longer listening… just looking at the sky” …

The next scene describes Alex “tightening a few bolts” on his son Ben’s new bicycle. And hence the tragic flashback begins…

What’s the “gotcha” of this story?

Well, Peter’s got a grisly murder to solve. He thinks – in fact, he’s damn certain — that this “ruggedly handsome, athletic” father is somehow involved in the bloody mix.

So who exactly has been killed?

No spoiler here: but there are bad cartel guys across the border. A gang of murderous thugs and monsters that take-no-prisoners-alive.

PETER
These ‘monsters’ are like locusts. For every one put away or put down another three will appear. For every eye they take two. They fear no one.

ALEX
You’re worried about retaliation?

PETER
It’ll be a bloodbath.

Absolutely. Alex is a guy with a different agenda – one he keeps very close to his chest. Will Peter be able to solve the murderous crime? Does he even have the right suspect?

Maybe, maybe not… And for folks who love crime stories, that mystery’s the juicy part. 🙂

Are you a director on the hunt for a riveting drama – one with adrenaline-pumping tension and pace? Then TOS could be your fix. It doesn’t get much better than this…

Pages: 21

Budget: Low. No expensive action sequences. Several interior shots of a police station interrogation room, bedroom, kitchen, garage, and car. Exterior shots of a house and car. Two strong, convincing actors for Peter and Alex. Just enough extras to put a nice handful to work.

About the Reviewer: California über reader/reviewer KP Mackie is working on an animated feature.

About the Writer: Jeremy Storey has been writing on-and-off for the last fifteen years. He’s dabbled in stage plays, screenplays and shorts. He even wrote a novel once, but the less said about that effort, the better. He’s had a few things produced along the way (a feature (REWIND), two shorts (GOOD DEEDS and ADRIFTING) and a play (LAST CUP OF SORROW). He’s even done quite well in a number of screenwriting contests over the years. However, it’s the process of writing and collaborating on creative projects with likeminded folks that really makes him happy and content. He’s delighted to be asked to participate in Simplyscripts, and is genuinely looking forward to connecting with other writers, producers and directors. Contact him at jeremystorey “AT” yahoo!

READ THE SCRIPT HERE – AND DON’T FORGET TO COMMENT!!

FOR YET MORE SCRIPTS AVAILABLE FOR PRODUCTION:

PLEASE SEARCH SIMPLYSCRIPTS.COM 

OR THE BLOG VERSION OF STS HERE.

All screenplays are copyrighted to their respective authors. All rights reserved. The screenplays may not be used without the expressed written permission of the author.

Sunday, April 3, 2016

Original Script Sunday for April 3rd, twenty sixteen - posted by Don

Over on the Original Scripts page are twenty three original scripts or your reading pleasure.

– Don

Friday, April 1, 2016

The Dule Tree – Short Script Review (Optioned!) - posted by Anthony Cawood

Laptop-Shorts

The Dule Tree

A troubled young girl befriends a man condemned to death.

It’s hard to do a period piece right. Sadly, it usually ends up with powdered wigs, Halloween costume clothes, and far too many “yee olds” for modern comfort. But Odd Couple scripts? There’s an ingredient that works! Oscar and Felix. George and Lennie (Of Mice and Men, you heathens!). And – if you must be more current, Arya Stark and the Hound from Game of Thrones.

Speaking of gritty medieval stories… The Dule Tree is one script that has a distinctive George RR Martin vibe. Imagine a world so real you smell the festering dirt that lingers in the air. Come with us as you’re transported back 400 years to a lonely English field. Where a certain man’s life hangs by a thread…

The story opens on little Rose – a seven year old study in innocence. While wandering through the fields, she runs across convict Galle – imprisoned in a gibbet for some unspoken, heinous crime. (For those of you unclear of what a gibbet is, it’s a cage suspended from a tree. Don’t feel bad. Some of us at STS didn’t know, either.) Galle’s wounded, weak, starving – and tortured by passing children throwing rocks. After a few cautious words, Rose and Galle strike up an uneasy friendship. Over the next few days, Rose asks Galle questions and brings him bread. But what Galle really needs is to be free. Can he convince the girl to help him escape? And can he be trusted?

No matter the genre, the heart of all scripts is character. Is there chemistry? Will your audience care? Subtly written, the growing bond between Rose and Galle stands with the best of them. The Dule Tree is an effective dark short with tons of potential… sure to leave no dry eye in the house!

About the writer: Steve Miles decided to get serious about writing around three years ago. Since then he’s concentrated on putting together a collection of shorts with a goal of finishing up a feature or two by years end.  Oh, and giving George RR Martin a run for his money! Email him at stevemiles80 “AT” yahoo.co.uk

Pages: 9

Budget: Moderate. A field. Two characters. And a gibbet. Now that we know exactly what that is… J

About the reviewer: Anthony Cawood is an aspiring screenwriter from the UK with a number of scripts in various stages of production, two of which have just wrapped shooting. His script, A Certain Romance, recently won in the Nashville Film Festival Screenwriting Competition (short script category). You can find out more at http://www.anthonycawood.co.uk.

READ THE SCRIPT HERE

Find more scripts available for production

This screenplay may not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.

Announcing a NEW Direction for SimplyScripts – – > Simply JAVAScripts! - posted by Don

Over the next few days SimplyScripts will be transitioning to SimplyJAVAScripts!

Not only do both screenplays and the programming language have the word “script” in it, both disciplines also require attention to grammar, spelling and formatting. So, many of the review styles will remain the same, e.g., “This simply will not work,” “Too many spelling errors,” “Your formatting is off…” The transition to SimplyJAVAScripts should be pretty seamless.

I see endless possibilities in this new direction the site is taking. The discussion board will be turned over to reviews and critiques of JavaScript code. JavaScript writers will be able to submit his/her work in a number of JavaScript genres like, “Great for Denial of Service Attacks” or “Great for Defending against Denial of Service Attacks”.

I hope you all embrace this new direction with the same enthusiasm!

– Don

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