Tower of Strength
Good Guys vs. Bad Guys isn’t always well-defined…
Nothing’s more intense than a good cop story.
Crime tales have built-in tension. There are always good guys – usually the police. And the Bad Guys run the gamut of Evil: one hundred and fifty Shades of “grey”. For anyone who loves such gritty tales, you can usually expect one pivotal scene: usually with three ingredients – a cop, an interrogation room, and a suspect.
And the conflict goes wild from there.
The good cop in Jeremy Storey’s Tower of Strength is a detective named Peter. When TOS opens, Peter has suspect Alex in custody – imprisoned in a cramped interrogation room. As Peter turns his tape recorder on, the lightning quick questions begin.
Please state your name for the record.
Where do you live?
Where do you work?
Sound familiar? Well, just you wait.
Because, just about the time you think Peter may elicit that confession of guilt: “Peter’s voice starts to fade. Alex looks over his shoulder to the outside. He’s no longer listening… just looking at the sky” …
The next scene describes Alex “tightening a few bolts” on his son Ben’s new bicycle. And hence the tragic flashback begins…
What’s the “gotcha” of this story?
Well, Peter’s got a grisly murder to solve. He thinks – in fact, he’s damn certain — that this “ruggedly handsome, athletic” father is somehow involved in the bloody mix.
So who exactly has been killed?
No spoiler here: but there are bad cartel guys across the border. A gang of murderous thugs and monsters that take-no-prisoners-alive.
These ‘monsters’ are like locusts. For every one put away or put down another three will appear. For every eye they take two. They fear no one.
You’re worried about retaliation?
It’ll be a bloodbath.
Absolutely. Alex is a guy with a different agenda – one he keeps very close to his chest. Will Peter be able to solve the murderous crime? Does he even have the right suspect?
Maybe, maybe not… And for folks who love crime stories, that mystery’s the juicy part. 🙂
Are you a director on the hunt for a riveting drama – one with adrenaline-pumping tension and pace? Then TOS could be your fix. It doesn’t get much better than this…
Budget: Low. No expensive action sequences. Several interior shots of a police station interrogation room, bedroom, kitchen, garage, and car. Exterior shots of a house and car. Two strong, convincing actors for Peter and Alex. Just enough extras to put a nice handful to work.
About the Reviewer: California über reader/reviewer KP Mackie is working on an animated feature.
About the Writer: Jeremy Storey has been writing on-and-off for the last fifteen years. He’s dabbled in stage plays, screenplays and shorts. He even wrote a novel once, but the less said about that effort, the better. He’s had a few things produced along the way (a feature (REWIND), two shorts (GOOD DEEDS and ADRIFTING) and a play (LAST CUP OF SORROW). He’s even done quite well in a number of screenwriting contests over the years. However, it’s the process of writing and collaborating on creative projects with likeminded folks that really makes him happy and content. He’s delighted to be asked to participate in Simplyscripts, and is genuinely looking forward to connecting with other writers, producers and directors. Contact him at jeremystorey “AT” yahoo!
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